BSc Architecture Year 1
Fig. Y1.11 Noriyuki Ishii, ‘House for Cinematographer’. Outdoor public projection space for film screenings, montage room and archive. A layered composition of screens and staircases frames the site. The living space occupies the back of the projection screen. Fig. Y1.12 Tom Richardson, ‘House for a Fabric Dyer’. Living and working are intimately connected with each room, serving both domestic and industrial purposes. In the kitchen, plants from along the Lee Navigation are turned into natural dyes and poured into the dye baths. Rolls of fabric thread through the building into the dye pools before being dried above the canal. Fig. Y1.13 Ted Bosy Maury, ‘Over the Edge: A House for Blue Shadows’. A series of cantilevered moving platforms above the trees form a workshop and display space for a performative cyanotype photographer and her
The Bartlett School of Architecture 2017
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friends, moving over the edge of the canal between land and water to come together when in use and apart when empty. Gradually, the wooden surfaces are covered with sun-exposed blueprints while changing shadows add to the shadows of trees. Fig. Y1.14 Owen Mellett, ‘A Horticulturalist Greenhouse Home’. A house along the River Lea, which wraps around and integrates into the nature surrounding it, creating a number of interconnected microclimates in which both the owner and her plants can thrive. Fig. Y1.15 Karl Herdersch, ‘King John’s Palace/Function 1’ The first of a series of public inns with self-build room extensions that sprawl across the greenway. Come celebrate its grand opening on the site where the original King John’s Palace burnt down – a roller disco to the soundtrack of the demolition of Fish Island.