Woolley & Wallis Old Masters, British & European Paintings

WOOLLEY & WALLIS

WOOLLEY & WALLIS SALISBURY SALEROOMS

P aintings W ednesday 6 th M arch 2019

www.woolleyandwallis.co.uk

Old Masters, British & European Paintings Wednesday 6th March 2019

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955 424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

JAPANESE ART Alex Aguilar Sarah Lopez-Ferreiro JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424583 424591 424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Madeleine White

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Sally Trench

446959

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike SALEROOM MANAGER David Jordan

424500

424500

CASTLE GATE MANAGER Matt Hill

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

JEWELLERY 18th April 2019 – Fine Jewellery 18th July 2019 – Jewellery Marielle Whiting +44 (0) 1722 424595 | mw@woolleyandwallis.co.uk Jonathan Edwards (consultant) +44 (0) 1722 424504 | je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 | cg@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 30th April 2019 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 | cd@woolleyandwallis.co.uk

PAINTINGS 6th March 2019 – Old Masters, British & European Paintings 5th June 2019 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 446961 | vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 446962 | jb@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

SILVER 16th & 17th April 2019 – Fine Silver & Objects of Vertu 16th & 17th July 2019 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk

TRIBAL ART & ANTIQUITIES 18th September 2019 Will Hobbs +44 (0) 1722 339752 | wh@woolleyandwallis.co.uk

CASTLE GATE RECEPTION Megan Corbett

Natalie Milsted FCCA Finance Director

FURNITURE, WORKS OF ART & CLOCKS 3rd April 2019 3rd July 2019 Mark Yuan-Richards +44 (0) 1722 411854 | myr@woolleyandwallis.co.uk Jim Gale +44 (0) 1722 339161 | jg@woolleyandwallis.co.uk

424599

20TH CENTURY DESIGN 20th March 2019 – Clarice Cliff, Art Deco & Design 19th June 2019 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 | mj@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 1st May 2019 Ned Cowell +44 (0) 1722 341469 | nc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 21st & 22nd May 2019 John Axford +44 (0) 1722 424506 | jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 | fyr@woolleyandwallis.co.uk Alex Aguilar +44 (0) 1722 424583 | aa@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS at our Castle Street Salerooms, SP1 3SU

Wednesday 6th March 2019 at 10am VIEWING TIMES Saturday 2nd March Monday 4th March Tuesday 5th March Wednesday 6th March

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details.

Victor Fauvelle Tel: 01722 446961 vf@woolleyandwallis.co.uk

GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings.

LIVE BIDDING Jo Butler Tel: 01722 446962 jb@woolleyandwallis.co.uk

PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE.

WOOLLEYS LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 5th March.

Madeleine White Tel: 01722 446970 mwh@woolleyandwallis.co.uk

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Castle Gate on 7th and 8th March - collection of lots on these days and Saturday 9th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

From 11th March collection will be from the Picture department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. If making payment at Castle Gate, cash cannot be accepted.

ILLUSTRATIONS Front cover: Lot 195 Back cover: Lot 159 Overleaf: Lot 189

Collection of sold and unsold lots must be within 21 days of the sale - failure to collect within this time may result in storage fees.

Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT.

Catalogue: £12.00 (£15.00 by post)

TELEPHONE BIDDING

Member of The Society

Please note that requests for telephone bids cannot be accepted after 5pm on 5th March.

of Fine Art Auctioneers

INDEX Portrait Miniatures from a Private Collection Miniatures & Miscellaneous

1-16 17-48

Prints 49-57 Watercolours 58-159 From the Collection of Michael and Justina Ryan 160-181 From the Estate Of Lady Dodds

182-193

From the Collection of Sir Jeremy Lever

194-243

Oil Paintings, Other Properties

244-446

3

Lots 1 to 16 Portrait Miniatures from a Private Collection

1λ FRENCH SCHOOL c.1634

Portrait miniature of a nobleman, head and shoulders, wearing a white embroidered jacket and wide lace ruff Inscribed: Pour l’infini le fini ie reiette Anno Domini 1634 Aetatis Suae 50, also charged with a coat of arms and the initials P.C.L.V.E. Oval, on paper, in a gilt frame 65 x 51mm Provenance: Limner Antiques London in the early 1970s, believed to have been purchased by them from Sotheby’s London £400-600

2 ENGLISH SCHOOL 19th Century

Portrait miniature of a Lady, head and shoulders, in a blue dress

1

2

3

4

On copper, oval in an ebonized frame 80 x 64mm Provenance: Sotheby’s, London, c.1971 £300-500

3λ AUSTRIAN SCHOOL c.1805

Portrait miniature of an Austrian Chasseur, head and shoulders wearing a green and red coat Oval, in a gilt frame, hair back with a banner marked Souvenir eternel 39 x 33mm Provenance: Limner’s Antiques, 22nd February 1971 £250-350

4 FRENCH SCHOOL 18th Century

Portrait miniature of Alexis de Gaffard, Conseiller en la Cour de Roussillon (1739-1815) Enamel, oval, in a gilt surround and red velvet frame surmounted with brass label 40 x 35mm Provenance: Sotheby’s, London, c.1972 £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

4

Lots 1 to 16 Portrait Miniatures from a Private Collection

5λ ENGLISH SCHOOL Early 19th Century

Portrait miniature of a gentleman, head and shoulders in a brown coat Oval, in a gilt frame with a blue glass and hair back 70 x 55mm Provenance: Sotheby’s, London, 25th January 1971, Lot 54 (part lot) £200-300

5

6

6λ FOLLOWER OF GEORGE ENGLEHEART

7λ FRENCH SCHOOL

Portrait miniature of a lady, bust length in a white lace dress and blue hat

Late 18th Century

Oval, in a pearl bordered frame, the blue glass reverse, centred with a scene of a girl holding a dove, en grisaille 58 x 47mm Provenance: Sotheby’s, London, 25th January 1971, Lot 59 £300-400

A busy scene by a lake with a horse and carriage and numerous figures at leisure Gouache, in a locket gilt frame, with a blue glass reverse Circular, 68mm diameter Provenance: Sotheby’s, London, 25th January 1971, Lot 51 Previously thought to be by Jacques Swebach £300-400

7

8λ ENGLISH SCHOOL Late 18th Century

Portrait miniatures of two gentleman, both head and shoulders one in a grey and one in a blue jacket with gold braid Two, both oval, in gilt frames Each 30 x 25mm (2) Provenance: Sotheby’s, London, 25th January 1971, Lot 27 £250-350

8 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 1 to 16 Portrait Miniatures from a Private Collection

9λ WILLIAM JOHN NEWTON 1785-1869

Portrait miniature of a lady, head and shoulders in a white dress and a coral necklace Signed and dated 1810 on the reverse and inscribed 6 Duke Street St James’s Oval in a gilt frame 71 x 58mm Provenance: Sotheby’s, London, 25th January 1971, Lot 41 £300-500

9

10

10 λ GERMAN SCHOOL 19th Century

Portrait miniature of Augusta Eleonara von Reutter, wearing a black dress, coral necklace and cross Inscribed verso: geb auf Trieblitz gest Losnitz b. Dresden Oval, in a gilt frame 68 x 53mm £300-500

11

11

11 λ ENGLISH SCHOOL

12 λ JOHN COX DILLMAN ENGLEHEART

Late 19th Century

1782/4-1862

Portrait miniature of a lady in 18th century dress, head and shoulders in a green dress and lace collar and a plumed hat

Portrait miniature of a young lady, head and shoulders in a red velvet dress and white lace collar

Oval, in a carved ivory frame 68 x 57mm With a circular miniature of a boy in the 18th Century style, printed, in a rectangular ebonized frame 88mm diameter (2)

Signed verso, dated 1815 and inscribed 88 Newman Street, London Given to H.M. Richards by Mrs G. Hibbert Rectangular, in a good ormolu frame 88 x 66mm

Provenance: E. Watson and Son, 8th December 1970, Lot 118

Provenance: Sotheby’s, London, 1971

£120-180

£500-700

12

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

5

6

Lots 1 to 16 Portrait Miniatures from a Private Collection

13 CHRISTIAN FRIEDRICH ZINCKE German 1683-1767

A gentleman, bust length, in a full wig, blue coat and lace cravat Enamel, oval, in a gilt frame 38 x 33mm Provenance: Sotheby’s, London, 22nd February 1971, Lot 62 £1,000-1,500

13

14 CHRISTIAN FRIEDRICH ZINCKE German 1683-1767

Portrait miniature of a gentleman, almost half length, powdered wig, brown coat over a yellow waistcoat and a lace jabot Enamel, oval, in a gilt frame 45 x 30mm Provenance: Sotheby’s, London, 26th April 1971, Lot 261 £1,200-1,800

14

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 1 to 16 Portrait Miniatures from a Private Collection

15 CHRISTIAN FRIEDRICH ZINCKE German 1683-1767

Portrait miniature of a lady, head and shoulders, in a white décolleté dress Enamel, oval, in a gilt frame 42 x 34mm Provenance: Sotheby’s, London, 1972 £1,000-1,500

15

16 CHRISTIAN FRIEDRICH ZINCKE German 1683-1767

Portrait miniature of a lady, head and shoulders, in a blue and white décolleté dress Enamel, oval, in a gilt frame 42 x 34mm Provenance: Sotheby’s, London, 1972 £1,200-1,800

16

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

7

8

Other Properties 17 λ AFTER JOSEPH FRANQUE French 1774-1833

The Empress Marie Louise watching over the sleeping King of Rome Watercolour and bodycolour, in a good gilt metal frame with stand 240 x 200mm With a copy of Four Years an Empress by Agnes de Stoeckl which shows the original painting, in the Musée de Versaille, on the dust jacket £800-1,200

18 J.P. American 19th Century

Portraits of children in landscapes A pair, both signed with initials and inscribed Atlanta, Georgia Both watercolour with bodycolour and gum arabic 27 x 23.5cm; 10½ x 9¼in (2) £150-250

17

18 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

9

19 λ WILLIAM EGLEY 1798-1870

Portrait miniature of Mrs Hay and her daughter In a burr wood frame with arched mount 130 x 103mm £700-900

20 λ MRS HENRY MOSELEY c.1800-1867

Portrait miniature of Mrs Robert Holford chatalaine of Westonbirt House and of Dorchester House, Park Lane, London, c.1845 In a cased frame with arched mount (half frame missing) 160 x 125mm Both properties were built by the sitter’s husband, Dorchester House held the famous Holford Collection of Old Master paintings amongst many other treasures. This magnificent house, equal to any of the other great London private palaces, was pulled down in 1929 and the present Dorchester Hotel put in its place. £150-250

21 λ CONTINENTAL SCHOOL 19th Century

Portrait miniature of a lady, half length wearing middle eastern dress in a landscape In a gilt metal frame 82 x 66mm With an oval portrait of a lady early 20th Century (2) £80-120

20

19

21

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

10

22

23

22 λ ENGLISH SCHOOL

23 λ ENGLISH SCHOOL

24 λ C.V.

25 λ BRITISH SCHOOL

Early 19th Century

c.1790-1800

1773

Late 18th Century

Portrait miniature of a gentleman, head and shoulders, wearing a white stock and black jacket

Portrait miniature of a gentleman, head and shoulders wearing blue

Double portrait miniature of a gentleman and a lady, head and shoulders, in painted ovals with a painted floral border

Portrait miniature of a lady, bust length, wearing pearls in her hair

Signed with initials and dated 1773 In a tortoiseshell case (loose) 74 x 116mm With a late 19th Century miniature portrait of Mary Queen of Scots and a small tortoiseshell purse (3)

£350-450

Oval, in a tortoiseshell and brass inlaid boule frame with canted angles 80 x 61mm £250-450

In a gilt frame, with seed pearl and hair back, oval 63 x 48mm £100-200

Oval in a dark case 36 x 31mm

£200-300

24

25

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

11

26

27

28

29

26 λ ENGLISH SCHOOL

27 λ ENGLISH SCHOOL

19th Century

19th Century

Portrait miniature of a lady, head and shoulders in a brown dress and a sheer white shawl Circular, in a gilt surround and rectangular brown fabric covered frame 54mm diameter With four further framed miniature, two of ladies, one of a young child and a landscape set into the cover of a notebook (5)

30

28 λ CONTINENTAL/ BRITISH SCHOOL

29 λ CONTINENTAL SCHOOL

Portrait miniature of a young man, half length, wearing a blue coat and a red waistcoat

c.1900

c.1900

19th Century

Portrait miniature of a woman in traditional continental costume

Portrait miniature of a lady, bust length, holding roses

Circular, in a silvered frame 68mm diameter Together with six further 18th/19th century framed miniatures (7)

Oval, with mount and gilt frame 80 x 54mm With a further miniature of a lady, seated in a green dress, and three others of ladies (5)

Signed/inscribed Pastora Matosis Circular, set into the top of a circular gilt metal box with hinged lid Miniature: 37mm diameter Box: 75mm Together with seven further framed miniatures (8)

Portrait miniature of a lady, full length, standing in a landscape, in a white dress

£200-300

£200-300

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

£200-300

30 λ CONTINENTAL SCHOOL

Rectangular, in a wooden frame 174 x 85mm Together with seven further framed portrait miniatures (8) £200-300

12

31

32

31 ITALIAN SCHOOL

32 CONTINENTAL SCHOOL

33 ENGLISH SCHOOL

14/15th Century

18/19th Century

20th Century

Historiated initial ‘D’ Depicting St. Catherine cut from an antiphonary

A young boy feeding two doves from his hat

Interior scenes with figures at a table

Oval, oil on copper 143 x 113mm

A pair, both reverse glass painting and watercolour on buff paper, in burr wood frames 270 x 315mm (2)

Pen, ink and watercolour with bodycolour and highlighted with a gold ground 170 x 130mm This initial is probably from an early 15th Century antiphonary, produced in Bologna c.1390-1410

£150-250

£1,200-1,800

£600-800

33 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

13

34 CONTINENTAL SCHOOL

35 λ FRENCH SCHOOL

Late 18th Century

Early 19th Century

Portrait miniature of Napoleon

Portrait miniature of a French Officer, head and shoulders, wearing military uniform

Signed indistinctly Brunel? Inscribed verso Nepoleon I Oval, enamel 60 x 50mm £200-300

Rectangular, mounted into a circular ormolu frame 48 x 39mm, frame 85mm diameter With a pair of 19th century miniatures depicting Napoleon and Marie Antoinette, also one of a lady and one of street scene (5) £200-300

34

35

35

36 λ ENGLISH SCHOOL c.1914-18

Portrait miniature of an officer In a gilt frame with a hair back, oval 62 x 51mm £300-400

37 λ ENGLISH SCHOOL 19/20th Century

Portrait miniatures of ladies in historical costume including Lady Williams and Anne Boleyn Nine, several bearing signatures All in ivory veneered frames Eight at 80 x 625mm and one 115 x 102.5mm (9) £300-500

36 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

37

14

38 PAHARI SCHOOL Early 19th Century

Romantic couple on a balcony with musicians below, in a decorative border Gouache 28 x 19.25cm; 11 x 7½in Provenance: Private collection £1,500-2,500

39 INDIAN SCHOOL 18/19th Century

The Emperor Farrukh-Siyar standing in a field holding a small white flower, dressed in white and gold, with a halo about his head Watercolour, believed to be Murshidabad c.1770 19.3 x 14cm; 7¾ x 5½in With a pair of Indian miniature portraits, unframed 6.2 x 4.7cm; 2½ x 1¾in (3) £150-250

40 λ ANGLO-INDIAN SCHOOL c.1830

Portrait miniature of Maham Begum, wife of Muhammed Baber Badshah who captured the throne of Delhi in 1526 Oval, 6.8 x 5cm; 2¾ x 2in £100-150

38

39

40 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

15

41 DECCAN 18th Century

A Sufi Sheikh Pen ink and gouache 20.5 x 11.5cm; 8 x 4¼in Provenance: Private collection £1,000-1,500

42 An early 20th Century Chinese style mahogany easel Inlaid and decorated with bone, the rear stand incised with decorative detail and the front with associated pegs, 187cm; 73½in high £100-200

43 INDIAN SCHOOL 19/20th Century

Hunting scene with figures on horseback and figures with swords Gouache heightened with gold paint and within a decorative border 27 x 17cm; 10½ x 6½in

41

42

£200-300

44 INDIAN SCHOOL 19/20th Century

An Indian Goddess blessing a union Gouache, unframed 28.5 x 23.5cm; 11 x 9in With a gouache of two females beneath a new moon and a miniature on ivorine of lovers (3) £250-350

43

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

44

16

45 COMPANY SCHOOL Probably South Indian c.1830

Depicting trades: Printing Chintz; Beating Cotton; A Lapidary; A wood seller; Depriving it of its seed; Spinning cotton; A Jape Weever Seven, all inscribed in pen and ink with titles All watercolour and bodycolour, mounted, unframed Each 19 x 15cm; 7½ x 6in (7) Provenance: Private collection £600-800

46 DECCAN Probably Hyderabad c.1740

A Chowki marriage ceremony, probably a Nizam, from a dated manuscript work Pen ink and watercolour 20.5 x 10.5cm; 8 x 4¼in With a further Indian scene of ladies strolling in a garden, Basohli style, modern 25 x 34cm; 9¾ x 13¼in (2) £400-600

45

46

46

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

17

47 ANGLO INDIAN SCHOOL 19th Century

An album with a collection of eighteen views of Indian Forts and Tombs in and around Dehli with four watercolours of Indian characters, a quantity of poems, costume prints, book plates and scraps, the whole comprising: 18 Indian views; 4 Indian character watercolours; a loose pencil drawing Camped on the Prairie N. W. Territories 1880 in another hand; 11 watercolours; 57 prints 23.5 x 19cm; 9¼ x 7½in £800-1,200

48 RAJASTHAN SCHOOL Probably c.1800

A lady with her arms in Karkata Hasta (amorous longing) with an inscribed floral study verso Gouache 14 x 18.25cm; 5½ x 7¼in With a further watercolour Indian Mankot School of Krishna dancing with the Gopis 15 x 21cm; 6 x 8¼in (2) £400-600

47

48 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

18

Prints

49

50

51

49 AFTER ALBRECHT DURER Scenes from ‘The Life Of The Virgin’, ‘The Nativity’ c.1503; ‘Presentation Of The Virgin At The Temple’ c.1503-1504; ‘The Circumcision Of Christ’ c.1505; ‘Christ Taking Care Of His Mother’ c.1504-1505; ‘Jochim And Anna At The Golden Gate’ c.1504; ‘The Presentation Of Christ At The Temple’ c.1504-1505 Six, all woodcuts on laid paper, unframed 32 x 23cm; 12½ x 9½in and similar (6) £800-1,200

50 THOMAS DANIELL RA

51 PETER VAN DER AA

1749-1840 and

Theatrum in Ripa Athesis Positum

WILLIAM DANIELL 1769-1837

View near Bangalore Aquatint, published

by Thomas Daniell, London, 1808 45 x 59.5cm; 17¾ x 23½in Provenance: Thos Agnew & Sons, London, No. 40574 £800-1,200

Dutch 1659-1753

Engraving, unframed, joined and folded 97 x 47cm; 18½ x 38in With a group of c.36 prints of architectural views and features including 9 of column capitals, a view of the Queen’s Palace at Windsor and one of Eton college, a portrait by Jean-Jacques de Boissieu and a small drawing of a boy on a donkey (c.37) £200-300

52

52 JACQUES CALLOT French 1592-1635

De Droeve Ellendigheden van den Oorloogh Eighteen engravings including title print stuck three to a page Each approx. 8 x 19cm; 3 x 7½in (6) £400-600 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

19

53 HERBERT DRAPER 1864-1920

Day and the Dawnstar Signed Reproduction 53 x 31cm £100-150

54 ‡ CHARLES WILLIAM TAYLOR 1878-1960

Findon Fair; Thames; Near Lamberhurst; Taysull; The Arun; Seven miles from Rye and other country scenes

54

Ten, all signed, some numbered out of editions of 50 All woodcuts, mounted, unframed 22 x 28.25cm; 8½ x 11in and smaller (10) £400-600

53

55

55 AFTER CHARLES JOHNSON PAYNE (SNAFFLES)

56 AFTER CHARLES JOHNSON PAYNE (SNAFFLES)

57 HUNT & SON AND SYDNEY R. WOMBILL

1884-1967

1884-1967

Gunners

The Sparrow-Catchin Sort; The Timber Merchant

Sir Visto, winner of the Derby 1895; Sainfoin, winner of the Derby 1890

Printed signature Photographic reproduction, with printed backing sheet with remarque 19 x 43cm; 7½ x 17in £150-250

Two, both signed and blind-stamped Both reproductions with remarques to backing paper 22.25 x 29cm; 8¾ x 11½in and 23.5 x 30.75cm; 9 x 12in (2) £200-400

56

57

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

1857-1916

Two, both aquatints, published 1895 and 1890 48 x 65.5cm; 19 x 25¾in and 47 x 65cm; 18½ x 25½in (2) £200-300

20

Watercolours 58 FOLLOWER OF GIOVANNI FRANCESCO BARBIERI, IL GUERCINO Bellerophon riding Pegasus Pen ink and sepia washes heightened with white 27 x 19cm; 10½ x 7½in Bellerophon was the only mortal who managed to tame the winged horse Pegasus and ride him. He did this in order to slay the Chimera, a ferocious monster £200-300

58

59

60

61

59 VENETIAN SCHOOL

60 OCTAVIA GARDYNE

61 MARY KEARSE

17/18th Century

French 19th Century

act.1794-1830

Crucifixion with the three Marys

Still life of grapes and flowers on a ledge

Inscribed Palma, possibly later Pen, ink and wash heightened with white 30.5 x 19.5cm; 12 x 7½in With a drawing in red chalk of putti inscribed Domenichino (2)

Signed and dated 1843 Watercolour on vellum 26 x 34cm; 10¼ x 13¼in

Still life of tulips, poppies and sweet peas in a basket on a table

£150-250

Watercolour 57 x 46cm; 22½ x 18¼in £350-450

£300-500 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

21

62

63

62 ATTRIBUTED TO ALEKSANDR OSIPOVICH ORLOVSKY Polish 1777-1832

St. Petersburg Market Inscribed verso Frozen Market St. Petersburg, and dated 1820 Watercolour with bodycolour 18 x 24cm; 7 x 9½in £400-600

63 AFTER JEAN-MARC NATTIER 1685-1766

Portrait of Queen Marie Leczinska Pastel in a pierced, carved wood frame 53.5 x 44cm; 21 x 17¼in A copy of the original of 1748 in Versaille £300-500

64 PETER RITTIG German 1789-1840

Portrait of a pensive boy with a study of a branch of an oak tree Pencil, with a Neo-Classical building in a town, probably the outskirts of Rome under backing board verso 17.25 x 12.25cm; 6¾ x 4¾in Provenance: Ketterer Kunst GmbH, Germany, 27th October 2007, Lot 1224 £200-300

64

65

65 ITALIAN SCHOOL 17/18th Century

Figure of a woman from behind With Sir Joshua Reynolds’ collection stamp Pencil heightened with white on arched paper 24.75 x 11cm; 9¾ x 4¼in

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

Provenance: Sir Joshua Reynolds collection, No. L2364 as Polidoro da Caravaggio £300-500

22

66 WILLIAM HENRY HUNT 1790-1864

Rest by the wayside, sisters Watercolour over pencil with gum arabic 39 x 28cm; 15¼ x 11in Provenance: Michael Bryan, London Exhibition: Possibly Ruskin’s exhibition of Prout and Hunt, Fine Art Society 1879-80, No. 170 as By the Wayside belonging to a Mr. S.J. Thacker £600-800

67 DERK JAN VAN ELTEN Dutch 1750-1807

Country sports and cottage scenes Four in two pairs, all signed and dated 1796 and 1797 All watercolour Each 51.5 x 40cm; 20¼ x 15¾in (4) £500-800

66

67 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

23

68 ENGLISH SCHOOL 18/19th Century

A view of the River Thames with St. Paul’s Cathedral Gouache 50 x 80cm; 19¾ x 31½in £1,500-2,500

68

69 ANTHONY VANDYKE COPLEY FIELDING 1787-1855

Loch Lomond Signed Watercolour 53 x 75cm; 21 x 29½in £500-700

70 JAMES WARD RA 1769-1859

Ragwort; Cuckoo Flower; Meadowsweet Three, all signed with initials and inscribed All pencil with watercolour, mounted, unframed 17.5 x 25cm; 7 x 9¾in and smaller (3) £300-500

69

70 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

24

71

71 THOMAS WALMSLEY 1763-1806

Figures in lakeland landscapes Two, both watercolour 29 x 39cm; 11½ x 15¼in and 28 x 35cm; 11 x 13¾in (2) £1,000-1,500

72 FRANCIS PLACE 1647-1728

Studies of a peasant woman Inscribed verso Pencil, with a pen and ink sketch of fishermen verso, window mounted 14 x 20cm; 5½ x 8in Provenance: Sir Brian Ingram Collection Irene & Stanhope Shelton

72

Exhibited: Bury St. Edmunds Art Gallery, 1973 £120-180

73 GEORGE BARRET JR. OWS c.1767-1842

Wreckers working by moonlight, south coast of Isle of Wight Pencil and watercolour 30.5 x 50.5cm; 12 x 20in Provenance: Michael Bryan, London £300-500

73 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

25

74 ATTRIBUTED TO EDWARD EYRE c.1710-c.1780

A view of Bath c.1790 with The Crescent to the right and cattle and sheep in the foreground Pencil and watercolour 26 x 37cm; 10¼ x 14½in £1,200-1,800

74

75 ATTRIBUTED TO EDWARD EYRE c.1710-c.1780

A view of Bath c.1790 with The Crescent to the left and a farmhand and livestock in the foreground Pencil and watercolour 26 x 37cm; 10¼ x 14½in £1,200-1,800

75

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

26

76

76 FRANCESCO ZERILLI Palermo 1794-1837

The Temple at Segesta with the Agora in the distance; The City and Port of Catania with Mount Etna beyond; Palermo from the Sea; Palermo and Mount Pelegrino from the coast; Palermo with Mount Pelegrino beyond, the river Oreto in the foreground; Palermo from Mount Pelegrino with Bagheria beyond; Valle dei Templi at Agrigento, with Temple of Concordia and Temple of Ercole from Temple Giunone; Figures with an Atlas in forground and town of Villaseta in the far left distance; Palermo and Mount Pelegrino from Bagheria Five initialled All gouache Five 8.5 x 15.25cm; 3¼ x 6in. Three 8.75 x 15cm; 3½ x 6in (8) £3,000-5,000 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

27

77 ATTRIBUTED TO ANGELO INGANNI Italian 1807-1880

Piazza del Duomo, Milan with carriages and figures Overpainted lithograph 52.75 x 75cm; 20¾ x 29¾in £400-600

77

78 NEAPOLITAN SCHOOL 19th Century

Riviera Di Chiaia Titled Gouache 21 x 28cm; 8¼ x 11in £500-800

78

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

28

79

79 SCHOOL OF POSILLIPO La Grotta di Posillipo; Ponte di Cailligola a Pozzuoli; Veduta di Sorrento; Il Porto di Napoli; La Tomba di Virgilio; Ruins over the bay at Pompeii All titled verso except the last All gouache Each 7 x 9.5cm; 2¾ x 3¾in (6) £600-800

80

80 SCHOOL OF POSILLIPO Palazzo Reale di Napoli; Prospetto Teatro di S. Carlo Both titled verso Both gouache Each 7 x 9.5cm; 2¾ x 3¾in (2) £500-800

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

29

81 SCHOOL OF POSILLIPO Pompei; La Grotta di Posillipo; Vesuvio All titled on mounts and possibly verso All gouache Each 10.25 x 17.75cm; 4 x 7in (3) £500-800

81

82 NEAPOLITAN SCHOOL 19th Century

A series of ten Italian scenes All gouache, in 2 frames 6.25 x 10cm; 2½ x 4in (2) £300-500

82 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

30

83 SCHOOL OF POSILLIPO Casa di Panza a Pompei; Tempio D’Iside a Pompejano; Quartiere a Pompejano All titled, the latter two signed Chez Glajs Napoli All gouache Each 27.25 x 40.5cm; 10¾ x 16in (3) £1,200-1,500

83 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

31

84 SCHOOL OF POSILLIPO Avanzi Della Citta Di Pesto; Grotta di Pozzuoli; Real Palazzo di Portici All titled, the first two signed Chez Glajs Naplei All gouache Each 27.25 x 40.5cm; 10¾ x 16in (3) £1,000-1,500

84 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

32

85 THOMAS ROWLANDSON 1756-1827

Tommy Stichwell, Cobbler and Dog-Doctor Pen, ink and watercolour over pencil 24 x 30.25cm; 9½ x 12in Provenance: P.D. Colnaghi, 1958 Beryl Kendall, London Keys, Aylsham, 2005, Lot 442 £1,000-1,500

85

86 THOMAS ROWLANDSON 1756-1827

The Quay at Blackwall Docks, London Pen, ink and watercolour 25 x 41cm; 10 x 16in Provenance: Sotheby’s, London, 1962, Lot 53 Gorringes, Lewis, 2014, Lot 1011 Phillips, London, 17th April 2000, Lot 171 Literature: Illustrated Grego, Joseph, 1880, Vol. 1, Plate 20, also engraved £800-1,200

86

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

33

87 THOMAS ROWLANDSON 1756-1827

A stable interior with gentlemen inspecting a horse Signed Watercolour over pencil 17.5 x 23cm; 7 x 9in Provenance: Sworders, Stansted Mountfitchet, 2014, Lot 312 £800-1,200

87

88 THOMAS ROWLANDSON 1756-1827

Drawing home timber, 1804 Signed Pen, ink and watercolour 19 x 26.5cm; 7½ x 10½in £400-600

88

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

34

89 WILLIAM CALLOW RWS 1812-1908

Sidmouth Signed, titled and dated Oct’. 2. 1854 Watercolour 25.5 x 35.5cm; 10 x 14in £800-1,200

89

90 CHARLES MARSHALL 1806-1890

Rochester Castle, Kent Signed with initials Watercolour with bodycolour and stopping out 31 x 46cm; 12¼ x 18in £800-1,200

90

91 SAMUEL OWEN 1768-1857

Fishermen with lobster pots on the coast Inscribed indistinctly lower left Watercolour 13.25 x 22cm; 5¼ x 8¾in £400-600

91 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

35

92 SAMUEL ATKINS Exh.1778-1808

Plymouth Sound Signed, titled on label verso Watercolour 28 x 39cm; 11 x 15¼in Provenance: The Fine Art Society Ltd., London, May 1951, No. 94 £800-1,200

92

93

94

93 JOHN CLEVELEY THE YOUNGER

94 WILLIAM PAYNE RWS

1747-1786

1760-1830

Shipping in the Tagus off Belém Tower, Portugal

Figures in a Devon cove

Pen, ink and watercolour 14 x 18.5cm; 5½ x 7¼in

Signed and dated 1817 Watercolour over pencil 23 x 34cm; 9 x 13¼in

Provenance: From a drawing made on the spot for Mr. John Borlase Warre Ann Hopkins Smith (d.1851) of Olney, Buckinghamshire and by descent to Stafford Allen and thence by descent

Provenance: John Spink, London £500-800

£250-350

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

36

95 SAMUEL PROUT 1783-1852

Maen Rock, Cornwall Inscribed Maen Rock Pencil and wash on buff paper 29 x 41.5cm; 11½ x 16¼in Provenance: John Spink, London Exhibited: A Grand Tour in Watercolour, Loan Exhibition, BADA Fair, 15-21 March 2017 Literature: Lockett, Col. pl. 1 Wilcox, Timothy, Samuel Prout, A Grand Tour in Watercolour, illustrated pl. 2 £400-600

95

96 MONRO SCHOOL c.1795

Near Mr. Sharp’s, Hampstead Heath Titled on backing paper below mount Watercolour over pencil, mounted, unframed 20.25 x 26.25cm; 8 x 10¼in Provenance: Fine Art Society, April 1965 as Thomas Hearne £200-400

97 WILLIAM PAYNE RWS 1760-1830

Sidmouth and Dawlish A pair, one inscribed Sidmouth and dated 1795, the other c.1810 Both watercolour Each 7 x 10.5cm; 2¾ x 4in (2) Literature: Japes, David, William Payne, A Plymouth Experience, 1992, plates 59-60 £400-600

96

97 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

37

98

98 JOSEPH MALLORD WILLIAM TURNER RA 1775-1851

View of Box Hill, Surrey Watercolour over pencil 12.5 x 20.5cm; 5 x 8in Provenance: Sotheby’s, London, 17th November 1988, Lot 28 This sketch by Turner relates closely to the larger view which is in the Victoria and Albert Museum, but from a slightly more distant perspective. Turner visited Box Hill around 1796 and there is another view, from a similar angle to this, now in the National Gallery of Canada, Ottawa. Topographically it is very similar, but lacking the foreground details of trees and shrubbery in the Canada work, which indicates that this may have been an initial study. £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

38

99 THOMAS SUNDERLAND 1744-1828

Near the Breadalbane Estate, Perthshire Pen, brown ink and watercolour over pencil 32 x 45cm; 12½ x 17¾in £400-600

100 DAVID COX SNR. OWS 1783-1859

Dover, quayside with figures in the foreground Sepia watercolour 15 x 20.25cm; 6 x 8in Provenance: Thomas Agnew & Sons Ltd., London, No. 19019 Barry Keene Gallery, Henley-on-Thames £250-350

101 DAVID COX SNR. OWS

99

1783-1859

Figures in a landscape near Penmaenmawr Pencil and sepia wash 15.5 x 23cm; 6 x 9in £300-500

102 DAVID COX SNR. OWS 1783-1859

A shepherd and flock in a river landscape Pencil and sepia wash 15.5 x 23.5cm; 6 x 9¼in £300-500

100

101

102 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

39

103 EDWARD LEAR 1812-1888

Desert landscape with ruin Signed and dated 1846 Pencil heightened with white on buff paper 12.5 x 23cm; 5 x 9in £400-600

104 EDWARD LEAR 1812-1888

Tor Saint Eusebio Titled and dated 13th February 1845 Pen, ink and watercolour on buff paper 11.5 x 39.5cm; 4½ x 15½in £400-600

103

104

105

106

105 ANTHONY DEVIS

106 SAMUEL JACKSON

British 1729-1817

1794-1869

Landscape with a seated figure and cattle

View of a bridge, in a lakeland landscape

Signed with initials Ink and watercolour 14 x 20.5cm; 5½ x 8in

Brown washes heightened with stopping out, mounted, unframed 19 x 28cm; 7½ x 11in £300-500

£300-500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

40

107

108

107 GERMAN SCHOOL

110 JOHN NIXON

18th Century

c.1750-1818

Classical figures with white eagles and peacocks

Caricature portrait of a lady and gentleman in profile

A pair, both pastel Each 60 x 43cm; 23½ x 15¾in (2)

Signed with initials and dated 1783 Pen, ink and watercolour 10 x 10cm; 4 x 4in

£800-1,200

£100-150

108 F. SIMONEAU c.1852

109

110

Portrait of a gentleman with a pipe Signed indistinctly and dated 1852 Charcoal on brown paper 27 x 22.5cm; 10½ x 9in £120-180

109 G. MONTBARD French 19/20th Century

Street tales and small figure studies Four pen and ink and one pencil drawing with fifteen small and two large prints The drawings mostly extensively inscribed in French, 2 signed, the prints mostly signed with a monogram Various sizes, all unframed, loose in folders (c.22)

111

111 ALBIN ROBERTS BURT 1783-1842

Portrait of Dr. John Hooper of Reading; Portrait of a gentleman of Newbury standing, holding a flower Two, both signed, inscribed Reading and Newbury and dated 1831 and 1833 Both watercolour 30 x 21.5cm and similar (2) £300-400

£250-350 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

41

112

113

114

112 GEORGE PYNE

113 WILLIAM CALLOW RWS

114 WILLIAM MATTHISON

115 ORLANDO NORRIE

1800-1884

1812-1908

1853-1926

1832-1901

A view of Martyr’s Cross, St Giles Oxford, looking South to Magdalen Street with Balliol College left, Randolph Hotel right and St Mary Magdalen Church behind the Memorial

Dunster Castle, Somerset

St. Giles, Oxford; St. Mary’s from the High Street, Oxford

A Cavalry Charge

Watercolour over pencil 28 x 43.5cm; 11 x 17in £200-300

Titled verso Watercolour over pencil, mounted, unframed 23 x 34.25cm; 9 x 13½in

Two, both signed Both watercolour 22 x 46cm; 8½ x 18in and 20 x 35cm; 7¾ x 13¾in (2)

Provenance: Manning Gallery, London For another view of Dunster Castle dated 1847, see William Callow, An Autobiography edited

£300-500

Signed Watercolour 32 x 46cm; 12½ x 18in £150-250

116 CHARLES EDWIN M. BALDOCK 1876-c.1941

£300-500

The horse Phoenix, in a stable Signed Watercolour 24.5 x 19.5cm; 9¾ x 7¾in Provenance: The Earl Fitzwilliam, Wentworth £200-300

115

116

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

42

117 SPY, LESLIE MATTHEW WARD 1851-1922

A Scotsman in a landscape Signed Watercolour 49 x 35cm; 19¼ x 13¾in £800-1,200

118 ASTOR Late 19th Century

Portraits of Jockeys Set of ten, all watercolour All signed, inscribed and dated 1887-1905 Each 25.5 x 15.5cm; 10 x 6in (10) £500-700

119 FRENCH SCHOOL 19th Century

117

118

Portrait of an artist, seated with sketch book and easel Watercolour 18.5 x 14.5cm; 7¼ x 5¾in £200-300

120 EUGÈNE DEVÉRIA French 1808-1865

Portrait of Mrs Elizabeth Copeland, sister of John George Housefield and aunt of Dora de Blaquière, head and shoulders Signed Pastel, oval 51 x 44cm; 20 x 17¼in.

Provenance: Inscribed on a label verso by previous owner, M. Tuker £300-500

119

120

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

43

121 FREDERICK ARTHUR BRIDGMAN 1847-1928

Algerian Spahi on horseback Signed and dated 1900 Watercolour 39 x 28cm; 15¼ x 11in Provenance: John Moran Auctioneers and Appraisers, Monrovia, 8th March 2011, Lot 2010 Private Collection £2,000-3,000

121

122 CARLTON ALFRED SMITH 1853-1946

The fruit seller, India Signed and dated 1921 Watercolour over pencil 33 x 52cm; 13 x 20½in £600-800

122 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

44

123 MYLES BIRKET FOSTER RWS

125 GIANNI

1825-1899

Italian 19th Century

Shelling Peas

A monk on a terrace overlooking the Amalfi coast; View on the Italian Amalfi coast

Signed with initials indistinctly Watercolour 17 x 12.5cm; 6¾ x 5in Painted c.1880/1 Provenance: Barnet Lewis The Swan Gallery, Dorset, No. SS/3596/03 Laurence Oxley, Alresford

Two, both signed Both gouache Each 18 x 41cm; 7 x 16in (2) £150-250

Literature: Cundall, H. M., The life and work of Myles Birket Foster, 1986, reproduced opp. pg.29 With a copy of the book included in the lot (2) £750-1,000

126 ALICE SQUIRES 1840-1936

Girl in a summer field; Girl seated on some steps with sunflowers Two, both watercolour 17 x 15cm; 6¾ x 13in and 12.5 x 20cm; 5 x 8in (2) £120-180

124 ‡ HENRY JOHN SYLVESTER STANNARD 1870-1951

The duck pond at Eastbury, Berkshire Signed Watercolour 25 x 35.25cm; 10 x 14in

123

124

126

£300-400

127 THOMAS BUSH HARDY RBA 1842-1897

Dutch fishing smacks on the shore with boats at sea Signed and inscribed On the Flemish Coast Watercolour 32.5 x 51.5cm; 12¾ x 20in £300-500

125

127 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

45

128 MARTIN SNAPE 1852-1930

A view across the Thames to the Houses of Parliament and Westminster Abbey Signed Watercolour 28 x 37.5cm; 11 x 14¾in £150-250

129 ANTONIO SENAPE Italian 1788-1850

L’Entrata di Garibaldi, Napoli Pen and ink on buff paper 13 x 20.75cm; 5 x 8in £250-350

128

129

130

131

132

130 THOMAS BUSH HARDY RBA

131 ‡ HENRY JOHN SYLVESTER STANNARD

132 THOMAS COLLIER

1842-1897

1870-1951

1840-1891

Scarborough beach

Autumn landscape

Criccieth Castle, Wales

Signed and dated 1892 Watercolour 22 x 34cm; 8½ x 13in

Signed and dated 1901 Watercolour 43 x 89cm; 17 x 35in

Signed and dated 1/63 Watercolour 28 x 47.5cm; 11 x 18½in

£200-300

£300-400

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

46

133 HENRY CLIFFORD WARREN 1843-1885

Woodland scenes and a harvest scene Three, all signed and dated 1885 All watercolour 25 x 35cm, another similar and 18 x 27cm (3) £250-350

134 JOHN BLAKE MCDONALD RSA 1829-1901

Peat cutting Signed Watercolour with gouache on brown paper 27 x 51.5cm; 10½ x 20¼in

133

£120-180

135 W.W. Mid 19th Century

A coastal scene with sailing ships and rowing boat Signed with initials and dated May ‘62 Watercolour 23.5 x 49cm; 9¼ x 19¼in £200-300

136 HENRY HINE 134

1811-1895

Houndean Valley near Lewes, Sussex Signed and dated 1888, also inscribed on border Watercolour over pencil heightened with bodycolour and stopping out 29.5 x 51cm; 11¾ x 20in £300-500

137 JOHN BARRETT 1822-1893

Gypsy Encampment Signed and dated 1883 Watercolour 30 x 49.5cm; 12 x 19½in

135

£120-180

136

137

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

47

138

138 ARCHIBALD THORBURN 1860-1935

Glen Affaric Watercolour 27 x 38cm; 10½ x 15in Provenance: The McDonald Booth Gallery, London, The Art of Archibald Thorburn, 1st to 24th February 1973, No 16 £2,500-3,500

139 ARCHIBALD THORBURN 1860-1935

Greylag Goose Signed with initials Watercolour and bodycolour on buff paper 32 x 46cm; 12½ x 18in £2,000-3,000

139 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

48

140

141

140 ROBERT THORNE WAITE RWS

141 BERNARD WALTER EVANS RI

142 THOMAS COLLIER

143 CHARLES LOW

1842-1935

1848-1922

1840-1891

c.1860-c.1920

A shepherd and flock with his sheepdog on the South Downs

The Alpes Maritime

Low tide, Cromer

Hambledon Sandpits

Signed and inscribed Sketch from nature, the Maritime Alpes from Le Croix des Gardes, near Cannes Watercolour with pencil 36.5 x 53cm; 14¼ x 20¾in

Signed, titled Cromer and dated July 25th 1876 Watercolour over pencil 15 x 34.75cm; 6 x 13½in

Signed Watercolour with pencil 33 x 49cm; 13 x 19¼in

Signed Watercolour 36 x 55cm; 14 x 21½in Provenance: The Fine Art Society, London Michael Bryan, London £400-600

£150-250

Provenance: Michael Bryan, London

Provenance: Michael Bryan, London

Exhibited: Royal Academy, 1889, No. 1431

£350-450

£300-500

144 WARREN WILLIAMS ARCA 1816-1918

Sheep in a highland river landscape Signed Watercolour 35 x 52.5cm; 13½ x 20½in £200-300

142

143

144 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

49

145 VINCENZO MARCHI Italian 1818-1894

Cathedral interior Signed Watercolour with gum arabic 46 x 38.5cm; 18 x 15in Provenance: Thomas Agnew & Son, London, No. 215 £500-800

146 FOLLOWER OF GIUSEPPE SIGNORINI Cardinal and companions playing chess Bears indistinct signature Watercolour 51.5 x 35cm; 20 x 13¾in £400-600

147 GEORGE FREDERICK WATTS OM, RA 1817-1904

A Bacchanal Signed and inscribed 48 Cambridge Street Pen and sepia ink 14 x 15cm; 5½ x 6in £400-600

145

146

147

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

50

148 HERCULES BRABAZON BRABAZON

150 THOMAS BUSH HARDY RBA

1821-1906

1842-1897

The Blue River from the Rigi

Scheveningen, The Hague

Signed with initials Watercolour 13.5 x 19.5cm; 5¼ x 7¼in Provenance: Chris Beetles, London, 12th November to 18th December 1982, No. 168 £250-450

149 THEODORE HENRY ADOLPHUS FIELDING 148

1781-1851

A sailing ship off a harbour Signed Watercolour 12.25 x 19.75cm; 5 x 7½in £400-600

Signed, titled and dated 1884 Watercolour 12 x 17.5cm; 4¾ x 6¾in Provenance: The collection of Francis Patrick Neill, Lord Neill of Bladen £250-350

151 WILLIAM HULL 1820-1880

Sunday Morning Signed and dated 1858 Watercolour over pencil 36.5 x 27.75cm; 14½ x 10¾in Provenance: Michael Bryan, London £300-500

149

150

151 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

51

152 JOHN BEER c.1860-c.1930

Ard Patrick and Sceptre Signed and titled Watercolour with bodycolour heightened with white 29.5 x 44cm; 11½ x 17¼in £600-800

153 JOHN BEER c.1860-c.1930

The National Hunt Steeplechase, Warwick Set of four, all signed, titled, inscribed with the names of the horses and dated 1910 All gouache with gum arabic Each 24.5 x 42cm; 9½ x 16½in (4) £1,000-1,500

152

153

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

52

154

155 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

53

156

154 ALBERT GOODWIN RWS

155 ALBERT GOODWIN RWS

156 ALBERT GOODWIN RWS

1845-1932

1845-1932

1845-1932

Heather clad hills, Dartmoor

Doekunig Pass

Night - Faithful unto death

Signed and dated 1879, also signed and inscribed beneath backing board verso Watercolour with scratching out 32.5 x 49.5cm; 12¾ x 19½in

Signed and titled Watercolour heightened with white over pencil 12.5 x 18.25cm; 5 x 7¼in

Signed Watercolour with bodycolour 57 x 81cm; 22½ x 32in

Provenance: John Spink, London

Provenance: Christie’s, London, 9th June 2005, Lot 105

£700-1,000

£2,000-3,000

Provenance: Michael Bryan, London Exhibited: RWS Summer Exhibition 1879, No. 215 £800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

54

157

157 HENRY JUSTICE FORD

158 JAMES SMETHAM

1860-1941

1821-1889

The princess and the wolves in the forest

Gathering the flock at sunset

Signed, titled and dated March 1907 Watercolour 20.5 x 35.5cm; 8 x 14in

Watercolour over pencil with bodycolour 21.5 x 49cm; 8½ x 19¼in

Provenance: Christie’s, London, 5th June 2003, Lot 143 £1,000-1,500

Provenance: Michael Bryan, London Exhibited: Christie, Manson & Woods Ltd., London, 20th February to 10th March 1995, No. 59 £800-1,200

158 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

159 HENRY MEYNELL RHEAM 1859-1920

Enid Signed and dated 1901 Watercolour 88 x 48cm; 34½ x 19in £6,000-8,000

56

Lots 160 to 181 From the Collection of Michael and Justina Ryan 160 JOHN WARWICK SMITH 1749-1831

Bamburgh Castle, Northumberland Watercolour 50.5 x 68.25cm; 20 x 27in £500-800

161 DAVID HALL MCKEWAN 1816/7-1873

Fisherman in a river landscape Watercolour 23.5 x 34cm; 9¼ x 13¼in £70-100

162 ENGLISH SCHOOL

160

c.1800

A ruin with an Italianate town beyond Pencil 21.5 x 32cm; 8½ x 12½in £100-150

163 CONTINENTAL SCHOOL 18th Century

Figures by a ruin in an Italianate landscape Pen, sepia ink and wash 22.5 x 31cm; 9 x 12in £100-150

161

162

163 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 160 to 181 From the Collection of Michael and Justina Ryan

164 THOMAS HEARNE

166 JOHN WARWICK SMITH

1744-1817

1749-1831

Naworth Castle, Cumberland

Lake District, probably Borrowdale

Pencil and grisaille wash 18.25 x 26.5cm; 7¼ x 10½in Provenance: Christie’s, London, 24th November 1998, Lot 252 This view was engraved by J. Landseer for W. Byrne for Britannia Depicta, published 7th March 1816 by T. Cadell and W. Davies, Strand, 1816

Watercolour and pencil 15 x 21.5cm; 6 x 8½in £200-300

167 ATTRIBUTED TO THE REV. WILLIAM GILPIN 1724-1804

£400-600

A coastal landscape with a castle in the middle distance

165 ATTRIBUTED TO ANTOINE LAURENT CASTELLAN

Pencil with pen, ink and wash 18 x 25cm; 7 x 10in

164

Provenance: Abbott & Holder, London, No. 39536

168 THE REV. WILLIAM GILPIN

French 1772-1838

View of a river mill and bridge Pen, ink and grisaille wash 14 x 22cm; 5½ x 8½in £150-250

£200-300

1724-1804

A River with a Hill in the Distance Stamped with artist’s initials Pen, ink, pencil and wash 19 x 26.5cm; 7½ x 10¾in

165

167 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

166

168

Provenance: Thomas Agnew & Sons Ltd, London, No. 44474 Sotheby’s, London, 1988, Lot 95 £150-250

57

58

Lots 160 to 181 From the Collection of Michael and Justina Ryan

169 SAMUEL HIERONYMUS GRIMM

170 FRANCIS PLACE

171 FRANCIS PLACE

1733-1794

1647-1728

1647-1728

Weymouth Bay, with cattle in the foreground, Dorset

The stern quarters of a boat

Zaffia in Barbaria

Pen, ink and watercolour with pencil 34 x 50cm; 13½ x 19½in

Pen, ink and wash 19.5 x 14.5cm; 7¼ x 5¾in

Pen, ink and wash 11 x 31cm; 4¼ x 12in

Provenance: Frost & Reed, London, No. D3917 Appleby Brothers Ltd, London, 1960, No. I639.173. UN Christie’s, 24th November 1998, No. 284

Provenance: Ex. Collection Sir Bruce Ingram Ex. Collection Sir John Witt

Provenance: Ingram Collection R. E. S. Willison Sotheby’s, London, 19th November 1987, Lot 85

£200-300

£300-500

£600-800

172 SAMUEL HIERONYMUS GRIMM Swiss 1733-1794

Medham Abbey, Berks, S.W. View Titled and dated July 2nd, 1780 Pen, ink and grisaille wash 15 x 27cm; 6 x 10½in £400-600

173 JOHN VANDERBANK 1694-1739

Study of the head of a woman 169

170

Pen and ink 15 x 11.25cm; 9 x 4½in Provenance: Sotheby’s, London, 10th March 1988, Lot 35 £250-350

171

172

173 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 160 to 181 From the Collection of Michael and Justina Ryan

174

175

174 JOSHUA CRISTALL RA

176 JAMES WARD RA

1768-1847

1769-1859

Seated Boy with a Book

Head of Venus, possibly after Venus de Medici

Signed with initials and dated 1818 Watercolour 24 x 19.25cm; 9½ x 7½in Provenance: Melbourne Gallery, Derbyshire

176

Signed with initials Pencil heightened with white on buff paper 27.25 x 21.5cm; 10¾ x 8¼in £400-600

£150-250

175 D.R.N.

177 JAMES PETTIT ANDREWS FSA

19th Century

1737-1797

Study of a draped figure in profile

View of Yarmouth from Norton Lodge

Signed with initials Coloured chalks 42 x 28.5cm; 16½ x 11¼in

Signed and titled Pen, ink, pencil and wash 7.25 x 13cm; 2¾ x 5½in

£100-150

£100-150

177

178 GEORGE PYNE 1800-1884

A view near Monmouth; An Italianate landscape A pair, both signed Both watercolour Each 7.5 x 11.75cm; 3¼ x 4½in (2) £150-250

178 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

59

60

Lots 160 to 181 From the Collection of Michael and Justina Ryan

179

179 JOHN WARWICK SMITH 1749-1831

In the Apennines between Bologna and Florence; Remains of the Temple of Venus, Baia, near Naples A pair, both pencil and watercolour 24 x 31.5cm; 9½ x 12¼in and similar (2) Provenance: Sotheby’s, 25th January 1988, Lot 78 £700-1,000

180 WILLIAM PAYNE RWS 1760-1830

180

A Devon view with a bridge and church, a town beyond Pen, sepia ink and watercolour 25 x 34cm; 9¾ x 13½in £400-600

181 JOHN PRESTON NEALE 1771/80-1847

Exterior and interior views of a Farmhouse at Holbrook, Ipswich, Suffolk Three, all watercolour and pencil highlighted with white and scratching out 17 x 27cm; 6½ x 10½in (3) Provenance: Christie’s, London, 24th November 1998, Lot 214 £600-800

181 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

61

Lots 182 to 193 From the Estate of Lady Dodds

182

183

182 JOSEPH HONORÉ MAXIME PELLEGRIN French 1793-1869

The Brig Choice of Sunderland, Captn. James Fielder, in the bay off Marseilles

183 CIRCLE OF HENRY ANDREWS

184 RUSSIAN SCHOOL

185 RUSSIAN SCHOOL

Figures riding in the park

Early 19th Century

Late 19th Century

Oil on canvas 41 x 41cm; 16 x 16in

Icon of St George and the Dragon with a Princess looking on

£500-700

Oil on panel, unframed 28.5 x 22.5cm; 11 x 9in

Icon of the archangel St. Michael, on a winged red charger, holding a book of gospel in one hand, a censer in the other

Signed, titled and dated 1851 Gouache 43.5 x 58cm; 17 x 23in

£300-400

£200-300

£150-250

184

Oil on panel unframed 31 x 26.5cm; 12¼ x 20½in

185

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

62

Lots 182 to 193 From the Estate of Lady Dodds

186 EDWARD JOHN NIEMANN 1813-1876

Mayfield, East Sussex Signed Oil on canvas x . cm; 23 x 3 in £1,500-2,500

186

187 ENGLISH SCHOOL Early 19th Century

Sunset on an open estuary landscape Inscribed on a label verso Sir Charles Dodds Oil on panel 23 x 30. cm; x 12in £200-300

188 CIRCLE OF FRANCIS HOLMAN Shipping scenes off Plymouth A pair, both watercolour Each 3 x cm; 14 x 21 in (2) Provenance: Chichester Antiques, Chichester, 2 th April 1

187

3

£600-800

188 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 182 to 193 From the Estate of Lady Dodds

189

189 WILLIAM COLLINS RA 1788-1847

A view near Hastings, buying fish on the beach Signed and dated 1825 Oil on canvas x 111. cm; 34 x 43 in Provenance: Leggatt Brothers, March 1

1

Exhibited: oyal Academy, 1 2 , o. 4 oyal Academy Art Treasures Exhibition, Manchester, 1

, o. 2

from His Grace the Duke of Bedford Collection

Literature: Collins, . ilkie, The Life of William Collins, 1 4 , pp. 242 and 243 aagen III, p. 4 and supplement, p. 331 Scharf, p.3 4 ÂŁ10,000-15,000

Lots marked ‥ may be subject to an additional fee - please see ARR information on page 189

63

64

Lots 182 to 193 From the Estate of Lady Dodds

190

1 0 WALTER LANGLEY 1852-1922

Figures in a Cornish village Signed atercolour 2 x 3 cm; 11 x 1 in Provenance: The owley Gallery, London £1,500-2,500

191 ATTRIBUTED TO JAMES BRIDGES 1802-1865

Sunset over the Thames at Oxford, c.1 40 Oil on canvas 4 x cm; 1 x 2 in Provenance: ensington Art Gallery, London £600-800

191 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 182 to 193 From the Estate of Lady Dodds

192

192 PIETER GERARDUS VAN OS Dutch 1776-1839

Cattle and livestock by a country cottage Signed and dated 1829 Oil on canvas 3 x cm; 21 x 2 in Provenance: Leggatt Brothers part label verso £2,500-3,500

193 G. SIMMS 19th Century

The ed House Battersea, rowing on the Thames, circa 1 3 Oil on canvas 3 x 2cm; 1 x 20 in Provenance: Spink and Son, London, 3rd uly 1 44

193

£600-800 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

65

66

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

194

1 4 ATTRIBUTED TO BENEDETTO LUTI Italian 1666-1724

oung choristers Oil on canvas in a decorative gesso frame 3 x 30cm; 14 x 12in Provenance: oolley allis, Salisbury, 10th December 2014, Lot £1,500-2,500 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

195

195 JOSEPH VAN AKEN Flemish 1709-1749

A lady and her maid at a vegetable seller s cottage, a thief attempting to steal her watch Oil on canvas, in a carved wood frame 3 x cm; 24 x 30in Provenance: oolley allis, Salisbury, 2 th September 2011, Lot 2 3 £7,000-10,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

67

68

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

196

196 JOHANN CHRISTIAN VOLLERDT German 1708-1769

inter landscape with skaters on a river and a distant village and castle Signed lower right Vollerdt Pinxit Oil on panel 21. x 31cm; x 12 in Provenance: oolley allis, Salisbury, 4th December 2013, Lot 11 £3,000-5,000

197 ATTRIBUTED TO JOSEPH PARROCEL French 1646-1704

Cavalry officers forming up with an action beyond

197

Oil on canvas in a carved wood frame 0 x cm; 1 x 2 in Provenance: The property of a gentleman oolley allis, Salisbury, 4th December 2013, Lot 112 £800-1,200

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

198

198 HENDRIK WILLEM SCHWEICKARDT German 1746-1797

inter scene with skaters on a lake Signed Oil on panel 32 x 43cm; 12 x 1 in Provenance: oolley allis, Salisbury, 24th September 2014, Lot 3 £3,000-5,000

199 FOLLOWER OF LE BOURGUINON A battle scene with riderless horses and a hilltop town beyond Oil on canvas, in a carved wood frame 41 x cm; 1 x 2 in £600-800

199

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

69

70

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

200 ABRAHAM DANIELSZ HONDIUS Flemish c.1625-1695

Hounds putting up a nesting swan; Hounds capturing a nesting goose A pair, both oil on canvas Each 41 x 0cm; 1 x 20in (2) Provenance: oolley allis, Salisbury, 1 th uly 200 , Lot 210 £4,000-6,000

200 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

201

201 WILLEM VAN DE VELDE 1633-1702

The Morning Gun Signed with initials and dated 1684 Oil on canvas 2. x cm; 24 x 34in Provenance: Mr. illiam Tennant circa 1 , and by descent Mr. Hugh Buchanan, Pusey, Oxfordshire oolley allis, Salisbury th December 201 , Lot 303 £10,000-15,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

71

72

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

202

202 JACOB VAN STRY Dutch 1715-1856

Travellers, herdsmen and cattle in an extensive river landscape with a castle and distant town Signed Oil on panel 0 x 4cm; 22 x 33in Provenance: oolley allis, Salisbury, th December 201 , Lot 314 ÂŁ5,000-8,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

203

203 ATTRIBUTED TO PIETER WOUVERMAN Dutch 1623-1682

iver scene with numerous figures and horses near a ferry Oil on canvas 4 x 3. cm; 1 x 24 in Provenance: The property of a gentleman oolley allis, Salisbury, 4th December 2013, Lot 11 £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

73

74

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

204

204 FREDERICK DE MOUCHERON Dutch 1633-1686 and

JOHANNES LINGELBACH Dutch 1622-1674

An Italianate landscape with figures making merry by a river at dusk Signed Moucheron F Oil on canvas in a carved wood frame 3. x . cm; 2 x 3 in Provenance: The Property of a Lady, sold by order of her Executors oolley allis, Salisbury, 4th December 2013, Lot 12 £4,000-6,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

205

20 FOLLOWER OF GIOVANNI PAOLI PANINI Capriccio of oman ruins Oil on canvas in a illiam ent style frame 102. x 0cm; 40 x 3 in Provenance: Property from the collection of Michael Dennison and his wife Dulcie Grey £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

75

76

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

20 ATTRIBUTED TO SIMON VAN DER DOES Dutch c.1653-c.1718

Farm animals in a landscape with a young farm hand Oil on canvas 3 x 4cm; 1

x 21 in

Provenance: oolley allis, Salisbury, 24th September 2014, Lot 412 £800-1,200

206

20 CORNELIS CHRISTIAN DOMMELSHUIZEN Dutch 1842-1928

indmills on a canal Signed C. Dommersen and dated ‘82 Oil on canvas 3 x 2 cm; 1 x 11in Provenance: Bonhams, London, th September 2014, Lot 20 £1,200-1,800

207 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

208

20 KLAES MOLENAER Dutch c.1630-1676

inter landscape with figures and horses on a fro en lake near a tower Signed Oil on panel 41 x 33cm; 1 x 13in Provenance: Christie s, Shobdon Court Sale, 1 oolley allis, Salisbury, 1 th uly 200 , Lot 44 £3,000-5,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

77

78

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

209

20 DUTCH SCHOOL 17th/18th Century

Still life of figs, lemons, oranges, peaches and grapes on a table with a ta a and other tableware Oil on canvas 0 x cm; 2

x 22 in

Provenance: oolley allis, Salisbury, 1 th September 2012, Lot 2 £6,000-8,000 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

210

210 FRENCH SCHOOL 17th/18th Century

Selene on her chariot with the sleeping Endymion Oil on canvas 4 x 4 cm; 2

x1

in

Provenance: oolley allis, Salisbury, 10th December 2014, Lot 4 £5,000-8,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

79

80

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

211 JÜRGEN OVENS German 1623-1678

Semele ga ing into a mirror Oil on canvas 110 x . cm; 43 x 3

in

£3,000-5,000

211

212 BISSON Mid 18th Century

Portrait of Mrs. Goodwin ne Anne Muglesworth Signed and dated indistinctly Oil on canvas x 3cm; 30 x 24 in Provenance: The Phayre family of Belgaum, oking By descent oolley allis, Salisbury, 1 th March 2014, Lot 1 £1,200-1,800

212 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

213 DAVID ROBERTS RA 1796-1864

The interior of St. Paul s, Antwerp Signed and dated 1859 Oil on panel 1 x 3 cm; 20 x 13 in Provenance: Bonhams, London, 21 une 200 , Lot 10 £4,000-6,000

213

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

81

82

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

214 CIRCLE OF CHARLES MARTIN POWELL 1775-1824

Dutch shipping off the coast Oil on panel 1 . x 24cm;

x

in

Provenance: Armagh Gallery, Broadway oolley allis, Salisbury, 1 th April, 200 , Lot 1 £1,000-1,500

214

215 THOMAS LUNY 1759-1837

A Devon estuary with fishermen pulling in nets Signed and dated 1830 Oil on canvas 3 . x 4 cm; 14 x 1 in Provenance: Orchard Farmhouse, Broadway oolley allis, Salisbury, 1 th April 200 , Lot 1 £1,500-2,500

215

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

216 FRANCIS SWAINE c.1720-1782

Dutch ships on a choppy sea and at anchor on the coast A pair, both signed Both oil on panel Each 10.75 x 16cm; 4¼ x 6¼in (2) £3,000-5,000

216

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

83

84

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

217

217 WILLIAM ANDERSON

218 WILLIAM FREDERICK MITCHELL

1757-1837

1845-1914

Dutch shipping off the coast

A steam and sail ship at sea, possibly H.M.S. Minotaur

Signed and dated 1817 Oil on panel 1 x 20cm; x in

Signed, dated 1875 and numbered 842 atercolour heightened with scratching out 14. x 22cm; . x . in

Provenance: The Parker Gallery, London Sotheby s, London, 2 th February 1 0, Lot 30 £1,000-1,500

Provenance: . . Deighton, London Bonhams, 1 th August 1 1, Lot 3 Collection of a retired Master Mariner oolley allis, Salisbury, 1 th une 2013, Lot 2 1 £700-1,000

218

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

219

219 CHARLES TOWNE 1763-1840

A view of the Isle of ight looking towards the eedles Oil on canvas 3 . x 43. cm; 14 x 1 in Provenance: Orchard Farmhouse, Broadway oolley allis, Salisbury, 1 th April 200 , Lot 21 £2,000-3,000

220 GEORGINA LARA act.1840-1880

A busy village scene Oil on canvas 23 x 33cm; x 13in Provenance: oolley allis, Salisbury, 1 th March 2014, Lot 22

220

£600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

85

86

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

221 ATTRIBUTED TO GIOVANNI BATTISTA PIAZZETTA Italian 1683-1754

Study of a man standing, holding a staff Signed verso, possibly later by a different hand ed chalk, window mounted with a further inverted study of a man lying on rocks verso x 41cm; 21 x 1 in Provenance: oolley allis, Salisbury, 10th December 2014, Lot 31 £1,000-1,500

221

222

223

222 GIOVANNI BATTISTA PIRANESI

223 SAMUEL PROUT

1720-1778

1783-1852

Veduta del Piano Superiore del Serraglio delle fiere Fabbricato da Domi iano , from the Veduta di oma Etching 41 x 1cm; 1 x 24in ith three further prints by Cortonensis, . E. idinger and after van Caukercken (4)

Study of a boat at low tide Signed with initials Sepia watercolour 14 x 24cm; x in ith a small signed and dated ‘81 marine watercolour by Claude Moore (2) £120-180

£150-250

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

224 LAURENCE J. COSSÉ 1784-1837

The eading of the ill Oil on canvas 3 x 4 cm; 24 x 1

in

Provenance: Sotheby s, London, 2 th February 1

0, Lot 2 4

£2,000-4,000

225 THOMAS STOTHARD RA 1755-1834

Merrymaking Oil on canvas 21 x 2 . cm; x 10in Provenance: .A. Tulk of osebury, Chertsey, Surrey P.D. Colnaghi oolley allis, Salisbury, 2nd April 200 , Lot 1 £600-800

226 WILLIAM HARRIS WEATHERHEAD 1843-1903

The Dairy Maid Signed atercolour 4 . x 3 . cm; 1 x 14in Provenance: oolley allis, 1 th March 2014, Lot 4 £800-1,200

224

225 226 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

87

88

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

227

228 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

229

227 HENRY PETHER

228 SYDNEY HERBERT

229 ANTONIETTA BRANDEIS

1800-c.1865

1854-1914

Czech/Italian 1848-1926

Venice in the moonlight with the Doge s Palace

Boats at sunset, Venice

The Island of San Giorgio

Oil on canvas 3 x cm; 1 x 23in

Signed Oil on board 31 x 4 . cm; 12 x 1 in

Signed, also signed and titled on a part-label verso Oil on panel 12 x 21cm; 4. x .2 in

£4,000-6,000

£800-1,200

Provenance: The olte Collection oolley allis, Salisbury, 2 th September 200 , Lot 2 £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

89

90

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

230 THOMAS BAKER OF LEAMINGTON 1809-1869

Harvesting near Barford, arwickshire Signed and dated 1857 Oil on canvas 1 x cm; 20 x 30in Provenance: Sold to Mr Henry allis (Thomas Baker s diaries) ichard, Green, London oolley allis, Orchard Farm House sale, 1 th April 200 , Lot 14 £6,000-8,000

230

231 THOMAS BAKER OF LEAMINGTON 1809-1869

A view of enilworth Castle with cows in the foreground Signed and dated 1862 Oil on panel 21 x 32. cm; x 12 in Provenance: Sold anuary 1 3 per Mr Bamford, Mr Hughes (Thomas Baker s diaries) £2,000-3,000

231

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

232 THOMAS BAKER OF LEAMINGTON 1809-1869

Barford, arwickshire, looking towards Hampton Lucy Signed and dated 1856 Oil on canvas 4 x 1cm; 1 x 24in Provenance: Sold to Mr H. allis (Thomas Baker s diaries) £3,000-5,000

232

233 THOMAS BAKER OF LEAMINGTON 1809-1869

The Chapel, Haddon Hall Signed and dated 1857, also titled and dated verso Oil on board 24. x 3 cm; x 14in Provenance: Sold to Mr H. allis, February 1 (Thomas Baker s diaries) £2,000-3,000

233

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

91

92

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

234

235 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

236

234 EDWARD PRITCHETT

235 EDWARD PRITCHETT

236 EDWARD PRITCHETT

1808-1894

1808-1894

1808-1894

A view of Santa Maria della Salute, Venice

The Grand Canal, Venice

Oil on canvas 30. x 3 cm; 12 x 1 in

Signed Oil on canvas 30. x 40. cm; 12 x 1 in

View from the Dogana of the Doge s Palace, Venice, with merchants and gondolas

£1,500-2,500

Provenance: Sotheby s, London, 14th December 1 £1,500-2,500

Signed Oil on canvas 31 x 4 . cm; 12 x 1 in , Lot 34

Provenance: ewman Cooling, London Bonhams, London, 1 th March 2003, Lot (One of a pair) £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

93

94

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

237 EMILE PIERRE METZMACHER French 1815-1890

A country player seeking shelter Signed and dated 1871 Oil on panel 4 . x 3 cm; 1 . x 13. in Provenance: oolley allis, 1 th uly 200 , Lot 314 £3,000-5,000

238 THOMAS BUSH HARDY RBA 1842-1897

Dutch Pinks off Scheveningen Signed and dated 1881, also signed and titled verso Oil on board 30 x 2 . cm; 12 x 10in Provenance: Bonhams, London, 1 th April 2014, Lot 103 £250-350

23 ‡ PETER ROBERT MACLEOD MACKIE RSA Scottish 1867-1959

The House of Lyall Signed Oil on panel 4 x 3 cm; 1 x 1 in Provenance: Doig, ilson

237

238

heatley, Edinburgh

£500-700

239 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

240

240 KEELEY HALSWELLE ARSA, RI 1832-1891

A view on the river at Pangbourne Signed, inscribed Pangbourne and dated 1882 twice (the title and second dated, possibly strengthened) Oil on canvas 3 x 2cm; 14 x 24 in £2,000-3,000

241 GEORGES MARONIEZ French 1865-1933

Venice in the moonlight Signed Oil on canvas 2 x 3 cm; 11 x 1

in

£1,000-1,500

241

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

95

96

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

242

242 ANTOINE BOUVARD

243 ANTOINE BOUVARD

French 1870-1956

French 1870-1956

Gondolas on a canal, Venice

The ialto Bridge; Venice and the Doge s Palace from the Lido

Signed Oil on canvas 0 x cm; 1

Signed Oil on canvas 23 x 33cm; x 13in (2)

x2

in

Provenance: Bonhams, 1 th March 2003, London, Lot 131

£8,000-12,000

£6,000-8,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

Lots 194 to 243 Property from the Collection of Sir Jeremy Lever KCMG, QC, MA, FRSA

243 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

97

98

Oil Paintings Other Properties 244 AFTER SIR GODFREY KNELLER BT. 18th Century

Portrait of ing ames II as the Duke of ork Oil on canvas 100 x 2cm; 3

x 24 in

Provenance: Bonham s nightsbridge, Old Master Paintings 3rd April 2011, Lot 12 Private Collection £2,000-3,000

244 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

99

24 AFTER CORNELIUS JOHNSON Portrait of Mary, Lady Harbord (c.1 00-1 4) Head and shoulders, wearing a white dress, adorned with pearl clasps and brooch, a pearl necklace, earrings and pearls in her hair Oil on canvas, oval, in a carved wood frame x 2cm; 2 x 24 in Provenance: Earls of Suffield, Gunton Park, orfolk; by descent until Irelands, on site at Gunton Park, 2 th September 1 0, Lot 1 4; ames ees (1 2-2014), Markham, VA, SA Former President and Chief Executive Officer of George ashington s Mount Vernon .

Literature: (Probably) Duleep Singh, Portraits in orfolk Houses, Vol. 1, orwich 1 2 , no. 2 , p.1 2.

Extract from Duleep Singh Mary, daughter of ohn Van Alst of Flanders, of the noble family of Baron Van Alst; born 1 02; married 1 2 Sir Charles Harbord, t., of Stanninghall, Surveyor General to ings Charles I and II. She died th September, 1 4, aged 4. See slab at Besthorpe £2,000-3,000

245

24 ROMAN SCHOOL 18th Century

Portrait of Prince Henry Benedict Stewart, Cardinal ork (1 2 -1 0 ), half length, wearing Cardinal s robes, holding a letter in his right hand Inscribed on the letter La Sua Altezz Reale Em Il Sign Card Duca Oil on canvas 3. x 1. cm; 2 x 24 in Provenance: ith Philip Mould, London Christie s South ensington, Old Master and British Paintings, 2 th October 200 , Lot 214 Private Collection £2,000-3,000

246 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

100

24 CIRCLE OF SCIPIONE PULZONE IL GAETANO Head of the Virgin Oil on copper 22.

x1 .

cm;

x in

£1,000-1,500

24 FLORENTINE 16th Century and later

Madonna and Child Oil on panel 1 x 12 cm;

x 4 in

£500-800

24 FOLLOWER OF EUSTACHE LE SUEUR The Crucifixion Oil on canvas 0. x 3. cm; 3

x2

in

£800-1,200

247

248

249 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

101

250

251

250 ATTRIBUTED TO HARMEN HALS Dutch 1611-1669

A man with a jug and pipe, a woman looking over his shoulder Oil on panel 65 x 47cm; 25½ x 18½in £800-1,200

251 ATTRIBUTED TO JAN STEEN Dutch 1626-1679

A man eating porridge from a handled bowl Signed and dated 164* Oil on panel, oval, in a cased frame 19 x 15.5cm; 7½ x 6in Provenance: Prince Friedrich Leopold of Prussia £1,000-1,500

252

253

252 DUTCH SCHOOL

253 AFTER ADRIAEN BROUWER

18th Century

Back surgery

Four figures in a tavern interior with a pewter ug Oil on panel 26 x 22cm; 10 x 8½in Provenance: The collection of Cooper Penrose

Oil on panel 37 x 28cm; 14½ x 11in An 18/19th Century copy after the original of 1620-38 in the Stadel Museum, Frankfurt £300-500

£120-180 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

102

2 4 CIRCLE OF SIR JOSHUA REYNOLDS PRA

255 CIRCLE OF JOHN GREENHILL

Portrait of a lady, believed to be Mrs. Eli abeth Viscount Davies (1 30-1 4) with her husband s ship Hope beyond

Portrait of a gentleman, half length in wig and brown cloak, previously thought to be ohn Collins (1 04-1 0)

Oil on canvas x 3cm; 30 x 2 in

Oil on canvas laid on board, unframed 113 x 4cm; 44 x 3 in

Provenance: By direct descent in the family of the sitter in America until sold in 2011 with the portrait of her husband, whose provenance was the same Eli abeth Davies, of Dutch origin, was the wife of Capt. Ben amin Davies (1 2 -1 ), a ew ork Master Mariner whose family had emigrated from Bristol in 1 0. He sailed to England many times and was painted by Sir oshua eynolds c.1 - 1 ( ef. Mannings catalogue o.

4 ). eynold s sitter s book and ledgers indicate sittings for Mr Davies or Davis ov. th 1 (and in 1 1) and also for Miss Davies or Davis during the same week th, 11th, 21st ovember 1 (Cat. o. 4 , part of). There was also a payment of 20gns Capt. Davies for a Lady recorded in 1 1

£800-1,200

256 AFTER SIR ANTHONY VAN DYCK Portrait of Beatrice de Cusance, Princess of Cantecroix, three-quarter length, standing, wearing a black dress with white lace and pearls, her right hand on a gold curtain Oil on canvas 124 x 10 . cm; 4 x 42in A copy of the original in the oyal Collection £1,000-1,500

£1,000-1,500

254

255

256

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

103

257

258

257 ENGLISH SCHOOL

258 CIRCLE OF SIR THOMAS LAWRENCE

Mid 17th Century

Portrait of a lady, half length, with a white bonnet and russet bow

Portrait of a Gentleman, bust-length, in a lace collar and a steel cuirass Inscribed and dated indistinctly J Pym….16…

Oil on canvas, in a carved wood frame . x cm; 30 x 2 in Provenance: ith Colnagi, London, 1 3 Christie s London, est - East - The iall Hobhouse Collection, 22nd May 200 , Lot 2 1 Private Collection £800-1,200

259 ENGLISH SCHOOL 18th Century

Portraits believed to be illiam Seton of Mounie (1 0-1 1) and his sister A pair, both oil on copper, oval Each 1 x 12. cm; x in (2) Provenance: oolley allis, Salisbury, 23rd September 201 , Lot 3 4 £100-200

259 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

Oil on canvas 1 x 4 cm; 24 x 1 in Provenance: Private South est of England collection until purchased by Private Scottish collection £600-800

104

260

2 0 ENGLISH SCHOOL 16th Century

Portrait of ichard Tomkyns (d.1 0 ), half length wearing doublet and cape and decorated with a coat of arms Oil on panel in a carved wood frame x cm; 3 x 30in Provenance: By descent in the Baskerville family to the current owner Inscribed on a label dated 2 11 1 2 verso Richard Tomkyns of Mon**** on Wye married Katherine dau. and co-heir of James Baskerville of Kyre Park, Co. Herefordshire son of Philip Baskerville, 3rd son of Sir James Baskerville of Eardsley Castle Co. Hereford, Richard Tomkyns had 13 children, he died January 20th 1605 £3,000-4,000 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

105

261

261 CIRCLE OF SIR PETER LELY Portrait of Eli abeth Baskerville ne Griffin, seated with a pet lamb in a landscape Oil on canvas 104 x cm; 41 x 3 in Provenance: By descent in the Baskerville family to the current owner Inscribed on a later label verso Elizabeth Griffin daughter of Edward Griffin of Bickmarsh, Co. Warwicks married in 1660 to James Baskerville Es . Aberdour Aberedw? Court, Co. Radnor ÂŁ2,000-3,000

Lots marked ‥ may be subject to an additional fee - please see ARR information on page 189

106

262

262 CIRCLE OF JOHAN BAPTIST CLOSTERMAN Portrait of Meliora Baskerville (1 1 -1 40) of interbourne Bassett, iltshire, married to her cousin Thomas Baskerville (1 of Aberedw Court, Co. adnor Oil on canvas 12 x 101cm; 4

x3

-1 3 )

in

£3,000-5,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

107

263 FLEMISH SCHOOL 17/18th Century

Poseidon and a nymph in a painted fish and shellfish surround Oil on panel, unframed 2 x 3 .2 cm; 20 x 1

in

£600-800

2 4 ENGLISH SCHOOL 19th Century

The Fishmonger s Stall Oil on canvas 3 x 4 cm; 21 x 1

in

£200-300

265 A. VERKYK Dutch 18th Century

A still life of lilies and flowers in a vase, on a marble niche Signed lower left on marble ledge Oil on canvas 4 x 4 .2 cm; 21 x 1 in £300-500

263

264

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

265

108

266

267 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

109

268

266 MANNER OF LUDOLF BACKHUYSEN

267 FOLLOWER OF PAUL DE VOS

268 AFTER SIR PETER PAUL RUBENS

An English Man-O- ar firing a salute off the coast

Hounds attacking a boar in a wooded landscape

Two Lions

Oil on canvas x 123 cm; 33 x 4

Oil on canvas . x 3cm; 22 x 32 in

in

Provenance: Sotheby s, London, Old Master Paintings, 24th April 200 , Lot 3 2 Private Collection

Provenance: Sotheby s Amsterdam, Property from Aristocratic Families, 2 th October 200 , Lot 24 Private Collection

£2,000-3,000

£1,500-2,500

Oil on canvas 12 . x 1 cm; 0 x

£5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

in

This work is based on the painting now in the Louvre which was part of the original series by ubens depicting the marriage of Maria de Medici and Henry IV. The original, the seventh painting in the series titled The Meeting of Marie de Medici and Henry IV at Lyons, depicts putti riding the lions, a pun by ubens to represent the City of Lyon.

For comparison see M. aff , Rubens: Catalogo Completo, Milan 1990, pp. 2 4-2 , cat. no. 2 , reproduced p. 2 .

110

269

269 PIETER COSYN Dutch 1630-c.1667

A view of Castle yswi k with figures Signed P Cosin Oil on panel 3 . x 4cm; 1

x 21 in

£1,200-1,500

2 0 DUTCH SCHOOL 17th Century

A woman sitting by a spinning wheel, with ugs and pots nearby Initialled and dated indistinctly PG 1672 lower left Oil on panel 2 . x 2 . cm; 11 x 10 in £300-500

270 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

111

271

271 VENETIAN SCHOOL Circa 1600

Esther before ing Ahasuerus Oil on canvas 4. x . cm; 3

x 34 in

Provenance: ith La Gallerie d Art Mulhouse, no. 23 as Italian School end of the 1 th Century (from a label verso) Sotheby s London, Old Master and Early British Paintings 22nd April 200 , Lot 10 Private Collection £3,000-5,000 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 189

112

272

272 FOLLOWER OF GIOVANNI BATTISTA MORONI Portrait of a Gentleman, bust length Oil on canvas 43. x 31. cm; 1 x 12 in Provenance: Christie s ew ork, Old Masters and 1 th Century Art, ednesday th une 2010, Lot 23 £3,000-5,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

113

273

273 FOLLOWER OF KAREL VAN DER PLUYM The eigher of Gold Oil on canvas 1 x cm; 3

x 30 in

Provenance: Christie s, th une 2010, Lot 2 Private Collection £3,000-5,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

114

2 4 AFTER ABRAHAM BLOEMAERT

277 ITALIAN SCHOOL

Adam and Eve working

18th Century

Oil on panel 32 x 23cm; 12 x in The original by Bloemaert was engraved by an Pieters Saenredam in 1 04

Mercury, Argus and the priestess Io disguised as a heifer Oil on canvas 3 x 4 cm; 1 x 1 in

£2,000-3,000

£1,500-2,500

275 DUTCH SCHOOL

278 ITALIAN SCHOOL

19th Century

18th Century

A trompe l oeil still life of an engraving titled The Storm on a wooden background

Figures in a classical landscape

Signed indistinctly Oil on canvas 4 x 43cm; 21 x 1 in

£200-300

£800-1,200

279 FOLLOWER OF FRANCESCO SOLIMENA

276 ATTRIBUTED TO ALBERT CUYP Dutch 1620-1691

Portrait of a young man, standing in a landscape, wearing red, with his dog

Oil on canvas 4 x 3 cm; 1 x 14in

The Ascension of a male saint Oil on canvas x cm; 3 x 2

in

Oil on panel 32 x 2 cm; 12 x 11in

Provenance: Christie s, ew ork, Old Masters and 1 th Century Art, th une 2010, Lot 2 Private Collection

£400-600

£4,000-6,000

274

275

276 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

115

277

278 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 189

279

116

280

2 0 ATTRIBUTED TO SIR WILLIAM BEECHEY RA 1753-1859

Portrait of Sir illiam Fawcett B (1 2 -1 04) Oil on canvas 4 x 4cm; 3 x 2 in

Provenance: By descent via Slade (subsequently Mitford-Slade) family of Montys Court, Somerset to present owner Sir illiam Fawcett was a career soldier born into a orkshire gentry family. He was highly regarded by his seniors in the army, acting as aide-de-camp to the Marquess of Granby and with his linguistic skills was instrumental in organising German troops, both mercenary and otherwise, for Britain s wars both in Europe and America. His greatest achievement was in the 1 0 s and 0 s when he re-organised the army and its training including writing its training manuals and translating some foreign manuals but also founding the oyal Military College at High ycombe and then Marlow, all of which were crucial in preparing the British army for its great struggle against revolutionary and apoleonic France. In 1 Fawcett was made a night of the Bath, the star of which he is shown wearing in this portrait, and in 1 he was made a full General and a Governor of Chelsea Hospital then in 1 , a member of the privy council. His funeral cortege included the Prince of ales and four royal Dukes and eight Generals acted as pallbearers. He was painted by Sir oshua eynolds in 1 4 ( ational Portrait Gallery) and subsequently engraved and was included in the large group portrait by Sir illiam Beechey of George III reviewing his troops lost in the indsor castle fire. ÂŁ1,500-2,500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

117

281

281 JOHANN ERNST HEINSIUS German 1740-1812

Portrait of a Gentleman in a park with his dog beside him Signed Oil on canvas x 4. cm; 2

x 21 in

£4,000-6,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

118

282 FOLLOWER OF PHILIPS WOUWERMAN An altercation on the road with the gentry and some rustics with a cart Oil on copper 40 x 4 cm; 1

x1

in

£1,500-2,500

282

283

284

283 ENGLISH SCHOOL

2 4 MANNER OF PHILIPS WOUWERMAN

19th Century

A battle scene

The Duke of ellington (1 -1 2) on horseback, leading his troops into battle, possibly depicting the Battle at Assaye

Oil on panel 34 x 4 cm; 13 x 1

Oil on canvas x 1cm; 30 x 3

£300-500

in

in

Provenance: Christie s South ensington, Interiors Sale, 2 th uly 200 , Lot 2 0 Private Collection £500-800 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

119

285 DUTCH SCHOOL 18th Century

A busy interior scene with numerous figures making merry Oil on canvas, in a carved wood frame x 0cm; 2 x 31 in £2,000-3,000

286 ATTRIBUTED TO JAN PAUWEL GILLEMANS THE ELDER Flemish 1618-1675

Still life of fruit and shellfish on a shelf Oil on canvas 0 x 120cm; 23 x 4 in £2,000-3,000

285

286

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

120

287

288

287 ATTRIBUTED TO ADRIAEN VAN DIEST

288 DUTCH SCHOOL

1655/6-1704

18th Century

Dutch ships in rough seas

Figures fishing and boating in a river landscape

Signed indistinctly Oil on panel 2 . x 44cm; 10 x 1

Oil on panel 33 x 44. cm; 13 x 1

£600-800

in

in

Provenance: ayner MacConnal Fine Art Dealers, London £500-800

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

121

289 ITALIAN SCHOOL 18th Century

Capriccios with figures working in the ruins A pair, both oil on canvas 0. x 10 cm; 31 x 42in and similar (2) £4,000-6,000

289

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

122

290

1753-1827

291 MANNER OF PHILIPS WOUWERMAN

292 FOLLOWER OF JAN VAN GOYEN

Farm buildings in a wooded landscape with a horse and carriage

A barn interior with gentlemen preparing for a ride

An elderly couple conversing in a landscape

Signed Oil on canvas 64 x 88cm; 25 x 34½in With the book by Greaves, Margaret, Regency Patron, Sir George Beaumont, published Methuen & Co, 1966 (2)

Oil on canvas 46 x 56cm; 18 x 22in

Dated 16*8 Oil on panel 30.5 x 49cm; 12 x 19¼in

290 SIR GEORGE HOWLAND BEAUMONT

£200-400

£600-800

£2,500-3,500

291

292 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

123

293 HENDRICK KELLNER act.1760-1780

Feast of the Gods Signed Grisaille, oil on canvas 26.5 x 36cm; 10½ x 14in Provenance: Christie’s, London, 7th December 2005, Lot 130 £1,500-2,500

293

294 JAN MARTSZEN DE JONGE Dutch c.1609after 1647

Battle scene Signed with initials and dated 1648 Oil on panel Provenance: Sold on behalf of the Estate of Lady Janet Llewellyn The exact dates of birth and death of the painter are not known, Benezit records his date of death as after 1647 so this is a late work by the artist. £1,500-2,500

294

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

124

295

296

295 AFTER JEAN-HONORÉ FRAGONNARD

296 CONTINENTAL SCHOOL

297 RAFFAELE SPANO

19th Century

Italian 1817-?

298 CIRCLE OF FRANCISCO DE GOYA

Le Baiser

Portraits of bearded saints

Oil on canvas 24.5 x 31cm; 9½ x 12in

A pair, both oil on panel Each 13 x 9cm; 5 x 7½in (3)

The Virgin and Child, The Bridgewater Madonna After Raphael Sanzio D’Urbino

Portrait of a lady, half length, seated holding a fan

£200-300

£200-300

Inscribed verso and signed on stretcher verso Oil on canvas 47 x 38cm; 18½ x 15in

Oil on canvas, laid down on panel, unframed 78.75 x 61cm; 31 x 24in

Provenance: Arthur Tooth & Sons A copy of the original in the Scottish National Gallery

£800-1,200

£300-500

297

298 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

125

299 CONTINENTAL SCHOOL 18/19th Century

Travellers in an Arcadian landscape Oil on canvas 89 x 127cm; 35 x 50in £600-800

300 FOLLOWER OF JAN JOSEFSZ. VAN GOYEN Figure on a bridge by a cottage Oil on canvas 40 x 49cm; 15¾ x 19¼in Provenance: The collection of Cooper Penrose £350-450

299

301 DAVID COX SNR. OWS 1783-1859

A harvest break Signed Oil on canvas 43.25 x 50.5cm; 17 x 20in £300-500

302 DUTCH SCHOOL 18th Century

A river scene with a woman washing and a man fishing, a figure on a bridge beyond Oil on panel 35 x 46.5cm; 13¾ x 18¼in £300-500

300

301

302

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

126

303

304

303 THOMAS PEAT c.1791-1831

Portrait of a young boy, seated, holding a book Oil on canvas, oval 28 x 23cm; 11 x 9in Provenance: The Cooling Galleries, London £400-600

304 CIRCLE OF WILLIAM BEECHEY Portrait of Sarah Callander neé À Beckett (1804-1837), head and shoulders in a landscape Oil on canvas 61 x 51cm; 24 x 20in Sarah à Beckett was married to John Callander, Medical Inspector-General of the British Legion and died young in San Sebastian £800-1,200

305 FRENCH SCHOOL Early 19th Century

Portrait of a gentleman, head and shoulders, wearing a blue jacket Oil on canvas, with a wax seal on stretcher verso 59 x 48.5cm; 23 x 19in £600-800

305 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

127

306 FRANCIS GRANT 1803-1878

Portrait of a lady, thought to be Louisa Maria Dundas (née Boothby) (c.1806-1895) of Winchester, Hampshire, full length, standing with her spaniel Oil on canvas 254 x 164cm; 100 x 64½in Louisa Dundas was married to the Reverend Hon. Charles Dundas (1806-1883), son of the 2nd Viscount Melville of Melville and their sons Henry and Charles went on to become the 5th and 6th Viscounts Melville respectively £6,000-8,000

306 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

128

307

308

307 FOLLOWER OF SIR THOMAS LAWRENCE PRA

308 STUDIO OF SIR THOMAS LAWRENCE PRA

Portrait of a gentleman, head and shoulders, wearing a dark coat

Portrait of Anna Allnutt (1774-1819)

Oil on canvas 76 x 63cm; 20 x 24¾in £600-800

Oil on canvas 76 x 64cm; 30 x 25in

309 FRENCH SCHOOL 19th Century

Portrait of a gentleman reading a book of Fables Oil on canvas 73 x 60cm; 28¾ x 23¾in £300-500

Provenance: By descent in the family of the sitter until sold in 2015, along with other family portraits, by a direct descendant

310 CIRCLE OF HENRY PICKERSGILL

311 ENGLISH SCHOOL

Portrait of lady in a white Regency bonnet and blue dress reading a book

Portrait of a gentleman seated, holding a book, wearing a dark turban

Oil on canvas with canvas stamp for Henry Matley (trading c.1792-1820) verso 76 x 64cm; 30 x 25in

Oil on canvas 76 x 63.5cm; 30 x 25in

Mid 18th Century

£350-450

£150-250

£400-600

309

310

311 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

129

312 SIR THOMAS LAWRENCE PRA 1769-1830

Portrait of Henry Hakewill, Architect (1771-1830), c.1795-1800 Oil on canvas 77 x 63.5cm; 30 x 25in Provenance: Private Aberdeenshire Collection until sold in 2010 Henry Hakewill was a famous and successful British architect and writer working mainly on country houses and churches, most notably: Coed Coch in Wales, the chapel and Gothic buildings at Rugby school and St. Peter’s Church, Eaton Square, London £3,000-5,000

313 CONTINENTAL SCHOOL 19th Century

orthern European figures in landscapes Both oil on canvas Each 31 x 25.5cm; 12 x 10in (2) £200-300

314 ENGLISH SCHOOL 17/18th Century

Portrait of a gentleman, half length, wearing armour Oil on panel 28 x 21cm; 11 x 8¼in With a further portrait of Oliver Cromwell in a painted niche, 18/19th Century (2) £300-500

312

313

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

314

130

315 DUTCH SCHOOL 18th Century

Hanging out the laundry, a cottage by a watermill Oil on panel 25 x 35cm; 9¾ x 13½in £600-800

315

316

317

316 AFTER THOMAS FAED RA

317 GEORGE COLE

Morning reapers going out

1810-1883

Oil on canvas 76 x 101cm; 30 x 39¾in

A young boy, wearing red, on his pony with his dog

This is a copy of the work that was sold at Christie’s, London, 26th October 1979 A copy of the catalogue is included with this lot

Signed and dated 1843, also signed and dated verso Oil on canvas 39.5 x 50.5cm; 15½ x 20in

£300-500

£300-500

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

131

318 THOMAS MAYNARD 1752-1812

Portrait of a girl, full length, wearing a pink sash and holding a basket of apples Signed and dated 1789 Oil on canvas 107 x 76.5cm; 42 x 30in £600-800

319 FRENCH SCHOOL 19th Century

Portrait of a young gentleman Oil on canvas 47 x 38cm; 18½ x 15in £400-600

318

319

320 ENGLISH SCHOOL 19th Century

Portrait of a lady seated in a landscape with a young girl Oil on canvas 92 x 71cm; 36 x 28in £400-600

321 ENGLISH SCHOOL 18th Century

Portrait of a young man, half length, wearing a green jacket Oil on canvas 53 x 64cm; 20¾ x 25¼in £200-400

320

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

321

132

322 GEORGE HENRY HARLOW 1787-1819

A young girl fetching water from a spring, a landscape beyond Oil on panel 22.5 x 18.5cm; 9 x 7½in £1,000-1,500

323 ENGLISH SCHOOL 19th Century

Man on a horse with a basket of fruit and a hound at his feet Oil on panel 17.5 x 15.25cm; 6¾ x 6in £200-300

324 MANNER OF JACQUES DUMONT Le Romain

Portrait of an elderly man called Thomas Parr, ‘Old Parr’ (1493-1635), half length, wearing a hat and holding a stick Oil on panel, unframed 79.5 x 59.5cm; 31½ x 23¼in A version of the original in Nostell Priory, West Yorkshire £300-500

325 ATTRIBUTED TO GEORGE LAMBERT 1710-1765

Two figures in landscape with a coastal view beyond Oil on canvas 61.5 x 51.5cm; 24¼ x 20¼in £300-500

322

323

324

325 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

133

326

326 RICHARD BRYDGES BEECHEY

327 E. J. WATT

1808-1895

19th Century

Alum Bay, Isle of Wight with the Needles

Shipping in calm and rough seas

Signed and dated 1891, also inscribed on a label verso Presented by Admiral Beechey to Rev. R. Hosgood on his leaving Ryde as a token of sincere regard from two of his congregation. Nov. 1893 Oil on canvas, in a nautical knotted-rope style frame 30.5 x 51cm; 12 x 20in

A pair, both signed and dated ‘70 Both oil on canvas Each 46 x 81cm; 18 x 32in (2)

Provenance: Woolley & Wallis, Salisbury, 13th June, 2012, Lot 309 £8,000-12,000

327

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

£800-1,200

134

328 JOHN FRANCIS SARTORIUS 1775-c.1831

Huntsman outside a village inn Signed with initials Oil on board 18 x 23cm; 7 x 9in Provenance: Arthur Ackermann & Son Ltd., London English private collection, North London £1,000-1,500

329 No lot

328

330 JAMES POLLARD 1792-1867

A Huntsman on a grey horse taking a fence Oil on board 22 x 30cm; 8½ x 11¾in Provenance: Arthur Ackermann & Son Ltd., London English private collection, North London £500-800

330

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

135

331 PATRICK NASMYTH Scottish 1787-1831

Young anglers on the River Wandle near Mitcham Signed and dated 1821 Oil on panel 25 x 35cm; 10 x 13¾in Provenance: Holbrook Gaskell, Esq. Rayner MacConnal, London English private collection, North London £1,000-1,500

332 ROBERT RICHARD SCANLAN Irish c.1801-1876

Coming to the Scratch Signed and inscribed with the names of horses on a label verso Oil on panel 9 x 32cm; 3½ x 12½in Provenance: Arthur Ackermann & Son Ltd., London English private collection, North London This features the racehorses Sobersides, Moonraker, Miss Prim, Garryowen and Dismal Jimmy before the start of the race run at the North Staffordshire and Newcastle-under-Lyme Meeting, August 1846. The race was won by Mr. Ford’s brown gelding Moonraker

331

£500-800

333 JOHN FRANCIS SARTORIUS

332

1775-c.1831

A huntsman in open landscape with four hounds and a terrier Oil on canvas 17.5 x 22cm; 7 x 8¾in Provenance: Arthur Ackermann & Son Ltd., London English private collection, North London £800-1,200

333 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

136

334 GEORGE CHESTER 1813-1897

Cleaning up after a storm Signed and dated 1858?, also signed, titled and numbered 2 on a label verso Oil on canvas 82 x 130cm; 32 x 51in £800-1,200

334

335

336

335 P. D. CAUWER

336 ENGLISH SCHOOL

337 ENGLISH SCHOOL

19th Century

19th Century

19th Century

Boys fishing and figures by a large watermill

A cottage nestled amongst a wooded landscape

Signed Oil on panel 26 x 35.5cm; 10 x 14in

Signed indistinctly lower left Oil on canvas 31 x 46.5cm; 12¼ x 18¼in

A British Barque, a Dutch Schooner and fishing smacks off the coast

£200-300

Oil on canvas, unframed 53 x 84cm; 21 x 33in £200-300

£150-250

337 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

137

338 CIRCLE OF SEBASTIAN PETHER A moonlit river scene with a watermill Oil on canvas 63 x 76cm; 25 x 30in £1,000-1,500

338

339

340

339 FOLLOWER OF JAN VAN BALEN

340 DUTCH SCHOOL

Music-making putti dancing around a herm of a satyr in a forest

19th Century

Oil on panel with painted trompe l’oeil strapwork verso 56 x 67cm; 22 x 26¼in £500-700

The Cardinal’s Library Oil on panel 53 x 67cm; 21 x 26¼in Provenance: Sold on behalf of the Roddick Charitable Foundation £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

138

341

342 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

139

343

341 KARL PAUL THEMISTOKLES VON ECKENBRECHER

342 WILLIAM HOWARD

343 EDWARD PRITCHETT

1800-1850

1808-1894

German 1842-1921

Moritzburg on the Elbe

The Doge’s Palace from the Dogana, Venice

Winter scene with boats and skaters on a frozen river

Signed Oil on canvas 76 x 127cm; 30 x 50in

Oil on canvas 44 x 64cm; 17¼ x 25in

Signed and dated ‘62 Oil on canvas 73 x 117cm; 28¾ x 42in £2,000-3,000

Provenance: Hampshire Gallery, Bournemouth, 1984 Private Collection, Dorset Executor’s sale, Dorset £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

Provenance: Sotheby’s, London, 16th December 2010, Lot 45 £6,000-8,000

140

344 DAVID COX SNR. OWS 1783-1859

Country figures by a mill Signed and dated 1850 Oil on panel 42.5 x 53.25cm; 16¾ x 21in £800-1,200

344

345

346

345 WILLIAM JAMES MULLER

346 ANDRÉ CORTES

1812-1845

French 19th/20th Century

Two Eastern merchants seated on a mat, smoking

Cattle watering near a cottage; Cattle watering near shepherd and sheep

Signed Oil on panel 31.5 x 45.5cm; 12 x 18in

A pair, both signed Both oil on canvas Each 41 x 54cm; 16 x 21¼in (2)

£600-800

£400-600 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

141

347

347 JOHN WARD OF HULL 1798-1849

Portsmouth Harbour Signed with initials Oil on canvas 38 x 60.5cm; 15 x 24in £3,000-5,000

348 HENRIETTE HERMINIE GUDIN French 825-1876

Fishermen and boats on a calm sea at sunset Oil on panel 13.5 x 20.5cm; 5¼ x 8in £1,000-1,500

348 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

142

349 CLAUDE LORRAINE SMITH 1751-1835

Huntsmen and hounds in a wooded landscape Oil on canvas 39 x 54cm; 15¼ x 21¼in £600-800

350 ATTRIBUTED TO GEORGE MORLAND 1763-1804

A farmer with his horses and cart taking refreshment at an inn Inscribed verso with artists name and title and Bought 1869/Relined 1875 all by another hand Oil on canvas 36 x 44.5cm; 14 x 17½in £600-800

349

351 B. DEYRELL act.c.1853-1858

Study of a horse by a stable with goats Signed and dated 1858 Oil on canvas 30.5 x 40.5cm; 12 x 16in £200-300

352 ENGLISH SCHOOL 19th Century

Huntsmen and hounds in a landscape Oil on canvas 79 x 111cm; 31 x 43¾in £400-600

350

351

352 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

143

353

353 THOMAS SIDNEY COOPER RA 1803-1902

Study of a grey carthorse resting Signed Oil on canvas 50.5 x 71cm; 21 x 28in Provenance: Christie’s London, The artist’s studio sale, 12th to 15th April 1902, Lot 318 £3,000-5,000

354 JAMES BALDOCK 1825-1898

Cattle in a landscape with a milkman Signed and dated 1892 Oil on canvas 61 x 92cm; 24 x 36in £1,000-1,500

354

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

144

355 JOHN CALLOW 1822-1878

Fishing smacks entering harbour Signed and dated 1869 Oil on canvas 60 x 106cm; 23½ x 41¾in £1,200-1,800

356 ASTER R.C. CORBOULD c.1812-1877

Cattle in a pasture at dusk Signed and dated 1858 Oil on canvas 63.5 x 127cm; 25 x 50in £800-1,200

355

357 EDWIN HAYES 1819-1904

Harbour entrance Signed Watercolour with bodycolour 11.25 x 18.75cm; 4½ x 7¼in Provenance: Malcolm Henderson Gallery, London, 1973 £150-250

358 EVERHARDUS KOSTER Dutch 1817-1892

Dutch Barges Signed Oil on panel 16.5 x 32cm; 6½ x 12½in £300-500

356

357

358

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

145

359

360

361

359 HEYWOOD HARDY

360 WILLIAM R. STONE

361 ALEXANDRE THOMAS FRANCIA

1842-1933

c.1840-1913

c.1815-1884

The Morning Ride

Old Kew Bridge, London with barges and river boats

Moored barges and a fisherman in a river landscape

Signed Oil on canvas 45.5 x 81cm; 18 x 32in

Signed and dated 18*7 Oil on canvas 38.25 x 70.25cm; 15 x 27¾in

£400-600

£600-800

Signed Oil on canvas 28 x 39cm; 11 x 15¼in Provenance: Sotheby’s, London, Victorian Paintings, 30th September 1987, Lot 94, ill. page 45 £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

146

362 BROWN Early 19th Century

A hunter in a landscape with a dog Signed and dated 1819 Oil on canvas 51 x 68.5cm; 20 x 27in £1,000-1,500

362

363

364

363 WILLIAM DARLING MACKAY

364 JOSEPH THORS

1844-1924

c.1835-1920

A gypsy encampment

Wooded river landscape

Signed with initials Oil on canvas 28.5 x 38cm; 11 x 15in

Signed Oil on canvas 32 x 44cm; 12½ x 17¾in

£500-700

£400-600

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

147

366

365

365 EVERT PIETERS Dutch 1856-1932

Figures in a back yard with a figure drawing water Signed Oil on canvas 44.5 x 64cm; 17½ x 25in £400-600

366 GEORGE HEMING MASON 1818-1872

Women herding an ox Signed, inscribed Roma and dated 1855 Oil on canvas 27.5 x 40.5cm; 10¾ x 16in Provenance: Maj. Gen. I. H. Lyall

367

Exhibited: Stoke-on-Trent City Museum & Art Gallery, No. 21 £120-180

367 WILLIAM MELLOR 1851-1931

Cattle watering at a highland lake landscape Signed Oil on canvas 30.5 x 61.5cm £300-500

368 ENGLISH SCHOOL

368

Early 19th Century

View of a city and heath with a castle and churches beyond Inscribed indistinctly in the sky Oil on paper, mounted on panel, unframed 14.5 x 30.5cm; 5¾ x 12in £150-250 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

148

369

369 ATTRIBUTED TO NARCISSE VIRGILE DIAZ DE LA PENA French 1807-1876

Forest View Oil on panel 53 x 44.5cm; 20¾ x 17¾in £400-600

370

370 ENGLISH SCHOOL

371 ENGLISH SCHOOL

19th Century

19/20th Century

Figures in a wooded landscape with horses watering

A lady seated in an interior preparing vegetables

Signed and dated indistinctly verso J.H. SAHollersworth?

Oil on canvas 76.5 x 63.5cm; 30 x 25in £400-600

Oil on board 39.5 x 31.5cm; 15½ x 12¼in £150-250

372 MARCELLIN-GILBERT DESBOUTIN

373 ENGLISH SCHOOL

French 1823-1902

Portrait of a lady standing on a terrace

Portrait of Eugène Labiche Signed and inscribed with the name of the sitter and dated 1886, possibly strengthened Oil on board 29 x 24.5cm; 11½ x 9¾in

19th Century

Oil on panel, unframed 45.5 x 35cm; 18 x 13¾in £200-300

£200-300

371

372

373 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

149

374 PIETRO LANZONI Italian 1827-1899

A monk repairing shoes; A monk playing the cello A pair, both signed Both oil on panel Each 37.5 x 27.25cm; 14¾ x 10¾in (2) £700-1,000

374

374 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

150

375 GEORGE WILLIAM HORLOR 1823-1895

Fisherman by a cottage in a river landscape Signed Oil on canvas 76 x 127cm; 30 x 50in £600-800

376 JOHN LANGSTAFFE 1849-1912

Shipping on the Thames Signed Oil on canvas 30.5 x 50.5cm; 12 x 20in £300-400

377 G. W. SMITH

375

New Zealand act c.1887-1905

Tranquility, Sunset Buffallo Mountains, Victoria [Australia]; Evening Shadows, Barren Peaks, Arthur River, Milford Sound N.Z. A pair, both signed and dated 1849 and 1842 Both oil on canvas Each 46 x 76cm; 18 x 30in (2) £300-500

378 ENGLISH SCHOOL 19th Century

A shepherd and sheep in a landscape at dusk Oil on canvas 30 x 61cm; 12 x 24in £150-250

376

377

378 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

151

379 JOHN SYER RI 1815-1855

Figures on a track with mountains in the distance Oil on canvas 87.5 x 129cm; 34½ x 50¾in Provenance: Bonhams, Knightsbridge, British Continental and Old Master Paintings, 17th June 2008, Lot 195 Private Collection £1,000-1,500

379

380 JOHN SYER RI 1815-1885

Figures resting on a bank, possibly the river Lluwy Signed and dated 1857 Oil on canvas 52 x 78cm; 20½ x 30¾in Provenance: Christie’s, South Kensington, Victorian Paintings, 26th September 2007, Lot 121 Private Collection £1,000-1,500

380

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

152

382

381

383

384

381 FREDERICK WILLIAM HULME

382 CLARENCE HENRY ROE

383 THOMAS ROSE MILES

384 EDMUND JOHN NIEMANN

1816-1884

1850-1909

fl.1869-1906

1813-1876

Fishermen in a rocky river landscape

Stag at bay in the Scottish Highlands

Evening after the storm, Isle of Arran

A fishing smack on a rocky coast

Signed and dated 1878 Oil on canvas 71 x 59cm; 28 x 23¼in

Signed Oil on canvas 76 x 127cm; 30 x 50in

Signed, titled verso Oil on canvas 56 x 92cm; 22 x 36in

£600-800

£500-700

£600-800

Signed Oil on canvas 30.5 x 25.5cm; 12 x 10in £500-800

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

153

385 ENGLISH SCHOOL

387 ENGLISH SCHOOL

Early 19th Century

Late 19th Century

Portrait of a young girl, wearing a lace bonnet, seated in a landscape and holding a rose

Saint Ursula with angels

Oil on canvas 76 x 63cm; 30 x 24¾in

£400-600

£500-800

386 ENGLISH SCHOOL 18/19th Century

Portrait of a young gentleman, half length, wearing blue, thought to be Richard Wilmot, Esq., son of Sir John Eardley-Wilmot (1709-1792) Chief Justice of the Common Pleas (1766-1771) Oil on canvas 76 x 64cm; 30 x 25in Richard Wilmot was John’s eldest son who died aged 24 in Bengal in 1770 £600-800

385

387

386 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

388

Oil on canvas in an arched frame 87 x 153cm; 34 x 60in

388 JOSEPH KOSTKA Polish 1846-1927

Still life of cut roses on a ledge Signed Oil on canvas 19 x 26cm; 7½ x 10in Provenance: W. Cutler Galleries, Bournemouth, 1958 Private Collection, Dorset £300-500

154

389

390

389 J. LANGLOIS 1855-1904

Two Terriers rabbiting Signed Oil on canvas 51 x 61cm, 20 x 24in £150-250

390 GEORGE ARMFIELD 1808-1893

Waiting patiently Oil on board 34 x 38cm; 13¼ x 15cm £300-500

391

391 J. LANGLOIS 1855-1904

A terrier ratting in a barn Signed Oil on board 20.5 x 25.5cm; 8 x 10in £200-300

392 PAUL FRIEDRICH MEYERHEIM German 1842-1915

Study of goats Signed Oil on canvas laid on board 20.5 x 25cm; 8 x 10in £300-400

392 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

155

393

393 JOHN EMMS 1843-1912

A Winter’s Tale Signed Oil on canvas 91.5 x 122cm; 36 x 48¼in Provenance: Bonham’s Knightsbridge, British and Continental Pictures, 12th April 2011, Lot 228 Private collection £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

156

394 ENGLISH SCHOOL Late 19th Century

Portrait of a young lady, three quarter length, seated, holding a posy Signed indistinctly Oil on canvas 63.5 x 50cm; 25 x 20in £2,000-3,000

395 PENRY WILLIAMS 1798-1885

A mother with her sleeping child resting Signed, dated 1838 and inscribed Rome, also inscribed M. di Sora with her Sleeping Child on verso Oil on canvas 24.5 x 17.5cm; 9½ x 6½in Literature: The following is from Webley, Derrick Pritchard Last to the Winds, The Life & Work of Penry Williams: Christie, Manson & Woods, 1876, Lot 107, not sold at 11gns; Charles Russell James? Letter in Cyfartha Castle Museum and Art Gallery, 20 November 1909, loaning picture to Merthyr Exhibition (1909-10), Charles Russell James, No. 3, Exhib: Merthyr Exhibition No. 90 lent by Charles Russell James? Missing. £500-700

396 LOUISE-EMILIE LELEUX-GIRARD Swiss 1824-1885

An afternoon rest Signed, also dedicated verso indistinctly Oil on panel 25 x 17.5cm; 10 x 7in

394

395

£300-500

396 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

157

397

397 EDWIN LONGSDEN LONG RA 1829-1891

Little Maud Signed with initials and dated 1880, also signed and titled and inscribed no. 2 on a label verso Oil on canvas 68 x 49cm; 26¾ x 19¼in

Provenance: Christie’s London, British and Continental Pictures, 30th April 1998, Lot 94 Private collection Exhibited: The Royal Academy, London, 1881, No 509 £5,000-7,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

158

398 THOMAS BLINKS 1860-1912

On the Scent Oil on canvas 117 x 66.5cm; 46 x 26in Provenance: Bonham’s, New York, The Dog Sale, 16th February 2010, Lot 133 Private Collection £2,000-3,000

399 JOHN FALCONAR SLATER 1857-1937

Horses and cart on a snowy day Signed Oil on board 46 x 62cm; 18 x 20½in £200-300

400 ROBERT BRYDALL Scottish 1839-1907

Possibly a scene from Morte D’Arthur Signed and dated 1871-2 Oil on canvas in an arched slip frame 61 x 48cm; 24 x 19in £400-600

398

399

400 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

159

401 BRITON RIVIERE 1840-1920

Aggravation Signed with a monogram and dated ‘96 Oil on canvas 93 x 62cm; 36½ x 24¼in Provenance: Christie’s, London, 12th July 2012, Lot 314 £3,000-5,000

401 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

160

402

403

402 HERMAN FREDERICK CAREL TEN KATE

403 AFTER JOHN FREDERICK HERRING JR.

Dutch 1822-1891

The Blacksmith’s Shop; A stable interior

The music party Signed and dated 1884 Oil on panel 40 x 57cm; 16 x 22½in

A pair, both bear signature Both oil on canvas 40.5 x 60.5cm; 16 x 24in (2) £500-800

Provenance: Frost & Reed, No. 46741 £4,000-6,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

161

404 JOHN FAED RSA Scottish 1819-1902

The Rivals Signed Oil on board 37 x 28cm; 14½ x 11in Provenance: The French Galleries, London Thomas Agnew & Sons, Manchester £3,000-5,000

404

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

162

405 ITALIAN SCHOOL c.1900

Figures on the Amalfi coast Signed indistinctly Oil on canvas 52.5 x 79cm; 20½ x 31in £1,500-2,500

405

406 JAMES AUMONIER 1832-1922

Harvesters in an extensive landscape Signed Oil on canvas 69 x 119cm; 27 x 47in £1,000-1,500

406

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

163

407

407 ATTRIBUTED TO CHARLES ROBERTSON 1844-1891

A large panoramic view of Constantinople Signed with initials C.R. and dated 1885 Oil on canvas 115 x 196cm; 45¼ x 77in £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

164

408 RAYMOND MORETTI French 1863-1913

A cardinal and two lady musicians in an interior Signed Oil on canvas 38 x 56cm; 15 x 22in £750-1,250

408

409 FREDERICK HENRY HENSHAW

410 HENRY JOHN KINNAIRD

411 JAMES FAED JR. RSA

1807-1891

1861-1929

1857-1920

A river landscape with a town beyond

Salisbury Cathedral from the water meadows

A moorland view

Signed indistinctly Oil on canvas 29.5 x 49cm; 11¾ x 19¼in £200-300

Signed Oil on canvas 35 x 50.5cm; 13¾ x 20in £200-300

Signed Oil on paper stuck down on panel 11 x 15.5cm; 4¼ x 6in Provenance: The Doré Gallery, London £200-300

409

410

411 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

165

412 LUIS RICARDO FALERO Spanish 1851-1896

La Favorita Signed and dated ‘80 Oil on canvas 74 x 41cm; 29 x 16in Provenance: Christie’s, London, 17th June 1999, Lot 102 Notes [Dizy Caso p.96] £8,000-12,000

412 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

166

413 EMIL KEYSER Swiss 1846-1923

Gathering beetles Signed Oil on canvas 59 x 46cm; 23 x 18in £2,000-3,000

413

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

167

414 FRIGYES FRIEDRICH MIESS German 1854-1935

Making Lace Signed and dated 75 Oil on canvas 86 x 62cm; 34 x 24¼in Provenance: Waddington’s Toronto, International Art, 13th June 2017, Lot 49 £4,000-6,000

414

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

168

415

417

416

418 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

169

415 JOHN TEMPLETON LUCAS 1836-1880

The knife grinder at his wheel watched by his cat Signed and dated 1878 Oil on canvas 56 x 41cm; 22 x 16in £250-350

416 SEBASTIAN GESSA Y ARIAS Spanish 1840-1920

Interior with a musician playing an Arch-cittern Signed Oil on panel 40 x 31.5cm; 15¾ x 12¼in £300-500

419

417 E. S. GREIG fl.1866-1868

Young artist sketching his sister Signed Oil on canvas 25.5 x 20.25cm; 10 x 8in £250-350

418 ALEXANDER MARK ROSSI 1840-1916

A young boy with pet monkey Oil on canvas 20.5 x 15.5cm; 8 x 6in Provenance: W. Cutler Galleries, Bournemouth, 1962 Private Collection, Dorset £300-500

419 ‡ LUCIEN HENRI GRANDGÉRARD French, 1880-1970

Reclining Nude Signed Oil on canvas 60 x 91cm; 24 x 36in Provenance: Christie’s, Amsterdam, 15th April 2008, Lot 134 £1,500-2,500

420 CIRCLE OF EMILE CHARLES HIPPOLYTE LECOMTE-VERNER Judith Oil on canvas 138.5 x 101cm; 54½ x 39¾in £2,000-3,000

420 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

170

421

422

421 PAUL ALEXANDRE ALFRED LEROY

422 HANS HASSENTEUFEL

423 PIERRE FRANC LAMY

German 1887-1943

French 1855-1919

French 1860-1942

Full length standing nude, holding a scimitar

A nude seated on a bed with a Japanese doll

An Oriental beauty Signed Oil on panel 41 x 26cm; 16 x 10in Provenance: Christie’s, London, 15th June 2005, Lot 63 £1,500-2,500

Signed and dated 1927 Oil on canvas 60 x 31.5cm; 23½ x 12½in £700-1,000

Signed Oil on canvas 36 x 25cm; 14 x 10in Provenance: Lelievre-Maiche, Paris, 24th October 1999, Lot 99 Christie’s, London, 6th April 2000, Lot 198 £700-1,000

423 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

171

424

424 ARNOLD G. MOUNTFORT British/American 1873-1942

Paulette Signed and dated ‘16 Oil on canvas 86 x 111.5cm; 34 x 44in Exhibition: Royal Academy, London, 1916, no. 626 Provenance: Hampshire Gallery, Bournemouth, 1984 Private Collection, Poole, Dorset Executors Sale, Dorset, 2018 £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

172

425

426

427 CARLO COPPINI Italian 19th Century

Two chicks nesting in a clog in front of a sunset Signed Oil on board, oval in a pierced, ivy decorated, Oxford style frame 17.5 x 21.5cm; 6¾ x 8½in £150-200

428 FLORENCE BELL 1832-1915 After Arthur Hughes

Elaine with the armour of Launcelot Signed, inscribed and dated November 9th? 1870 verso Oil on panel, in an arch mount 44 x 22cm; 17¼ x 8¾in

427

425 HERMANN DAVID SALOMON CORRODI

426 M. C. COPÉ

Italian 1844-1905

19th Century

The Tryst

Man seated by a Fountain

Signed and inscribed Roma Oil on canvas 57 x 47cm; 18½ x 22½in Provenance: Private collection, Bournemouth

Signed Oil on canvas 61 x 41cm; 24 x 16in

Provenance: Christie’s, London, 26th November 2002, Lot 110 £500-800

428

£600-800

£800-1,200 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

173

429

429 HANS ZATZKA Austrian 1859-1945

A water idyll Signed Oil on panel 41 x 52cm; 16 x 20½in Provenance: Christie’s, London, 21st October 1999, Lot 101 £3,000-5,000

430 ‡ HÉLÈNE MOSTIKER-LAVERGNE French 1866-1949

A young girl in a blue dress Signed Oil on canvas 56 x 32cm; 22 x 12½in Provenance: Christie’s, London, 19 Mar 1998, Lot 209 £600-800

430 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

174

431

431 WILLIAM STOTT OF OLDHAM

432 GASTON LA TOUCHE

1857-1900

French 1854-1913

Queen Iseult

Amazone assise au bord d’un étang

Signed Oil on canvas 100 x 110cm; 38¼ x 43¼in

Signed, inscribed St. C and dated ‘02 Oil on canvas 110 x 100cm; 43¼ x 39½in

Provenance: Christie’s, London, 11th June 2004, Lot 160 Notes: Oldham, Art Gallery, 1902, No.362

Provenance: Christie’s, New York, 26th October 2005, Lot 192 £8,000-12,000

£6,000-8,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

175

432 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 189

176

433

433 ‡ NOEL GEORGES BOUVARD French 1912-1975

Gondolas on a Venetian backwater Signed Oil on canvas 48.5 x 63cm; 19 x 25in £5,000-8,000

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

177

434

434 ‡ ANTOINE BOUVARD French 1870-1956

Gondolas and yachts on a sunny Venetian canal Signed Oil on canvas 50 x 66cm; 20 x 26in £5,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

178

435

435 JOSEPH FARQUHARSON Scottish 1846-1935

My Garden Signed, also signed titled and inscribed Finzean Banchory NB on a part original label verso Oil on canvas 51 x 71cm; 20 x 28in £2,000-3,000

436 WALTER FIELD 1837-1931

Poppies on the edge of a corn field Signed and dated 1878 Oil on canvas 33 x 53.5cm; 13 x 21in

436

Provenance: Christie’s, London, The Neil Wilson Collection, 4th September 2014, Lot 84 £800-1,200

Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

179

437 LEOPOLD SCHMUTZLER German 1864-1941

A summer dream Signed Oil on canvas 112 x 81cm; 44 x 32in Provenance: Christie’s, London, 26th June 1998, Lot 149 £2,000-3,000

437

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

180

438 JOHN SURTEES 1817-1915

In Conway Bay, Wales Signed, also signed and titled on a label verso Oil on canvas 43 x 76cm; 17 x 30in £600-800

439 JOHN TUDGAY act.1836-1865

Fishing boats at Rye Signed with initials I.T. and dated 1857 Oil on canvas 72 x 91cm; 28¼ x 36in £400-600

438

440 EDWARD ADVENO BROOKE 1821-1910

The Road to Chingford Signed and dated 83 and 1883 Oil on board 39 x 56cm; 15¼ x 22in £200-300

441 EDWARD BINYON 1830-1876

A view of Capri Signed and dated 187* Oil on canvas 21.5 x 36cm; 8¼ x 14in £200-300

439

440

441 Each lot is subject to a buyer’s premium of 25% plus VAT at 20%

181

442

443

444

445

442 GEORGE BOYLE

444 JOHN YOUNG

446 JOSÉ WEISS

1842-1930

Exh.1893-1907

1859-1919

Figure in a boat and cattle watering by moonlight

Cattle in a landscape

A moorland river scene

Signed Oil on canvas 46.5 x 62cm; 18¼ x 24¼in

Signed and dated 1905 Oil on canvas 51.5 x 61.5cm; 20½ x 24½in

Signed Oil on canvas 41 x 61cm; 16 x 24in

£300-500

£250-350

443 GEORGE BOYLE

445 EVERT PIETERS

1842-1930

Dutch 1856-1932

Cattle in a landscape

Figures on a beach

Signed Oil on panel 25 x 35.5cm; 9¾ x 14in

Signed Oil on panel 19.5 x 29.5cm; 7½ x 11¾in

£300-500

446

£300-500

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 189

182

INDEX OF ARTISTS A AA, Peter van der Aken, van Joseph Anderson, William Andrews, Circle of Henry Andrews, James P Arias, Sebastian G Armfield, George Astor Atkins, Samuel Aumonier, ames Austrian School

51 195 217 183 177 416 3 0 118 92 40 3

B Baker, Thomas of Leaminton 230, 231, 232, 233 Baldock, Charles E M 116 Baldock, James 354 Balen, Foll. of Jan van 339 Barret r., George 3 Barrett, John 137 Beaumont, Sir George H 2 0 Beechey, Attrib. to Sir illiam 2 0 Beechey, Circle of illiam 304 Beechey, Richard B 326 Beer, John 152, 153 Bell, Florence 428 Binyon, Edward 441 Bisson 212 Blackhuysen, Manner of Ludolf 266 Blinks, Thomas 398 Bloemaert, After Abraham 274 Bourguinon, Follower of Le 1 Bouvard, Antoine 242, 243, 434 Bouvard, Noel G 433 Boyle, George 442, 443 Brabazon, Hercules B 148 Brandeis, Antonietta 229 Bridges, Attrib. to ames 1 1 Bridgman, Frederick A 121 British School 25 Brooke, Edward A 440 Brouwer, After Adriaen 253 Brown 362 Brydall, obert 400 C C.V. 24 Callot, Jacques 52 Callow, John 355 Callow, William 89, 113 Castellan, Attrib. to Antoine L 165 Cauwer, P D 335 Chester, George 334 Cleveley the ounger, ohn 3 Closterman, circle of Johan B 262 Cole, George 31 Collier, Thomas 132 Collier, Thomas 142 Collins, William 189 Continental School 21, 2 , 30, 32, 34, 1 3, 296, 299, 313 Continental/British School 28

Cooper, Thomas S Copé, M C Coppini, Carlo Corbould, Aster R C Corrodi, Hermann D S Cortes, André Cossé, Laurence J Cosyn, Pieter Cox Snr., David Cristall, Joshua Cuyp, Attrib. to Albert

353 426 427 356 425 346 224 269 100, 101, 102, 301, 344 174 276

D D.R.N. 175 Daniell, Thomas 0 Desboutin, Marcellin-Gilbert 372 Dev ria, Eug ne 120 Devis, Anthony 10 Deyrell, B 351 Diest, Attrib. to Adriaen van 287 Does, Attrib. to Simon van der 20 Dommelshui en, Cornelis C 20 Draper, Herbert 53 Dumont, Manner of Jaques 324 Dürer, Albrecht 49 Dutch School 20 , 2 2, 2 0, 2 , 2 , 2 , 302, 31 , 340 Dyck, After Sir Anthony van 256 E Easel 42 Eckenbrecher, Karl P T 341 Egley, illiam 1 Emms, John 393 Engleheart, Foll. of George Engleheart, ohn C D 12 English School 2, , , 11, 22, 23, 2 , 2 , 33, 3 , 3 , , 1 2, 1 , 2 , 2 , 2 0, 2 4, 2 3, 311, 314, 320, 321, 323, 33 , 33 , 3 2, 3 , 3 0, 3 1, 3 3, 3 , 3 , 3 , 3 , 3 4 Eten, Der Jan van 67 Evans, Bernard W 141 Eyre, Attrib. to Edward 74, 75

German School Gianni Gillemans the Elder, Attrib. to Jan P Gilpin, Attrib. to William Gilpin, The Rev. William Goodwin, Albert Goya, Circle of Francisco de Goyen, Foll. of an osefs van Goyen, Foll. of Jan van Grandg rard, Lucien H Grant, Francis Greenhill, Circle of John Greig, E S Grimm, Samuel H Gudin, Henriette H Guercino, G F Barbieri H Hals, Attrib. to Harmen Halswelle, eeley Hardy, Haywood Hardy, Thomas B Harlow, George H Hassenteufel, Hans Hayes, Edwin Hearne, Thomas Heinsius, Johann E Henshaw, Frederick H Herbert, Sydney Herring r., After ohn F Hine, Henry Holman, Circle of Francis Hondius, Abraham D Horlor, George Howard, William Hull, William Hulme, Frederick W Hunt, William H

10, 10 125 286 167 168 154, 155, 156 298 300 292 41 30 255 41 169, 172 348 58

2 0 240 359 12 , 130, 1 0, 23 322 422 357 164 281 40 228 403 136 188 200 3 342 151 381 66

I Indian School 39 Indian/Company School 45 Indian Anglo-Indian School 40, 4 Indian/Deccan 41, 46 Indian/Pahari School 38 Indian/Rajasthan 48 Inganni, Attrib. to Angelo Italian School 31, 43, 44, 65, 277, 278, 289 Italian School 40 Italian/Flemish School 263 Italian/Florence School 248 Italian/Roman School 246 Italian/Venetian School 59, 271

F Faed Jr., James 411 Faed, After Thomas 316 Faed, ohn 404 Falero, Luis R 412 Farquharson, Joseph 435 Field, Walter 436 Fielding, Anthony V C Fielding, Theodore H A 14 Ford, Henry J 157 Foster, Myles B 123 Fragonnard, After ean-Honor 2 Francia, Alexandre T 361 Franque, After Joseph 17 French School 1, 4, , 3 , 11 , 210, 30 , 30 , 31

J J.P. ackson, Samuel Johnson, After Cornelius onge, an Marts en de

18 10 245 2 4

G Gaetano, Circle of Scipione P Gardyne, Octavia Gerardus Van Os, Pieter

K ate, Herman F C Kearse, Mary Kellner, Hendrick

402 61 293

247 0 192

183

INDEX OF ARTISTS Keyser, Emil innaird, Henry Kneller, After Sir Godfrey Koster, Everhardus Kostka, Joseph L Lambert, Attrib. to George Lamy, Pierre F Langley, alter Langlois, Langstaffe Lanzoni, Pietro Lara, Georgina Lawrence, Cirle of Sir Thomas Lawrence, Foll. of Sir Thomas Lawrence, Sir Thomas Lawrence, Studio of Sir Thomas Lear, Edward Lecomte-Verner, Circle of Emile C H Leleux, Louise-Emilie Lely, Circle of Sir Peter Leyroy, Paul A A Long, Edwin L Low, Charles Lucas, John T Luny, Thomas Luti, Attrib. to Benedetto M Mackay, William D Macleod Mackie, Peter R Marchi, Vincenzo Maronie , Georges Marshall, Charles Mason, George H Matthison, William Mayerheim, Paul F Maynard, Thomas McDonald, John B McKewan, David H Mellor, William Metzmacher, Emile P Miess, Frigyes F Miles, Thomas R Mitchell, William F Molenaer, laes Monro School Montbard, G Moretti, aymond Morland, Attrib. to George Moroni, Foll. of Giovanni B Moseley, Mrs Henry Mostiker-Lavergne, H l ne Moucheron, Frederick de Mountfort, Arnold G Muller, William J N Nasmyth, Patrick Nattier, After Jean-Marc Neale, John P

413 410 244 358 388 32 423 1 0 3 ,3 1 3 374 220 258 30 312 30 103, 104 420 396 261 421 3 143 415 215 194 363 239 145 241 0 3 114 392 318 134 161 367 237 414 383 218 20 96 10 40 3 0 272 20 430 204 424 345 331 63 181

Neapolitan Newton, William J Niemann, Edmund J Niemann, Edward J ixon, ohn Norrie, Orlando O Orlovsky, Attrib. to Aleksandr O Ovens, rgen Owen, Samuel

78, 82 9 384 186 110 115 62 211 91

P Panini, Follower of Giovanni P 20 Parrocel, Attrib. to Joseph 197 Payne, After Charles (Snaffles) , Payne, illiam 4, , 1 0 Peat, Thomas 303 Pellegrin, oseph H M 1 2 Pena, Attrib. to Narcisse V D 369 Pether, Circle of Sebastian 338 Pether, H 227 Piazzetta, Attrib. to Giovanni B 221 Pickersgill, Circle of Henry 310 Pieters, Evert 365, 445 Piranesi, Giovanni B 222 Place, Francis 72 Place, Francis 1 0, 1 1 Pluym, Foll. of Karel van der 273 Pollard, ames 330 Posillipo School , 0, 1, 3, 4 Powell, Circle of Charles M 214 Prades, Alfred F de 329 Pritchett, Edward 234, 235, 236, 343 Prout, Samuel 95, 223 Pyne, George 112, 1 R Reynolds, Circle of Sir Joshua Rheam, Henry M ittig, Peter iviere, Briton Roberts Burt, Albin Roberts, David obertson, Attrib. to Charles Roe, Clarence H Rossi, Alexander M Rowlandson, Thomas Rubens, After Sir Peter P Russian School S Sartorius, John F Scanlan, Robert R Schmutzler, Leopold Schweickardt, Hendrik W Senape, Antonio Signorini, Foll. Of Giuseppe Simms, G Simoneau, F Slater, John F Smetham, James Smith, Carlton A

254 159 4 401 111 213 40 382 418 85, 86, 87, 88 268 184, 185 328, 333 332 437 198 129 14 193 10 399 158 122

Smith, Claude L Smith, G W Smith, ohn Snape, Martin Solimena, Foll. of Francesco Spano, Raffaele Spy, Leslie M Ward Squires, Alice Stannard, Henry J S Steen, Attrib. to Jan Stone, illiam Stotchard, Thomas Stott of Oldham, William Stry, acob Van Sueur, Follower of Le Sunderland, Thomas Surtees, John Swain, Francis Syer, ohn T Taylor, Charles W Thorburn, Archibald Thors, Joseph Touche, Gaston la Towne, Charles Tudgay, ohn Turner, Joseph M W V Vanderbank, John Velde, illem Van de Verkyk, A Vollerdt, Johann C Vos, Foll. of Paul de W W.W. aite, obert T Walmsley, Thomas Ward of Hull, John ard, ames Warren, Henry C Watt, E J atts, George F Weatherhead, William H Weiss, JosĂŠ Williams, Penry Williams, Warren Wombill, Sydney R ouverman, Attrib. to Pieter Wouwerman, Foll. of Philips Wouwerman, Manner of Philips Y oung, ohn Z Zatzka, Hans Zerilli, Francesco Zincke, Christian F

349 377 1 0, 1 , 1 128 279 297 117 126 124, 131 251 3 0 225 431 202 249 99 438 216 3 ,3 0 54 138, 139 364 432 219 43 98 173 201 265 196 267 135 140 71 347 0, 1 133 327 14 226 446 395 144 57 203 282 284, 291 444 429 76 13, 14, 15, 16

CLARICE CLIFF, ART DECO & DESIGN Wednesday 20th March 2019

Dame Lucie Rie. A footed bowl with bronze rim and band, stoneware with inlaid green stripes.

Estimate: £6,000 - £10,000

ENQUIRIES: Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk All lots are subject to buyer’s premium at 25% + VAT

FINE SILVER & OBJECTS OF VERTU Tuesday 16th & Wednesday 17th April 2019

A pair of silver coasters, by Omar Ramsden.

London 1938.

Estimate: £4,000 - £6,000

ENQUIRIES: Rupert Slingsby | Tel +44 (0) 1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk All lots are subject to buyer’s premium at 25% + VAT

Fine Jewellery Thursday 18th April 2019

A George III emerald and diamond romantic brooch, decorated in enamel with the posy ‘A smile from thee is a world to me’.

Estimate: £1,200 - £1,500

ENQUIRIES: Charlotte Glyde | Tel: +44 (0) 1722 424586 | cg@woolleyandwallis.co.uk All lots are subject to buyer’s premium at 25% + VAT

Modern British & 20th Century Art Wednesday 5th June 2019 Entries are now being accepted for this sale

Fred Appleyard (1874-1963) Among the ruins (detail) Oil on canvas 61 x 71cm Estimate: £3,000 - £5,000 ENQUIRIES: Victor Fauvelle | Tel: +44 (0)1722 446961 | vf@woolleyandwallis.co.uk All lots are subject to buyer’s premium at 25% + VAT

188

Auction Information OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm and 10am – 1pm on Saturdays Ca tle ate Office Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can e taine fr t e ffice eit er ring t e ie r n the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US ll fir t ti e er nee t regi ter it Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of i entificati n 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address can regi ter in er n r c ntacting t e ffice n 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrange ent it t e ffice BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 0 incl i e) n t e fir t 500 000 an 2 l VAT @20% (14.4% inclusive) thereafter.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via thesaleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.thesaleroom.com, subject to approval. There is a 4.95% + VAT charge for this service.

In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2 c nfir t at are a t ri e t r i e t e e cre it card details to Woolley and Wallis Salisbury Salerooms Ltd through www.thesaleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

189

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds terling f are a fir t ti e er e ill nee r name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept car a ent f er 000 ere t e car l er i n t present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 rt c e 0 4 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee f 20 ( ) er c n ign ent an a t rage c arge f 2( ) er l t er a g ill e all e t e collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium.

In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at efra g a la en i rt e rt cite ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 50 000 0 200 000 200 000 0 50 000 05 50 000 0 500 000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 FIREARMS Lots marked in the catalogue are subject to the UK firear tg n licencing regi e an a nl e ie e and/or purchased by individuals with appropriate licences.

Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

190

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2.

Agency. As auctioneers we usually contract as agents for the seller e i entit f r rea n f c nfi entialit i n t n r all i cl e Accordingly if you buy your primary contract is with the seller.

3.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense efiniti e

4.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on t e fir t 500 000 an 2 l 20 ( 4 4 ) incl i e t ereafter

5.

VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6.

7.

8.

9.

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition.

In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the er e a ine t e g iti nall in ecifie circ tance l t misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression eli erate f rger i efine in r C n iti n f ale) Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a alifie electrician fir t Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. an ( ) et er t ere i an ecific r i iti n n i rting t e g in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration f r ef r f i entificati n ill e re ire if are n n n to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission i t e a cti neer a refer t e fir t i recei e lea e en ire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss it r Office in a ance f t e ale if t er et f a ent are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2.

Commission is charged to sellers at the following rates: 15% + VAT on eac l t l f r t 0 n eac l t reali ing 000 an above.

3.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4.

Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection a e lia ilit f r r ert c n igne t at l er re ale e ti ate To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5.

Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked fir t ec rig t in re ect f c ill trati n all e t e r ert of us, the auctioneers, as is the text of the catalogue.

6.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been t e a er rice f ecificall gi e i creti n e a acce t a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8.

Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the c t f te ting e ternal c ntract r n t certifie a afe an electrician (unless antiques) will not be accepted for sale. They must be re e at r e en e n r eing n tifie e re er e t e rig t t dispose of unsafe goods as refuse, at your expense.

9.

Soft furnishings. The sale of soft furnishings is strictly regulated by tat te la in t e intere t f fire afet f n t infringe afet regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

191 11. Unsold and withdrawn items. If an item is unsold it may with your c n ent e re ffere at a f t re ale ere in r ini n an ite is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

2.

3.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our aler it t fficient ale in tr cti n an re er e t e rig t t a e ini are ing c arge f 2 er l t er a n l l t are subject to the same charges if you do not remove them within a rea na le ti e f n tificati n f n t re e it in t ree ee e reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be a e C r c e e fi e ee after t e ale nle t e er has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale.

You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) r etc refer t t e er a i entifie in C n iti n 2 (h) The singular includes the plural and vice versa as appropriate.

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent t r rig t t retain eneficiall t e re i ai t e er in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon f 25 l 20 (t talling 0 incl i e) n t e fir t 500 000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affi e it a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6.

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7.

TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8.

REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be re n i le f r an re lting eficienc in t e t tal a nt e (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in r e i n f r an r e ntil t e e t e i ati fie (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and t n te t e la t f t e acc ati n an ec rit arrange ent Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

192 10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall ea e t a e caref ll in ecte an ati fie t e el e a t it condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we re er e t e rig t in r a l te i creti n t refer t e fir t i a e 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these C n iti n in t eir entiret an n t e er f C n ign ent a n tifie t the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a eli erate f rger (a efine ) a e ret rne t it in 2 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue e cri ti n an a ritten tate ent f efect f e are ati fie fr t e evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that ( ) if t e catal g e e cri ti n re ecte t e acce te ie f c lar an experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the enefit f e l ee an agent f t e eller an r t e a cti neer a themselves enforce them.

18.

n n tice t an er eller i er r ie er a e gi en fir t cla mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

(a)

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

Circle f ar ear n r ini n a r an a et ni entifie t distinct hand, closely associated with the named artist but not necessarily his pupil.

Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

After Edward Lear: In our opinion a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not i entifie title n r t l n t ect t ret rn ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 50 000 0 200 000 200 000 0 50 000 05 50 000 0 500 000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. i

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DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: 5

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We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

By telephone – +44 (0)1722 424599

We collect your personal data from the following sources: From you when you: interact it ef re entering int a c ntract it f r e a le when you express your interest in our Services; in tr ct t r i e er ice t ign c ntract al c entati n and provide information in connection with those instructions; c nicate it t tele ne e ail r ia r e ite f r example in order to make enquiries or register for an online account; in ari t er a a interact it ring r ti e a a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: t er a cti n e an in i i al an rgani ati n in t e auctioneering trade whom we may contact to check background details about you; t e aler c ena le li e nline i ing an r i e with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); age a who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); i ing c anie ire t c llect ite rc a e from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

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your name and contact details including address, telephone and email address; your image, as captured by CCTV, if you attend our premises; er nal i entificati n c ent incl ing c ie f g ern ent i e i entificati n c a a rt an ri ing licen e ic are required to register bidders (or when we need to verify a seller’s details); account details and other information relating to your transactions/ dealings with us and your use of our Services; payment details such as credit card and bank account details; credit and payment history (where you open an account with us as a buyer or bidder); information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: •

• • • •

• • •

We may collect the following personal data about you: •

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WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

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HOW WE COLLECT YOUR PERSONAL DATA

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THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

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to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; to deal with any concerns or feedback you may have in the performance of the Services; for our internal business record keeping and processes; to seek advice on our rights and obligations, including obtaining legal advice; to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; to customise our website and marketing communications in line with your particular interests or preferences; to collect money owed to us or our consignors; to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following: • • • • •

our professional advisors; thesaleroom.com; debt collection agencies; third parties who assist us with our marketing; our website and email management software provider.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • •

to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

194 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

e a al r ce r er nal ata ere e a e r ecific c n ent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular: • •

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: •

if it is necessary to protect your or another person’s vital interests (for e a le ere a e a life t reatening acci ent r illne an e a e to process your personal data to ensure you receive appropriate medical attention);

•

if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

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in relation to CCTV images taken when you attend our premises, we will retain these for a few months; in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; in relation to personal data relating to the provenance of works, we may retain t at ata in efinitel in r legiti ate intere t an t e legiti ate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • • • • • •

• •

to obtain access to, and copies of, the personal data that we hold about you; to require that we cease processing your personal data if the processing is causing you damage or distress; to require us not to send you marketing communications. to require us to correct the personal data we hold about you if it is incorrect; to require us to erase your personal data; to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); to receive from us the personal data we hold about you which you have r i e t in a rea na le f r at ecifie incl ing f r t e purpose of you transmitting that personal data to another data controller; to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. f are n t ati fie it e are r ce ing r er nal ata can rai e a c ncern it t e nf r ati n C i i ner can al fin t more about your rights under data protection legislation from the Information C i i ner Office e ite a aila le at www.ico.org.uk

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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options a aila le t at t e al ati n i ecificall tail re t in i i al client’s needs.

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Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all c nfi entialit are ara nt

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley and Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call r ffice n 0 22 424500 DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Design & Production by

EXCELLENCE IN DESIGN & PRINT

196

Woolley & Wallis Absentee Bid Form Old Masters, British & European Paintings PLEASE PRINT CLEARLY IN BLOCK LETTERS

Wednesday 6th March 2019

Lot Number in numerical order

PW060319 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) ____________________________ ____________________________________________________ Address ____________________________________________ ____________________________________________________ ____________________________________________________ _________________________ Postcode _________________ Daytime Telephone __________________________________ Email_______________________________________________ All accounts must be settled within 21 days. ID is required f r all fir t ti e i er Signature ___________________________________________

ali r aler 5 Ca tle treet Tel: 01722 424500 Fax: 01722 424508

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Brief Description

Price excluding buyer’s premium & VAT

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955 424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

JAPANESE ART Alex Aguilar Sarah Lopez-Ferreiro JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424583 424591 424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Madeleine White

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Sally Trench

446959

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike SALEROOM MANAGER David Jordan

424500

424500

CASTLE GATE MANAGER Matt Hill

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

JEWELLERY 18th April 2019 – Fine Jewellery 18th July 2019 – Jewellery Marielle Whiting +44 (0) 1722 424595 | mw@woolleyandwallis.co.uk Jonathan Edwards (consultant) +44 (0) 1722 424504 | je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 | cg@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 30th April 2019 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 | cd@woolleyandwallis.co.uk

PAINTINGS 6th March 2019 – Old Masters, British & European Paintings 5th June 2019 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 446961 | vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 446962 | jb@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

SILVER 16th & 17th April 2019 – Fine Silver & Objects of Vertu 16th & 17th July 2019 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk

TRIBAL ART & ANTIQUITIES 18th September 2019 Will Hobbs +44 (0) 1722 339752 | wh@woolleyandwallis.co.uk

CASTLE GATE RECEPTION Megan Corbett

Natalie Milsted FCCA Finance Director

FURNITURE, WORKS OF ART & CLOCKS 3rd April 2019 3rd July 2019 Mark Yuan-Richards +44 (0) 1722 411854 | myr@woolleyandwallis.co.uk Jim Gale +44 (0) 1722 339161 | jg@woolleyandwallis.co.uk

424599

20TH CENTURY DESIGN 20th March 2019 – Clarice Cliff, Art Deco & Design 19th June 2019 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 | mj@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 1st May 2019 Ned Cowell +44 (0) 1722 341469 | nc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 21st & 22nd May 2019 John Axford +44 (0) 1722 424506 | jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 | fyr@woolleyandwallis.co.uk Alex Aguilar +44 (0) 1722 424583 | aa@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

WOOLLEY & WALLIS

WOOLLEY & WALLIS SALISBURY SALEROOMS

P AINTINGS W EDNESDAY 6 TH M ARCH 2019

www.woolleyandwallis.co.uk

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS Wednesday 6th March 2019