Broadsheet Journal | 46.2

22.07 23.09.17

future eaters

free entry Tues – Fri 10am – 5pm; Sat 12 – 5pm www.monash.edu/muma

Artists including: Hany Armanious (AUS) Benjamin Armstrong (AUS) Damiano Bertoli (AUS) Nina Cannell (SWE) Marley Dawson (AUS) Aleksandra Domanović (SVN) Alex Dordoy (GBR) Lewis Fidock & Joshua Petherick (AUS) Mira Gojak (AUS) Guan Xiao (CHN) Yngve Holen (NOR) Alex Israel (USA) Magali Reus (NLD) Anna Uddenberg (SWE) Anicka Yi (KOR)

Anna Uddenberg, Savage #2 (quilted crutch) 2017. Courtesy the artist and Kraupa-Tuskany Zeidler, Berlin. Photo: Gunter Lepkowski

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Broadsheet Journal | 46.2

Published on Jul 18, 2017

ACE Open

The winter issue of Broadsheet Journal features artist profiles by Sophie Knezic (Christian Thompson), Amelia Winata (Megan Cope and Emily Floyd) and Andy Best (Christian Lock). Reviews include Tessa Zettel’s penetrating assessment of the Athens component of documenta 14, Chari Larsson’s refreshing take on The National, Mary-Jean Richardson’s reflections on Versus Rodin and Paola Anselmi on WA photography. Characterised by multiple, inter-connected strands, Giles Fielke’s substantial essay ‘Movies in the Museum: The Paaracinematic Gaze’ and an examination of the controversy surrounding Dana Schutz’s work at the 2017 Whitney Biennial. Finally, Lana Lopesi interviews Tina Baum, curator of Defying Empire, who says; ‘knowing that Indigenous artists have a strong voice that will be heard, that their voices will not be stifled or suppressed is a very powerful tool.’ It is a voice, which is exemplified by the issue’s striking cover image of Archie Moore’s United Neytions (2017).

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