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Intoxication (Idiom: Inventing Writing Theory)

Description : From Plato&#8217sSymposium to Hegel&#8217struth as a &#8220Bachanalian revel,&#8221from the Bacchae of Euripedes to Nietzsche, philosophy holds a deeply ambivalent relation to the pleasures of intoxication. At the same time, from Baudelaire to Lowry, from Proust to Dostoyevsky, literature and poetry are also haunted by scenes of intoxication, as if philosophy and literature share a theme that announces and navigates their proximities and differences.For Nancy, intoxication constitutes an excess that both fascinates and questions philosophy&#8217ssober ambitions for appropriate forms of philosophical behavior and conceptual lucidity. At the same time, intoxication displaces a number of established dualities&#8213reson and passion, mind and body, rationality and desire, rigor and excess, clarity and confusion, logic and eros.Taking its point of departure from Baudelaire&#8217scategorical imperative to understand modernity&#8213#8220be drunk


always&#8221#8213Nancy&#8217slittle book is composed in fragments, quotations, drunken asides, and inebriated repetitions. His contemporary &#8220baquet&#8221addresses a range of related themes, including the role of alcohol and intoxication in rituals, myths, divine sacrifice, and religious symbolism, all those toasts to the sacred &#8220sprits&#8221involving libations and different forms of speech and enunciation&#8213tothe gods, to modernity, to the Absolute. Affecting both mind and body, Nancy&#8217ssubject becomes intoxicated: Ego sum, ego existo ebrius&#8213Iam, I exist&#8213drnk.


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