Ton Rooijmans. Graphical analysis of the composition of the Basilica Palladiana, Vicenza. Graphical analysis of ‘listening’ to architecture: horizontally, the rhythms are visible from left to right. Vertically, the ‘chords’ are visible, different elements that are accordant with one another on different levels. The further along the time line, the more detailed the rhythms and the mutual relations.
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