/Atlantic of a life in Hell that is not a negation, but rather an assertion, a fulfillment, of a sinful life. Through this portrayal of corporeality, Dante was able to present an original rendition of Hell that has withstood the test of time. Works Cited Dante, Álighieri, and John D. Sinclair. Inferno. New York: Oxford University Press, 1939. Darling, Marsha. “In the Realm of Responsibility: A Conversation with Toni Morri son.” Women’s Review of Books Mar.1988: 5-6. Gilson, Etienne. “Dante’s Notion of a Shade,” Medieval Studies 29 (1967), 124-42. Lindheim, Nancy. “Body, Soul, and Immortality: Some Readings in Dante’s Commedia.” Vol. 105, No. 1, Italian Issue (Jan. 1990): 1-32. Morrison, Toni. Beloved. London: Vintage, 1997. Rothstein, Mervyn. “Toni Morrison, in Her New Novel, Defends Women.” New York Times 26 Aug.1987: C17. Wyatt, Jean. “Giving Body to the Word: The Maternal Symbolic in Toni Morrison’s Beloved,” PMLA 108,3 (May 1993), 474-488.
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