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References DeAngelis, A., Ianniciello, C., Orabona, M., & Quadraro, M. (2014). Disruptive Encounters - Museums, Arts and Postcoloniality. In I. Chambers, A. De Angelis, C. Ianniciello, M. Orabona, & M. Quadraro, The Postcolonial Museum: The Arts of Memory and the Pressures of History (pp. 1-24). Farnham: Ashgate Publishing Ltd. Grundei, P., Kaindl, S., Teckers, C., & Steiner, B. (2010). The Architecture Has Become an Actor in the Process of Negotiation. In Negotiating Spaces (pp. 23-26). Berlin: JOVIS Verslag. Harinck, C., Van Horn, N., & Luttikhuis, B. (2017, july 26). Onze vergeten slachtoffers: Wie telt de Indonesische doden? De Groene Amsterdammer nr. 30. Marino, A. (2014). Orientalism and the Politics of Contemporary Art Exhibitions. In I. Chambers, A. De Angelis, C. Ianniciello, M. Orabona, & M. Quadraro, The Postcolonial Museum: The Arts of Memory and the Pressures of History (pp. 185-193). Farnham: Ashgate Publishing Ltd.
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Orhun, S. (2013). Designing interactive exhibitions based on innovative narrations guided by architectural space and digital technologies. NODEM 2013: International Conference on Design and Digital Heritage (pp. 33-40). Kista: Interactive Institute Swedish ICT. Parati, M. (2014). Performance in the Museum Space (for a Wandering Society). In I. Chambers, A. De Angelis, C. Ianniciello, M. Orabona, & M. Quadraro, The Postcolonnial Museum: The Arts of Memory and the Pressures of History (pp. 99-108). Farnham: Ashgate Publishing Ltd. Said, E. (1993). Culture and Imperialism. New York: Vintage Books (Random House). Stewart, P. (2016). Art and Commitment: Galleries without Walls. In D. Clover, K. Sanford, L. Bell, & K. Johnson, Adult Education, Museums and Art Galleries (pp. 39-52). Rotterdam: Sense Publishers. VanHuis, I. (2019). Contesting Cultural Heritage: Decolonizing the Tropenmuseum as an Intervention in the Dutch/European Memory Complex. In T. Lähdesmäki, L. Passerini, S. KaasikKrogerus, & I. van Huis, Dissonant Heritages and Memories in Contemporary Europe. Amsterdam: Palgrave macmillan. Vergès, F. (2014). A Museum Without Objects. In I. Chambers, A. De Angelis, C. Ianniciello, M. Orabona, & M. Quadraro, The Postcolonial Museum: The Arts of Memory and the Pressures of HIstory (pp. 25-38). Farnham: Ashgate Publishing Ltd. Wekker, G. (2016). White Innocence: Paradoxes of Colonialism
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and Race. Durham and London: Duke University Press. Young, J. (1992). The Counter-Monument: Memory against Itself in Germany. Critical Inquiry, Vol. 18, No.2 (Winter, 1992), 267-296.
Fig. 5.
Serra, R. (1981). Tilted Arc: controversial art
work in public space. The sculpture forces the user of the space to interact with the urban block differently and see the space in a new way. The sculpture was removed after protests, but nevertheless started a conversation. Photograph by Daid Aschkenas. Federal Plaza in Lower Manhattan, New york. Fig. 6. Fig. 7.
See Fig. 5.
D. Černý. (1991). The Monument to Soviet
Tank Crews was a World War II memorial located in Prague. It is also known as the Pink Tank because,
in 1991, it was controversially painted pink, first by installation artist David Černý and a second time
by members of parliament in protest at his arrest.
Photograph taken by Debarshi Ray. Retrieved from Flickr.
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