Bartlett Summer Show 2017 Book

Page 86

BSc Architecture UG5

Figs. 5.17 – 5.18 Joanna Hobbs Y3, ‘Orchestra of Crickets’. An arena dedicated to the sport of cricket fighting. Located at the centre of the ghost city of Rushan, the arena amplifies the crickets’ activities and regenerates the surrounding city. Fighter crickets require specific diets, exercise and environments which are incorporated into both the human and cricket spaces within the building, creating a constant fluctuation between cricket and human scales. Fig. 5.19 Aya Ataya Y3, ‘Carving Conversation’. The project is a deconstruction of a censored government building to provide democratic space for the exchange of uncensored information and freedom of speech. The target is the National Museum of China in Beijing, where a new landscape is being carved and designed. The nature of the architecture is to be open and

5.17 The Bartlett School of Architecture 2017

5.18

5.20 84

accessible, which is essential in order to enable and enrich free speech within the structure, with enclosed spaces forming a study-focused Cultural Centre. Figs. 5.20 – 5.21 Ka Chi Law Y3, ‘The Shanghai Urban Quarry’ proposes an excavation strategy to refurbish the endangered Shanghai lane houses, whilst creating an experimental urban housing scheme situated in the environmental microcosm of the carved-out space. The ‘down-rise’ architecture consists of prefabricated living pods bolted to the trenches of the clay pit, and clad with terracotta tiles fired in-situ. The clusters of pods and lower-ground spaces is reminiscent of Shanghainese communal living culture, and opposes the mass construction of residential high-rises.


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