Bára Gísladóttir
Yung Leo i. stormurinn í þokunni ii. og himnarnir gráta iii. leaking green hours
for solo saxophone (tenor and alto), string quintet, three percussionists and electronics 12’
2017-18
Instrumentation Saxophone 1. Tenor saxophone (amplified) 2. Alto saxophone String quintet 3 percussionists 1. Thunder sheet, thunder drum, sustended cymbal, crotales (E7) a. Thimbles (on four fingers of each hand) b. Superball mallet c. Double bass bow 2. Thunder sheet, thunder drum, sustended cymbal, crotales (A6, Eb7) a. Thimbles (on four fingers of each hand) b. Superball mallet c. Double bass bow 3. Thunder sheet, thunder drum, sustended cymbal, crotales (D6, F6) a. Thimbles (on four fingers of each hand) b. Superball mallet c. Double bass bow d. Cymbal (used on thunder sheet)
Explanations Saxophone w.t. – whistle tones inhale
exhale
Growl. The growl should be in the form of a throat flutter boosted with the use voice.
Square noteheads are sung
This notation represents a fluttering air sound; the effect is performed with mouth pressure only, a fluttering technique mainly performed without the mouthpiece (further information in score). The different position of note-tails is to indicate the minor pitch-changes of the breath, creating a soar of fundamentals. The flutter should not at all be rhythmical.
gradually move from one technique to the other
circular breathing The first two movements are performed on an amplified tenor saxophone, boasting the piece with live electronics with effects run from Ableton Live and Max for Live. Additionally, the saxophonist is responsible for initiating the playback that goes through the first two movements. The third movement is entirely acoustic, and is performed on the alto saxophone. Further information regarding playing techniques are found in the score.
Strings s.p. – sul ponticello s.t. – sul tasto m.s.p. – molto sul ponticello m.s.t. – molto sul tasto o.p. – overpressure vertical bowing between m.s.p. and m.st.
harmonic artificial harmonic
Slurred tremolo is to be played on one bow throughout the bar. That is, the bowing does not change with every individual tremolo.
Gliss back and forth between the notes indicated. That is, the glissando is not to be played only from the first note of the tremolo to the second, but as a pendulum between the two notes.
Things to keep in mind: The levels of o.p..are divided into four different groups, from 1/4 to 4/4, where 1/4 is a slight o.p.., and 4/4 is a full o.p. with as little pitch-audibility as possible. Some of the harmonics are very pure, others are very grudgy, almost a white noise. Take them as they come, if you are positioned as indicated in the score, you are right!
Percussion r.h. – right hand l.h. – left hand t.s. – thunder sheet t.d. thunder drum th.dr.t. – thunder drum tail th dr.b. – thunder drum bottom sb. mallet – superball mallet
Swing your thunder sheet (don’t mind the noise occurring from thimbles getting in touch with the thunder sheet)
Kick your neighbour’s thunder sheet
Upwards-going motion on thunder sheet
Downwards-going motion on thunder sheet
At times the finger drumming is indicated in the form of numbers, where 5 is little finger, 4 is ring finger, etc. These indications are solely suggestions, and do not have to be followed if they do not make sense to you. The second movement is quite strictly choreographed, and the three players should keep in mind to be as coordinated as possible.
Electronics The electronics are in the form of playback (run from iTunes) and live electronics created with effects for the tenor saxophone (run from Ableton Live and Max for Live). The sound is projected through two speakers, that are to be placed on the floor, tight on the ensemble.
Conductor The score is transposed. The first two movements are to be conducted with metronome in earplugs (this is for the ensemble to go correctly in time with the electronics). The last movement is entirely acoustic and can be conducted a bit freer than the others.
Yung Leo was commissioned by Anja Nedremo in 2017 in the occasion of her debut concert from the Royal Academy of Music in Aarhus. Yung Leo is in three movements; i. stormurinn í þokunni, ii. og himnarnir gráta, and iii. leaking green hours. Each movement is built of a strong individual character, however, the goal is to create a compelling overall picture for the piece, mainly in the form of a steady and ever going overlapping through texture, instrumental techniques, and dynamics. Yung Leo is built on young love, Prokofiev’s and Shakespeare’s Romeo and Juliet, young Leonardo DiCaprio, lions, the zodiac sign Leo, thugs, Yung Lean, milestones and more.
for Anja Nedremo Bára Gísladóttir 2017-18
TRANSPOSED SCORE
Yung Leo i. stormurinn í þokunni ii. og himnarnir gráta iii. leaking green hours i. stormurinn í þokunni q = 68 start playback
°& 4 œ 4 mph. nr. 17 12356
Tenor Saxophone
mph.tr.
˙™
12356123
?4 w ¢ 4 o
3 4 ˙™
˙™
2 4˙
˙™
3 4 ˙™
4 4
pp
Thunder Sheet fingertips with thimbles both hands: drum
ææ 4 /4w
Percussion 1
3 4
ææ ˙™
ææ ˙™
ææ ˙™
2 ˙ææ 4
3 4
ææ ˙™
4 4
3 4
ææ ˙™
ææ ˙™
ææ ˙™
2 4
æ ˙æ
3 4
ææ ˙™
4 4
3 4
æ ˙æ™
ææ ˙™
æ ˙æ™
2 ˙æ 4
3 4
ææ ˙™
4 4
ppp Thunder Sheet fingertips with thimbles both hands: drum
4 /4
Percussion 2
ææ w ppp Thunder Sheet fingertips with thimbles both hands: drum
ææ 4 /4w
Percussion 3
ppp
=
mph. nr. 17 12356
7
°? 4 w ¢ 4 12356123
Ten. Sax.
3 4 ˙™
4w 4
3 4 ˙™
w
p th.dr.t. whip t.s., let vib. 3 3
4 ≈ / 4 >œ ‰ Œ
≈œ‰ œ≈‰ 3 4 > >
∑
mf mp finger tips with thimbles (one hand)
Perc. 1
ææ 4 /4w
mf
3 4
ææ ˙™
3
4 œ ≈ œ ≈ ‰ ≈≈œ‰ ‰ œ ‰ ‰ œ 4> > > > >
Ó
f
œ≈‰ Œ
≈ ≈ 3 4 Œ >œ >œ ‰
p
æ 4 wæ 4
≈œ >
ff
ææ w
3 4
∑
pp th.dr.t. whip t.s., let vib. 3
3 3
4 / 4 ‰ >œ ‰ Œ
‰ ‰ œ ‰ œ ≈ 43 > >
∑
4 ≈œ≈≈ œ ‰ ≈ œ ≈ œ ‰ ‰ œ ≈ Ó 4 > > > > >
mf fingertips with thimbles (one hand)
Perc. 2
ææ 4 /4w pp
mp
3 4
ææ ˙™
mf
Œ
f
æ 4 wæ 4
ææ w
‰ ≈œÓ
3 4
ææ w pp
∑
3 3
≈ ≈ ≈ ≈≈œ Ó 3 4≈ 4 Œ œ ‰ Œ 4 >œ ‰ ‰ ‰ >œ >œ ‰ ‰ >
p fingertips with thimbles (one hand)
4 /4
ff
fingertips with thimbles (one hand) 3
Perc. 3
3
‰ œ 43 Œ ≈ œ ≈ ≈ œ ≈ ≈ œ ≈ ‰ > > > p
3
4 /4Œ
3
3
mp
3 4
ææ ˙™
4 4
ææ w
mf
f
mp
Œ
œ ≈ œ≈ > >
‰ œ ‰ 43 Œ Œ p
ææ w
ff
3 4
∑
2 scream along with the mph. (sorry)
12
Ten. Sax.
°? ˙ ™ ¢
4w 4
3 4 ˙™
4 4
∑
3 4
fff I s.p. Vln. I
° &
4 4
∑
3 #O ™ 4
∑
4 ~ 4
3 4
4 w~ 4
3 4
4 4
3 4
ppp II m.s.p.
4 4
∑
&
Vln. II
3 O™ 4˙ ™
∑
ppp III m.s.p.
B
4 4
∑
Vla.
3 4
∑
#O ™
~
ppp III s.p.
?
4 4
∑
Vc.
3 4 O™
∑
4 4 ~
3 4
4 ~ 4
3 4
ppp III m.s.p.
?
4 4
∑
Db.
¢
3 4 O™
∑
ppp 3
3
3
3
Perc. 1
/ Œ
3
≈≈œ‰ ‰ œ 4 ‰ > 4 >
‰
œ ≈ œ ≈ œ≈‰ > > >
≈œ‰ >
≈≈œ 3 ‰ >4
≈ œ ‰ ‰ œ ≈≈œ≈ œ 4 > > > 4 >
∑
3 4
≈ ≈ œ ‰ 4 ≈ œ ≈ ≈ œ ≈ ≈ œ ≈ ≈ œ ‰ œ ‰ œ ≈ œ ≈ 3 ‰ œ3 ‰ œ ≈ œ ≈ ≈ œ ≈ œ ≈ 4 4 > > 4 > > > > > > > > > > >3 4
∑
3 4
∑
3 4
fff 3
3 3
3
3
Perc. 2
œ≈‰ >
/ Œ
fff 3 3
Perc. 3
3
3
‰ œ ‰ œ ≈ ‰ 44 œ ≈ œ ≈ ‰ œ ‰ œ ≈ œ ≈ ≈ ≈ œ ‰ > > > > > > >
/ Œ
3 ≈ ≈ ≈≈œ‰ 4 >œ >œ
œ ≈ œ ≈ 44 > >
fff
=
Ten. Sax.
°? 3 Œ ¢ 4
Œ
œ
5 4 Ó™
mf
4 ∑ 4
!
growling, downwards glissing exhale
mph.tr. nr. 17
gross noisy up-glissing slurp on inhale
noisy slow spit
16
mp
3 4 ˙™ o
˙™
æ 4 wæ 4
6 4
5 4
∑
mp m.s.p.
Vln. I
° 3 #O ™ & 4 ææ
5 #O ™ 4 ææ
‚ ææ
œ ææ
~ œ ææ 44
3 O™ 4
4 w 4
~
6 w™ 4
mp
Vln. II
Vla.
3 O™ & 4 ˙ææ ™ B 43 ææ #O ™
5 O™ 4˙ ™
˙O
4 w~ 4
3 O™ 4˙ ™
4 w~ 4
4 4 #O ™
3 4 #~
O
w
6 O™ 4˙ ™ 6 4
#w
~
?3 4
ææ O™
5 4 O™
O
4 4 ~
3 4 O™
4 4 w
5 4 5 4
#w™
mp
Vc.
O™
pp
4 4 O™
5 4
pp
mp
5 4
~™
~™
pp m.s.p.
~
6 4 ˙
œ‚ œ ˙
5 œ‚ 4
mp IV Db.
? 3 Oææ™ ¢ 4
5 Oææ™ 4
ææ O
s.p.
4 4 ~
3 4 O™
4 4 w
æ ˙
4 wæ 4
æ 3 ˙æ™ 4
æ 4 wæ 4
6 4
ææ w™
5 4
æ ˙æ
4 4
æ wæ
3 æ 4 ˙™
4 4
ææ w
6 4
æ wæ ™
5 4
æ ˙
4 wæ 4
3 æ 4 ˙™
4 4
ææ w
6 4
ææ w™
5 4
thimbles (both hands) drum
Perc. 1
ææ 3 / 4 ˙™ o
mp
æ 5 ˙æ™ 4
Perc. 2
5 4
pp
ppp
thimbles (both hands) drum
3 æ / 4 ˙™ o
6 4 ~™ ~
5 æ 4 ˙™ ppp
thimbles (both hands) drum Perc. 3
3 /4
ææ ˙™ o
5 4
ææ ˙™ ppp
3 22
Ten. Sax.
violently spit into mouthpiece
exhale while double tonguing
°¢? 5 b˙ ™ 4 o
˙
4 bæ_ 4
3 ≈ ‰ Œ 4 ¿
pp
Vln. I
O
4 ~ 4
hold your breath
4 bæ_ 4æ
Œ
f
pp
b ˙˙ ™™
s.p.
° 5 O™ &4
growling exhale
3 ˙™ 4
screeching inhale
Ó
3 b! ™ 4
p
mp
4 4
Vln. II
O
~
4 w 4
4 4
pp
mp
4 ~ 4
3 O™ 4
pp
m.s.p.
3 O™ 4
4 ~ 4
mp m.s.p.
B 45
Vla.
4 4 # O™
O
3 4 ~
#w
4 4 # O™
Vc.
˙O
4 4 w
#~
3 4 ˙O ™™
w~
pp
3 4 s.p.
?5 O™ 4 ˙ ™
Œ
b~
3 4
s.p.
5 O™ &4
4 b_ ™ 4
b O˙m.s.p. ™™
b ~w
mp
exhale in an exhausting manner
4 4 # O™
#~
mp
pp
m.s.p.
4 ~ 4 w
3 4 O™
4 ~ 4
mp
pp
pp m.s.p. Db.
? 5 O™ ¢ 4
O
4 4 ~
3 4 O™
p
ææ ˙™
ææ ˙
p
ppp
5 /4
Perc. 1
5 æ / 4 ˙™
Perc. 2
æ ˙
p
3 4 O™
4 4 ~
mp
pp
pp
4 wææ 4
3 4
æ ˙æ™
æ 4 wæ 4
3 4
ææ ˙™
æ 4 wæ 4
4 wæ 4
3 4
æ ˙æ™
4 4
ææ w
3 4
ææ ˙™
4 4
ææ w
4 wæ 4
3 æ 4 ˙™
4 wæ 4
3 4
æ ˙æ™
4 4
ææ w
ppp
ææ 5 ˙ /4 ™
Perc. 3
4 4 ~
æ ˙æ
p
ppp
= mph. nr. 18 12356 + C#
A 28
mph. tr. 12356 + 12356 + C#
Ten. Sax.
°? ¢
5 4
∑
3 4
∑ n‚
Vln. I
° bw &
n‚ ‚
b‚
b‚
n‚ b‚
5 4 ˙™ o
∑
n‚ ‚
n‚
b‚
b‚
5 4
pp
n‚ ‚ b‚
3 4
b‚ ‚
˙
˙ n‚ b‚
n‚ b‚
5 4
7
3
3
ppp
~s.p. &
Vln. II
b‚ ‚ ‚ ‚
5 O™ 4
‚ 3 b‚ ‚ ‚ ‚ ‚ 5 b‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ 4 4
3
3
3
7
ppp s.p.
5 4
B Vla.
n~
3 4 O™
O™
O
O
5 4 bO ™
O™
O™
bO ™
O
O
ppp
b‚ Vc.
? ~
5 4 O
?
5 4 ‚
3 bO ™ 4
b‚ n‚
bO
5 4 O™
3
Db.
¢
~
‚ ‚ ‚
scratch (one hand) drum 32 3 let vib.
‚
3 4 ˙™
O™
5 4 ˙™
O™
˙
‚3 p
3
Perc. 1
‚
hit with all fingers and stay scratch
32 3 54 32
≈ / >- ‰
‚
œœœ ® ‰ Ó
5 4 œœœœœ œœ Œ
œ -_
mf mp thimbles (one hand) drum let vib. 5 4 32 5 4 32
3 4
∑
5 4
∑
3 4
∑
5 4
∑
3 4
∑
5 4
∑
o
f
scratch Perc. 2
/ œœœœœœœœ Œ mp super ball mallet drag
Perc. 3
/ ‰
mp
_™
_
5 4 -
p
Πo
1 -_ o
f
bounce 6
drag
5 4 Πo
œœœœœœœ œ 1 mf
_ o
O
growl and gliss down as far as possible
harmonic overblow mph. tr. 12356 + C#
4
œ
œ
œ
12356 mph. nr. 18 12356 C#
32
‚ œ œ‰ Œ
12356 + C#
Ten. Sax.
°? ˙ ™ ¢
™ ˙
4 w 4 o
˙
‚ œ ≈‰ Œ
‚ œ œ‰ Œ o pp
pp
O™
~
˙™
O™
Ó
œ ææ æ æ Œ 43
Vln. I
4 #~ 4
∑
Œ
ff
˙™ # O˙ ™™
# ‚œ
3 4
4 4
O
˙ 3 b O˙ ™™ 4
4 4
˙
3 ˙O 4 #˙ ™ #˙O ™™
4 4
Πpp
4 4
s.p.
O™ ° &
∑
ppp
I m.s.p.
4 w~ 4
bb ˙O ™™ Œ
ff
pp
bb ~~ Vln. II
∑
&
bb ˙O ™™
˙™
bO Œ
ppp
s.p.
B
4 4
∑
Vla.
~
Œ O™
˙™
O™
Œ
#˙O
~ ff
pp
ppp II s.p.
?
4 4 ~
∑
Vc.
b~
™ Œ bO
ff
b˙ ™
pp
O™
b~ Πbw
Db.
O™
˙ O 44 ~ >
O™
ff
(pp
Œ
ffpp
b O˙ ™™
4 4
ppp
III m.s.p.
bow side of bridge let vib.
? ¢ ˙™
3 b˙ ™ 4
let vib.
Œ
˙™
Ó
ff
œ > f
4 Œ 3 Œ #˙ 4 ˙ 4 o
r.h. shake let vib. T.D.
/ Ó™
ææ ˙ o
æ 4 wæ 4
ææ w
ææ w o
∑
pp
3 4
ææ ˙™
4 4
pp
Perc. 1 l.h. scratch up and down (T.S.) scratch
/ _™ mf
Ó o
4 _ 4
!
∑
Œ
_™
∑
3 4
∑
4 4
mp
r.h. shake let vib. T.D.
/ Ó™
ææ ˙ o
4 4
ææ w
ææ w
ææ w o
∑
pp
3 4
ææ ˙™
4 4
pp
Perc. 2 l.h. scratch up and down (T.S.) scratch
/ _™ mf
Ó o
4 _ 4
!
∑
Œ
_™
∑
3 4
∑
4 4
mp
r.h. shake let vib. T.D.
/ Ó™
ææ ˙ o
æ 4 wæ 4
Ó o
4 drag 4 >_
ææ w
ææ w o
∑
pp
3 4
ææ ˙™
4 4
pp
Perc. 3 (T.S.) l.h.
/ _™ p
ffpp
! ppp
_™ pp
Œ ∑
3 4
∑
4 4
5 38
mph. tr. 123567
TC growl forced inhale
™
1235671235671
Ten. Sax.
°? 4 bw ¢ 4 o
5 4 b˙ ™
3 4
˙
mp
5 ˙™ 4 ææ o
∑
ff
˙ æ æ
2! 4
pp
4 4
mf
w æ æ
3 b6˙ 4
pp
mp
m.s.p.
# O˙ Vln. I
#O ™
O
#˙ ™
O
6 Œ Œ
4 4
I s.p.
O™
s.p. bow side of vln.
° 4 &4
5 4
5 O™ 4
3 4
O
˙ O
2 4˙
4Ó 4
mp
3 œ ‚ bO 4
4 4
pp
I m.s.p.
s.p. bow side of vln. Vln. II
b~ 4 &4
5 bO 4
™
O
3 b˙ 4
™ b˙O ™™
5 ˙O ™™ 4
˙O
2 4˙
4Ó 4
mp
B 44 #~
5 4 #O ™
O
3 4 #O ™
5 4 O™
O
3 ˙O 4
# œ‚
3 4 ˙
O ‚
2 4˙
III s.p.
4Ó 4
mp
˙ O
Vc.
bO ™
‚
bO ™
O
5 4
II s.p.
m.s.p.
5 ™ 4 O
3 4
O
2 4˙
4 4
∑
3 ™ 4 O
p
s.p. Db.
?4 ¢ 4 #w
m.s.p.
w
5 4 ˙™
mp
mf
ææ 4 /4 w
æ 5 ˙æ™ 4
3 4 ˙™
5 4 ˙™
˙
2 4˙
pp
4 4
pp
III m.s.p.
bow tail piece
˙
4 4
pp
bow side of bridge
bO ™ ? 4b ˙™ 4
4 4
pp
bow side of vla.
Vla.
˙ ˙O
4 4
∑
3 4 bO ™
p
4 4
pp
ket vib.
ææ ˙
3 4
ææ ˙™
5 4
2 4
∑
∑
4 4
∑
3 4
∑
4 4
4 4
∑
3 4
∑
4 4
4 4
∑
3 4
∑
4 4
4 4
∑
3 4
∑
4 4
4 4
∑
3 4
∑
4 4
4 4
∑
3 4
∑
4 4
Perc. 1 th.dr.b. rub let vib. drum
ææ 4 /4 w o
æ 5 ˙æ™ 4
ææ 4 w /4
æ 5 ˙æ™ 4
ææ ˙
3 4
∑
5 4
pp
ææ ˙™
ææ ˙
drag
2 4 >_
pp
p
ket vib.
ææ ˙
3 4
ææ ˙™
5 4
2 4
∑
∑
Perc. 2 th.dr.b. rub let vib. drum
ææ 4 /4 w o
æ 5 ˙æ™ 4
ææ 4 w /4
æ 5 ˙æ™ 4
ææ ˙
3 4
∑
æ 5 ˙æ™ 4
pp
ææ ˙
drag
2 4 >_
pp
p
ket vib.
ææ ˙
3 4
ææ ˙™
5 4
2 4
∑
∑
Perc. 3 thimbles drum
th.dr.b. rub let vib.
ææ 4 /4 w o
æ 5 ˙æ™ 4 pp
ææ ˙
3 4
∑
5 4
ææ ˙™ pp
ææ ˙
drag
2 4 >_ p
some sort of harmonic gliss.
6 45
growl and sing (hehe)
‚ œgrowl 4 4Ó ææ o p oo f
subtone Ten. Sax.
°? 4 w) ¢ 4 ææ
3 ˙™ 4 ææ pp
Vln. I
° 4 b~ &4
3 b˙ ™ 4
O™
# w~
˙™
# ˙O ™™
3 b‚ 4
‚
p
op
‚
growl
2 4 b˙ o
4 b)w 4
2 bO 4
4 4 o
∑
3 4
∑
4 4
∑
3 4
p
op
Œ
œ æ æ
3 4
p
# ˙O
4 &4
3 4
2 4
4 4 o
∑
3 4
∑
4 4
∑
3 4
B 44 #~
3 4 #O ™
2 4 #O
4 4 o
∑
3 4
∑
4 4
∑
Vla.
3 4
?4 ~ 4
3 ™ 4˙
O™
2 4 O
4 4 o
∑
3 4
∑
4 4
∑
Vc.
3 4
?4 ¢ 4 b~
3 4 b˙ ™
O™
2 4 bO
4 4 o
∑
3 4
∑
4 4
∑
Db.
3 4
Vln. II
r.h. shake
4 /4
∑
3 4
∑
2 4
ææ ˙ o
4 4
ææ w
3 4
ææ ˙™
ææ w
3 4
æ 4 wæ 4
3 4
æ 4 wæ 4
3 4
4 4
ææ w
3 4
4 4
ææ w
3 4
4 4
ææ w
3 4
4 4
pp
Perc. 1 l.h. with thimbles drum
4 /4
∑
3 4
∑
2 4
∑
4 4
∑
3 4Ó
ææ œ pp
r.h. shake
4 /4
∑
3 4
∑
æ 2 ˙æ 4 o
æ 4 wæ 4
3 4
ææ ˙™
pp
Perc. 2 l.h. with thimbles drum
4 /4
∑
3 4
∑
2 4
∑
4 4
∑
3 4Ó
ææ œ pp
r.h. shake
4 /4
∑
3 4
∑
2 4
ææ ˙ o
4 4
ææ w
3 4
ææ ˙™
pp
Perc. 3 l.h. with thimbles drum
4 /4
∑
3 4
∑
2 4
∑
4 4
∑
3 4Ó
ææ œ pp
harmonic overblow whilst somehow growling
Ten. Sax.
ææ 51 °? 3 ‚œ ¢ 4
æ ‚æ 7 subtone
subtone
˙ œ
4 4
‰ p
∑
3 ˙™ 4
o
2˙ 4
3 4
∑
4 4
o
pp
ff (as strong as possible)
II s.p. Vln. I
° 3Œ &4
bO o
3 ™ 4 b˙
4~ 4
O™
2 4
∑
3 4
∑
4 4
2 4
∑
3 4
∑
4 4
2 4
∑
3 4
∑
4 4
2 4
∑
3 4
∑
4 4
2 4
∑
3 4
∑
4 4
o
pp
II m.s.p. Vln. II
3 &4 Œ
bO o
4~ 4
3 4 O™ o
pp
IV s.p. Vla.
B 43 Œ
O o
4 4~
3 4 O™ o
pp
s.p. Vc.
?3 Π4
O o
3 ™ 4O
4~ 4
o
pp
II m.s.p. Db.
?3 ¢ 4Œ
3 /4
ææ ˙™
bO o
4~ 4
3 4 O™ o
pp
4 4
ææ w
3 4
ææ ˙™
2 4
ææ ˙
3 4
ææ ˙™
4 4
ppp
Perc. 1 let vib.
3 /4
ææ ˙™
4 4
3 /4
ææ ˙™
æ 4 wæ 4
∑
3 4
3 4
∑
ææ ˙™
2 4
∑
æ 2 ˙æ 4
3 4
3 4
∑
ææ ˙™
4 4
4 4
ppp
Perc. 2 let vib.
3 /4
ææ ˙™
4 4
3 /4
ææ ˙™
4 4
∑
ææ w
3 4
3 4
∑
ææ ˙™
2 4
2 4
∑
ææ ˙
3 4
3 4
∑
ææ ˙™
4 4
4 4
ppp
Perc. 3 let vib.
3 /4
ææ ˙™
4 4
∑
3 4
∑
2 4
∑
3 4
∑
4 4
8 mph.tr. 123456 + B 12356 + B
B °? 4 Ó Ten. Sax. ¢ 4
Vln. I
growl + gliss down w voice only 123456+B
˙ o
œ mp
bbw~
° 4 bbw~ &4
Œ
œ6 ææ
5 4 Ó™
Ó
pp
bb˙O ™™
bb˙O ™™
™ 5 bb˙O ™ 4
bnw~
4 & 4 bnw~
B 44
Œ
bn˙O ™
bn˙O ™™
5 bn˙O ™ 4
?4 4
bn˙O
pp
bbw w
Œ
~w
bb˙˙ ™™
5 bO ™™ 4 b˙
nO˙ ™™
ff
Vc.
˙O
pp
ff
Vla.
O
ff
ff
Vln. II
w.t. through mouthpiece
mouthpiece off!
56
O˙
pp
s.t. o.p. 4/4
m.s.p. ord.
w
˙
m.s.p. ord.
s.t. o.p. 4/4
˙
5 ™ 4 ˙
fp
ff
pp
m.s.p. ord.
s.t. o.p. 4/4
m.s.p. ord.
O
O™
O
O™
O
ff
Db.
4/4 ? 4 bo.p. w ¢ 4
b˙
O
˙
5 4 b˙ ™
ff
pp
ff fp
(T.S.) th.dr.t. whip T.S. violently always let vib. Perc. 1
4 /4
œ ‰ >
>œ
thimbles both hands: scratch
œ >
≈ œ ‰ œ > >
‰
Œ
>œ
œ >
≈ œ ‰ >
>œ >œ
5 4 Ó™
ff
p
(T.S.) th.dr.t. whip T.S. violently always let vib. Perc. 2
4 /4
≈ œ ‰ œ > >
thimbles both hands: scratch
≈ œ ‰ >
œ ≈ œ ‰ > >
Œ
≈ œ ‰ >
œ >
≈ œ ‰ œ > >
5 4 Ó™
ff
4 /4
‰
_ p
(T.S.) th.dr.t. whip T.S. violently always let vib. Perc. 3
_
œ ≈ œ ‰ > > ff
thimbles both hands: scratch
>œ
œ ‰ >
œ >
Œ
‰™
œ ‰ >
œ >
‰™
œ 5 Ó™ > 4
_ p
9 through sax fluttering air sound + key clicks
59
Ten. Sax.
°¢? Ó™
3Ó 4 ææ ææ æ æ æ æ æ æ æ ææ ææ ææ ææ ææ ææ ææ æææ æ æææ o mp
ææ ææ ææ ææ ææ ææ ææ ææ ææ ææ æ ææ ææ ææ ææ ææŒ æ mp
o mp
Π2 4
o
m.s.p.
Vln. I
b˙O ™™
° b˙ ™ &
b O˙
3 b˙ ™ 4
p
mp
O
3 ™ 4˙
p
mp
O
3 ˙™ 4
p
mp
bœ
b ‚œ
œ ‚œ bnœ‚ 2 4
p
m.s.p.
O™ &
Vln. II
œ
œ 42
œ
p
m.s.p.
™ B nO Vla.
s.p.
O
3 ™ 4O
p
mp
O
3 4 bO ™
p
mp
Vc.
s.p. Db.
¢
r.h. let vib. dum 3 2 3 3 54 32
let vib. 5 432 5 432
/ œœœœœ œ œ Œ
œœœœœœœœ‰
32 3 3
let vib. 23
œœœœ œ Œ
mp
r.h. let vib. drum 5 432 5 432
/ œœœœœœœœ‰
let vib. 5 432 5 432
œœœœœœœœ‰
let vib. 5 432 5 4 32
œœœœœ œ œœŒ
mp
r.h. dum
32 3 3
r.h. dum 3 2 3 3 54 32
let vib. 23
54 32 Perc. 3
/ ‰
2 4
ppp
O™
2 4
ppp
m.s.p.
? bO ™
Perc. 2
O™
m.s.p.
? O™
Perc. 1
˙™
œ œ œ œ œœœœ œ ‰ mp
‰
œœœœœ œ œ ≈
let vib. 54 32 54 32
both hands scratch
bO ™ ppp
r.h. scratch back and forth
3 4 _™
ææ ˙™
p
ppp
both hands scratch
ææ ˙™
p
ppp
œ œ œ œ œ œ œ œ ≈ 43 _™ p
2 4
r.h. scratch back and forth
3 4 _™
both hands scratch
2 4
2 4
r.h. scratch back and forth
ææ ˙™ ppp
2 4
10 drool grossly with some undelicate noises
62
Ten. Sax.
°¢? 2 Œ 4
4 ææ ææ ææ ææ ææ ææ ææ ææ 4
ææ ææ ææ ææ ææ ææ ææ ææ Ó
swallow 3
drool
2 œ ‰ œ ‰ œ 3 ˙™ 4 pp 4
w p
ææ ææ ææ ææ ææ ææ ææ ææ
5 4
o
p
bow top of bridge
s.p. m.s.p. Vln. I
4 <n>~ 4
° 2 bn˙O &4
O™
pp
œ ‚ 2O 4
3 4 ˙™
ppp
5 4
pp
bow top of bridge s.p. Vln. II
2 &4 œ ‚ ‚
m.s.p.
b~w
4 ~ 4
2 bO 4˙
3 4 ˙™
ppp
5 4
pp
bow top of bridge s.p. Vla.
™ B 42 ‚
b‚ J
4 b~ 4
m.s.p.
b~
p
2 4 bO
3 4 ˙™
ppp
5 4
pp
bow top of bridge s.p. Vc.
4 ~ 4
?2 O 4
m.s.p.
O
pp
O bO
2 4 bO
3 4 ˙™
ppp
5 4
pp
bow top of bridge s.p. Db.
? 2 b˙ ¢ 4
O
4 bO ™ 4
m.s.p.
œ ‚ œ ‚ ‚ O™
‚
f
2O 4
3 4 ˙™
ppp
5 4
pp
pp
T.D. shake
Perc. 1
ææ 2 ˙ /4
æ 4 wæ 4
∑ o
æ 2 ˙æ 4 o
æ 3 ˙æ™ 4
5 4
ppp
T.D. shake
Perc. 2
ææ 2 ˙ /4
4 4
ææ w
∑
2 4
o
ææ ˙ o
3 4
ææ ˙™
5 4
ppp
T.D. shake
Perc. 3
ææ 2 /4 ˙
4 4
ææ w
∑ o
2 4
ææ ˙ o
3 4
ææ ˙™ ppp
5 4
11 w.t. through mouthpiece
67
exhale as in drool swallow sighing wearily
splutter inhale drool into sax
Ten. Sax.
°¢? 5 4
6 4 ~™
∑
2 4
∑
3 4 ˙™
p
Vln. I
°& 5 ˙ ™ 4
˙
4œ 4
!™
f
mf
mp
6 4 w™
2 4˙
3 4 ˙™
2 4œ
œ
mp
4w 4
2 4˙
mp
Vln. II
5 & 4 ˙™
˙
6 4 w™
2 4˙
B 45 ˙ ™
˙
6 4 w™
3 4 ˙™
2 4˙
4w 4
2 4˙
? 5 ˙™ 4
˙
6 4 w™
4w 4
2 4˙
˙
3 4 ˙™
4w 4
2 4˙
˙
5 ¢? 4 ˙ ™
˙
6 4 Ó™ p
3 4
mf
bow top of bridge
O™ Db.
3 4
mf
mp
II m.s.p.
3 4
mf
3 4 ˙™
2 4˙
3 4
˙
mp
Vc.
˙ mf
mp
Vla.
mf
3 4 o
_
2 4˙ o o
3 4 ˙™
4w 4
2 4˙
˙
mp
3 4
mf
T.S. stroke, let vib. let vib.
Perc. 1
ææ 5 ˙ /4 ™
ææ ˙
6 4
∑
2 4
∑
3 4
∑
4 4
∑
2 4
∑
_
3 4
mp
T.S. stroke, let vib. let vib.
Perc. 2
5 /4
ææ ˙™
ææ ˙
6 4
∑
2 4
∑
3 4
∑
4 4
∑
2 4
∑
_
3 4
mp
T.S. stroke, let vib. let vib.
Perc. 3
ææ 5 / 4 ˙™
ææ ˙
6 4
∑
2 4
∑
3 4
∑
4 4
∑
2 4
∑
_ mp
3 4
harmonic overblow
∫‚ 12
C 74
Ten. Sax.
mouthpiece on!
°¢? 3 4
inhale with voice while glissing downwards
subtone
4 bw 4 o
∑
3 4 ˙™
6 4 w™
2 4 b!
pp
3 4
b‚ 4 bœ 4
∑
mp
subtone
œ ‰
Œ
p
˙ o
3 4
I s.p. Vln. I
4~ 4
°& 3 ˙ ™ 4
6 ~™ 4
3 O™ 4
~ 4 w 4
œ ‚ 3 O™ 4
2 4Œ
pp
mp
pp
II m.s.p. Vln. II
b~
4 b~ 4
3 & 4 ˙™
3 4
3 O™ 4
6 b~ ™ 4
2O 4
3 bO ™ 4
4 4
3 4 O™
6 4 ~™
2 4O
3 4 O™
4 O 4
2 4‚
3 œ ‚ 4 ˙™
3 4
pp
O Vla.
B 43 ˙ ™
4w 4
3 4
pp
m.s.p. III Vc.
? 3 ˙™ 4
4w 4
3 4 ˙™
6 4 ~™
4 4 ‚
O™
‚
O™
3 4
pp mp
pp
bow side of bridge Db.
3 ¢? 4 ˙ ™
4w 4
3 4 ˙™
6 4 w™
2 4 >˙
pp
3 4
∑
4m.s.p. 4 w
3 4
ææ w
3 4
mp
T.D. shake
ææ œ o
3 /4Ó
4 4
ææ w
3 4
ææ ˙™
6 4
ææ w™
2 4
ææ ˙
3 4
ææ ˙™
4 4
pp
Perc. 1
T.S. thimbles drum, let vib.
3 /4
4 4
∑
∑
3 4
∑
6 4
≈ 2 4 œ >œ ‰ Œ
∑
3 4
4 4
∑
∑
3 4
mp f
T.D. shake
ææ œ o
3 /4Ó
æ 4 wæ 4
3 4
ææ ˙™
6 4
ææ w™
æ 2 ˙æ 4
3 4
ææ ˙™
æ 4 wæ 4
3 4
pp
Perc. 2
- thimbles big, slow circular movent (all fingers placed on t.s. the whole time)
T.S.
3 /4
4 4
∑
∑
3 4
∑
6 4
2 4
∑
3 4
∑
∑
4 w 4 o
3 4
ææ w
3 4
T.D. shake
ææ œ o
3 /4Ó
4 4
ææ w
3 4
ææ ˙™
6 4
ææ w™
2 4
ææ ˙
3 4
ææ ˙™
4 4
pp
T.S. super ball mallet drag, let vib. T.S.
3 /4
∑
4 4
∑
3 4
∑
6 4
∑
2≈ 4
Ϫ p
Œ
3 4
∑
4 4
∑
3 4
13 mph. tr. 123567
81
mph 123456 + B
TC
1235671235671
Ten. Sax.
°? 3 b)˙ ™ ¢ 4
)™
4 bw 4
5 4
mp
Vln. I
˙™
˙
4 bw 4
3 4 ˙™
5 4 o mp O™ 5 4
mf
O˙™™
° 3 ˙™ &4
~w
4 w 4
O™
O
œ ‚ œœ‚˙
5 4
> #œ n˙
>˙
mph. 123567
O™
4 4
3 4
p
Ó o
f
b˙™ Vln. II
O™
3 &4
bb ˙O ™™
b w~
bw
4 4
Vla.
4 4
∑
3 4
3 4
∑
5 4
∑
4 4
∑
3 4
f
O™ 3 B4
4 ‚ ‚ O™ 4
O˙
O™
5 4
mp Vc.
4 4
b~
˙O
5 4
mp
3 4
mp
3
mp
w
4 4
4 4
∑
3 4
∑
5 4
∑
4 4
∑
3 4
f
?3 4 O™
4 4 w~
5 4
∑
4 4
∑
3 4
∑
5 4
∑
4 4
∑
3 4
4 4 ~
5 4
∑
4 4
∑
3 4
∑
5 4
∑
4 4
∑
3 4
4 4
∑
3 4
∑
5 4
∑
4 4
∑
mp
Db.
?3 ¢ 4 ˙™ mp
let vib.
ææ 3 / 4 ˙™
æ 4 wæ 4
5 4
mp thimbles drum
Perc. 1
3 /4
ææ ˙™
ææ ˙
mf thimbles drum
ææ ˙™
4 4
ææ w
scratch
5 4
mp
_™
4 4
_
3 4
∑
mf
ææ ˙™ o
5 4
ææ ˙™
ææ ˙
4 4
æ wæ
3 4
pp
let vib.
3 /4
ææ ˙™
4 4
ææ w
5 4
mp
ææ ˙™
ææ ˙
4 4
_
4 4
∑
3 4
∑
3 4
mf scratch
T.S.
3 / 4 ˙™
4 w 4
5 4
mp
_™ mf
5 4
∑ ææ ˙™ o
4 4
∑
5 æ 4 ˙™
æ ˙
∑
4 wæ 4
3 4
pp
let vib.
ææ 3 / 4 ˙™
æ 4 wæ 4
5 4
mp drag, let vib.
T.S.
3 ≈ / 4 >œ ‰ Œ
ææ ˙™
ææ ˙
4 4
3 4
∑
5 4
∑
mf
4 4
∑
∑
thimbles drag drum
4 4
Œ
5 4
∑
mp
˙™
4 4
˙
3 4
∑
5 4 _™
∑
mp
æ 4 wæ 4
!
mp
3 4
mp
=
88
Ten. Sax.
gradually change to mph. nr. 14 12356 + C
°? 3 ˙ ™ ¢ 4
growl and yell mph. nr. 14 with all subtone tones possible
mph. nr. 14 gradually add more tones
w
4w 4
w
p
mp
3 4 ˙™
˙™
4 4
w 4 ææ 4
3 4
3 4
f ff
ppp
shake
3 /4 Perc. 1
ææ 3 ˙ /4 ™
3 /4 Perc. 2
∑
4 4
∑
æ 4 wæ 4 ∑
ææ 3 / 4 ˙™
4 4
∑ ææ w
∑
æ 4 wæ 4
∑ ææ w
ææ ˙™ o æ 3 ˙æ™ 4 shake æ 3 ˙æ™ 4 o æ 3 ˙æ™ 4
3 4
4 4
ææ wæ
3 4
ææ ˙æ™
4 4
∑
3 4
4 4
∑
3 4
4 4
∑
3 4
4 4
∑
3 4
4 4
∑
3 4
ppp
4 4
∑
ææ 4 wæ 4
3 4
∑
ææ 3 æ 4 ˙™
ppp
4 4
∑
3 4
∑
T.D. shake
Perc. 3
3 /4
∑
4 4
∑
∑
3 4
ææ ˙™ o
4 4
ææ wæ ppp
3 4
ææ ˙æ™
harmonic whisper flow freealy between the harmonic row of the given fundamental
14 mph. 123456 + Bb Ten. Sax.
95 °? 3 æ˙™ ¢ 4æ
bw
5 ˙™ 4
6 4Ó
Ó o
mp
Vln. I
° 3 &4
∑
6 4
5 4
∑
∑
D 4 b~ 4
~
b‚ ‚ Œ
∑
bO
4 Ó 4
3 4 o
I II s.p.
p
4 4
bO ‰ Œ 43 Œ
~~ o
∑
3 O™ 4 O™
4 ~w 4
w~
3 4
4 ~ 4
w~
3 4
˙O
3 4
pp
II s.p. Vln. II
3 &4
∑
6 4
5 4
∑
∑
4 4
∑
3 4 O™
~ o
∑
˙O ™™
pp
IV m.s.p. Vla.
B 43
∑
6 4
5 4
∑
∑
4 4
∑
3 4 O™
∑ ~ o
4 4 O
pp
IV m.s.p. Vc.
?3 4
∑
6 4
5 4
∑
∑
4 4
∑
3 4 O™
∑ b~ o
4 4b~
3 4
4 4 w
3 4
pp
IV m.s.p. Db.
?3 ¢ 4
∑
6 4
3 / 4 _™ f T.S. s.b. mallet drag
Perc. 2
3 / 4 _™ f T.S. s.b. mallet drag
Perc. 3
3 / 4 _™
∑
4 4
∑
3 4 ˙™
∑ w o
T.S. s.b. mallet drag Perc. 1
5 4
∑
pp
let vib. let vib.
6 4_
5 4
Ó
∑
4 4
Ó
∑
œ Œ Ó
˙
3 4
∑
4 4
∑
3 4
3 4
∑
4 4
∑
3 4
3 4
∑
4 4
∑
3 4
p
let vib.
6 let_ vib. 4
5 4
Ó
∑
4 4
Ó
∑
œ Œ Ó
˙ p
let vib.
6 let_ vib. 4
5 4
Ó
∑
4 4
Ó
∑
f
œ Œ Ó
˙ p
= U 3 ˙™ 4
103
forceful inhale Ten. Sax.
°? 3 ¢ 4
drool
∑
forceful inhale
4 ˙™ 4
!™ f
Œ
3 4 !
p
splutter
Œ
4w 4
f
4 4
ff
˙OO ™™™ Vln. I
° 3 ˙OO ™™™ &4
Vln. II
3 & 4 ˙O ™™
˙OO ™™™
˙OO ™™™
4 4
∑
3 4
∑
4 4
∑
3 4
U ∑
4 4
4 4
∑
3 4
∑
4 4
∑
3 4
U ∑
4 4
4 4
∑
3 4
∑
4 4
∑
3 4
U ∑
4 4
4 4
∑
3 4
∑
4 4
∑
3 4
U ∑
4 4
4 4
∑
3 4
∑
4 4
∑
3 4
U ∑
4 4
Ó
3 4
U ∑
4 4
Ó
3 4
U ∑
4 4
Ó
3 4
U ∑
4 4
mp
O™ mp
Vla.
B 43 O ™ ˙ ™
˙˙ ™™ mp
Vc.
?3 4 bO ™
˙™
bO ™
˙™
mp Db.
?3 ¢ 4 ˙™
µO ™
n˙ ™
µO ™
mp thimbles scratch Perc. 1
3 / 4 _™
s.b. mallet drag
swing let vib.
Œ
ΠV
4 4
∑
mp
3 4 ˙™
swing let vib.
4 4V
Œ
mp s.b. mallet drag
thimbles scratch
kick back Perc. 2
3 / 4 _™
_™
4 4
∑
mp thimbles scratch Perc. 3
3 / 4 _™ mp
3 4 ˙™
4‰ ¿ ≈ Œ 4 >
mp s.b. mallet drag
_™
4 4
∑
3 4 ˙™
ff swing let vib.
4Π4
V
mp *conductor: use this bar to change tempo on metronome
E mph.tr. 12356 + C
ii. og himnarnir gráta 109 q = 60 Ten. Sax
°¢? 4 4
∑
∑
3 4 !™
w o
∑
15 exhale on a repeated "tttt" (reminding of breath under water)
surrenderous inhale
12356
2 4
p
4 /4
∑
∑
ææ w
∑
Perc. 2
4 /4
∑
∑
3 4V
pp thimbles, both hands drum
Perc. 3
4 /4
∑
∑
6 4V
Œ
Œ
Œ
Ó™
3 4
6 ≈ 4¿ ‰ Œ
Œ
Ó™
3 4
V
Ó™
3 4
kick back (lightly)
Œ
2 4
Œ
∑
mp swing let vib.
ææ w
∑
2 4V
swing let vib.
ææ w
∑
swing let vib.
æ 3 ˙æ™ 4
pp thimbles, both hands drum
3 4 o
mp
thimbles, both hands drum Perc. 1
6 4 w™
∑
3 4V
Œ
2 4
Œ
6 4Ó
∑
pp
= inhale with an up-glissing voice
inhale as in to calm exhale w. a suffocating voice down
116
Ten. Sax.
°¢? 3 !™ 4
2 4
3 4 _™
∑
mf
Perc. 1
3 /4
Perc. 2
3 /4V
Perc. 3
3 /4Ó
2 4 !
!™
Œ
Œ
2 4V
Œ
2 4V
Œ
∑
4 4
∑
3 4
4 4
∑
3 4
4 4
∑
3 4
4 4
∑
3 4
o
f
∑
3 4
∑
3 4
∑
∑
2 4
3 4
∑
2 4V
Œ
∑
3 4
∑
2 4V
Œ
∑
3 4V
Œ
∑
3 4Œ
V
∑
3 4
ΠV
∑
Œ
Œ
kick back
¿ ≈ ‰ 42 >
∑
∑
f
=
Ten. Sax.
exhale in a dying manner
growl w. a downwards glissing voice
124
°¢? 3 4
∑
∑
2 4 æ˙ æ
∑
To Alto Sax.
3 4
!™
∑
mf
Perc. 1
3 /4
Œ ∑
Œ
V
∑
∑
3 4V
Œ
∑
2 4
∑
3 4Œ
V
∑
4 4
∑
4 4
∑
o
mp
2 4
4 4
Œ
Œ ∑
V
∑
V
Œ
kick back and dampen (stay in a freezed position w. foot) (foot down) Perc. 2
3 / 4 Y™
Y™
∑
Œ
Œ
Œ
f
= cymbal arco, let vib.
T.S. thimbles (l.h.) drum, let vib.
132
Perc. 1
/ Œ
V Ó
∑
3 4
∑
? Œ
Œ
2 4
∑
4 4V Œ
Ó
ΠV
Ó
kick back mp
Perc. 2
/ Œ
V Ó
∑
3 4
∑
∑
2‰ ¿≈Œ 4V Œ
3 4 ˙™ o
Πmp
cymbal arco, let vib.
4 4
ΠV
∑
Ó
3 4 ˙™ o
ΠPerc. 3
/ V
Ó
∑
3 4
∑
∑
2 4
∑
4 4V Œ
Ó
ΠV
Ó
3 4 ˙™ o
pp T.S. thimbles (l.h.) drum, let vib.
Πmp
cymbal arco, let vib.
ææ ˙
ææ ˙ pp
T.S. thimbles (l.h.) drum, let vib.
Œ
ææ ˙
mp
pp
F iii. leaking green hours
16
Alto Saxophone subtone
q = 76 141
Ten. Sax.
°¢?
∑
subtone
4 &4
6 4 bw
2 4
3 4
∑
2 4
∑
w™
b˙ o
o
p
5 4
I II s.p.
3 4 ˙™
˙
pp
m.s.p.
I m.s.p.
s.p.
b~
b˙ b 2 ˙ 4
bow bridge Tape
° & ˙™
4 4
p
6 4
∑
O O
b˙™ b 3 ˙™ 4
mp
II m.s.p.
b‚
O™ O™
bO b 2 O 4
mf
pp
3 µO ™ 4
2 µ˙ 4
mf
pp
O™ 5 O™ 4
bO bO
5 µO ™ 4
O
3 4
bO
bow bridge s.p. Tape
4 bO ™ 4
& ˙™ p
6 4
µO
2 4
∑
mp
bow bridge
3 4
III m.s.p.
4 ~ 4
B ˙™ Tape
O
p
6 4
2 4
∑
3 4 O™
∑
mp
2 4 O
5 4
∑
3 4
5 4
∑
3 4
2 4
5 4
∑
3 4
2 4 ˙ o
5 4
∑
3 4
p
I m.s.p.
O™
~
O
bow bridge
4 4
? ˙™ Tape p
6 4
2 4
∑
3 4
∑
mp
2 4 p
I m.s.p.
Tape
◊ÿ bO ™
◊ÿ b~
bow bridge
4 4
? ™ ¢ ˙ p
6 4
2 4
∑
mp
/ ‰ œ ˙
p
thimbles (r.h) drum
cymbal arco, let vib.
4 Ó 4
mp
O
3 4
∑
ææ ˙
6 4
ææ w
ppp
arco let vib.
Ó
2 4 œ o
Œ
3 4
∑
mp
mp
T.S. thimbles (l.h.) drum, let vib.
Perc. 1
/
∑
4 Ó 4
ææ ˙
6 4
ææ w™
æ 2 ˙æ 4
æ 3 ˙æ™ 4
æ 2 ˙æ 4
5 4
2 4 ˙ o
5 4
ææ ˙™
ææ ˙
3 4
ppp
thimbles (r.h) drum
cymbal arco, let vib.
/ ‰ œ ˙
4 Ó 4
mp
ææ ˙
æ 6 wæ ™ 4
arco let vib.
2 4 Œ
œ 43 o mp
ppp
∑
3 4
∑
mp
T.S. thimbles (l.h.) drum, let vib.
Perc. 2
/
∑
4 Ó 4
ææ ˙
6 4
ææ w™
æ 2 ˙æ 4
æ 3 ˙æ™ 4
æ 2 ˙æ 4
5 4
ææ ˙™
ææ ˙
3 4
ppp
thimbles (r.h) drum
cymbal arco, let vib.
/ ‰ œ ˙
4 Ó 4
mp
ææ ˙
æ 6 wæ ™ 4
arco let vib.
2 4
∑
ppp
3 4 ˙™ o
2 4
∑
5 4
∑
3 4
2 4
∑
5 4
∑
3 4
mp
T.S. thimbles (l.h.) drum, let vib.
Perc. 3
/
∑
4 Ó 4
ææ ˙ ppp
6 4
ææ w™
2 4
ææ ˙
3 4
∑
17 148
-tromba
° 3 Alto Sax. ¢& 4
5 4 <b> ˙ ™
4 4 ˙™
∑
3 4
∑
˙
bw
6 4 ˙™
5 4 w™
2 4 ˙™
˙
spp mf
I II s.p.
m.s.p.
Vln. I
bow bridge
<b> O ° 3<b> O &4
œ
m.s.p.
b~ b~
5 4 ˙™
˙
4 4
bO ™ b 3 O™ 4
b~ b~
∑
pp
bw™ b 6 ~™ 4
p
~™
bœ ‚ ™ O b 5 œ ‚™ O 4
mf
ff
O O
2 4
spp
II m.s.p. m.s.p.
bO
bow bridge
b~ ™ 3 #O˙ ™ 4
~ Vln. II
Vla.
3 &4
B 43
œ
Ó
5 4 ˙™
˙
4 4
∑
pp
p
bow bridge
II m.s.p.
œ
5 4 ˙™
˙
4 4
∑
O
3 4 O™
~
I m.s.p.
Vc.
?3 4
Ó
œ
6 4 w™
p
bow bridge
~
5 4 ˙™
˙
4 4
#~w ™™
™ 5 #‚œ ‚œ ™ O˙ 4
mf
O
pp
™ 6 ~ 4
˙O ™™
w~
3 4
∑
ff
#w~ ™™
pp
2 4
˙O
2 4
spp
5 4 #œ‚ œ‚ ™™ ˙O
mf
ff
w™ w~ ™™
œ‚ œ‚ ™™ ˙O
6 4
O˙
spp
˙O
5 4 mf
2 4 ff
spp
I m.s.p.
◊ÿ b~
bow bridge Db.
?3 ¢ 4
Ó
œ
5 4 ˙™
˙
4 4
b~
bO ™
bw™
3 4
∑
pp
3 /4
∑
~™
6 4
b œ ‚™ O
mf
5 4
4 Ó™ 4
∑
œ o
˙
Ó
∑
3 4
∑
O
5 4
6 4
2 4 ff
∑
5 4
spp
∑
mp
Perc. 1
3 /4
ææ ˙™
3 /4
5 4
∑
ææ ˙™
5 4
ææ ˙
4 4
ææ w
4 Ó™ 4
∑
ææ w
œ o
ææ w
˙
Ó
3 4
∑
3 4
ææ ˙™
∑
6 4
ææ w™
6 4
5 4
∑
ææ ˙™
5 4
Ó
2 4
ææ ˙
2 4
∑
mp
Perc. 2
3 /4
ææ ˙™
5 4
ææ ˙™
ææ ˙
æ 4 wæ 4
ææ w
ææ w
æ 3 ˙æ™ 4
æ 6 wæ ™ 4
3 4
6 4
æ 5 ˙æ™ 4
cymbal on t.s. drag down slowly let vib.
Perc. 3
3 /4
_™ mp
5 4
∑
4_ 4
∑
∑
∑
∑
5 4
∑
2 4
18
G -tromba 4Œ 4 b˙™
156
° 2 Alto Sax. ¢& 4 <b> ˙
4 4
3 4 w
6 4 ˙™
2 4 w™
3 6 4 4 nb 6˙™ n 6 b 6 b )w ™
˙
ppp
p
mp
3 4
4 4 ˙™
pp
s.p.
Vln. I
° 2 &4
∑
I m.s.p.
O™ 3 O™ 4
b~ b 4 ~ 4
6 4
∑
2 4
∑
3 4
∑
6 4
∑
bridge 4 bow 4w
pp
™ 3 O 4
4 4
pp
I m.s.p.
‚
s.p.
Vln. II
2 &4
™ 3O 4
4 ~ 4
∑
bow bridge
6 4
∑
2 4
∑
3 4
∑
6 4
∑
4w 4
pp
3 bO 4
pp
s.p. Vla.
B 42
s.p.
4 #~ 4
∑
4 4
3 4 O™
6 4
∑
2 4
∑
3 4
∑
6 4
∑
bridge 4 bow w 4
pp
3 4 #O ™
4 4
pp
m.s.p.
s.p.
O™
~
‚
O
bow bridge Vc.
?2 4
4 4
∑
3 4
6 4
∑
2 4
∑
3 4
∑
6 4
∑
4w 4
pp
3 4
pp
m.s.p. ◊ÿ b‚ b‚ O
s.p.
◊ÿ b~ Db.
?2 ¢ 4
O™
4 4
∑
3 4
6 4
∑
2 4
∑
3 4
∑
6 4
∑
bridge 4 bow w 4
pp
t.d.t. whip t.s. let vib. swing (T.S.)
Perc. 1
4 4
ff
Perc. 2
ææ w
3 4
p
¿ ‰ ? 44 >
∑
≈ ‰ ¿ ≈ ≈ ¿ 4To Crot. 2 œ /4 > ∑ >4 >
3 4
ff
Perc. 3
ff
ææ ˙™
6 4
let vib.
To Crot.
ææ w™
2 4
∑
3 4
∑
6 4
∑
4 4
∑
3 4
∑
4 4
pp
3 4
cymbal hit t.s. let vib.
4 4
pp
(T.S.) kick back swing
2 / 4 ‰™
3 4
T.D. shake
>
≈‰ Œ 2 œ /4 ‰ ? Œ
4 4
ææ ˙™ o
6 4
let vib.
To Crot.
ææ w™
2 4
∑
3 4
∑
6 4
∑
4 4
∑
3 4
∑
4 4
2 4
∑
3 4
∑
6 4
∑
4 4
∑
3 4
∑
4 4
kick back
∑
6 4
∑
19 165
Alto Sax.
° 4 ¢& 4 <b> w
5 4 ˙™
p
Vln. I
˙
3 4 w
6 4 ˙™
w™
O™
O
5 4
~
w
4 4
O™
~
˙™
w™
˙™
w
6 4
5 4
∑
∑
3 4
∑
4 4
∑
∑
∑
3 4
∑
4 4
∑
∑
∑
3 4
∑
4 4
∑
∑
∑
3 4
∑
4 4
∑
∑
∑
3 4
∑
4 4
∑
ppp
O™
~
O
pp
~™
O™
3 4
b~
4 &4
w™
4 4 mp
mf
Vln. II
3 4
mp
“~” ° 4 &4
4 4
4 4
~™ bO ™
3 4
6 4
mf
ppp
m.s.p.
n~ Vla.
B 44
O™
O
5 4
w
b ~w
4 4
˙™ b O˙ ™™
3 4
b ~w ™™
6 4
mf
s.p.
m.s.p.
O™
~ Vc.
?4 4
ppp
O
5 4
w
w~
4 4
˙ ™ ˙O ™™
3 4
w~ ™™
6 4
mf
ppp
s.p. m.s.p.
Db.
:◊; b~ ?4 ¢ 4
bO ™
O
5 4
b˙™
~
bw
4 4
O™
3 4
b~™
6 4
mf
ppp
Crotales arco let vib. To T.S Perc. 1
4 /4
5 ˙™ ∑ &4
Ó
4 4
∑
3 4
∑
6 4
∑
∑
∑
3 4
∑
4 4
∑
Ó
4To T.S 4
∑
3 4
∑
6 4
∑
∑
∑
3 4
∑
4 4
∑
∑
3 4
∑
6 4
∑
∑
∑
3 4
∑
4 4
∑
p
Crotales arco let vib. Perc. 2
4 /4
5 ∑ & 4 ˙™ p
Crotales arco let vib. To T.S Perc. 3
4 /4
5 ∑ & 4 ˙™ p
Ó
4 4
20 174
° Alto Sax. ¢&
3 4 <b> w
bb )˙™
˙™
6
4 4 bw
f
3 4
6 4
Vln. I
5 4
4 4
∑
∑
3 4
∑
4 4
˙™
ff
bO ™ ° &
∑
∑
3 4
∑
∑
4 4
∑
3 4
~™
bO ™
6 4
5 4
O™
b~
O
4 4
3 4
4 4
ppp
O™ &
Vln. II
∑
3 4
∑
∑
4 4
∑
3 4
~™
O™
5 4
6 ~™ 4
5 O™ 4
O
~™
O™
O
O™
~
O
6 4
4 4
3 4
4 4
4 ~ 4
3 O™ 4
4 4
~
O™
ppp
B
∑
Vla.
3 4
∑
∑
4 4
∑
3 O™ 4 ppp
O™ ?
∑
Vc.
3 4
∑
∑
4 4
∑
3 4
6 4
5 4
4 4
3 4
4 4
ppp
“O™” ?
∑
Db.
¢
3 4
∑
∑
4 4
∑
3 4
~™
O™
6 4
~
O
5 4
O™
4 4
3 4
4 4
ppp
Perc. 1
&
∑
3 4
T.S th.dr.b. on t.s. drag
∑
∑
4 /4 _
let vib.
3 4 !™
6 4
∑
5 4
∑
4 4
∑
3 4
∑
4 4
6 4
∑
5 4
∑
4 4
∑
3 4
∑
4 4
6 4
∑
5 4
∑
4 4
∑
3 4
∑
4 4
mf
Perc. 2
&
∑
3 4
T.S th.dr.b. on t.s. drag
∑
∑
4 /4 _
let vib.
3 4 !™
mf
Perc. 3
&
∑
3 4
T.S cymbal on t.s. drag
∑
∑
4 /4 _
mf
let vib.
3 4 !™
H 21 183
tromba
tromba
° 4 Alto Sax. ¢& 4
3 4 bw
w
w
5 4
6 4
∑
∑
4 4
3 4
∑
˙™
bw o
˙™ pp
fff
m.s.p. ord.
s.t. o.p. 4/4
b˙™
<b> O Vln. I
° 4 &4
Ó o
∑
∑
3 4
b˙™
˙
5 4 ff
“” 6 b~ ™ 4
fff
Vln. II
4 &4
∑
∑
3 4
b~
4 b~ 4
b~
bO ™
b~
3 bO ™ 4
5 4
™ 3 O™ b O 4
5 4
3 O™ 4
5 4
m.s.p. ord.
˙o.p.™ 4/4
˙™ Ó o
b~™
ppp
s.t.
O
5 4
˙
5 4 ff
“” 6 4 ~™
fff
b~™
b~
4~ 4
b~ ~
ppp
m.s.p. ord.
~™
s.t.
s.p.
~
‚
o.p. 4/4 Vla.
O B 44
Ó o
∑
∑
3 ˙™ 4
5 ˙™ 4
ff
˙
6 ~™ 4
fff
Vc.
Db.
?4 4
:“; O ?4 ¢ 4
Ó o
∑
∑
o.p. 4/4
˙™
˙
5 4 ff
“” 6 ~™ 4
fff
˙™ ∑
3 4
˙™
˙
5 4 ff
b~™
b~
4~ 4
b~ ~
b‚
3O 4
5 4
pp
m.s.p. ord. o.p. 4/4
∑
pp
ppp
s.t.
Ó o
p
m.s.p. ord.
˙™
3 4
O™
ppp
s.t.
O
4~ 4
“” 6 ™ 4~
fff
b~™
b~
4~ 4
b~
bO ™
3 ™ 4O
~
5 4
ppp
s.b. mallet drag let vib. Perc. 1
4 /4
∑
∑
∑
3 4 _™ ff
5 4 _™
!
6 4
∑
4 4
∑
∑
3 4
∑
5 4
6 4
∑
4 4
∑
∑
3 4
∑
5 4
6 4
∑
4 4
∑
∑
3 4
∑
5 4
fff
s.b. mallet drag let vib. Perc. 2
4 /4
∑
∑
∑
3 4 _™ ff
5 4 _™
!
fff
s.b. mallet drag let vib. Perc. 3
4 /4
∑
∑
∑
3 4 _™ ff
5 4 _™ fff
!
22 192
tromba
° 5 Alto Sax. ¢& 4
Ó™
∑
growl
4 4 B˙ o
3 4 w
2 4
4 4 B˙
˙™
3 4 ææ B˙ ™
Bw
tromba
3 4
4 4 n˙ ™
6 4 w
pp mf
mp
˙™ O™
O™
c.l.b.
Vln. I
:“; bO ° 5 &4
O™ b‚ ˙ O b O ™
~
O
O
4 O™ 4
Π43
f
2 4
4 4
3 4
spp
3 4 mf
4 ~ 4
6 4
4 µ~ 4
6 4
mp
c.l.b.
Vln. II
:“; bO 5 &4
bO ™
O™
O
4 O™ 4
‚ ˙ O
f
‚ O Vla.
O
2 4
O™
O
˙™
O™
3 4 mf
O™ ˙™ Œ 43
f
O O
2 4
O
mp
˙O ™™
˙O
4 4
˙™
3 4
spp
s.p.
Vc.
3 4
spp
4 4
b‚ O
4 4
m.s.p.
O™
B 45
:“; ?5 O 4
˙™ O™
~
O
Π43
mf
mp
O
w
˙ ™ O˙ ™™
~w
3 4
˙ O˙
2 4
˙O
˙ ˙O
˙ ™ ˙O ™™
O™
4 4
3 4
bO ™
4 4
6 4
4 µ~ 4
6 4
mp
bO ™
b~
O
6 4
“” b~
3 4 mf
Db.
~
4 4
m.s.p.
nO ™
4 4
:“; b O ™ b O ? 5 O™ ¢ 4
˙O ™™
3 4
4 4
2 µO 4
3 4
4 µw 4
~
3 µ˙ ™ O™ 3 µO ™ 4 4 mf
mp
thimbles l.h. drum
Perc. 1
5 /4
∑
∑
4 Ó 4
ææ ˙ o
3 4
ææ ˙™
2 4
ææ ˙
4 4
ææ w
3 4
ææ ˙™
3 4
ææ ˙™
4 4
ææ w
6 4
2 4
ææ ˙
4 4
ææ w
3 4
ææ ˙™
3 4
ææ ˙™
4 4
ææ w
6 4
pp
thimbles l.h. drum
Perc. 2
5 /4
∑
∑
4 Ó 4
ææ ˙ o
3 4
ææ ˙™ pp
s.b. mallet drag, let vib. To Cym. Perc. 3
5 /4
∑
∑
4 Ó 4
! f
3 4
∑
2 4
∑
4 4
∑
3 4
∑
3 4
∑
4 4
∑
6 4
23
Alto Sax.
gliss down as far as possible
screeching inhale
201
° 6 ¢& 4
5 4 !™ w) ™™ p
2 4
∑
!
I tromba 4 4w
~
2O 4
4 4w
3 4
p f
m.s.t. Vln. I
w
2 4˙
° 6 ~™ &4
5 O™ 4
p
o.p 2/4
O
m.s.p.
4~ 4
2 O 4
mf
4w 4
~w
3 4
p
m.s.t.
m.s.p. o.p 2/4
Vln. II
6 µ~ ™ &4
5 µO ™ 4
p
2 µO 4
O
4 µ~ 4
µ~
mf
2 µO 4
4 µ~ 4
3 4
p
s.t.
w™ Vla.
~™
B 46
O™
o.p. 2/4
O
5 4 mp
o.p. 3/4
O
w
2 4
~
w
4 4
mf
2 4
∑
4 4
∑
3 4
2 4
∑
4 4
∑
3 4
2 4
∑
4 4
∑
3 4
2 4
∑
4 4
∑
3 4
p
ord.
Vc.
:“; b~™ ?6 4
bO ™
5 4
b Oo.p. 2/4
O bO ™
O
2 4
4 b~ 4
b~ p
p
mf
o.p. 1/4
~™ Db.
O™
m.s.p. ord.
s.t. o.p. 2/4
?6 ¢ 4
µO
5 4 p
2 µO 4
4 µ~ 4
µ~
mf
p
T.D. shake
let vib.
ææ 6 / 4 w™ o
æ 5 ˙æ™ 4
ææ 6 / 4 w™
æ 5 ˙æ™ 4
ææ ˙
2 4
ææ ˙
4 4
∑
∑
p
Perc. 1 th.dr.b. scratch slowly let vib.
let vib.
ææ ˙
æ 2 ˙æ 4
4 4
∑
∑
2 4
∑
4_ 4
3 4
mp
T.D. shake
let vib.
ææ 6 / 4 w™ o
æ 5 ˙æ™ 4
ææ 6 / 4 w™
æ 5 ˙æ™ 4
ææ ˙
2 4
ææ ˙
4 4
∑
∑
2 4
∑
4 4
3 4
∑
p
Perc. 2 thimbles scratch slowly let vib.
let vib.
ææ ˙
æ 2 ˙æ 4
4 4
∑
∑
2 4
∑
4_ 4
3 4
mp
Cymbal arco, let vib. Perc. 3.
6 /4 œ mf
Œ
To T.S
Œ
Ó™
5 4
∑
2 4 Œ
œ mp
4 4
∑
∑
2 4œ mp
Œ
4 Ó™ 4
œ p
3 4
24 208
° 3 Alto Sax. ¢& 4 ˙™
4 4 w
˙™
6 4 w™
pp
4 4 w
3 4 ˙™
p
5 4 ˙™
˙
4 4 w
ppp
s.t.
Vln. I
o.p. 1/4 ° 3 O˙ ™™ &4
o.p. 4/4 ord.
O˙ ™™
~
~™ 6 w ™ 4
4 4
pp
™ n Oord. Vln. II
4 w~ 4
3 O™ 4
p
bn ˙O ™™
5 O™ 4
O
4 w 4
ppp
bn ˙O ™™
3 &4
o.p. 3/4
µµœ‚ 6 µµw~ ™™ 4
4 4 pp
w™
4 µ~ 4
3 µO ™ 4
p
5 µO ™ 4 Ó™
OO
4 µ~~ 4
ppp II
m.s.p. s.p.
˙O ™™ Vla.
B 43
w
4 4
∑
w~
˙O ™™ b˙O ™™ 6 4
pp
o.p.4/4
~ 4 bw w 4
m.s.t. O™ b 5˙ ™ 4
O™ 3 b˙ ™ 4
p
˙O
~ 4 bw 4
ppp
s.p. o.p. 4/4
~™
bs.p. O™ Vc.
w™
˙O ™™
~
m.s.p.
O™
?3 4 p
4 ~ 4
pp
6 4
4 4
˙O ™™
3 4
p
5 4
Db.
˙™ pp
∑
-
Œ
drum
æ Œ 4 wæ 4
p
Perc. 2
∑
-
Œ
æ Œ 4 wæ 4
p
Perc. 3
œ
mp
p
Œ
T.S. drum
æ Œ 4 wæ 4
To T.S
pp
5 4 ˙O ™™
Crotales arco, let vib.
let vib.
æ 6 wæ ™ 4
3 4 ˙O ™™
˙O
3/4 4 wo.p. ~ 4
ppp
To Crot.
4 4
∑
3 œ &4
To T.S
ΠΠ45
∑
4 4
∑
/
∑
4 4
∑
/
∑
4 4
∑
/
p
Crotales arco, let vib.
let vib.
æ 6 wæ ™ 4
To T.S
To Crot.
4 4
∑
pp
T.S. s.b. mallet Cymbal drag, let vib. To Cym. arco, let vib.
3 /4 ‰ - - Œ
4 ~ w~ 4
pp
drum
3 /4
6 4 n~ ™ p
thimbles scratch slowly let vib. Perc. 1
4 4
s.t.
4 4 µ~
∑
3 /4
w
ppp
IV m.s.p.
?3 ¢ 4
O
3 bœ &4
ΠΠ45
p
Crotales arco, let vib.
let vib.
æ 6 wæ ™ 4
To Crot.
4 4
To T.S
∑
3 &4 œ p
ΠΠ45
25 add voice in any range that adds some essence to a dying suffocating atmosphere :)
216
Alto Sax.
° ¢& w
w
3 4 ˙™
2 4˙
p
Vln. I
~ ° & mf
s.t. o.p. 4/4 Vln. II
&
m.s.p. ord.
p
pp
spp
˙™
O
3 4 o
∑
O 2˙ 4
m.s.p.
O™
4 4
∑
3 4
∑
2 4
∑
mp
pp
m.s.p. ord.
s.p.
mf
spp
mp
~ word.
II s.p.
B Vla.
w
˙™
2 4 ˙
s.p.
~
~
mf
3 4 ˙™
mp
µw w
bw~m.s.p.
4 4w
tromba (in a rather caracterless manner)
spp
3 4 ˙™
3 4 o
O˙ ™™
∑
4 ~w 4
2 4 O˙
w
3 ™ 4 O˙ ™
O™
O™
pp
2O 4 b˙
4 4
∑
3 4
∑
∑
mp
s.t. ord
s.p.
~
O
2 4 O˙
O˙ ™™
b˙ ™
2 4
pp
m.s.p.
O™ bO ™
? Vc. mf
spp
3 4 o
∑
? w ¢ mf
~ spp
Perc. 1
/ o
ææ w
3 4 o
æ 3 ˙æ™ 4
pp
T.S thimbles (both hands) drum Perc. 1
/
ææ w o
ææ w
æ 3 ˙æ™ 4
pp
T.S thimbles (both hands) drum Perc. 1
/
ææ w o
ææ w pp
4 4
∑
3 4
2 bO 4
∑ pp
III IV m.s.p.
T.S thimbles (both hands) drum
ææ w
2 4 mp
m.s.p. ord. Db.
#m.s.p. O˙
æ 3 ˙æ™ 4
∑
2 4 O˙
3 O™ 4˙ ™
4~ 4w
O™ ˙™
µO˙ ™™
æ 3 ˙æ™ 4
ææ ˙™
ææ ˙™
æ 3 ˙æ™ 4
ææ ˙™
ææ ˙™
mp
pp
scratch both hands let vib.
let vib. drum
2 4 _
æ 4 wæ 4
mp
pp
scratch both hands let vib.
drum
2 4
ææ ˙
let vib.
2 4 _
æ 4 wæ 4
mp
pp
4 4 f
2 4
ææ ˙
Cymbal arco, let vib.
s.b. mallet drag, let vib. To Cym.
2 4 _
2 4 µO
∑
3 4
∑
∑
œ mp
Œ
Œ
2 4
∑