Griffin Gazette Issue # 12

Page 1

MONTHLY NEWS FOR THE BEATZILLA IN YOU!

Griffin Gazette Issue

12 T 17

Jan. 20

this issue

Letter from the Editor:

The Power of the Internet P. 1

Soul to Success P. 2

We at Beatzilla encourage

Beatzilla Listening Party P. 3

the discovery of hidden tal‐

Meet Jo Blaq P. 4

ent, one through our mission statement and two our logo. Our mission is to, “discover the hidden, encourage the uncertain, develop the un‐ trained, and empower the powerless among artists”. Our logo embodies a gry‐ phon; an eagle part lion cre‐ ated to protect the hidden. Our journey in discovering good music won’t be easy; it will take time, understand‐ ing, and a fresh outlook on the ever evolving music in‐ dustry. But we are ambitious, full of heart, and open to the chal‐ lenge. Peace be to Brooklyn! Ashley Smith

All Things Indie: Discover the Hidden The Power of the Internet Discovering Indie Talent

Fighting to Be Seen Indie Labels Band Together

By Carolyn Fraser, VP of Public Relations

By Ashley Smith, Art and Editorial Intern

The internet is a mecca for every type of music artist, especially for “indie” artists. There is a plethora of music listening, networking, maga‐ zine, and promotional websites for any seeker wanting to receive exposure or be in “the know” music‐wise. Artists can blow up just by displaying their tal‐ ent on a music networking site like MySpace. Ask Cassie, Janelle Monae, Soulja Boy, and Sean Kingston. All of these artists were signed to major labels after being discovered on the World Wide Web. The internet is readily accessible to indies, where they can secure bookings, promotions, production assistance and even a manager…all with a click of their mouse. However, discovery on the net won’t happen without some serious effort. Be prepared to post music and press kits on music networking sites, be sure to keep profile information up‐to‐date, and submit your music to online music editors for review on a regular basis. If discovery or signing to a label doesn’t hap‐ pen, don’t write the net off. The internet is one of the best places to start to make a name for oneself with marketing and promotional strat‐ egies.

There are a growing number of independent labels emerging everyday. Many are overshad‐ owed by the dominance of major labels. How do indies fight back? One strategy is Mer‐ lin, a group headed by Australia’s largest inde‐ pendent music distributor, Charles Caldas. This group has gathered together a record 1200 indie labels whose collective strength makes navigating through the competitive sea of the music industry more manageable. Caldas has also made a deal with SNOCAP which is run by Shawn Fanning, formerly of Napster. The deal provides indie artists an eas‐ ier way to sell their music on Myspace or to create their own online. With artists focus now leaning toward building a fan base than the threat of piracy, SNOCAP also provides all backend distribution and payment processing systems without the limitation of DRM’s (digi‐ tal rights management). Merlin isn’t your typical traditional label. With their focus on acting as a licensing authority that negotiates rights they are making their way to becoming one of the major players in the world of music today.


Mr. Borgart: M.O.B.

Understanding the True Cost of Greatness

By DaRonn VP of Artist Development

First things first, what is M.O.B. you ask? Let me ex‐ plain. M.O.B. is an anagram for Money over Business. Why this topic? I'll tell you why. M.O.B. is probably the number one killer of an art‐ ist’s career. Most artists search their en‐ tire career looking to be saved by some record, pub‐ lishing, or distribution deal. They’re then persuaded to take an advance instead of negotiating back end money (where the label receives its residuals from). Let's explore this a bit more. A major label approaches you with a 5 year exclusive deal and a $ 300,000 budget. What does it cost the artist you ask? The distribution and packaging costs actually comes out of the artist’s roy‐ alty rate. Not to mention the cost of marketing and pro‐ motional tools for the pro‐ ject. So from the first minute you sign, you're in debt. How do you stay on top of the game? Be a connoisseur of your profession. Stop go‐ ing after the bait and wait for the fish. It’s more often that you will have the opportunity to ne‐ gotiate your deal more effi‐ ciently. Here are 3 ways how: 1.) Become knowledgeable about the business. 2.) Seek advice from a professional source that has your best interest in mind. 3.) Have some LEVERAGE via record sales (consignment, hand to hand or logged).

We asked Beatzilla’s CEO about the keys to achieving greatness.

Beatzilla founder D. Rashaan

I once heard the word vision

odds. Can you see (or envi‐

Gilmore shares how to turn

described as “the ability to see

sion) the final outcome of all

visions of greatness into your

the end of a thing.” I like that.

your efforts to achieve great‐

very own reality.

It means knowing what you

ness? What does it look and

want to accomplish before

feel like? What emotions run

you set out to do it.

through you? Be honest, are you really de‐

Greatness cost. And, for most people the cost is way too steep. Most of us want ulti‐ mate success in our relation‐ ships, businesses and lives overall. However, so few are willing to do what it takes to make it happen.

Perseverance is more than

termined to overcome the

just endurance; it also in‐

challenges blocking your way

volves unrelenting determina‐

right now? If not, you can

tion to get something done

begin by reaffirming your

even in the face of difficult

commitment to your vision and refusing to quit.

Vision is

Ironically, though greatness costs, you can’t buy it! Great‐

the ability

ness is obtained only through

to see the end

vision and perseverance. No‐

of a thing.

While not everyone is born great, everyone absolutely can be great. Find your inner greatness and don’t let go.

thing else really matters.

This Week’s Internet Hot Spots 1. Unsigned Entertainment

2. bandBUZZ

www.unsigned.com

www.bandbuzz.com

This website features emerging

bandBUZZ profiles both indie

artists from a variety of music

and commercial artists. Songs

genres, where fans can create

are streamed from the website,

their own profiles to engage with

while rating if the artist and

artists of their preference.

their music is the “buzz”.

3. Get Signed

4. Nextcat

www.getsigned.com

www.nextcat.com

Get Signed is specifically de‐

Acting as a networking community

signed for musicians and industry

It’s all about who you know!

professionals. Music videos of

Nextcat provides a marketplace of

featured “indie” artists are also

opportunities for both established

streamed from the site.

and emerging talent.


The Gift of Sound

EYE ON IT: Dark was the Night

Highlights from Beatzilla’s Holiday Party

There’s nothing better than

In the Booth Staff Picks Carolyn’s Pick Akon “Right Now (Na, na, na)”

artists giving back while mak‐

ing great music. All profits from the highly anticipated indie rock album Dark was the Night (with a total of 32 tracks) will go to support the Red Hot AIDS Organization. This album marks the inter‐ national charity's 20th music compilation. The organiza‐ tion utilizes music as a “vehi‐ cle to raise both money and awareness.” The release date for Dark as the Night is set for February 16th (worldwide) and Febru‐ ary 17th (in North America). Artists featured include: Arcade Fire Feist Cat Power

st

Sunday, December 21 , 2008 team Beatzilla heated up the coldest night of the year with their first holiday party The Gift of Sound. The event also served as Beatzilla listening party 3. Hot 103 Jamz DJ and party starter Sean Tyler hosted the entertain‐ ing event. Performances included students of the Paseo Academy Thelonious Monk Institute of Jazz Program, lead singer of Soul’s Poem Sonya Anders‐Blackwell, Lee Langston, saxophonist C‐Note, Errol Dixon and jazz singer Lisa Henry. Pro‐ ducer and pianist Jarvis Rhone accompanied most acts. As the party came to a close, pro‐ ducer of hits such as Chris Brown’s “Forever” and Rihanna’s “Disturbia”, Brian Kennedy, made a surprise appearance. A crowd quickly gathered around him as he broke it down on the key‐ board. Click here to listen to Brian Kennedy and T‐Wiz’s remix to Beyonce’s “If I were a boy”. • • • Special Q & A with Rising Artist Errol Dixon Q: I heard you were once signed to R. Kelly’s label. How did that come about?

A: At the time I was in an R&B group of four called “Talent.” It all started when my twin brother Bishop (also a member) was at an R. Kelly concert. He was then ap‐ proached by a friend who knew Kelly’s cousin, Blaq who was look‐ ing for a group. Long story short we left a voicemail with Blaq of us singing. He loved it. We then sang for R.Kelly over the phone.

It wasn’t even two weeks be‐ fore he sent a plane and signed us to his label Rockland. Q: Why did you leave Talent? A: I was always on the road and never got time to see my family. It made sense for me to leave. Q: Did you stop pursing music for awhile after you came back?

Quentin’s Pick Brandy “Piano Man“

A: Not at all. I’ve been doing background vocals for a lot of gospel artists like Fred Hammond and the Clark sisters. Currently though I’m in a gos‐ pel group of five. We haven’t tied down a name yet, but we are in the process of audition‐ ing for band members and looking to get signed. I’m also working with a rapper (name disclosed) doing vocals. Q: When did you find your pas‐ sion through music?

A: I’ve been singing actually since the age of five. My fa‐ ther’s also a pastor so it’s in‐ stilled in me. For me music is like breathing. • • • In 2009, Beatzilla Unplugged welcomes a brand new cycle of listening parties. This growing series showcases breakout art‐ ists seeking to be heard. If you have a project and would like to be considered for Beatzilla Unplugged contact us at un‐ plugged@beatzilla.com. • • • Who’s next in the Beatzilla Unplugged listening party series? Check out the ad on page 4 for more details.

Chris’ Pick John Legend ft. Brandy “Quickly”

Check This Out Grammy‐Nominated Producer Brian Kennedy

Click on Picture to Watch Beatzilla Holiday Party Surprise


Beatzilla Top 3: Hidden Artists 1. Corinne Vielle

Masterminds 2009 Cash for Creativity January and February

Coming to a City Near You

Re d White and Blue Collar Westport Flea Market Saturday, January 17th Let the excitement begin! In less than

“The Pitch” will hand out money to artist,

ten days Senator Barack Obama will

innovators, and entrepreneurs who are

be sworn into presidency. The Jackson

changing KC’s metro creative and cultural

County Democratic Committee is cele‐

landscape. They will write checks for at

brating by hosting the black tie event

least $1000 to someone in each of the fol‐

2. Mike Ant

Red, White and Blue Collar at the party

lowing categories: Visual and performing

room in Westport’s Flea Market. Tickets

arts, fashion/design, and all‐around crea‐

start at $15.

tive accomplishment.

Balanca’s Stop, Drop and Roll Every Friday

3. THICKE

BB King and Buddy Guy Valentines Day Concert th Saturday, February 14

Coming to the historic Midland Theater

If you want to enjoy some of the best in‐ dependent artists that Kansas City and the

in downtown Kansas City; come enjoy a

nation has to offer, Balanca’s is the place

night of classic blues with the legendary

to be on Friday night. They will be spin‐

BB King. Tickets are on sale now.

ning: Electro, INDIE, soul, and punk.

Fashion Rocks: Miss Independent Every independent woman needs a style that reflects her

Beatzilla Unplugged Presents

drive and strength. Check out

Meet Jo Blaq…

these current trends along with a soundtrack to put you in the perfect mood to ex‐

NAME: JO BLAQ

press yourself this season.

TITLE: PRODUCER, SINGER, SONGWRITER

AGE: 25

Click the picture below to see full layout.

GENRE: POP / ROCK

LABEL/PUBLISHER: BUG MUSIC

HOT NEW SINGLE: “HOLLYWOOD” CLICK HERE TO LISTEN! Photo Credit: Jani Bryson Photo Artistry

Stay Tuned For More Details!


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