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New Music Standards ࡴChamber Ꮧ䞠ᇨg⽣䳋 by Gabriel Fauré
ᅸݙФᷛޚ᳆Ⳃᮄ⠜ The Piano Quartet op. 45, although not as popular in Fauré’s lifetime, has also become a op. 45 㱑 Ⳍᇍ㗠㿔ˈ䩶⨈ಯ䞡༣ standard in chamber music ✊⽣䳋⫳ࠡᑊϡᗢМߎৡˈԚৠḋ concerts in the 20 th century. ៤Ў20Ϫ㑾ᅸݙФण༣᳆Ёⱘϔ佪ᷛ This Urtext edition is based on the first edition engraved by Röder, but ޚ᳆ⳂDŽ it relies also on Fauré’s autograph ॳ䈅⠜Ѣ㔫ᖋᇨࠊ⠜ⱘ佪 for the exact placement of ⠜ˈԚৠḋ䞡⽣䳋ⱘ〓ҹ⹂ޚ dynamics and articulation. ॳᑺϢФ᳆㸼䖒DŽ
Bärenreiter’s new critical editions offer clearly laid out scores and parts with optimal page turns. 健❞ᮄ᷵ࢬ⠜ᦤկᥦॄ⏙᱄ⱘ ܼ༫Ф䈅ᏺ㗏义໘DŽ First critical editions of these important chamber music z standards 䖭ѯ䞡㽕ⱘᅸݙФᷛޚ᳆Ⳃ Preface in English, French and ⱘ佪Ͼ᷵ࢬ⠜ German 㣅ǃ⊩ǃᖋ᭛ࠡ㿔 z Must have editions z ᖙ⠜ᴀ
Fauré, Gabriel Fauré, Gabriel ࡴᏗ䞠ᇨg⽣䳋 (1845-1924) ࡴᏗ䞠ᇨg⽣䳋 Gabriel Fauré ࡴᏗ䞠ᇨg⽣䳋 Quatuor avec piano,
(1845-1924) violon, alto et violoncelle, op. 15 / 㥿䞠ᮃgᢝ࿕ᇨ Piano Quartet, op. 15 䩶⨈ǃᇣᦤ⨈ǃЁᦤ⨈ǃᦤ⨈ Urtext Ed. D. Herlin ಯ䞡༣/ op.15 BA 7903 op.15 䩶⨈ಯ䞡༣ Score with parts € 39.95 ॳ䈅 / 㓪䕥 D. ݄ BA 7903 39.95 ܗ ᘏ䈅ᏺߚ䈅 Quatuor avec piano, violon, alto et violoncelle, op.䩶⨈ǃᇣᦤ⨈ǃЁᦤ⨈ǃᦤ⨈ 45 / op. 45 op. 45 Piano Quartet, ಯ䞡༣ Urtext / Ed. D. op.Herlin 45 䩶⨈ಯ䞡༣ 㥿䞠ᮃgᢝ࿕ᇨ BAॳ䈅 7904 / 㓪䕥 D. ݄ Score with parts € 39.95 BA 7904 ᘏ䈅ᏺߚ䈅 ܗ These two new scholarly39.95 critical editions of Gabriel Fauré’s much loved chamber music are taken from Bärenreiter’s new Complete ࡴᏗ䞠ᇨg⼒䳋ফ⦡⠅ⱘᅸ Works of Gabriel Fauré. The works ݙФФ᳆䲚Ёˈ䖭ϸϾᮄᄺᴃ᷵ࢬ⠜ are based on critical examination ofপ㞾健❞ⱘljࡴᏗ䞠ᇨg⽣䳋 all available sources. કܼ䲚NJDŽકѢᇍ᠔᳝ৃࡼ⫼ॳ The Piano Quartet op. 15 was ྟ䌘᭭᠔᷵ࢬDŽ extremely successful during the composer’s lifetime and was reissued᳆ᆊϪᯊˈ䩶⨈ಯ䞡༣ numerous times; it was op.15 one of Fauré’s compositions that ᵕЎ៤ࡳˈݡ⠜˗䙷ѯ ledՓ⽣䳋㦋ᕫӳⱘᅸݙФ᳆ᆊৡໄ to his reputation as a composer of great chamber 䞠ܟg㧼㩖 ⱘકЁˈ䖭ᰃ݊ЁПϔDŽ music. Ф䈅䗝㞾˖⽣䳋䩶⨈ǃᇣᦤ⨈ǃЁᦤ⨈ǃᦤ⨈ಯ䞡༣ op.15ˈBA 7903
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