__MAIN_TEXT__
feature-image

Page 1

Asha Srinivasan Doubt for Narrator and Orchestra

Transposed Score

Š 2008 by Asha Srinivasan, USA (ASCAP). All rights reserved.


Instr umentation 2 2 2 2

Flutes (1 Piccolo) Oboes Bb Clarinets Bassoons

2 Horns in F 2 Trumpets in C Timpani

Percussion: Large Suspended Cymbal Crotales Snare Drum Narrator Violin I Violin II Viola Violoncello Contrabass

Percussion:

Beaters:

Narrator: The narrator for this piece can be either male or female and should be amplified using a microphone.

Notation: The ! symbol shows points where the text's entrance must be synchronized with the musical event at that measure. If a sentence starts without this symbol, it is a continuation of the previous passage and must follow the previous sentence at a normal pace, without pause. Sometimes rests have been provided to show clearly on which beat or part of the beat certain passages should begin. The rests are always given from the beginning of the measure. For example, at m. 99, the half-rest shows that “Then said Jesus” should begin on the last beat of the measure and in m. 101, “Father, forgive them” should begin an eighth rest after the downbeat (or in other words, slightly after the chord in the orchestra). Dynamic marks show the general volume level, but the narrator should always be heard clearly over


the orchestra. The word (beat) is used to denote a dramatic pause of some appropriate length between sentences, as is typically found in theatrical scripts. Other specific instructions about the dramatic recitation of the text have been given in italics. The text was derived from public domain versions of the Bible, as well as from these websites with permission: Death Penalty Information Center (http://www.deathpenaltyinfo.org) and Anti-Death Penalty Information (http://www.antideathpenalty.org). It should be read at a normal pace with clear enunciation but without exaggeration.

The text: Daughters of Jerusalem, weep not for me, but for yourselves and for your children. For behold, the days are coming in which they shall say, Blessed are the barren, and the wombs that never bear, and the paps which never gave suck. Forthey shall begin to say to the mountains, Fall on us; and to the hills, Cover us. For if they do these things in a green tree, what shall be done in the dry? And there were also two other malefactors led with him to be put to death. And when they were come to the place which is called Calvary, there they crucified him and the malefactors, one on the right hand and the other on the left. Then said Jesus, Father, forgive them, for they know not what they do. Convicted: 1979, Executed: 1989. Convicted: 1980, Executed: 1994. Convicted: 1987, Exonerated: 2007. Convicted: 1974, Exonerated: 2004. Convicted: 1983, New evidence uncovered… points towards another man… Executed: 1989. Convicted: 1992, arson experts have concluded that the fire was accidental. Executed: 2004. Convicted: 1986, New DNA blood evidence has thrown considerable doubt… Executed: 1997. Considerable doubt… eyewitness error… bad lawyering… government misconduct… junk science… drunk lawyer… snitch testimony… false confessions… hearsay… Convicted: 1983, No physical evidence linked him to the crime. Exonerated: 1987. Convicted: 1999, The DNA results pointed directly to another individual. Exonerated: 2004. Convicted: 1984, The conviction was overturned when another man confessed to the crime. Exonerated: 2002. Convicted: 1991, DNA evidence proved the hairs found clutched in the victim’s hands were from a white man and the defendant was black… Exonerated: 1997. Convicted: 1982, The defense attorney failed to interview witnesses, failed to obtain police reports, elicited damaging testimony against his own client during cross examination of a witness. Exonerated: 1996. 17 years later… Exonerated, 12 years later… Exonerated, 16 years later… 21 years later… 26 years later… 30 years later… Never. But they cried saying, “Crucify him, crucify him.” Why? What evil has he done? Crucify him.


! !

Deliberately, with weight q=80

Flute

! #

Trumpet in C

Timpani in Eยง, Bb, C#

( (

( (

$

! !

$

( (

)( (

**

( (

)(

*

,( -(

* *

+

( (

**

+

-( (

**

+

#

( (

( (

$

( (

( (

( (

$

( (

! # -( (

$

f

( (

-( (

f

( (

$

))( (

"

f

%

f

"# ))( (

a2

( )(

* *

+ +

+

!% "

$

$

$

$

$

$

&

$

$

$

$

$

$

Percussion

Narrator

! !

Deliberately, with weight q=80

! Violin I # Violin II

Viola

"

( f

(

( (

" !

$ $

! !

(.

(.

*

(.

) (.

*

. (

*

#

f

'

(

(

$

. (

(

(

$

(.

(

(

$

(.

%

Violoncello

Contrabass

f

" !

f

Clarinet in Bb

Horn in F

( (

Asha Srinivasan

#

Oboe

Bassoon

( (

Doubt

%

f

f

f

. ( . (

* *

+ + + + +


2

7 # ( ! ** 00 00 # ) ( 1 Fl. #

Ob.

Cl.

Bsn.

Hn.

C Tpt.

Timp.

a2

2

0 0 0 * **

00 0 )0

* 00 00 00 ) ** )*

* 4 00 ## * f

00 * # *#

*# *#

*# 2 *#

,* -,** *

0 0 0 -0

* , * 00 00 00 - * *

* * * * f

00 2 +

* ## *

* ## 2 *

* * *

0 0 0

0 0 0 * ** *

-* # *#

*# 2 *#

,* ))** *

0 0))00

* 00 00 00 )* +

0 *# 0 *#

* ## *

* ## 2 *

)** **

00 )00

00 00 00 )** * )*

$

$ *$#

$ 2 *$#

% ** 00 00## ( " 1 ( ! # -* 03 0 # -( * 0 0# (

mf

$

$

** 2

$

0 0 )*#

unis.

f

mf

0 0 )*#

unis.

0

% * 0 0# ( 1

* *

0

% * 0 0# " 1 (

*

*

f

f

*

f

mf

*#

*# *#

mf

*#

mf

0 2 + mf

)* )** *

2

ff

ff

ff

*#

*

ff

)*

13 2 2

*# 2 *# 2

** ##

** ## 2

0

0

$

f

*# (non div.)

ff

$ 3 *$# 0 4 f

/ ! ! *# ! *#

mf

f

*

(

" $$! *#

Lg Sus Cym

3 ( # ))** 00 00 ## )( 1 ' * 03 0#

mf

$ *$ *

p

$

$

f

!% $ 3 " * 0 0 # ($ &

mf

** 4 )0 # ) 0#

*#

ff

mf

* + *

3 )* 0 0 ## )( ( # " )* 0 0

*#

/ !

ff

3 # ** 00 00 ## ,( -(

div.

Cb.

2

0 0

f

** 2

Vc.

* *

mf

0 0 )a2* # 0 0

2

* 03 0 # ( ! * 0 0# )( 1 Vln. I #

Vla.

mf

f

13

*

div.

Vln. II

/ ! ! *# ! *#

00 00 ) * #

* 0 0 ## )a2( * 00 1 #

mf

Perc.

* *

div.

* ) ** *

00 0

)*

$

* $

00 0 0

0 0 0 ) ** unis. * 00 0

0 )0

00 0 * *

ff

)* * ff

)*

)*

0

)0

ff

00 0

)*

,*

* *

0 0

00 0 * *

* * *

0 0 0

0 0 0 div. * *unis. *

ff

div.

ff

unis.

/ !


! Fl. # 16

/ ! !)* # ! (

#

)*#

(

*#

Bsn.

"

* *

(

f

%

)* )*

( (

f

Cl.

))**

f

)*# # *#

Ob.

18

a2

$

( (

$

"#

** ##

( (

* *

$

$ ($

$ ($

Timp.

!% "

! Vln. I # #

Vln. II

'

Vla.

%

Vc.

Cb.

"

%

f

/ ! !)* # ! ( (

)* *

f

*#

f

$

(

(

div.

unis.

( ( 6

( (

00

( (

2

mf

(

3 0 0# 0 0#

00 ))00 ## 00## ) 0 )0 1 1

0 * 0 *

) *# 2 )* #

0 ) 0 # 00## ) 0 0 )0 # )0 1 1

0 * 0 *

-( -(

*# 2 *#

0 0# 1 0 0# 1 0 0# 1

( (

0 0 ## )0 # 00 0 0 ) 0# 1 1

2#

2 *# *#

3 3 0 0 ## )0 # 00 0 0 ) 0#

)( (

00

( (

* *

$ ($

2

mf

p

5 ! ,(

2

mf

,(

2

mf

( mf

)( mf

* mf

# 6*

! !

3

) *# 2 )* #

mf

mf

)*

! !

2

mf

f

f

(

,( ,(

(

18

2

mf

a2

f

*#

0 0 ## 01 0

$ % -(

f

)*#

0 0# 0 0# 1

( (

! Hn. #

C Tpt.

00 00## 1

5 ! ,,((

2

3 0 0 ## 00

f

* ) ** *

2 4 01

1.

$ 2 4-01 2.

1.

0 )) ** 0 0 )0

f

( (

0 ))** 0

2

* ## *

3 40 0

$

)*#

0 ) 0 # 0# ) 0 1 1

0 *

0 )0 # 0# )0 1 1

0 *

$

f

$

$

div.

2

* ) ** * f

div. 3 4 00 1 f

**

2 *#

0 0 # )0 # 01 1

0 )* )0

(

2

2 *#

0 0 # )0 # 01 1

0 )* )0

(

( (

**##

( (

* *

* *

2

div.

* *

* *

f

$

2 )* #

2

2. f

+

*

*

a2

f

f

)0

unis. f

(

* *


5 !

26

4

! Fl. # 24

(

pp

( (

( (

( # (

( (

% ( ( "

( (

#

Ob.

Cl.

Bsn.

(

! # )( )(

( (

( C Tpt. # ( "

( (

Timp.

$ ($

Hn.

f

!% $ " ($ mf

$$ ( & p

$ *$

( (

( (

Lg Sus Cym

Perc.

Vln. I

! #

( # (

Vln. II

Vla.

Vc.

Cb.

"

" !

f

pp

' (

(

% (

(

% ( ( 6

( (

$

$

$

$

$

$

+

00 ##

00 00 - * # -* # 1

pp

--** ##

$

0 -* # (

$

2

mp

breathe as needed at tie breaks

+

pp

pp

0 --** 0

( (

mf

+

pp

$

$

+ -00 ##

$

$

$

$

$

breathe as needed at tie breaks

0 * )0 *

( 0 *#

( (

mp

$

pp

5 !

26

pp

pp

pp

pp

* -* ( *# 0-0 (

$

34 2 2 + 0

*

( -(

$

pp

pp

( (

$

! !

$ $ $

+

! !

+

$

$ *$

pp

$ *$

* *

( (

pp

$ $

$

$

$

$

$

p

( (

+

mp

( (

mp

2 -* # pp

2 *# pp

$

mp

mp

( (

$

$ +

+

* ## *

* 00 ( (

$

0 2

pp

$

** #

( (

0 0 01 0

$

$ *$

pp

$ ($

0# 0#

03 0 - * # 0 0 -* # 1

mp

$ *$ * $

mp

$ ($ ( $

(

+ -0 # mp

3 0 0

*#

(

+

0#

3 0 0

*#

$

mp

$

$


! -* 00 4 2 Fl. # * 1 32

+#

-** 00 -0 0 * # % 8&0 ( # - 0 0 *# 0 ( p

mf

# --** 00 -0 0 * # 0 0 *# mf

Cl.

2

* 0 % 8& % * 0 00 00 ** ## -00 ( ( Bsn.

p

mf

"

%

$

! 4 3 Hn. # + 00 00 ** ##

2

mp

C Tpt. # ( " (

Timp.

!% " &

Perc.

$ ($

$

$ ($

p

! -* 00 -0 0 *# Vln. I # * - 0 0 *# $$ # ( ( $$

Vln. II

mf

mf

$$ ( ( $$

mf

% * 0 0 0 *#

Vc.

mf

Cb.

"

%

$

( (

p

( (

*# (

6 4,,003 **## 1 6

*(#

( *#

sfz

0 *(

)0 0 ,*

$

$

$

$

$

$

p

$

( (

$ ($ 0 ( 0 (

p

p

( 2

$$ ( ( $$

$

0*

$

$ ($ ( ( $$ ( ( $$ (

0 (

(

( (

( (

$

*

( (

0 0

*# *# *# *#

3 2 # 9)0003 9 0003 9 00 )0 $ 0 0 0 0 0 0 *$

$ ($

$ ($

mp

$ ($ )* 0$# $

$ )($( $$ *# ( $ ($ (

**## *# *#

$

)0

$ ,0$

7 0

* ##

(*

00

7 00 ff

((

mf

p

p

+

**##

*#

2.

(a2)

mf

' * 0 0 0 *# -0 (

Vla.

(mf)

p

( (

mf

$

p

$

0

1.

2.

p

mf

Ob.

0 +(#

( *#

00 ( (

5

*# *# $ *$# $ *$#

7 7 00 $ 7 0 0

ff

7 $

7 0 0 f 7 0 0

7 $

f

7 0 7 0

ff

$ ($

$ *$#

ff

$ ($ (

7 $ E - G, Bb - Ab

7 $

ff

$$ *# )* # $$

$ ($

7 $

ff

$$ ( )( $$

$ )($( $$

7 $

ff

$ *# *#

7 $

7 00

7 $ 7 $

ff

$$ 7 7 )** ## 00 $ $$ $ *#$ $ *$# *#

7 0

7 $

7 0

7 $

7 0 0

7 $

ff

ff

ff


6

40

! #

$

#

$

"#

40

Fl.

Ob.

Cl.

Hn.

! "#

(0 0 - 0 * 1 1

**

+

$

$

$

4 $)0 #

$

$

$

$

$

$

mp

+

0

2. mp

**

1.

2.p

mp

" (metal0 mallet)0 # 0 2 -0 0 0

+

0#

$

*

+

$

*

+

$

mp

4 )1.03 0 # ) * 2 0

)* $

$

4 1.03 *# * +

2. p

+# + +

$

+ +

$

$

+

$

$

/ !

Crotales

&

Perc.

Nr

$

$!

$

$

(at a slightly slow pace, but not too dramatically)

$!

+

Daughters of Jerusalem, mf

#

+

p

$!

+

weep not for me,

but weep for yourselves, and for your children.

'

47

/2 ! * # -*

Sweet, yet tragic

! # 47

Fl.

2.

p

p 1.

mp

**#

2

mp

$ 2. 0 -1.**#

mp

Ob.

Cl.

Bsn.

Perc.

Nr

"

#

+

#

2 1.* $ p

% #

p

2

mp

**##

2. mp

*#

$

*#

$

**##

$

$

$

$

$

$

$

$

$

2 * # -*

** ##

** #

0

*#

p

mp

1. $ **## 0 0 2. 1 2 4

**

-00

*# *#

2 *

**

2 -0

*#

p

p

**##

$ $

0 2

mp

mp

! !

$ 0 0

1. solo

0 2

$

$

$

$

$!

For behold,

+

$!

mf

$

the days are coming


! Fl. # 55

!* !*

1.

-0 2

mf

*

1.

mf

Bsn.

Hn.

C Tpt.

"

1.

$

"#

$

#

$

%

+ +

p 2.

* -0 # 4

1.

( (

*# *#

((

((

p 2.

$ +

*#

p

0

$

0 -0 -01 4

0 0

mf

! Vln. I # #

Vln. II

'

Vla.

Vc.

"

%

0 4 1 solo molto espressivo

+#

-0 -0 mf

$ $

$

+

$

2 $

**

00

mp

" % 0 0 0# 2

Lg Sus Cym

&

+

mf

$!

Blessed are the barren, and the wombs that never bear,

$

$

$

$

$

$

$

$

+

*

p

%

+

( (

**

mp

1. To Picc.

0 0-0 *#

$

59

$

* *

3

mp

in which they shall say,

! !

-0 0

0 4 1

2 ** ##

$

pp

0 1 4 * mf

(

2

solo molto espressivo

$!

Nr

Cb.

003 0 - 00 0 - 0 0 1 4

*#

(

(

2

7

mp

p

-( +

! #

Perc.

(

0 *#

%

**##

( ( p

*# *#

-* # *#

Cl.

( (

mf

#

Ob.

2 * -0

59

$

+

$

+#

4 -0 # p

0 p

(

(

(

(

(

(

+

div.

-* $

mp

( 2

0 0 0 0 0 mf

div.

+

$ *

mp

$

mf

(

mp

mf

mf

-( (

$ $

+

0 0 0 mf

$


/ ! -* #

8

! Fl. # 61

$ 3

# 0 0-0 0 -*

Cl.

% + Bsn. " + Hn.

C Tpt.

!%

1.

4 -01

mp

2.

**

$

"# **

Snare Drum

& +

Perc.

*

4 -0 # 2

3 00 00 ##

+#

$

<; 3 ; 4 : ::: 4 9 #: : 4 2

without snares on rim 3

0

! # Vln. I

*

+

$

$

$

$

+

$

$

$

$

#

+#

1.

-0

$

2.

mp

-*# *#

$

*# *#

*# *#

*#

*#

" 0 # -0 ,* # 0 4 1 -0 $

*# $

a2

$ Crotales

+

$

2

#

4 01 0-*

$ 2#

$

#

3

mf

3 3 -0 0 # 0

00

mf

$

$

3

-0 0 0 0 0 mf

Vln. II

$

# ' +

Vla.

% +

Vc.

"

%

4 # -0 mp

2

$

2

0

mf

+

* 6 -0-0 mp

$

+

+

*

$ 2

0 0 0# 1

mf

$

$

p

$! 2 For if they do these things

,* #

0-0 * 1 3

$ $ 0 0 0 0# 0#

( 2

/ !

3

mf

#

*#

$

and the paps which never gave suck. For they shall begin to say to the mountains, Fall on us; and to the hills, Cover us.

Nr

Cb.

,* #

p

+

**

1.

+

$

" %

Piccolo

3

3

in a green tree, f

*#

$ $ $ $ $ $ 0# 0# 0# 0# 0# 0# 3

3

3

3

$ -* #

$ -* #

$ -* #

*#

*#

*#

-* #

-* #

*#

*#

*#

*#

mf

*#

mf

*#

3

3

*#

f


9

67

! #

$

#

$

$

#

$

--00

#

$

%

$

67

Picc.

Fl. Fl. 2

Ob.

Cl.

Bsn.

"

! Hn. # ,* #

C Tpt.

$

+

"#

!% Timp. "

mf

$

$

** ##

$

$

$

$

$

$

$

$

$

$

$

&

! shall be done in the dry? 2 $what

Nr

67

! # *#

+

f

f

# *#$

$ *#

f

Vln. II

# $ *# '

Vla.

Vc.

%

Cb.

%

"

$ *#

f

-0 # f

0# $

6

6

6

6

f

$ *#

-0 # 0#

$

mf

2

-0 0# 000 0 0 mf " $ ! *$#

*#

0 -*

f

2 2

2

$

)0 * )0 * f

* ## *

ff

# )00 ** #

ff

f

ff

0 * 0 *

ff

** ## **##

$ $ 00000000 0$ *$# f $$ $ *# *$# mf

ff

-6* 2- *

00 ** 0--** 0

-* -*

6

0# $

-0 # -$0 # $

6

6

6

3

0# $

-0 # $

3

$ *#

-0 # 0#

6

3

$ *#

- 0 0 0 - 0 0 0 -0 0 *#

*#

To Fl.

ff

$ *$ $ *$

ff

0( ff

0( ff

f

$ *#

$

** ##

3

$ *#

-0 # 0#

* ## *

$

pp

6

2

$

3 $ $3 3$ 3$ $3 3$ -0 # 0 # 0 # -0 # 0 # 0 # -$0 # $0#

$ *#

-0 0 0 -0 0 0 f

# -- ** #

-000000 -0 # 0 # 0 # -0 # 0 # 0 # -$0 # $0# $ $ $ $ $ $

$3 3$ $3 $3 3$ 3$ # 0 # 0 # 0 # 0 # 0 # -0 #

Vln. I

-*

0 $

Lg Sus Cym

$

0

f

$

ppp

-* # 1.

$

$ *$#

2

0 -*

f

$

$

$

$

-* #

$

$

0 # 142 2

Perc.

** ##

$

1.

mf

$

-*

-0 # 0 # *#

6

3

$ *

0

0#

*#

# # # # # -0 # -0 #-$0 $0 -$0 $0 $0 $ $

6

6

-0 # $

6

$ $ -0 *

3

3

3

$ $ -0 *

$ * 0

# # # # # 0# - 0 #- 0 0 - 0 0 0 $ $ $ $ $ $ $

0

0#

6

6

6

-0 * # $ $ 6

6

6

6

6

6

6

$ $ -0 * #

ff

ff

ff

ff

0 0 0 0 0 0 0 0# 0# *#

0# 0# *#

ff

ff

ff


10

75

! Fl. # 2 75

" !

-0 # 2.

4

f

4

)0 #

)0

# 2

4 )0 #

4

)0 #

)0

f

,* # 0 0 -0 -0 -0 -0 f

Cl.

" 3 & 0= 4 2

3 0= 4 2

p

mf

! 2 #

Vc.

Cb.

"

2

)0 )0

0 0 0 0 1

4

3 0

4

$ 0$

3 4 2 0 3 0= 4 2

p

f

And there were also two other malefactors led with him to be put to death. f mf

pizz.

4 )0#

div.

)0 0 0 ) 0

f (arco)

" !

4 ))00 ##

/ !

arco

)0 )0

pizz.

)0

* 4 )0 #

* )0

4

2 01 0

' 2

4 -0 #

4 -0 #

0

4

3 0 0

% 2

4 -0 #

4 -0 #

-0

4

3 0 0

$

4 -0 #

-0

4

0 0 1

%

f

(arco) f

(arco) f

f

! !

)0 0 0 ) 0 2 2

,* 4 )0 #

# 2

Vla.

$!

2

0 0 1

*

f

3 4 2 0

2

Vln. II

4

4

f

)) 00 ##

3 4 2 0

75

Vln. I

ff

0 0 1

0 )0 )0 ,0 ,0 0 *

)0 )0 )0 0

*

-0

$

& 2

Nr

-0 -0 -0 f

!% 2 "

Perc.

9

5

)0

4

! !

6

mf

2

%

mf

2

ff

# 2

Timp.

0

4 )0 #

6

"

-0 #

# 2 Ob.

Bsn.

4

/ !

'


! Fl. # 78

! !

11

mf

$

+

-0 0 ,0 -0-0

0 )0)0)00-0-0 *#

2

= -0= * # 9 0=-0

2

f

Flute 1.

+ 2

$

4

2. mf

* )0 0 1 1 4 = 4 =

0 , 0 ,* 0 0 -0-0

2

f

)0 =1

6

Ob.

#

0

0

2

f

)0

3 0

)0

3

3

$

#

Cl.

0)0 1 1. ) 0 ) 0 0 ) 40 2

$

3 4 0 ,0

2

mf

f

Bsn.

Perc.

Vln. I

"

%

$

& ! #

$

! ! 0#

unis. f

-0 0# 0

) 0 0#

mp arco

Snare drum

* + )

0#-00# 0

)0 0

)0

,0

mf

" %

without snares

00 4 2

Lg sus cym

mp

Snare drum

00# 0 ))00 0# 0#

-00#

0))00 0# 0 00 0#

)03 1

3 3 4 ))001 4 001 4 4

(mp)

= -0= 0 0 = 9 # 0

+

+

0 ' 4 0-0-0 4 4 pizz.

mf

' + Vc. "

2

div.

f

Vla.

+

$ 0 0# 0

mp

unis.

Vln. II

$

1.

4

pizz.

0 -0-0-0 ,0 f

)0 1 4

)0 1

+

-0 0 9-0-0 > 94

)0 1 4

)0 1

+

4

mf

04 -0 -0-0

2

div. pizz.

4

mf

$

+

2

)0 0 )0 ,0

arco

mf


12

=3 2 ! 4 )01 4 ))00 Fl. # = 4 =1 (2.)

= ) 03 4 )0 4 =1

=3 ) 0 2 4 )0 # )01 4 4 =1

81

Ob.

mf

(2.)

Cl.

# %

)0 f

2 4

f

% " 2

=3 ) 0 4 )0 4 =1

4 4

=3 ) 0 )0 =1

0

0 0

)0

Vln. I

Vln. II

Vla.

)0 0

2

4 2 0

= )0

= 0

4 4

= = = ) 0 )00 00 4 )0 = = 4 =

= = 0 ) 0 ) 0 0 4 = 4 =

= 00 =

4 4

= = = ) 0 0 0 )0 0 4 )0 = = 4 =

= = 00 4 ))00 = 4 =

= 00 =

2

2

4

,0

)0

0

)0

0

)0

)0

f

,0

0

)0

)0

)0

1.

)0

)0

)0

4 : : : 0 0 : : 6 6 mf mf

0

0 0 4

0 0 4

mf

4

-0 0# 0 ))00 0# 0

4 4

)03 1

3 4 ))00 4 1

'

4 4

$

on rim

: : : 6mf

0 0 4

0 0 4

00 0#

0

-0 0#

0

)000# 0 ))00 0#

003 1

4 4

)03 1

4 4

3 )00 1

3

4

)0 ,0 0 )0

arco

3

3

0

)00 0#

3 4 ))00 4 1

4 4

3 )00 1

)0

)0

)0

)0

)0

)0

mf

)0 ' 1 4 )0 Vc. " f

mf

)0

,0

0 -0 ,0 0

mf

mf

! 0# # 2 # 2

= 0

f

$

& 2

= )0

)0

mf

)0

! Hn. # "

Perc.

4 2

3

mf

)0#

Bsn.

4 4

=3 ))00 =1

0 )0 )0 )0 0

:


! 4 # 4

3 ))00 1

4 ) 03 ,0 )0

4 # 4

3 ))00 1

3 ,40 ))00

83

Fl.

Ob.

))00

# + %

Bsn.

Hn.

C Tpt.

)0

))00

)0

mf

,0

"

?0 # 0? # a2

f

"#

$

Vla.

! #

# 44 ' )0

-0 0#

)0 ,00 )0

3 ))00 1

) 03 4 )0 4 1 ,0

)-00 f

f

-0 # f

Vc.

Cb.

'

)0

% " +

,0

?0 #

f

f

?0 1

4

2

3 0?

0 0? #

3 0?

4

2

0? 0 3 3 -0 -40 # -0 -0 ,00

0? 0

0

3 -0

f

0?

0

4 -0 4

$ 0$

3

)0 )0 4#

2

-0

0 ?0 #

0? 0

f

,00

-0 0

2

?0 1

4

$ & 0 0 6: : : 0 0 6: : : : : : 0 0 0 0 0 0 0$ 00

4

4 ?0

f

?0 0 1

$

?0 0

3

2

ff

mf

3

4

f

$

3

13

?0 0 1

60 # )0 ,0 0 = ; )0 0 0 )0 0 )0 )0 0 0 9 1 0

f

,0

f

Vln. II

00 0?0 ##

+

,0

! # )0

? ,,00 ))00

4 0 )0 ,0 0 )0=

f

% )0

))00

4#

2

3

Vln. I

)00

f

!% Timp. " Perc.

,,00

)) 00

00 ?00 ##

f

0 0 )0 )0 0 # Cl.

,,00

0 )0

? ,, 00 )) 00

0? #

$ 0$

mf

? )0 0 ,0 )0 ?

)-00

0 0# 9

$$3 0#

? 0 0# 0 0# ?

0 63 0

2

3 0 0 9 0# = Lg Sus Cym " % 0# ff

?3 )) 0# 0 0# 0 1? ff

60 # 0 0 = -0 ; -0 0 -0 0 -0 0 -0 ,0 ,0 9 1 0

unis. arco

ff

,0 )0 )0= 4 ,0 )0 1

4

?0 0

?0

0? #

2 %

4 0

?0 1 0?

0 ?0 # 0 0? #

0? 0 ?0 1

0?

ff

)0 # ff

3 # 0? )0 ff

0


14

85

! Fl. # 85

Ob.

Cl.

$

f

# #

$

-0 0 0= 0 )0 0 9 1 # 0-0 3

Perc.

"# 4 !% "

Vla.

Vc.

00

# 2 ' 2 %

3

3

4 2

+#

0

% Cb. " 0

f div.

**

ff

f div.

*# *# *#

f

f

*#

f

4

ff

)0 )0 f

f

0 0= ,0 = -0 = 9 )0 0 9 -0>

0 -0= 0 0 2 -0-0-0-0 1 4 4 f - 0 - 0= 02 2 4 0 f

4 2

$

4 2

$

,0 0= 9 0 -0 -0 4 2 1 f

)0

; 0 0 0 0 0= 9 0? 4

+

f

f

)0

0

2#

04

2#

$

" ' 0 2

Lg Sus Cym

$

00

-0,0 0= 0 -0 -0 9 1 44

$

3

003 ) 0 # 1 )0 #

ff

0 -0= ,0 )0=-0 = 0 9 -0 9 >

a2

ff

$ 00

3

- 0 0 0= 0 - 0 - 0 1 44 9

2

$

85

Vln. II

f

+

f

f

-0 0 0= 0 )0 0 9 0 -0 1

0 0=90 -0 -0 1

f

$ ; 00= 9 0? 4

3

- 0 0 0= 0 ) 0 ) 0 0- 0 1 9

4

&

! Vln. I #

4 4 -03

f

a2

3

+

$

% " +

f 3

4 4 -0 0 -0 -0 0

ff

ff

! Hn. #

Timp.

3

$

%

C Tpt.

4

1. 3 -00 = 0 -0 -0 4 -00-0-00 09 1

# 2

f

Bsn.

2

0 -0 0 - 0 - 0 1.

+ 3 9 0 )0 0= 0 9 0 mp 3 0 9 0 0= 0 9 0 mp

3 0 9)0 0= 0 9 0

p

+

0 0

*# *#

)) **

00

, 00

))00

** # #

)* )*

0 0

,00

)* )*

0 0

00

)*

0

)*

0

( ( )* )*

* *

0

)0

0 )0


" !

15

! 0 =4 2 -0 Fl. # 88

mf

2

f

90

mf

0 -0= 0 0= ,0 0 = -0 = )0 0 9 -0 -0= + 9>

# 0-0= 4 4 0-0= 4

f

mf

mf

0 -0= ,0 0 = -0 = ,0 )0=-0 0= -0 0 )0 0 9 -0 -0= + = 9 -0 4 9> # 9 > mf f mf , 0 0=-0 0= )0 0 = - 0 - 0= , 0 0 0= -0 0= )0 = 9 > 04 9> 9 0+ # 9

Ob.

mf f

Cl.

Bsn.

0 -0= ,0 0 )0= -0 = 0 9 -0 -0= + 9>

- 0 - 0=

# + "

% 2

mf

0-0= 4 2

1.

C Tpt.

mf

" % 3 4 000

2

& +

Perc.

f

mf

0 00 0 00 0 0 p

Nr

! # ))00 # ))00

Vln. II

' ( (

Vla.

% *

Vc.

"

%

*

mf

$

$

$

$

$

$

$!

**

$ ($ +

$

-- **

, *# *# , *# *# 0# 0#

)0 1

)0 1

0 1 0 1

90

$

$

$

$

$

0

3 -0 -0 ,0 -0 -0

0

-0 -0 ,0 -0 -0 1

$ $

$ *$ + Crotales

3 -0+

2

#

2 And when they were unis.

** -- **

$

come to the place which is called Calvary mf

$

* -*

$

$

00

-*

$

pp

3 4 000 2

mf 1.

$

$$ !% 9 9 9 ( 0 ) 0 0 0 0 0 0 0 0 0 ) 0 0 0 0 0 0 0 0 0 0 0 " =0 = = = = =0 = 0 = = = = = = = = = with snares

* -*

$

1.

mf

Cb.

+

mf

9 0 0 0 00 0 0 9 0 0 0 0 9 0 0 0 0 0 0 0 0 0 0 "# 0 0= 0 = = == = = = = = = = = = = p=

Snare drum

Vln. I

$

1.

mf

Timp.

+

0 0= , 0 0 = -0 = 0 0 9 )0 0=)0)0= = 4 9> $ ,0)0 ,0 0)0 0 = = mf f = ,0 0 = -0 = a2 0 - 0 )0 0 -0 = 0 = = > 9 9 -0 -0,0-0-0,0=-0 -0 = -- ( ( f

! 9 9 Hn. # 0)0= 0 0 0= 0= 0= 0= 0= 0 9 0 0 )0= 0 0 0= 0= 0= 0= 0= 0= 0= 0= 0= p mf mf

$

-1.*

0 0 -0-0

"0 -# p

$!

$

there they crucified him

-0 -*

* -*

-*

* -*

mf unis.

*

mf

$

$

mf

-(

*

-*

* -*

-(

*

-*

* -*

mf

" !


16

! Fl. # 93

#

Ob.

Bsn.

"

Nr

%

#

Vln. II

%

Vc.

'

-0 )* 0 )* # rit.

p

*

-* 0 )* 0 )* #

-* -*

-0 --** 00 --** ## * -* 0 p

(1.)

p

"

%

* 2 2*

3 0 0 4,0 )* # 3 0 0 4 00 -* # 0 0 - *#

" / ! -* ! -*

-0 )* 0 )* # rit.

p

* -* -*

-* 0 )* 0 )* # p

-* -0 -* 0 -* #

!% Bsn. "

* 2 2*

7 )(

* 2 2 ** *

7 -( -(

$! + Then

0 -* # -* -0 -* p

* 2 2*

3 0 0 4 0 )* #

* 2 2*

7 )(

* 2 2*

$

$

$

* 0-0 )0 * 0) 0 ,0 * $!

! Vln. I #

$

'

$

% "

%

0, 0 - 0

mp

$ + 4

0 )0 ) 0 + 4 1 1 4 + 4 )01 1 4 +

3 0 ) 0 0# - * ,0 - 0 (unis.)

mp

$

mf

3 * 0) 0 ,0 * 0 , 0 - 0 0 )0 0 # * + -* mf

3 3 * 0 4 ,0 * 0 0

4 ,01 -0

p

3 3 -* + sul* E 0 0 0# mf

mp

$

103

7 , $

Darkly q=62

$

7 , $

ppp

$

7 , lyrically $ * 0-0 )0 mp 7 , lyrically 3 $ * 04 2

ppp

ppp

mp

3 0 )0 0 # )*

mf

q=72

$

$!

Convicted: 1980

0 ) 0 ) 0 q=72 1 42 2

$

$

$

$

2 )0 0 4 )01 )0 4 1

$

$

$

*

20

pizz.

0

$

know not what they do.

$!

pizz.

$

ppp

Executed: 1989

poco accel.

$

7 , $

ppp

ppp

(in a flat, factual manner) Convicted: 1979 mp

Vc.

-7 (

poco accel.

Nr

Vla.

7 -(

* 2 2*

a2 lyrically

Darkly q=62

7 , $

ppp

forgive them,

0 0 4 0 )* # 1

0 0 4 0 -* # 1

7 , $

$!(gently) $! 4 Father, for they

! ! )7(

3 0 0 4 0 -* #

103

! ! )7(

said Jesus, p

p

104

Cb.

0 0 4,0 )* # 1

and the malefactors, one on the right hand, and the other on the left.

! Vln. I #

Cb.

" / ! -* ! -*

2

arco sul E

2 *#

pizz. p

mf

-0 0 2 -0 +

0 )0 )0 )0

pizz. p

0

4 )03


17

!% " 112

Bsn.

poco accel.

$

$!

poco accel.

$

' 2 # )01 0 4 2 1

Vla.

$

*

+

4

+

) 0 q=80 3 4 )0 ,03 4 2

mf

p

)0 001 4 2

2

3 0# 0 0 )0 )0 0 )0 mf 002 % 3 4 2 2 0 Cb. " 0 0 %

Vc.

q=80

0,0 0

*

0000 0 0

-*

+

+

0 0 01 4 01 42

2

Executed: 1994

Nr

! Vln. I #

$

)0 #

115

$

0)0 0)0 ,0 )0 0 -*

0

+

-0

+

p

-0

-0

2 )0 0 4 0 3 4 2 # 0 3 4 2 2 0 0 )0 4 2 1 10 10 p pizz. + 4 03 3 4 2 2 3 4 0 2 + 0 0 0 0 p arco sul D 0 *# +# 0 2 0 2 -0 mp

'

! Ob. # 118

Cl.

poco accel.

$

"# &

Perc.

$

$

$

$!

! Vln. I # +

$

0

$!

# +

Vc.

Cb.

pizz.

0

2

+

2

+

' 2 )0 0 4 0 3 4 2 # 10 arco 000 * % *

Vla.

"

%

a2

$

*

p

mf

*#

2

$

$

$!

Exonerated: 2007

poco accel.

Vln. II

$

mf

Convicted: 1987 mf

Nr

$

0

pizz.

p

0

2

2

2

0 34 2 10

2

0000 0

0 2

0

000 $

Convicted: 1974

2

0

$

-0 0000 +

0

0

+

1.

)* p

-0 0 0 )* 0 0 0 0 0

$!

$

+#

lg sus cym

Snare drum

snare drum

900 p

Exonerated: 2004

0

2

+

0

0 2 +

0 4 01 2 +

0 0 0 0 -0 2 4 3 0 4 )03 0 2 0 4 ,03 0 2 + )0 arco 0 )0 * 000 0 0 0 0 0 0 )* 0 14 2 0 0 mf * 000 0 0000 0 0 -* 0 0 )0 9 0= 0= mp mf

002

+

2 0

2

*#

arco

" %

without snares

pizz. 4 01


124

18

! Ob. # )( " mp 3 Perc. & 0 4 2 124

Nr

Vln. I

0

! arco # * #

0 )0 -0

mf

'

! Fl. #

$

#

2

2

9 0 0

$

p

0)0-0

mf

3 3 & 0 4 4 02 $!

$

-* #

,(

( "# *

Perc.

mp

$ 2 2

$

9 )0 0 )03 4 2 = = )0 )0 4 1 1 4 2

4

$

9 )0= 0= )0 4 1

2 2

0*

$

0 )0 *#

%,& 0

$

*

*

! # 0 #

mp

'

Vla.

%

Vc.

"

arco

-*

mf

-*

0#

4 0#

-* )0 4 2 2 1 )0 1 4 2 2 mf

9

0= 0= 4 01 p

*

*#

% 0#

2 )*

*#

0-0 ,0

9 0 0 03 4 4 03 2 )0

2

-0 -0 - 0 0 0-0-0 ,0 , 01 0# -*

-( *

9 00 03 4 4 03 2

,*

-0

2

2

$

$

$

$

$

$

0#

9 0 0 *# = = p sub. 0 0# 4 1

+

mf

( *

*

mf

9 00 0 0 # 1

Lg Sus Cym

mp

0#

9 )0 0 )* # == p sub. )0 )0 # 4 1

0#

- 0 0 -0 0 0-* 3

4 0 # -* mf

,( 0 ## 00 ## 001 4 2 mf

mp

"% 2 9 00 03 4 4 03 4 03 9 00

Convicted: 1992, arson experts have concluded that the fire was accidental. (beat) Executed: 2004 sul A sul A

Vln. II

sul G

1.

p

Cb.

9 0 0 03 4 2

2

0 0 ,0 )0 )01 0 #

*

$

9 0 0 03 4 2 = = mp 0 0 4 1 1 4 2

2

mf

128

Ob.

0 ,0 )0

*

$

% 3 4 2 0 mf % 0 Cb. " 1 4 2

Vln. I

9 0 0 03 4 2

0

Convicted: 1983, New evidence uncovered... points towards another man... (beat) Executed: 1989

Vc.

Nr

2

0 -0

-0

,(

q=88

Vla.

Cl.

9 0 0 03 4 2

2

$!(still in a flat, yet firm tone)

Vln. II

'

)* #

q=88

4 0# -*

$!

Convicted: 1986, New

0 *

9)0= 0= )01= 0# -0 9 0= 0= * # p sub. mf p sub. )0 )0 4 1 1 4 2 2 4 )01 0 # mf

2

+ 0 )0 )0 )0

$ 0#

9-0= 0=

p sub.

4 )01


! Fl. # 133

Ob.

Cl.

#

*

*

*

)*

135 )*

19

,0 -0

)1.* -*

0 -0 0-0

2.

$)*

)*

$

$ "# 0)0)0)0 0 01 4 2

0

-0

0

mf

0 )* 0 0 ## 0 0 0 ) 0 4 2 0 1

3

! C Tpt. # "

-* 1.

2

$

$

$

1.

4 -01 01 mf

DNA blood evidence has thrown considerable doubt...(trail o!) (beat) Executed: 1997

Vla.

Vc.

135

'

$

$

% *#

% # Cb. " 0

+

)0)0 )0 ,03 0 0#

0

$ 9-0= 0= * p sub.

0#

+ + $

+#

$

Nr

# 0

-0 # - 0 03 -0 4 1 -0 2 = 6= mf 6

2

3 3 3 3 3 3 3 3 3 & 0 4 4 0 4 0 9 00 0 4 4 0 4 0 9 00 0 4 4 0 4 0 9 00 2 9 00 2

Vln. II

+

3

$

! #

2

f

Perc.

Vln. I

00

4 )01 0 #

3 0-0 0 -0 -0 # 4 -0 0 -0 1

0 0

3 # 0- 0 0 -0 0-0 0 - 0 -0

0 0

$

-0 1

-0

4 +

9 00 03 4 4 03 4 4 03 4 $!

Considerable doubt...

-0 # f

3 -0 # -0

2#

,0 0 0 3 1 1 )0

2#

3 3 ,0 0 0 3 )0

f

+

0 - 0 -0 * f

+

4 -0 0 -0 0-0 0 -03 -0 #

0 2

0 -0 -0 *

+

arco 4 4 -0 0 -0 0-0 0 -03 -0 #

0 2

0 -0 -0 *

+

f

f


20

! + #

-0 0 4 1

# Ob. # + "

-0

1.

138

Fl.

! 1.0 0 Hn. # "

Nr

0 1 4 2

, 00 )) 00 4 1 1 4

+

, 00 )) 00 4 1 1 4

-0

0 1 4 2

,0 ) 0 4 01 )01 4

+

0)0 4 01 )01 4

mf

1.

2

0 0 )0 )0 4 0 )01 4 1

3 & 0 9 0 0 9 0 0 4 2

3 4 0$$ 03 4

mf

Perc.

-0

)0 )0

0

a2

0

0

)0

)0

3 4 0$$ 03 4

with snares

+

(at a normal pace with some pause between each, not synchronized) eyewitness error... bad lawyering... government misconduct...

+

junk science...

4 01 )01 4

drunk lawyer...

snitch testimony...

! 3 Vln. I # 0 0

0 1

0 )0 1

0 1

0 0 )0 ) 0 0 )0 4 1 1 4

# 3 0 0

3 0

3 )0 0

4

+

4 01 )01 4

2

+

pizz.

0 0 ) 0 )0 f

+

0 0 ) 0 )0

0 0 )0 )0

+

0 0 )0 )0

4 01 )01 4

+

4 01 )01 4

Vln. II

Vla.

Vc.

'

% 0 0

% 0 0 Cb. "

$ )0

0

)0 )0

0

)0

2

+

2

+

pizz.

f

0 0 0 0 )0

)0

)0

)0

0 )0 4 1 1 4

0 )0 4 ,01 )01 4


60 ) 0 ) 0 ) 0 , 0 0 0 ,0 ) 0 ,0 ) 0 ,0 ) 0 , 0 1 1 4 2 + 4 1 4 1 4 1 4 1 4

! Fl. # + 141

p

f

Hn.

+

3 3 4 0 )0 ,0 4 2 + 0)0 0 6

p

$

f

+

%

! 0 0 #

$

+

f

3 4 0 ))00 ,003 4 2 + 0 6 mf

+

f

3 3 3 3 3 3 )0 )0 4 0 4 ))00 4 0 4 ))00 4 0 ))00 ,,00 4 2 + 0 0 0 6 p

+

f

C Tpt.

3 3 3 3 3 3 4 0 4 )0 4 0 4 )0 4 ,0 )0 0 4 2 + 0 )0 0 )0 ,0 )0 0 6 p

"# +

!% + Timp. " Perc.

Nr

f

3 3 4 0 )0 ,0 4 2 + 0)0 0 6

# "

mf

+

mf

Bsn.

f

6 00 ))00 ,,00 4 1 1 4 2 +

2.

Cl.

mf

6 3 0 0 0 0 )0 ) 0 0 4 ,003 4 ))00 ,00 ))00 ,00 ))00 ,,00 ) 0 )0 0 4 1 4 1 4 1 4 1 4 # 2 1 1 4 2 + 1.

Ob.

+

60 ) 0 , 0 ,0 ) 0 , 0 1 1 4 2 + 4

+

mp

$ *$

& + false confessions...

0 )0 $ ($

0

2

mf

$

f

mf

f

mf

f

3 4 0 ))00 ,003 4 2 + 0 6 3 3 4 0 )0 ,0 4 2 + 0 )0 ,60 3 3 4 0 )0 0 4 2 + 0 )0 0 6 mf f

f

0 )0

mf

+

" % 60= 1 4 2 +

Lg Sus Cym

2

0 $

f

21

G - E, Ab - Bb

$

60= 1 4 2 +

#

hearsay... f

0 6 ! 0 0 0 )0 ) 0 4 01 4 ) 01 4 01 4 ) 01 4 0 ) 01 , 01 4 2 + Vln. I #

+

0 ) 0 ,60 0 )0 1 1 4 2 2 0 )0 4

# 2

6 )0)0 0)0 4 ,01 4 )01 4 ,01 4 )01 4 ,0 )01 01 4 2 +

+

6 4 0 )01 01 4 2 +

' +

3 3 3 3 0 0 ) 0 )0 4 0 4 )0 4 0 )0 ,60 4 2 + mp mf

+

4 0 )03 ,03 4 2 + 6

4 0 4 )0 4 ,0 4 )0 4 ,0 )0 03 4 2 + 1 1 1 1 1 6 p

+

4 0 )0 03 4 2 + 1 6

p

Vln. II

Vla.

Vc.

% +

% Cb. " +

f

p

f

arco

f

pizz.

arco

f

arco 6 4 01 4 )01 4 01 4 )01 4 0 01 ,01 4 2 + p

f

+

mf

mf

mf

f

f

f

mf

f

mf

f

6 4 0 )01 ,01 4 2 +


146

22

! Fl. #

$

"#

$

146 rit.

Cl.

$ $

0 0 0 )"'0 0 ) * # # 2 11 1

Perc.

Gently q=68

Crotales

p

$

,( 0 $$

$

pp

146

! 0 0 01 01 0 )0 0 ) * Vln. I # 1 1 rit.

Vla.

'

"

$

pp

$

ppp

$!

*# 2 *#

( (

$

*# 2 *#

$

+

* *

p

p

$!

0 41

0

pp

0

( ( * +

1.

#

$

$

'

$

$

mp

2 +

Gently q=68

,div. ( 0 ( p

( ( +#

$

+#

$

*

( ( )0 0 ,( p

)0,0 ( p

$

$

mp

$

*

3 042 0 00

mp

mf

*

p

(

$

$

$

$

"#

$

$

$

$

$

+

$

$

$

$

$

+

Hn.

C Tpt.

Nr

! # "#

$

$

Vln. II

$

$!

Convicted: 1984, The conviction was overturned when another man confessed to the crime.

! ( # Vln. I

# +

"# +

$

* -*

unis.

mf

,*

pp

mf

pp

mf

-*

*

00

0

0 1 4 2 04 2 1

$

$!

p

160

+

(

mf

$

$

$

$ *

( (

$

p

**

+ -( (

p

( (

((

*

(

)(

(

-(

1. p

con sord. 1.

*

p

160

0 000 0 0 -0 0 -( $

$

mf

mf

mf

mf

Convicted: 1991, DNA evidence proved the hairs found clutched in the victim's hands were from a white man and the defendant was black...

Exonerated: 2002

*

$!

$

0 0 0 0 0 0 0 # -01

(

$

Cl.

$

0 14

$!

! Ob. # 155

*#

(

$

(with a sense of hope and irony) Convicted: 1999, The DNA results pointed Convicted: 1983, directly to another individual. (beat) Exonerated: No physical evidence Exonerated: 2004 linked him to the crime. 1987 mf Violin I Solo delicately

Nr

Vln. II

( $$

* * * *

2 0 2 0 mp

$

$ $

(

(

(

(

(

(

(

(

p

p

p

mf

mf mf


23

! Fl. # + 163

*

*

1. p

+#

+

p

# (

Ob.

p sub.

Cl.

C Tpt.

"# +

! ( "# p sub.

Vln. II

$

p

**

$* p

*

2

$ 0 0 0 +

$

"#

$

0

+ 2

(

2. p

0 2

0 0 0 0 4 0# 0 2 4 1

* +

Exonerated: 1997

! #

1.

mf

$!

Nr

Vln. I

(

0

$

mf

2.

)( (

* ##

p

( (

p

( *

*

breathe quietly as needed at tie breaks

$

$!

)1.( (

$

$

$

Convicted: 1982, The defense attorney failed to interview witnesses, failed to obtain police reports, elicited damaging testimony against

tutti

(

p

(

$

$

$

$

$

$

p

' ! )( ( Fl. #

breathe quietly as needed at tie breaks

( (

168

# (

Ob.

# # *(

Cl.

Bsn.

Hn.

Nr

"

%

! "#

1. To Picc.

)(

(

$

$

(

$

mf

+ *#

$

enter imperceptibly ppp 1.

)*

mf

( (

)0

( *#

)0

)( (

mf

change notes almost imperceptibly

change notes almost imperceptibly

)0

)0

( *# ( (

)( (

( (

)(

(

mf

$

$

$

$

$

$

1.

mf

ppp

his own client during cross examination of a witness. (long beat) Exonerated: 1996

$

+

4

3 -0 -0 -0 1.

mp


173

24

! Picc. # +

173 Warmly

4

-0 1

-0

4

-0 1

-0

0

0

Piccolo

mp

Fl.

# +

Fl. 2

Cl.

Hn.

"# 2

4

4 "# 2

Nr

mp

0

-0

-*

-+0 mp

,( mf

-*

-*

,( mf

*

+

mf

2.

3 -0

)0

-0

-*

mp

! -* # + senza sord. 1.

C Tpt.

)1.0 1

mp

-0

-0

-*

$

$

$

$

$ $!

$!

17 years later... (beat) Exonerated

12 years later... (beat) Exonerated

173

! div. Vln. I # )( )(

Warmly

( (

mf

# -( (

( (

( (

' )(

(

% )(

(

% )(

(

p

div.

Vln. II

p

Vla.

p

Vc.

p

Cb.

"

p

( (

mf

(

mf

(

mf

( mf


25

176

! Picc. # 176

$

$

Fl.

Bsn.

$

#

Fl. 2

"

%

+

$

-*

$

(

mp

-(

-0 4 1 -0 -0 -0 1.

mf

p

(space out loosely and emphasize the number) 16 years later... 21 years later... 26 years later...

! Vln. I #

$

#

$

+

rit.

-* *

(

0 -0 -0 -0 - 0 -0

( (

+

-(

+

-*

(

-(

% 4 3 -0 -0 -0 -0 0

*

-*

%

+

'

$

Vc. solo molto espressivo

p

0 - 0 -0

mf

-0

-0

Cb.

"

%

$

+

p

(

-* #

-*

(

-( $$

p

Never. p

$

-0 $

( t. 0 -0 -0 -0 - 0 por -0

-*

(softly and

mf

Vc.

$

$!simply)

+#

unis.

( (

mf

a tempo

-( (

--**

(

+

30 years later...

p

p

Vla.

$

p

$

176

Vln. II

(

$!

2

Nr

a tempo

rit.

-0

( -( $$

f


" !

26

! Picc. # 181

Bsn.

Hn.

"

*#

%

$

$

# *#

(

mf

' 2 *# (

-0

$

mf

0

(

(

(

$ -($

$ -($

' 190

3 ! # " 0 *

1.

3 ,0 0 0

*# +

2.

*#

Cb.

!% + "

$

% * p

div.

-0 p

0 *#

3

div.

0

,** ##

**

" / !* !0

mf

*

*#

(

*

*#

(

*

-*

*

0 *

*

+

)0

! !

193 ( (

(

(

Nr

Vc.

$

$ -* # - *#

*# *#

** ##

* )*

$

# -**# 1.

)0 2 p

3 30 0*#

01 * *

! !

0 )*

$

$

0

$

$

$

$

-* #

*#

$

0 * *

0 *

tutti

(

mf

Hn.

$

*

mf

% -( Cb. " $$

p

--**

(

$

*

% (

!% 2 # " -* #

+

)(

(

mf

Bsn.

$

p

*#

Vc.

$

$

unis.

%

$

/ !

mp

! ( Vln. I #

Vla.

(

mf

$

! "#

Vln. II

)(

(

2

To Fl.

mp

-* #

*#

*# *#

-* #

mp

$

$

7 $

$

$

7 $ $!

(like the beginning, at m. 40) But they cried, saying, "Crucify him, crucify him." (beat) Why? What evil has he done? mf

$

(( ((

unis.

)(

mp

unis.

)(

7 (

ppp

p

(

7 (


! #

7 $

#

7 $

$

#

7 $

$

#

7 $

$

%

7 $

$

196

Fl. 1

Fl. Fl. 2

Ob.

Cl.

Bsn.

"

! Hn. # C Tpt.

"# 7 +

Nr

Vln. I

$

2

)*#

$

7 $

$

" !

*# *#

1.

+

0

f

+ )* 0 2

*# )*#

%

*# *# *# *#

* ## *

* ## *

f

)0*)* 0 )** ## f

/ ) 2* # ! +

'

7 $

$

*#

f

*#

"

f

*# *# * ## * ** ##

**##

$

%

$

$ div. 0 **##

7 $

%

*# *#

** ##

*

div.

#

Vc.

$

** ##

Dramatically

$

*# *#

f

)* # )*#

$

2.

7 $

Vla.

*#

f

198 $

*#

f

f

7 $

(quietly) Crucify him. pp

Flute

/Dramatically ! *

! #

Vln. II

Cb.

" !

198

$

2 )*#

* (f)

*#

(f)

2# 2

$ 3 )* 0 0

$

*# )* # **##

(f)

)* # )*#

*# *#

* ## *

* ## *

(f)

$

*#

(f)

)00 #)* 0 0 )** ## 1 (f)

$

) 2* # * (f)

$0 0 1

** ## **##

$

2#

*#

$

*#

(f)

*#

f

(f)

7 $

$

)* #

*#

*#

$

)* # (f)

*#

7 $

$

)* #

*#

*#

$

)* #

*#

f

f

(f)

27


28

! # 204

Fl. 1

Fl. Fl. 2

Ob.

Cl.

Bsn.

#

0#

*#

) 0 0= ) 0 0 ) 0 )0 0 *

*#

ff

*

* # * #

) 0 0= ) 0 0 )0 )0 0 * 4

**

Timp.

!% "

$

$

(

(

2

$

$

$

2

$

$

$

)** ##

"# ** ##

Piccolo

mf

*# )* #

% " *# *#

To Picc.

6

ff

!% ** ## Hn. C Tpt.

6

! !

mf

)* #

staggered breathing

a2

*#

staggered breathing

(

(

*

( (

p

$

$

$

$

$

&

! Vln. I # Vln. II

Vla.

Vc.

#

$

$ *

)00

unis.

*#

' *# % *#

% Cb. " *#

$

$

*#

f

unis.

*# )*# $

)0)00 0 6

*

! !*

$

*#

(

)* #

(

)* # 6

(

(

ff

ff

7 -(( $ ff

( ( (

-( (

(

(

*

7 $

-( (

)( (

(

(

*

7 $

( (

)( )(

$ )($ p

( ( $ ($

$ "! $$ ($ (

pp

( ( (

div.

mf

f

f

f

-( (

div.

mf

*#

7 $

(

7 $

mf

*

-(

**

( (

$

* * f

Lg Sus Cym

Perc.

f

7 $

-( (

mf

(

f

212

($

mf

a2

mf

mf

** ## $

($

-(

" ! !* !

f

ff

ff

( (

( (

ff

7 $

)* +

$ 0$ 0

ff

*

7 $

$

$

f

f

" ! ! ** !

212 7 $

**

7 $

f

. -( ( ff

unis.

. (

. ( . (

ff

(

(

*

(

(

*

7 $

. )(

7 $

)(.

mf

$ )($

mf

$ )($

f

f

$ )*$ f

(.

unis.

. ( (

7 $

mf

( (

$ *$

f

( (

7 $

* *

ff

ff

ff

ff

(.

. )(

+


7 ! $ Picc. # 214

Fl. Fl. 2

Ob.

Cl.

7 # $

-* *

Perc.

Vln. I

Vln. II

Vla.

Vc.

"#

7 $

!% 7 $ " &

7 $

7 ! # $ 7 # $ '

7 $

% 7 $

% 7 $ Cb. "

0 0# 1

(

f

f

* *

f

00 00## 1

**

f

3 )0 # 0 03 0 # f

*

0 (

5 !( (

0

( (

00

$

#

mf

0 0 #)00 0 0 # 0 0 )*

+

0 0 00 0

-* ** *

00 -0 0 0 0 0 00 0

* , ** *

0 0 00 00 00 00

* )*

( (

0 0

* )* * )* f

0 00 0 0 )0 0 0 0 0

**

( (

00

( (

0 0

** * *

0 00 00 00 00 0

-* * * *

00 -00 00 00 00

)* *

0 )0 0 0 0

sffz

$$ ) * 0 6

2

* *

00

sffz

0 ( 0 (

-* 2 *

0 -0 0 0 0

( (

mf

+

*

f

mf

+

29

f

00 ( (

2

! ! -* f

mf

*# )* #

( (

0

mf

4-0 # 0 -0 ( 60 # 0 - 0 (

0 0 ## 01 0 )( )( 0 0 ## ( 00 ( 1

* )*

0 (

-* 2 *

0 0 ## -( 00 1 (

f

2 -* 2

00 00 ## (( 1

f

7 $

!% 7 $ Hn.

Timp.

* -**

#

1

f

7 # $

% 7 $ Bsn. "

C Tpt.

! Deliberately, with weight q=80 ! -* 0 0 # (

f

f

$ ($

0

$$ "! $$ * (

0

sffz

f

f

Lg Sus Cym

$

$

with weight q=80 ! -Deliberately, * 0 0# ! (

1

f

*

f

0 0# 1

(

*

f

3 0 0#

(

)*

3 0 0#

(

)*

0 0# 1 )(

f

f

+

$ 2 -**

div.

2

mp

0 ( 0 (

5 !( (

mf

0 0

mf

$

$

* * *

0 -0 0 0 0 0 0 00 0

! ! -* f

-0 (

(

0

f

2 *

-0 (

(

0

* *

sffz

(

0

)*

(

*# )* #

mf

mf

2 2

+ +

*

sffz

0

*

*

*

f

* f

*

)* div. * )* f

0

0 00 0

0 0 00 0 0

0 00 0

0 )unis. 0 00 0 0


30

! # 222

Picc.

Fl.

#

Fl. 2

#

Ob.

Hn.

C Tpt.

Timp.

Perc.

Vln. I

Vln. II

Vla.

Vc.

* * ** -* *

(

0 14

(

0 14

( (

0 04 1

"

%

)** * )*

! # * ** * * ,* "# ,* ) * !% " * )* & ! #

+ + ( (

5 ! * -* * *

* 0 0# ( 1

mf

ff

mf

ff

mf

$ *$#

f

mf

$ ($

*# )* #

* ## *

$

p

$

"% with snares $ + 000

$

! ! -*

unis. mf

$ snare drum

lg sus cym

0 0# ( 1

p

/ ! ,* #

226

*#

$

)0 2 +

2 0 0 000 2

$

+

* )*

(

4)0 1

* )*

(

0

(

(

0

(

(

f

f

f

mp

(

3 3 -0 # 0 0 0 # -0 0 *

)(

(

mf

mf

* +

mf

$

0 41 f

,(

ff

f

)0

0

)div. * unis. * % + )* # Cb. ) * "

)( (

+

' * *

*#

$

* ))** *

mf

ff

2

( (

0 4)0 1

)* #

*

** ))**

* *

* 0 0# ( 1

+

f

f

*

*#

*

f

f

3 3 ,0 # 0 0 0 # -0 0 * $

$

-,00

( (

0

*

**##

0 0

# * * -(

%

(

( ( ( (

Snare Drum

0 0

-(

-* * -* * -* *

4 03 0

**

(

f

2

- 0 ## 0 0 0 #--00 00 ** -0 0 0 0 # 1 1

( (

$ ($

** ##

*

f

2

# -0 0 * ,-00 # 00 00 00 ##- 01 0 * 1

$

-* 0 0 ## ,( * 00 )( 1

p

( (

# ,,** #

--( (

** + %

0 04 1

! ! -*

2

00 ## 00 00 -- 00 ## 0 0 - * 0 0 -* 1 1

** 00 00 ## ) ( ( 1

mf

+

0# 0 0 -0 # 0 0 -* 1 1 0 # 0 0 - 0 # 0 0 -* 1 1

* 0 0# )( 1

mf

**

** ##

/ !

226

) ** ##

+ )*$$# +

$

! !

03 4 -( ( 0 mf

-( # * * * * -(

Cl.

Bsn.

5 ! * -*

f

$

! !

$

)( (

div. f

$ $ 00$ 0 0$

3 0 mf


Picc.

231 ! * #

Fl.

#

Fl. 2

Cl.

Bsn.

"

Timp.

+

** ##

%

+

* *

**

+

# *

+

'

+

Cb.

"

*

0 2

+

% **

+

" %

$

232

/ !

" ! ! -* ! Flute

$ 2

-*

00 00 -* -* 1

2

-* -*

3 00 00

** ##

mf

(

( (

0 - ,** ## 0

)( )(

( (

2

)**

))( (

$

2 2 )0

+

200000000

2 0 2

* ## *

mf

0 0 )* 01 0 ) *

mp

mf

p

" ! ! -* !

3 0# 0 0 -0 #

3 0 0 -*

2

-*

0

3 0 # -0 0

*

3 0 # -0 0

*

$

+

* )*

( (

2 )0 +

on rim

+

mf

p f

(

(

*

(

(

0

*

(

(

0

*

*

mf

4 3 0

3 3 $ $$ 3 3 $ 0+0 0 0 0 0 0 0 4 : : : 0 0 0 2

(

mf

+

+#

(

mf

+

* *

**

mf

$

*

* (

mf

**

0 0 0 0 1

2

$

(

+

0 0 -* 1

3 ,0 # 0 0

(

+

0 ## 0

2

0# 0 0 -0 # 1

3 -0 # 0 0

(

mf

$

* *

31

mf

0 0 -* 1

00 ## --00 00 1

$

Lg Sus Cym

*

00 ##

0 # 0 0 --00 ## 0# 0 0 1

$

! * Vln. I #

%

* ## *

+

mf

Vc.

# ,-00 # 00 00 1

0 2 0

$ & *$

Vla.

0# 0 0 -0 # 1

+

2 0 0

!% "

Vln. II

$

# **

"#

Perc.

$

00## 00 00 --00 ## 1

**

!% ** Hn. C Tpt.

To Fl.

/ !

+

#

Ob.

*

232

mf

mf

)*

(

mf

p


32

242

! -0 # Ob. #

0 0 1

)0 #

3 0 0

238

#

Cl.

Bsn.

a2

a2

% # " 00 #

!% ( ( Hn.

3 -0 0 -0 0

-0 -0 00

0 0 00

0

-*

p

(

(

Timp.

"# !% 3 4 2 " )0 $ & 0+3 0 0$ 0

Perc.

mf

+

-*

(

**

)00

( (

( (

)0 )0

( (

$

$

( (

$

$

$

$$ )0$ 0 0 0

** ##

p

p

f

**

# -0 #

3 0 0

-0

Cb.

"

%

p

$

0 0

-* -*

div.

00

p

3 3 3 3 p 4 0$ 03 4 4 0$$ 03 4 4 0$$ 0 0 0 4 03 0 p

mp

mf

0#

0

0

*

0#

3 -0 0

0

0

*

( (

$

p

,unis. *

*

$

)*

,*

$

*

*

*

)*

( (

p

0

(

,0

(

0

(

(

(

(

p

3 -0 0

)**

mp

pp

*#

' ( %

000

2

242 -0

Vc.

3

on rim

0 0 1

Vla.

p

p 3 3 3 3 $ 3 0$ 0 0 0 : : : : : : 0 0 0 2 0 0 0 0

! -0 # Vln. I #

Vln. II

00

mf

mf

-*

(

+

p f

*

-0

+#

$

*

1.

p

C Tpt.

,1.*

mf

mf

p

)0 p

mf

$

f


33

! Fl. # 243

Ob.

Cl.

#

(

(

1.

)(

(

C Tpt.

Timp.

Perc.

Vln. I

Vln. II

Vla.

Vc.

"# !% "

$

#

$

((

ff

fff

0( , * #

((

f

$

$

$

$

3 3 $ $ )0$ 0 0 0 0 $$ )($ 0 0 0 0 0 (pp)

mf sfz

$ (

( $$

ppp

(

2#

f

)(

(

f

'

$

)( f

% ,(

(

% ( " (

)( )($ $

div.

f

$

+

$

+

$

7 $

((

7 $

( (

( (

7 $

( (

( (

7 $

-* *

( (

( (

7 $

f

ff

( )(

( (

7 $

$ ($

$ ($

7 $

( $$

( $$

0 * )0 * 1

0# 4 )0 # ff

#

$

$ ($

$ ($

( $$

( $$

( $$

((

fff

$

)( (

f

Cb.

*

0 - ((

ff

& ! #

( +

f

#

!%

+#

f

% Bsn. " ( ( Hn.

(

( $$

fff

fff

ff

( $$

fff

( $$

fff

fff

7 $ 7 $

)( $$

)( $$

)( $$

)( $$

7 $

$ ($

$ ($

$ ($

$ ($

7 $

( $$

( $$

( $$

fff

( $$

7 $

( ( $

( ( $

( ( $

( ( $

7 $

fff

fff

fff

Profile for Asha Srinivasan

Doubt  

Doubt  

Advertisement

Recommendations could not be loaded

Recommendations could not be loaded

Recommendations could not be loaded

Recommendations could not be loaded