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This month's issue focuses on love in many forms. When we talked with music producer, rapper, composer, philanthropist and buiness man Drumma Boy, it was clear that he has a love for music, fashion and the ability to bring people together. We chatted with him about how his life started infusing with diversity in music, the important role that producers play in Artist Development, his upcoming projects with Too $hort, Musiq Soulchild, his musical work with the NBA's Memphis Grizzlies, his business in Atlanta and his must hav3s that you will find in his studio if you're ever working with him. ATHLEISURE MAG: Clearly music heritage runs in your family. What was it like to be infused with such insights and talents growing up? DRUMMA BOY: Coming from my mom, she used to always tell me stories about plugging the record album into the speaker and playing Isaac Hayes and all of that. I was young, but from her doing that, I would have these dreams of hearing music and when you would put your hands over your ears it sounds like this beautiful sound. Like you know it’s coming from somewhere, but you don’t know where! So in real life, even right now – there is a beat swimming in my ears. There is music in my ear and I have to transfer that to actuality which is what the recording process, beat making and all of that is. And to me, that’s the writing of music. That’s the best way that I can understand Beethoven. By losing your hearing, you can still hear. Your brain can hear. Even if I muted my ears or covered them where I couldn’t hear anything – I could still hear the music. That process transfers into writing music. AM: What was the moment that you realized that producing was going to be the way that you worked musically? DB: That inspiration came from my brother, Ensayne Wayne who was older than me and was recently shot and killed on Feb 10, 2018. I remember being 12 or 14 and

he took me into the studio with him and he was working with Three 6 Mafia and all of these different artists through Memphis. Just going through all of these different studios was amazing. I remember that the first studio I went into, it was like I was in a spaceship. I was like, “man all of these lights!” I knew that if I could transfer the orchestral knowledge and the ability to write, compose and to arrange and to put that with this Hip Hop – I could have my own sound! That’s how I came into the game making beats. I was motivated by Ensayne Wayne, Jazze Pha, and a lot of the legendary cats that were doing it at that time. AM: How would you define your style? DB: I call it a pot of gumbo, there are so many different styles of the music in it. Mama would make the best from the scraps. She had some leftover chicken, black eyed peas and whatever and cooked it down in one pot and stretched the food out. Like gumbo, my style is a little bit of blues, a little bit of country, a little splash of rhythm and blues, and you have a bit of hip hop and a pinch of orchestra. Just all of these genres of music like jazz, bluegrass, funk, oldies but goodies. I loved Isaac Hayes, operas and orchestras as well as plays and then I could run out into the street and hear Three 6 Mafia. Then I could go downtown to hear the blues like BB King. There was so much history musically that it was just destined. AM: What artists and groups have inspired you beyond a lot of those that you have mentioned? Do you get inspiration from EDM artists? DB: Yeah I mean, I always respected the DJ. I DJ’d parties when I was coming up and I would do things here and there. As a DJ, it’s about spreading good energy because people just want to have a good time, dance and have fun. As a DJ, when you have that repertoire and that ear for what people really want to hear you can infuse that energy. So for me David Guetta, Tiesto, Flosstradamus.

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Athleisure Mag Feb 2019  

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