P L A C E
Singleton 699115 The of
T I M E
I N
M O T I O N ( S )
University Melbourne Master
R E M E M B E R I N G
+ R E P R E S E N T I N G
Brydie
of
Architecture 2020
A T L A S
T I M E
I N
M O T I O N ( S )
The site is located in Hawthorn It began as a clay pit for the Old Upper Hawthorn Brickworks site established in 1883, being the largest brick manufacturer in Victoria at one point. It closed in the Great Depression, leaving a huge hole in the landscape. In 1972 the council acquired the land and used it as a rubbish tip. Once it was filled, they let it rest and in 1996 it was turned into a park, named Fritsch Holzer after on the Augustus Fritsch and the Holzer brothers who set up the Brickworks I chose this as my site of exploration due to its layered history Having lived two streets away from it my whole life, I have my own narratives attached to it. Beyond this, there is a deep sense of collective memory embedded into this layered landscape A river once flowed through the site, wattle was thick However, once the clay pit was found, it was dug out Once excavation was exhausted, it was packed in again Today it’s a see of picnics, pets and planting We discover it again Flowing Digging Packing Playing The Atlas is broken down into four stacking boxes, each speak to a shifting time frame, by the forces that was acted upon on it Time in Motion(s) You are invited to excavate, scrummage through the stack, slowly unpack Through poems, soundscapes, fossil artefacts, Maps, collages and photography Through interaction comes discovery Feel, touch, hear and listen to the echo of the sites many histories, which still reverberate through it today
1
2
3
4
https://www.youtube.com/watch?v=FO9Ot7Bdwq8
8
S T A C K E D
A T L A S
:
I N T E R A C T I O N
9
1
1
FLOWING
F L O W I N G
: WATTLE
W A T T L E
A N D
AND WATER
Prior to 1883
10
W A T E R
1
FLOWING
:
WATTLE
AND
WATER
11
1
ST A C K E D
Wattle
and
I N S I D E
Prior to 1883
Water
The signal of spring Days warming Scented smell Carried in air
Buried beneath the ground
First hints Of tiny yellow
By most patrons, it’s unfound
Then explosion Of inflorescence Numerous wattles An aesthetic of many
What once laid low
FLOWING
When spring awakes From its sleep
Meandered freely in its flow
We are always ready
Now sits trapped within pipes Tightly within their gripes
WATTLE
Prior to 1883
Hidden moments, untold 0m
Shackled by human control
50
100
150
200
Ruled by the pursuit of taming
THE
Altering what was, the land reframing
BURIED
WATERCOURSE
FLOWING
But as rain falls down, the humans retreat And all the organisms, regain their feet
Wattle
and
Water
For a moment just so Nature steals back the show
Prior
to
1883
0m
50
100
150
200
: WATTLE AND
GL
YARRA RIVER
D
S
AN
AS
Prior to 1883
CR K
DS
AN
TL
EE
WE
WATTLE
TR L
AI NORTHERN
TRADITIONAL
WURUNDJERI
SOUTHERN
TRADITIONAL
UNDETERMINED
DRAIN
LAND
(RAP) AREA
LAND
(RAP) AREA
RIVER
LO
ST
CR
EE
K:
GO
SITE
OR
IG
Poem
IN
AL
CO
AD
DR
CH
OL
AS
RO
NI
OUTLINE OF BOROONDARA
Cast Artefact: Wattle Imprint
N
AI
ANNIVERSARY TRAIL
NE
Soundscape
AREA
YARRA
MAIN HAWTHORN
WATER
Inside:
BLACK CREEK
UR
SE
OF
GA
RD
Morphology: Map
IN
ER
S
CR
FERNDALE
EE
1933 0m
50
100
150
200
0m
50
100
150
200
TRAIL
K
Stitched Watercourse: Map Indigenous History: Map Wattle: Photography Archival: Collages
TRADITIONAL LAND OF THE WURUNDJERI PEOPLE OF THE KULIN NATION (MAP OF THE CONTEMPORARY REGION OF BOROONDARA) NUMBER OF TRADITIONAL GROUPS IN THE BOROONDARA REGION: 38 THE NAME BOROONDARA ORIGINATES FROM TRADITIONAL WOIWURRUNG LANGUAGE MEANING 'WHERE THE GROUND IS THICKLY SHADED'
12
0km
1000km
2000km
N
LOST CREEK: GONE
LOST CREEK: WALKING TRACK
YARRA RIVER
SOUTHERN TRADITIONAL LAND (RAP) AREA
REMAINING EXISTING CREEK
LOST CREEK: DRAIN
WHERE THE GROUND IS THICKLY SHADED
SOUTHERN TRADITIONAL LAND UNDEFINED (RAP) AREA
1
FLOWING
:
WATTLE
AND
WATER
13
1 FLOWING : WATTLE AND WATER 14
https://youtu.be/oMY35RnjA38
1
S O U N D S C A P E
FLOWING
:
WATTLE
AND
WATER
15
1
A R T E F A C T
FLOWING : WATTLE AND WATER
Wattle Cast Imprint
16
1
P O E M
Wattle
and
Water FLOWING
Buried beneath the ground
:
By most patrons, it’s unfound
WATTLE
What once laid low Meandered freely in its flow
Hidden moments, untold
WATER
Tightly within their gripes
AND
Now sits trapped within pipes
Shackled by human control Ruled by the pursuit of taming Altering what was, the land reframing But as rain falls down, the humans retreat And all the organisms, regain their feet For a moment just so Nature steals back the show
17
1
M A P P I N G
M O R P H O L O G Y
FLOWING
Prior to 1883
Prior to 1883
1933
:
Prior to 1883
WATTLE AND WATER 0m
18
50
100
150
200
0m
50
100
150
200
1
M A P P I N G
B U R I E D
W A T E R C O U R S E
FLOWING : WATTLE AND WATER
Stages of flow from creek to wetlands
19
LAND INED (RAP ) AREA
UNDETERM
DRAIN LO
ST
CR
EE
K:
GO
SITE
I N D I G E N O U S
OR
IG
IN
AL
CO
D
DR
CH
OL
AS
A RO
NI
1
M A P P I N G
N
AI
ANNIVERSARY TRAIL
NE
OUTLINE OF BOROONDARA AREA
RIVER
HAWTHORN
YARRA
N
MAI
BLACK CREEK
UR
SE
OF
GA
RD
IN
ER
S
H I S T O R Y
CR
FERNDALE
EE
TRAIL
K
TRADITIONAL LAND OF THE WURUNDJERI PEOPLE OF THE KULIN NATION 1000km
2000km
N
D
S
AN
AS
GL
YARRA RIVER
0km
K
DS
AN
TL
WE
CR EE
FLOWING
(MAP OF THE CONTEMPORARY REGION OF BOROONDARA) NUMBER OF TRADITIONAL GROUPS IN THE BOROONDARA REGION: 38 THE NAME BOROONDARA ORIGINATES FROM TRADITIONAL WOIWURRUNG LANGUAGE MEANING 'WHERE THE GROUND IS THICKLY SHADED'
TR L
AI
: WATTLE
NORTHERN
TRADITIO
WURUNDJE
NAL LAND
RI (RAP) AREA
AND
SOUTHERN
LO
ST
CR
EE
K:
GO
SITE
IG
IN
AL
CO
D
DR
NI CH OL AS
A RO
OUTLINE OF BOROONDARA
OR
N
AI
ANNIVERSARY TRAIL
NE
AREA
RIVER
HAWTHORN
YARRA
WATER
N
MAI
TRADITIO NAL LAND INED (RAP ) AREA
UNDETERM
DRAIN
BLACK CREEK
UR
SE
OF
GA
RD
IN
ER
S
CR
FERNDALE
EE
TRAIL
K
TRADITIONAL LAND OF THE WURUNDJERI PEOPLE OF THE KULIN NATION
20
(MAP OF THE CONTEMPORARY REGION OF BOROONDARA) NUMBER OF TRADITIONAL GROUPS IN THE BOROONDARA REGION: 38 THE NAME BOROONDARA ORIGINATES FROM TRADITIONAL WOIWURRUNG LANGUAGE MEANING 'WHERE THE GROUND IS THICKLY SHADED'
0km
1000km
2000km
N
LOST CREEK: GONE
LOST CREEK: WALKING TRACK
YARRA RIVER
SOUTHERN TRADITIONAL LAND (RAP) AREA
REMAINING EXISTING CREEK
LOST CREEK: DRAIN
WHERE THE GROUND IS THICKLY SHADED
SOUTHERN TRADITIONAL LAND UNDEFINED (RAP) AREA
The signal of spring Days warming
1
Scented smell Carried in air First hints Of tiny yellow
P H O T O G R A P H Y
Then explosion Of inflorescence Numerous wattles An aesthetic of many When spring awakes From its sleep
W A T T L E
We are always ready
WATTLE
FLOWING :
Then explosion Of inflorescence
WATER
First hints Of tiny yellow
AND
Scented smell Carried in air
WATTLE
The signal of spring Days warming
Numerous wattles An aesthetic of many When spring awakes From its sleep We are always ready
WATTLE
21
1
A R C H I V A L
C O L L A G E
FLOWING : WATTLE AND WATER WATTLE
22
1
A R C H I V A L
C O L L A G E
FLOWING : WATTLE AND WATER
THE
BURIED
WATERCOURSE
23
2
2
DIGGING
D I G G I N G
: CLAY
C LA Y
A N D
C O L O N I E S
AND COLONIES
1883 - 1972
24
2
DIGGING
:
CLAY
AND
COLONIES
25
2
ST A C K E D
I N S I D E
PLAYING Pets + Playing 1996 - current
Clay
and
Prior to 1883
Colonies
Peeking through Reaching out
Walking in step with cuts Edges release
Encrusted in time Locked in by soil Bricks scatter Emerging in hills Buried under foot Remnants of a past life
With each contour
DIGGING
A new crease
Faint echoes A narrative to be discovered By the kid in the dirt Digging for worms If you look You will find
The clay, Drained of its source
BRICK
REMNANTS
1933
The claim, Perceived ownership of force
0m
50
100
150
200
Carving out buildings
BRICK
One brick at a time
HISTORY
DIGGING
In depths of the quarry From which they climb
Clay
and
Colonies
Shovel over shoulder Sculpting of land In kiln turn over Engraved by man
1883
-
1972
0m
50
100
150
200
: CLAY AND COLONIES
Prior to 1883
THERE’S
Inside:
Soundscape Cast Artefact: FH Imprint Poem
1952 0m
50
100
150
200
0m
50
100
150
200
Morphology: Map Brick Pits Watercolour: Map Excavating Narratives: Maps Brick Remnants: Photography Archival: Collages
26
A
HOLE
IN
MY
GARDEN
2
DIGGING
:
CLAY
AND
COLONIES
27
2 DIGGING :
https://youtu.be/NGp-44mUJnU
CLAY AND COLONIES 28
Also includes footage from Living Hawthorn, (2017; Youtube: ACMI Collection, 2017), Video/ https://www.youtube.com/watch?v=tho9vseGf5w. Bricks (1940-1949), (2014; Youtube: British Pathé, 2014), Video/ https://www.youtube.com/watch?v=iZX3Q5Tmkpg.
2
S O U N D S C A P E
DIGGING
:
CLAY
AND
COLONIES
29
2
A R T E F A C T
DIGGING : CLAY AND COLONIES
Fritsch Holzer Cast Imprint
30
2
P O E M
Clay
and
Colonies DIGGING
Walking in step with cuts
:
Edges release
CLAY
A new crease
The claim,
COLONIES
The clay, Drained of its source
AND
With each contour
Perceived ownership of force Carving out buildings One brick at a time In depths of the quarry From which they climb Shovel over shoulder Sculpting of land In kiln turn over Engraved by man
31
2
M A P P I N G
M O R P H O L O G Y
DIGGING
Prior to 1883
1933
1952
:
Prior to 1883
CLAY AND COLONIES 0m
32
50
100
150
200
0m
50
100
150
200
2
M A P P I N G
B R I C K
P I T S
DIGGING : CLAY AND COLONIES 33
2
M A P P I N G
E X C A V A T I N G
H I S T O R Y
DIGGING : CLAY AND COLONIES EXCAVATING
34
HISTORY
2
M A P P I N G
R E V E A L I N G
N A R R A T I V E S
DIGGING : CLAY AND COLONIES
REVEALING
NARRATIVES
35
2
P H O T O G R A P H Y
H I D D E N
DIGGING : CLAY AND
Peeking through Reaching out
COLONIES
Encrusted in time Locked in by soil Bricks scatter Emerging in hills Buried under foot Remnants of a past life Faint echoes A narrative to be discovered By the kid in the dirt Digging for worms If you look You will find
BRICK
36
REMNANTS
B R I C K S
2
Peeking through Reaching out Encrusted in time Locked in by soil Bricks scatter Emerging in hills
P H O T O G R A P H Y
Buried under foot Remnants of a past life
Faint echoes A narrative to be discovered By the kid in the dirt Digging for worms
H I D D E N
If you look You will find
BRICK
B R I C K S
REMNANTS
DIGGING : CLAY AND COLONIES 37
2
A R C H I V A L
C O L L A G E
DIGGING : CLAY AND COLONIES BRICK
38
HISTORY
2
A R C H I V A L
C O L L A G E
DIGGING : CLAY AND COLONIES
THERE’S
A
HOLE
IN
MY
GARDEN
39
3
3
PACKING
P A C K I N G
: REFUSE
R E F U S E
A N D
R E P O S I T O R Y
AND REPOSITORY`
1972 - 1986
40
3
PACKING
:
REFUSE
AND
REPOSITORY`
41
3
ST A C K E D
YARRA RIVER
Prior to 1883
S AS GL
Prior to 1883
Repository
D
and
AN
Refuse
I N S I D E
TL AN
K EE CR
WE DS
TR AI L NORTHERN
Removed at pace
SOUTHERN
MAIN
UNDETERMINED
DRAIN
ST
CR
EE
K:
GO
SITE
AI
ANNIVERSARY TRAIL
NE
50
100
DR
N
AS OL CH
OUTLINE OF BOROONDARA
1933 0m
AD
RO
NI
Cut and cover
1952
Packed with an echo 150
OR
IG
200
0m
50
100
150
200
IN
AL
CO
BLACK CREEK
UR
SE
OF
GA
PACKING
RD
A mine of the discarded
IN
ER
S
CR
FERNDALE
EE
TRAIL
K
A repository of decisions The town’s disposed ghost Captured deep in the incision
Refuse
and
Repository
The Monday line up Toe to toe TRADITIONAL LAND OF THE WURUNDJERI PEOPLE OF THE KULIN NATION
:
The park’s secret
(MAP OF THE CONTEMPORARY REGION OF BOROONDARA) NUMBER OF TRADITIONAL GROUPS IN THE BOROONDARA REGION: 38 THE NAME BOROONDARA ORIGINATES FROM TRADITIONAL WOIWURRUNG LANGUAGE MEANING 'WHERE THE GROUND IS THICKLY SHADED'
Most people don’t know
1972
-
1986
0m
50
100
150
200
REFUSE
0m
50
AND REPOSITORY`
Collected by the by the Carving Carving out space out space Collected routine rhythms rhythms in the in ground the ground routine
Inside:
Soundscape Cast Artefact: Plastic Imprint Poem Morphology: Map Tip Thresholds: Map Excavated Meeting Minutes: Artist Book 168 Bins: Photography
42
LAND
(RAP) AREA
LO
The giant groove
The land reprove
LAND
(RAP) AREA
TRADITIONAL
AREA
RIVER
No visible trace
HAWTHORN
YARRA
Refuse thrust
PACKING
TRADITIONAL
WURUNDJERI
Natural topography
Monday alarmalarm of of To pack To pack in a in a Monday the pick up truck up truck wasted wasted time time the pick capsule capsule Crammed Crammed into into ground ground A repository A repository NeverNever againagain to to An inventory An inventory be found be found Discarded Discarded moments moments Filling the land the land WhichWhich tell tell a a Filling Covered up with up with storystory Covered dirtydirty sand sand
1 6 81 6B8I NBSI N S
100
150
0km
1000km
2000km
N
200
LOST CREEK: GONE
LOST CREEK: WALKING TRACK
YARRA RIVER
SOUTHERN TRADITIONAL LAND (RAP) AREA
REMAINING EXISTING CREEK
LOST CREEK: DRAIN
WHERE THE GROUND IS THICKLY SHADED
SOUTHERN TRADITIONAL LAND UNDEFINED (RAP) AREA
3
PACKING
:
REFUSE
AND
REPOSITORY`
43
3 PACKING : REFUSE AND REPOSITORY` 44
https://youtu.be/NuuZYED7SaM
3
S O U N D S C A P E
PACKING
:
REFUSE
AND
REPOSITORY`
45
3
A R T E F A C T
PACKING : REFUSE AND REPOSITORY`
Discarded Plastic Cast Imprint
46
3
P O E M
and
Repository
PACKING
Refuse
:
Removed at pace
Packed with an echo The land reprove
REPOSITORY`
Cut and cover The giant groove
AND
Refuse thrust No visible trace
REFUSE
Natural topography
A mine of the discarded A repository of decisions The town’s disposed ghost Captured deep in the incision The Monday line up Toe to toe The park’s secret Most people don’t know
47
3
M A P P I N G
M O R P H O L O G Y
PACKING
Prior to 1883
1982
2020
:
Prior to 1883
REFUSE AND REPOSITORY` 0m
48
50
100
150
200
0m
50
100
150
200
YARRA RIVER
SITE
OUTLINE OF BOROONDARA
AREA
3
M A P P I N G
B O U N D A R Y
M 5K
T I P
BOROONDARA WASTE COLLECTION REGIONS 0km
1000km
2000km
PACKING
RESIDUAL ANNUAL TONES 38.5K
N
COMINGLE ANNUAL TONES 21.2K GARDEN ORGANICS ANNUAL TONES 15.4K
YARRA RIVER
TOTAL ANNUAL TONES WASTE GENERATED 72.64K
:
TUESDAY
WEDNESDAY
THURSDAY
FRIDAY
REFUSE
MONDAY
AND REPOSITORY`
YARRA RIVER
OUTLINE OF BOROONDARA
AREA
SITE
M
5K
BOROONDARA WASTE COLLECTION REGIONS
49 RESIDUAL ANNUAL TONES 38.5K COMINGLE ANNUAL TONES 21.2K
0km
1000km
2000km
N
3
A R C H I V A L
M E E T I N G
M I N U T E S
PACKING : REFUSE AND REPOSITORY`
Excavated Artist Book 60 pages of Boroondara Council Meeting Minutes between the dates of 1972-1986 Each extracted page references the Rose Street Tip
50
3
P H O T O G R A P H Y
B I N
S E R I E S
Collected by the routine rhythms
To pack in a wasted time capsule
Monday alarm of the pick up truck
BINS
AND
168
Filling the land Covered up with dirty sand
REFUSE
Discarded moments Which tell a story
Crammed into ground Never again to be found
:
A repository An inventory
PACKING
Carving out space in the ground
REPOSITORY` 51
4
4
PLAYING
P L A Y I N G
: PETS
P ET S
A N D
P L A N T I N G
AND PLANTING
1996 - Current
52
4
PLAYING
:
PETS
AND
PLANTING
53
4
ST A C K E D
I N S I D E
PLAYING Pets + Playing 1996 - current Invisible movements Meandering ghosts Capture the shadow’s gaze Fleeting Impossible moments Taken Palimpsest of the air Consciousness of the park
Pets
and
Prior to 1883
Planting
SUNDAY
STROLL
Slicing through the middle Conveyor belt of paws and feet
The sound of soft landing
Neighbours in habitation Strangers in speech
Paws race among meads
Colliding in time Across paths Little do they know The path speaks another truth
The park our only getaway
PLAYING
The truth of once was Flowing in course
Loikeet in the reads
Now flows of humans Once flowed of water
0m
The noisiest of minors
50m
100m GRASS
CUT
The birds and the babes
TREES + PLANTING
WETLAND + POOLING
FORMAL GRAVEL PATH
INFORMAL PATH
N
THROUGH
MATERIAL MAP
2020
Sing in daisy fields Cluster under shade
0m
50
100
150
200 Fur fleets Bounding breath Echo in the grass History talks
Dodging snails under foot
Breath of memory In sway
Just at the surface
Repressed water Another stream prevails
PLAYING
Slowly A wetland seeps through
A complex topography below
Through the shadows Communicating
Grounded by purpose
Pets
and
Planting
ACROSS
But now the land rests
THE
REEDS
Green blades dance back Wetland where the creek once ran A saturated comeback
1996
-
Current
The sandy trail Loosely innocent
0m
50
100
150
200
Seized in speed Freed under foot The surprise of a corner The comfort of a stranger
:
Through conversation Embraced Park lessons capture the young Lasting transience
PETS
Implicit in experience Learned forever
SUNDAY
SIGNS
STACK
OF
FRITSCH
HOLZER
AND
Imprints of determination Traversing Cross the buried river Caught in the drift Up against A mother’s tide Strong as the bond Tender to the touch
PLANTING
NEIL
Inside: Governed by the sun Twilight in our grasps The park is our restaurant Our grassy deck Antipasto politics Intertwined The smell of eucalypt Our entree Walking beers Foot to foot We march on Capturing the last moments Until dusk steels Another evening
Soundscape
GRAIN THE
TWILIGHT
OUTLIER
MARCH
Cast Artefact: Rock Imprint Poem Morphology: Map Material, Grain Outlier, Paws and Feet, Signs of Hawthorn: Maps Rock Printing: Map Texture: Photography
TEXTURE
REFLECTIONS
Pooling water Catches the sun
Open Shutter: Photography
Gum leaves sway Shaking hands with the wind Reflecting To itself
1
Textures in Reciprocity
0m
50m
100m
N
FPEAEWT RROOUUTTEESS
54
4
PLAYING
:
PETS
AND
PLANTING
55
4 PLAYING : PETS AND PLANTING 56
https://youtu.be/UvnNP5ZhWFs
4
S O U N D S C A P E
PLAYING
:
PETS
AND
PLANTING
57
4
A R T E F A C T
PLAYING : PETS AND PLANTING
Rock from Site Cast Imprint
58
4
P O E M
Pets
and
Planting PLAYING
The sound of soft landing
:
Paws race among meads
PETS
Loikeet in the reads
Sing in daisy fields
PLANTING
The noisiest of minors The birds and the babes
AND
The park our only getaway
Cluster under shade Dodging snails under foot Just at the surface A complex topography below Grounded by purpose But now the land rests Green blades dance back Wetland where the creek once ran A saturated comeback
59
4
M A P P I N G
M O R P H O L O G Y
PLAYING
Prior to 1883
2020
Prior to 1883
:
Prior to 1883
PETS AND PLANTING 0m
60
50
100
150
200
0m
50
100
150
200
4
M A P P I N G
M A T E R I A L
PLAYING : PETS AND PLANTING
0m
50m
100m GRASS
TREES + PLANTING
WETLAND + POOLING
FORMAL GRAVEL PATH
INFORMAL PATH
N
MATERIAL MAP
61
4
M A P P I N G
F E E T
PLAYING : PETS AND PLANTING 0m
50m
100m
N
FEET ROUTES
62
4
M A P P I N G
P A W S
PLAYING : PETS AND PLANTING
0m
50m
100m
N
PAW ROUTES
63
4
M A P P I N G
G R A I N
O U T L I E R
PLAYING : PETS AND PLANTING GRAIN
64
OUTLIER
4
M A P P I N G
B L O O M I N G
W A T T L E
PLAYING : PETS AND PLANTING
BLOOMING
WATTLE
65
4
M A P P I N G
T O P O G R A P H I C P R I N T
PLAYING : PETS AND PLANTING
Abstract Printing with rocks from the Site
66
4
M A P P I N G
S I G N S
O F
H A W T H O R N
PLAYING : PETS AND PLANTING
SIGNS
OF
FRITSCH
HOLZER
67
4
P H O T O G R A P H Y
T E X T U R E
PLAYING : PETS AND PLANTING
TEXTURE
REFLECTIONS
Pooling water Catches the sun Gum leaves sway Shaking hands with the wind Reflecting To itself Textures in Reciprocity
68
4
P H O T O G R A P H Y
O P E N
S H U T T E R
Invisible movements Meandering ghosts Capture the shadow’s gaze Fleeting Impossible moments Taken Palimpsest of the air Consciousness of the park
PLAYING : PETS
SUNDAY
STROLL
AND PLANTING
Slicing through the middle Conveyor belt of paws and feet Neighbours in habitation Strangers in speech Colliding in time Across paths Little do they know The path speaks another truth The truth of once was Flowing in course Now flows of humans Once flowed of water
CUT
THROUGH
69
1
P H O T O G R A P H Y
O P E N
S H U T T E R
Fur fleets Bounding breath Echo in the grass History talks Breath of memory In sway Repressed water Another stream prevails
FLOWING
Slowly A wetland seeps through Through the shadows Communicating
: WATTLE
ACROSS
AND WATER The sandy trail Loosely innocent Seized in speed Freed under foot The surprise of a corner The comfort of a stranger Through conversation Embraced Park lessons capture the young Lasting transience Implicit in experience Learned forever
SUNDAY
70
STACK
THE
REEDS
4
P H O T O G R A P H Y
O P E N
S H U T T E R
Imprints of determination Traversing Cross the buried river Caught in the drift Up against A mother’s tide Strong as the bond Tender to the touch
PLAYING : PETS
NEIL
AND PLANTING
Governed by the sun Twilight in our grasps The park is our restaurant Our grassy deck Antipasto politics Intertwined The smell of eucalypt Our entree Walking beers Foot to foot We march on Capturing the last moments Until dusk steels Another evening
THE
TWILIGHT
MARCH
71
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2
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Brydie Singleton 699115 The of
T I M E
I N
M O T I O N ( S )
University Melbourne Master
of
Architecture 2020
A T L A S