A U S T I N H O G A N S A R C H I T E C T U R E
P O R T F O L I O
T A B L E O F C O N T E N T S
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COMMUNAL WASTE MANAGEMENT RAJASTHAN CITIES / JAIPUR
3-10 OTTO & OTTIS
FARM-TO-TABLE RESTAURANT
11-16 HUESTON WOODS
NATURE CENTER FOR THE PUBLIC
17-20 CHICAGO FIELDHOUSE ART STUDIOS AND ATHLETIC FACILITIES
21-24 OTR DESIGN-BUILD 1300 VINE
25-32
URBANBUILD 15 2311 HARMONY
33-36
MIXED MEDIA
37-40
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COMMUNAL WASTE MANAGEMENT RAJASTHAN CITIES PROJECT // JAIPUR
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Jaipur founded in 1727 is the capital of the City of Rajasthan, India’s largest state. The extraordinary heritage makes it a magnet for tourism. Currently Jaipur confronts an urgent crisis: the rapidly diminishing supply of drinking water. As a growing city of 3.65 million people, expected to reach 5 million by 2030, architecture, landscape architecture, preservation and urbanism are essential to redefine a built environment able to support a thriving urban life. The research question for this studio is an exploration of urban and architectural strategies that might enable Jaipur to be sustained. This proposal project addresses the inefficiencies of Jaipur’s solid waste management. The project proposes a modular system in an informal settlement that incorporates waste collecting and segregation through embracing the informal sector of waste collecting, public policy, and public amenities spaces that serve the direct needs of the community it will serve.
*Photos shown are taken by the author
WASTE SYSTEMS
WASTE CONDTIONS
150’ WALKABILITY RADIUS
COMMUNAL BIN CAPACITY
Solid waste management is the collecting, treatment, and disposal of solid material that has served its purpose or no longer useful.
Open Depot
Open Depot
Formal
Formal
Solid waste management in Jaipur has experienced major problems on all levels, relying on the current communal bin system, open depots, and illegal dumping.
Communal Bin
Communal Bin
Semi-Formal
Semi-Formal
The area that surrounds the receptacle is treated as an open depot, spacial claiming its surroundings through trash, creating a huge health concern and providing major inefficiencies on waste collecting.
Dry and Waste Receptacle
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Dry and Waste Receptacle
Informal
Informal
MAP KEY
HOUSEHOLD 150<
HOUSEHOLD 50-150
DOT DENSITY MAP FOR PROPOSED PLAN DOTS INFORMS THE COMMUNAL BIN WASTE CAPACITY , BASED ON 300â&#x20AC;&#x2122; WALKABILITY RADIUS.
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EXPERIENTIAL MOMENTS
UNSEGREGATED WASTE
BATHROOMS
COMMUNITY ROOMS
SEGREGATED WASTE
PUBLIC LAUNDRY
SITE PLAN | INFORMAL SETTLEMENT
SORTING/CLEANING WASTE
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COURTYARD SPACES
GROUND FLOOR PLAN
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AXON OF MODULAR COMMUNAL BIN IN CONTEXT
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SOUTH-WEST SECTION SECTION ILLUSTRATES THE WATER CATCHMENT SYSTEM SERVING THE BATHROOMS.
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OTTO AND OTTIS
Group Participants: , Austin Hogans, Harry Osborne, Evelyn Jackson, Isaac Oâ&#x20AC;&#x2122;Bryan,Kayla Edwards *Photo shown are taken by the John Blake
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The studio focused on adaptive reusing an underground barrel vault once used to store beer, into a farm-to-table restaurant. In a city that is largely lacking in green space, the project is intended to bring an urban oasis: a combination of urban gardens and public green space. We named our restaurant, Otto & Ottis, and the concept deals with Black and Appalachian culture and cuisine, bringing awareness to Cincinnatiâ&#x20AC;&#x2122;s cultural roots. The farm-to-table concept fits seamlessly with our Appalachian cuisine, which features homegrown produce on our site. Another level of engagement is the design of a music lounge, offering more program flexibility, and emphasis on the music culture of the city. The site upon which Otto & Ottis is built featured a series of concrete vaults, in which these vaults are exposed so that they could be better seen and appreciated. Our next goal was to layer upon these vaults to accentuate the existing site as well as the brand that has been developed for Otto & Ottis.
LANDSCAPE & SITE
STREET LEVEL PLAN
RAMMED EARTH WALLS
ALLEY LEVEL PLAN
VAULTS
VAULT LEVEL PLAN
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The descent starts through the very ground where your food is being grown, down into the root system of the restaurant. Everything about the design points to this path, down through the dark topsoil, down into the red-tinged clay.
MUSIC LOUNGE PERSPECTIVE
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SECTION C
EXTERIOR PERSPECTIVE NOTICE THE “HILLS” IN THE RENDERING. THEY ARE ACTUALLY THE CURVATURE OF THE BAREL VAULTS.
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Upon walking into the underground space, guests are welcomed by a monumental, curving wall constructed of rammed earth. This wall leads into the grand atrium, a light well which descends through the layers of this site, allowing light into the underground space, and providing a glance down into the vaults from the cafe above.
Section B
Section A
Restaurant Entrance
Circulation Tower
Main Dining Room Section C Section D
Entry Bridge
Light Well/ Vestibule
Office
Vault Level Plan
VAULT LEVEL PLAN
SECTION A
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Reception Desk
Office
UP
ALLEY LEVEL PLAN
RESTAURANT ENTRANCE
MAIN DINING ROOM
RECEPTION DESK
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HUESTON WOODS
The program called for a design of a Nature Center at a site in Hueston Woods State Park, Ohio. The Nature Center is 60% circulation and includes a research center and offices that are not open to the public. The nature center includes an exhibition area, a laboratory for research, and a classroom that can be divided into two if need be. For the design, I was influenced by the vegetation, the nature of Hueston Woods. I was also inspired by the sustainable technologies we have in our world today. I incorporated green roofs and a drainage garden system in my design, engaging with the typography of the landscape. All drawings are hand drawn.
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SIDE ELEVATION
FRONT ELEVATION
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SIDE SECTION
FRONT SECTION
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CHICAGO FIELDHOUSE Combining athletics and art, the program called for athletics facilities, art studios, and gallery space. Located in Chicago, off of Lakefield drive, The field house form responds to the central axis that connects the lake, park, and Art Museum. An enclosed garden space, responds to the siteâ&#x20AC;&#x2122;s central axis. Below the garden is a basketball court, below ground with all of the athletic-related facilities that are accessible thorough direct and indirect access. The art studios anchor the enclosed garden space on each side.
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URBAN CONTEXT
STRUCTURAL SECTION PERPSECTIVE DETAILS WALL SECTION DETAIL AXON AUSTIN HOGANS GREENWALL PRECDEDENT
NELSON ATKINS MUSUEM OF ART CHANNEL GLASS PRECDENT
CONCRETE ROOF SLAB 11’ THICK
DOUBLEGLAZED GLASS WALL PRECDENT
RETURN AIR DUCT SUPPLY AIR DUCT
STRUCTURAL ORDER
DROP CEILING
STRUCTURAL ORDER
SOLAR CHANNEL GLASS ULTRA BRILIANT LOW IRON PANEL 1’X17’ WACOTECH TIMax CHANNEL GLASS INSULATION
SF-60 CHANNEL GLASS FRAME
CONCRETE FLOOR SLAB 11” THICK PLUMBING- HOTWATER
SECOND FLOOR
LIGHT SHELF
SPRINKLER
SOLAR CHANNEL GLASS ULTRA BRILIANT LOW IRON PANEL 1’X13’
GROUND FLOOR
GREEN WALL
WALL SECTION DETAIL AXON AUSTIN HOGANS GREENWALL PRECDEDENT
LIGHT SHELF
NELSON ATKINS MUSUEM OF ART CHANNEL GLASS PRECDENT
BASEMENT-MEZZANINE LEVEL
CONCRETE ROOF SLAB DOUBLE-GLAZED 11’ THICK
DOUBLEGLAZED GLASS WALL PRECDENT
GLASS WALL
RETURN AIR DUCT SUPPLY AIR DUCT DROP CEILING
GREENSCAPE/GRASS
SOLAR CHANNEL GLASS ULTRA BRILIANT LOW IRON PANEL 1’X17’
FOUNDATION
WACOTECH TIMax CHANNEL GLASS INSULATION
FACADE IN RELATION TO FORM
SF-60 CHANNEL GLASS FRAME
FACADE IN RELATION TO FORM
CONCRETE FLOOR SLAB 11” THICK PLUMBING- HOTWATER
SECOND FLOOR
LIGHT SHELF
SPRINKLER
SOLAR CHANNEL GLASS ULTRA BRILIANT LOW IRON PANEL 1’X13’
GROUND FLOOR
GREEN WALL
LIGHT SHELF
BASEMENT-MEZZANINE LEVEL
DOUBLE-GLAZED GLASS WALL
GREENSCAPE/GRASS
FOUNDATION
FACADE IN RELATION TO PROGRAM GROUND FLOOR PLAN FACADE IN RELATION TO BUILDING PROGRAM
MECHANICAL ROOM
LOCKERS
LOCKERS
CLASSROOM
MECHANICAL ROOM
CLASSROOM
BASKETBALL COURT
FITNESS AREA EQUIPMENT AREA
CLASSROOM
ART STUDIO
FITNESS CLASSROOM MECHANICAL ROOM
ROOF PLAN
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ROOF PLAN 3/32”=1’-0”
SECOND FLOOR PLAN
SECOND FLOOR PLAN 3/32”=1’-0”
LOWER LEVEL 1 FLOOR PLAN
BASEMENT LOWER LEVEL 3/32”=1’-0”
BASEMENT- MEZZANINE LEVEL 3/32”=1’-0”
LOWER LEVEL 2 FLOOR PLAN
AXON PROCESS DIAGRAMS
VERTICAL SHADING LOUVER
MULLION
FACADE DETAIL Q-AIR IGU TRIPLE GLASS
SIDE SECTION
FACADE DETAIL PLAN GROUND LEVEL LOBBY SPACE 1/2”=1’-0”
ROOF SECTION DETAIL FACADE DETAIL WALL SECTION 3/16”=1’-0”
WALL SECTION DETAIL
SIDE SECTION
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OTR DESIGN-BUILD 1300VINE
The OTR Residency program encompassed a design-build studio and three classes that dealt with the theme of community engagement in Over-The-Rhine, Cincinnati. From being one of the most impoverished neighborhoods in the region, to now a prime location for young professionals, the neighborhood has gone through a major revitalization. Historically, The neighborhood always had a strong working-class, African-American, and Appalachian background however, like most urban neighborhoods, the racial and class identity of Over-The-Rhine is changing every day. My experience in the program hit home for me because my personal experiences intertwined with the experiences of the Over-The-Rhine community. The program enhanced my awareness of why the issues we discuss in the program are still present not in just Over-the-Rhine but everywhere in the nation. The community activists and the neighbors taught me what it truly meant to be resilient, to be a community member, what it mean to be a good neighbor. Their will to express oneself even when the odds are not in your favor and faced with constant rejection, is nothing but inspiring. The program has made me recognize the role I want to play as an architect in designing for sustainable communities and people with historically marginalized backgrounds.
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*Photos shown are taken by the author
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I, along with three other architecture students collaborated on renovating the exterior and interior of 1300 Vine st. I decided to further develop the idea of â&#x20AC;&#x153;stoop cultureâ&#x20AC;? and incoporate space for vegetation. The following images are my design initiatives towards making the storefront engage with its setting by merging the seating and landscape elements.
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The image on right is the human scale study model of the â&#x20AC;&#x153;planter/stoopâ&#x20AC;? design on.
The images on this page are process sketches of the design.
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In the interior of 1300 Vine, I took the task of designing the back room, the tool room. The goal was to reclaim the space so that it can be effectively utilized by future students in the program. My process involved taking out the wall that separates this room from the rest of the space in 1300 Vine effectively unifying the space, and creating a tool wall to help with organization and to unclutter the room.
PERSPECTIVE OF BACK WALL TOOL IDEA
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BEFORE PICTURES OF THE TOOL ROOM AND THE WALL THAT SEPERATES THE SPACE
N-S SECTION
E-W SECTION
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Images of the tool wall in its final state and methods of construction utilizing tongue and grove joints for stability and sliding shelving for the heavy tools.
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Images of what I helped work on in my studio. The two images to the right are the signage that was designed and installed by my team. The two images below are the existing pin-up board. It was a fixed board but now is movable to allow for more space.
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U R B A N B U I L D 15
2 311 H A R M O N Y
My last semester of my graduate program, I was apart of the build team in building a two bedroom, two full bathroom, one-story house In Central City, New Orleans in partnership with NHS, the Neighborhood Housing Services. The sceme focused on affrodable housing and was desinged to be implemented as a stand alone, an infill, and as a multi-family unit. The building off of the prominnent housing typology in the neighborhood, the scheme was designed explored effeicnt means of contruction to aid in itâ&#x20AC;&#x2122;s affordablity. Central City is historcially a working class, immigrant and African American Community.The neighborhood was home to Dryades Street, which at one point was the center of commerce in New Orleans. Since the late 1800 s, the majority of the homes were built as rentals, which is still prevalent till this day, the majority of its residents do not own their dwellings. The UrbanBuild program aims to add value to the nieghbirhood however the criticism lies in exactly who does this program serve?
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BREAKING GROUND 34
FRAMING AND DETAILS 35
COMPLETION
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MIXED MEDIA A MEDIEVAL LEGEND
WATERCOLOR | 2013
SELF PORTRAIT
WATERCOLOR | 2013
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STUDY OF ORNAMETAL DETAILS IN MALTA
PENCIL AND WATERCOLOR | 2017
A STREAM OF CONSCIOUSNESS
A S E R I E S | WATERCOLOR AND INK | 2014
A GUPTA WEDDING WATERCOLOR | 2014
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13TH AMENDMENT
A P I E C E | WATERCOLOR AND INK | 2017
“ Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.”
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