Asha Srinivasan Doubt for Narrator and Orchestra
Transposed Score
Š 2008 by Asha Srinivasan, USA (ASCAP). All rights reserved.
Instr umentation 2 2 2 2
Flutes (1 Piccolo) Oboes Bb Clarinets Bassoons
2 Horns in F 2 Trumpets in C Timpani
Percussion: Large Suspended Cymbal Crotales Snare Drum Narrator Violin I Violin II Viola Violoncello Contrabass
Percussion:
Beaters:
Narrator: The narrator for this piece can be either male or female and should be amplified using a microphone.
Notation: The ! symbol shows points where the text's entrance must be synchronized with the musical event at that measure. If a sentence starts without this symbol, it is a continuation of the previous passage and must follow the previous sentence at a normal pace, without pause. Sometimes rests have been provided to show clearly on which beat or part of the beat certain passages should begin. The rests are always given from the beginning of the measure. For example, at m. 99, the half-rest shows that “Then said Jesus” should begin on the last beat of the measure and in m. 101, “Father, forgive them” should begin an eighth rest after the downbeat (or in other words, slightly after the chord in the orchestra). Dynamic marks show the general volume level, but the narrator should always be heard clearly over
the orchestra. The word (beat) is used to denote a dramatic pause of some appropriate length between sentences, as is typically found in theatrical scripts. Other specific instructions about the dramatic recitation of the text have been given in italics. The text was derived from public domain versions of the Bible, as well as from these websites with permission: Death Penalty Information Center (http://www.deathpenaltyinfo.org) and Anti-Death Penalty Information (http://www.antideathpenalty.org). It should be read at a normal pace with clear enunciation but without exaggeration.
The text: Daughters of Jerusalem, weep not for me, but for yourselves and for your children. For behold, the days are coming in which they shall say, Blessed are the barren, and the wombs that never bear, and the paps which never gave suck. Forthey shall begin to say to the mountains, Fall on us; and to the hills, Cover us. For if they do these things in a green tree, what shall be done in the dry? And there were also two other malefactors led with him to be put to death. And when they were come to the place which is called Calvary, there they crucified him and the malefactors, one on the right hand and the other on the left. Then said Jesus, Father, forgive them, for they know not what they do. Convicted: 1979, Executed: 1989. Convicted: 1980, Executed: 1994. Convicted: 1987, Exonerated: 2007. Convicted: 1974, Exonerated: 2004. Convicted: 1983, New evidence uncovered… points towards another man… Executed: 1989. Convicted: 1992, arson experts have concluded that the fire was accidental. Executed: 2004. Convicted: 1986, New DNA blood evidence has thrown considerable doubt… Executed: 1997. Considerable doubt… eyewitness error… bad lawyering… government misconduct… junk science… drunk lawyer… snitch testimony… false confessions… hearsay… Convicted: 1983, No physical evidence linked him to the crime. Exonerated: 1987. Convicted: 1999, The DNA results pointed directly to another individual. Exonerated: 2004. Convicted: 1984, The conviction was overturned when another man confessed to the crime. Exonerated: 2002. Convicted: 1991, DNA evidence proved the hairs found clutched in the victim’s hands were from a white man and the defendant was black… Exonerated: 1997. Convicted: 1982, The defense attorney failed to interview witnesses, failed to obtain police reports, elicited damaging testimony against his own client during cross examination of a witness. Exonerated: 1996. 17 years later… Exonerated, 12 years later… Exonerated, 16 years later… 21 years later… 26 years later… 30 years later… Never. But they cried saying, “Crucify him, crucify him.” Why? What evil has he done? Crucify him.
! !
Deliberately, with weight q=80
Flute
! #
Trumpet in C
Timpani in Eยง, Bb, C#
( (
( (
$
! !
$
( (
)( (
**
( (
)(
*
,( -(
* *
+
( (
**
+
-( (
**
+
#
( (
( (
$
( (
( (
( (
$
( (
! # -( (
$
f
( (
-( (
f
( (
$
))( (
"
f
%
f
"# ))( (
a2
( )(
* *
+ +
+
!% "
$
$
$
$
$
$
&
$
$
$
$
$
$
Percussion
Narrator
! !
Deliberately, with weight q=80
! Violin I # Violin II
Viola
"
( f
(
( (
" !
$ $
! !
(.
(.
*
(.
) (.
*
. (
*
#
f
'
(
(
$
. (
(
(
$
(.
(
(
$
(.
%
Violoncello
Contrabass
f
" !
f
Clarinet in Bb
Horn in F
( (
Asha Srinivasan
#
Oboe
Bassoon
( (
Doubt
%
f
f
f
. ( . (
* *
+ + + + +
2
7 # ( ! ** 00 00 # ) ( 1 Fl. #
Ob.
Cl.
Bsn.
Hn.
C Tpt.
Timp.
a2
2
0 0 0 * **
00 0 )0
* 00 00 00 ) ** )*
* 4 00 ## * f
00 * # *#
*# *#
*# 2 *#
,* -,** *
0 0 0 -0
* , * 00 00 00 - * *
* * * * f
00 2 +
* ## *
* ## 2 *
* * *
0 0 0
0 0 0 * ** *
-* # *#
*# 2 *#
,* ))** *
0 0))00
* 00 00 00 )* +
0 *# 0 *#
* ## *
* ## 2 *
)** **
00 )00
00 00 00 )** * )*
$
$ *$#
$ 2 *$#
% ** 00 00## ( " 1 ( ! # -* 03 0 # -( * 0 0# (
mf
$
$
** 2
$
0 0 )*#
unis.
f
mf
0 0 )*#
unis.
0
% * 0 0# ( 1
* *
0
% * 0 0# " 1 (
*
*
f
f
*
f
mf
*#
*# *#
mf
*#
mf
0 2 + mf
)* )** *
2
ff
ff
ff
*#
*
ff
)*
13 2 2
*# 2 *# 2
** ##
** ## 2
0
0
$
f
*# (non div.)
ff
$ 3 *$# 0 4 f
/ ! ! *# ! *#
mf
f
*
(
" $$! *#
Lg Sus Cym
3 ( # ))** 00 00 ## )( 1 ' * 03 0#
mf
$ *$ *
p
$
$
f
!% $ 3 " * 0 0 # ($ &
mf
** 4 )0 # ) 0#
*#
ff
mf
* + *
3 )* 0 0 ## )( ( # " )* 0 0
*#
/ !
ff
3 # ** 00 00 ## ,( -(
div.
Cb.
2
0 0
f
** 2
Vc.
* *
mf
0 0 )a2* # 0 0
2
* 03 0 # ( ! * 0 0# )( 1 Vln. I #
Vla.
mf
f
13
*
div.
Vln. II
/ ! ! *# ! *#
00 00 ) * #
* 0 0 ## )a2( * 00 1 #
mf
Perc.
* *
div.
* ) ** *
00 0
)*
$
* $
00 0 0
0 0 0 ) ** unis. * 00 0
0 )0
00 0 * *
ff
)* * ff
)*
)*
0
)0
ff
00 0
)*
,*
* *
0 0
00 0 * *
* * *
0 0 0
0 0 0 div. * *unis. *
ff
div.
ff
unis.
/ !
! Fl. # 16
/ ! !)* # ! (
#
)*#
(
*#
Bsn.
"
* *
(
f
%
)* )*
( (
f
Cl.
))**
f
)*# # *#
Ob.
18
a2
$
( (
$
"#
** ##
( (
* *
$
$ ($
$ ($
Timp.
!% "
! Vln. I # #
Vln. II
'
Vla.
%
Vc.
Cb.
"
%
f
/ ! !)* # ! ( (
)* *
f
*#
f
$
(
(
div.
unis.
( ( 6
( (
00
( (
2
mf
(
3 0 0# 0 0#
00 ))00 ## 00## ) 0 )0 1 1
0 * 0 *
) *# 2 )* #
0 ) 0 # 00## ) 0 0 )0 # )0 1 1
0 * 0 *
-( -(
*# 2 *#
0 0# 1 0 0# 1 0 0# 1
( (
0 0 ## )0 # 00 0 0 ) 0# 1 1
2#
2 *# *#
3 3 0 0 ## )0 # 00 0 0 ) 0#
)( (
00
( (
* *
$ ($
2
mf
p
5 ! ,(
2
mf
,(
2
mf
( mf
)( mf
* mf
# 6*
! !
3
) *# 2 )* #
mf
mf
)*
! !
2
mf
f
f
(
,( ,(
(
18
2
mf
a2
f
*#
0 0 ## 01 0
$ % -(
f
)*#
0 0# 0 0# 1
( (
! Hn. #
C Tpt.
00 00## 1
5 ! ,,((
2
3 0 0 ## 00
f
* ) ** *
2 4 01
1.
$ 2 4-01 2.
1.
0 )) ** 0 0 )0
f
( (
0 ))** 0
2
* ## *
3 40 0
$
)*#
0 ) 0 # 0# ) 0 1 1
0 *
0 )0 # 0# )0 1 1
0 *
$
f
$
$
div.
2
* ) ** * f
div. 3 4 00 1 f
**
2 *#
0 0 # )0 # 01 1
0 )* )0
(
2
2 *#
0 0 # )0 # 01 1
0 )* )0
(
( (
**##
( (
* *
* *
2
div.
* *
* *
f
$
2 )* #
2
2. f
+
*
*
a2
f
f
)0
unis. f
(
* *
5 !
26
4
! Fl. # 24
(
pp
( (
( (
( # (
( (
% ( ( "
( (
#
Ob.
Cl.
Bsn.
(
! # )( )(
( (
( C Tpt. # ( "
( (
Timp.
$ ($
Hn.
f
!% $ " ($ mf
$$ ( & p
$ *$
( (
( (
Lg Sus Cym
Perc.
Vln. I
! #
( # (
Vln. II
Vla.
Vc.
Cb.
"
" !
f
pp
' (
(
% (
(
% ( ( 6
( (
$
$
$
$
$
$
+
00 ##
00 00 - * # -* # 1
pp
--** ##
$
0 -* # (
$
2
mp
breathe as needed at tie breaks
+
pp
pp
0 --** 0
( (
mf
+
pp
$
$
+ -00 ##
$
$
$
$
$
breathe as needed at tie breaks
0 * )0 *
( 0 *#
( (
mp
$
pp
5 !
26
pp
pp
pp
pp
* -* ( *# 0-0 (
$
34 2 2 + 0
*
( -(
$
pp
pp
( (
$
! !
$ $ $
+
! !
+
$
$ *$
pp
$ *$
* *
( (
pp
$ $
$
$
$
$
$
p
( (
+
mp
( (
mp
2 -* # pp
2 *# pp
$
mp
mp
( (
$
$ +
+
* ## *
* 00 ( (
$
0 2
pp
$
** #
( (
0 0 01 0
$
$ *$
pp
$ ($
0# 0#
03 0 - * # 0 0 -* # 1
mp
$ *$ * $
mp
$ ($ ( $
(
+ -0 # mp
3 0 0
*#
(
+
0#
3 0 0
*#
$
mp
$
$
! -* 00 4 2 Fl. # * 1 32
+#
-** 00 -0 0 * # % 8&0 ( # - 0 0 *# 0 ( p
mf
# --** 00 -0 0 * # 0 0 *# mf
Cl.
2
* 0 % 8& % * 0 00 00 ** ## -00 ( ( Bsn.
p
mf
"
%
$
! 4 3 Hn. # + 00 00 ** ##
2
mp
C Tpt. # ( " (
Timp.
!% " &
Perc.
$ ($
$
$ ($
p
! -* 00 -0 0 *# Vln. I # * - 0 0 *# $$ # ( ( $$
Vln. II
mf
mf
$$ ( ( $$
mf
% * 0 0 0 *#
Vc.
mf
Cb.
"
%
$
( (
p
( (
*# (
6 4,,003 **## 1 6
*(#
( *#
sfz
0 *(
)0 0 ,*
$
$
$
$
$
$
p
$
( (
$ ($ 0 ( 0 (
p
p
( 2
$$ ( ( $$
$
0*
$
$ ($ ( ( $$ ( ( $$ (
0 (
(
( (
( (
$
*
( (
0 0
*# *# *# *#
3 2 # 9)0003 9 0003 9 00 )0 $ 0 0 0 0 0 0 *$
$ ($
$ ($
mp
$ ($ )* 0$# $
$ )($( $$ *# ( $ ($ (
**## *# *#
$
)0
$ ,0$
7 0
* ##
(*
00
7 00 ff
((
mf
p
p
+
**##
*#
2.
(a2)
mf
' * 0 0 0 *# -0 (
Vla.
(mf)
p
( (
mf
$
p
$
0
1.
2.
p
mf
Ob.
0 +(#
( *#
00 ( (
5
*# *# $ *$# $ *$#
7 7 00 $ 7 0 0
ff
7 $
7 0 0 f 7 0 0
7 $
f
7 0 7 0
ff
$ ($
$ *$#
ff
$ ($ (
7 $ E - G, Bb - Ab
7 $
ff
$$ *# )* # $$
$ ($
7 $
ff
$$ ( )( $$
$ )($( $$
7 $
ff
$ *# *#
7 $
7 00
7 $ 7 $
ff
$$ 7 7 )** ## 00 $ $$ $ *#$ $ *$# *#
7 0
7 $
7 0
7 $
7 0 0
7 $
ff
ff
ff
6
40
! #
$
#
$
"#
40
Fl.
Ob.
Cl.
Hn.
! "#
(0 0 - 0 * 1 1
**
+
$
$
$
4 $)0 #
$
$
$
$
$
$
mp
+
0
2. mp
**
1.
2.p
mp
" (metal0 mallet)0 # 0 2 -0 0 0
+
0#
$
*
+
$
*
+
$
mp
4 )1.03 0 # ) * 2 0
)* $
$
4 1.03 *# * +
2. p
+# + +
$
+ +
$
$
+
$
$
/ !
Crotales
&
Perc.
Nr
$
$!
$
$
(at a slightly slow pace, but not too dramatically)
$!
+
Daughters of Jerusalem, mf
#
+
p
$!
+
weep not for me,
but weep for yourselves, and for your children.
'
47
/2 ! * # -*
Sweet, yet tragic
! # 47
Fl.
2.
p
p 1.
mp
**#
2
mp
$ 2. 0 -1.**#
mp
Ob.
Cl.
Bsn.
Perc.
Nr
"
#
+
#
2 1.* $ p
% #
p
2
mp
**##
2. mp
*#
$
*#
$
**##
$
$
$
$
$
$
$
$
$
2 * # -*
** ##
** #
0
*#
p
mp
1. $ **## 0 0 2. 1 2 4
**
-00
*# *#
2 *
**
2 -0
*#
p
p
**##
$ $
0 2
mp
mp
! !
$ 0 0
1. solo
0 2
$
$
$
$
$!
For behold,
+
$!
mf
$
the days are coming
! Fl. # 55
!* !*
1.
-0 2
mf
*
1.
mf
Bsn.
Hn.
C Tpt.
"
1.
$
"#
$
#
$
%
+ +
p 2.
* -0 # 4
1.
( (
*# *#
((
((
p 2.
$ +
*#
p
0
$
0 -0 -01 4
0 0
mf
! Vln. I # #
Vln. II
'
Vla.
Vc.
"
%
0 4 1 solo molto espressivo
+#
-0 -0 mf
$ $
$
+
$
2 $
**
00
mp
" % 0 0 0# 2
Lg Sus Cym
&
+
mf
$!
Blessed are the barren, and the wombs that never bear,
$
$
$
$
$
$
$
$
+
*
p
%
+
( (
**
mp
1. To Picc.
0 0-0 *#
$
59
$
* *
3
mp
in which they shall say,
! !
-0 0
0 4 1
2 ** ##
$
pp
0 1 4 * mf
(
2
solo molto espressivo
$!
Nr
Cb.
003 0 - 00 0 - 0 0 1 4
*#
(
(
2
7
mp
p
-( +
! #
Perc.
(
0 *#
%
**##
( ( p
*# *#
-* # *#
Cl.
( (
mf
#
Ob.
2 * -0
59
$
+
$
+#
4 -0 # p
0 p
(
(
(
(
(
(
+
div.
-* $
mp
( 2
0 0 0 0 0 mf
div.
+
$ *
mp
$
mf
(
mp
mf
mf
-( (
$ $
+
0 0 0 mf
$
/ ! -* #
8
! Fl. # 61
$ 3
# 0 0-0 0 -*
Cl.
% + Bsn. " + Hn.
C Tpt.
!%
1.
4 -01
mp
2.
**
$
"# **
Snare Drum
& +
Perc.
*
4 -0 # 2
3 00 00 ##
+#
$
<; 3 ; 4 : ::: 4 9 #: : 4 2
without snares on rim 3
0
! # Vln. I
*
+
$
$
$
$
+
$
$
$
$
#
+#
1.
-0
$
2.
mp
-*# *#
$
*# *#
*# *#
*#
*#
" 0 # -0 ,* # 0 4 1 -0 $
*# $
a2
$ Crotales
+
$
2
#
4 01 0-*
$ 2#
$
#
3
mf
3 3 -0 0 # 0
00
mf
$
$
3
-0 0 0 0 0 mf
Vln. II
$
# ' +
Vla.
% +
Vc.
"
%
4 # -0 mp
2
$
2
0
mf
+
* 6 -0-0 mp
$
+
+
*
$ 2
0 0 0# 1
mf
$
$
p
$! 2 For if they do these things
,* #
0-0 * 1 3
$ $ 0 0 0 0# 0#
( 2
/ !
3
mf
#
*#
$
and the paps which never gave suck. For they shall begin to say to the mountains, Fall on us; and to the hills, Cover us.
Nr
Cb.
,* #
p
+
**
1.
+
$
" %
Piccolo
3
3
in a green tree, f
*#
$ $ $ $ $ $ 0# 0# 0# 0# 0# 0# 3
3
3
3
$ -* #
$ -* #
$ -* #
*#
*#
*#
-* #
-* #
*#
*#
*#
*#
mf
*#
mf
*#
3
3
*#
f
9
67
! #
$
#
$
$
#
$
--00
#
$
%
$
67
Picc.
Fl. Fl. 2
Ob.
Cl.
Bsn.
"
! Hn. # ,* #
C Tpt.
$
+
"#
!% Timp. "
mf
$
$
** ##
$
$
$
$
$
$
$
$
$
$
$
&
! shall be done in the dry? 2 $what
Nr
67
! # *#
+
f
f
# *#$
$ *#
f
Vln. II
# $ *# '
Vla.
Vc.
%
Cb.
%
"
$ *#
f
-0 # f
0# $
6
6
6
6
f
$ *#
-0 # 0#
$
mf
2
-0 0# 000 0 0 mf " $ ! *$#
*#
0 -*
f
2 2
2
$
)0 * )0 * f
* ## *
ff
# )00 ** #
ff
f
ff
0 * 0 *
ff
** ## **##
$ $ 00000000 0$ *$# f $$ $ *# *$# mf
ff
-6* 2- *
00 ** 0--** 0
-* -*
6
0# $
-0 # -$0 # $
6
6
6
3
0# $
-0 # $
3
$ *#
-0 # 0#
6
3
$ *#
- 0 0 0 - 0 0 0 -0 0 *#
*#
To Fl.
ff
$ *$ $ *$
ff
0( ff
0( ff
f
$ *#
$
** ##
3
$ *#
-0 # 0#
* ## *
$
pp
6
2
$
3 $ $3 3$ 3$ $3 3$ -0 # 0 # 0 # -0 # 0 # 0 # -$0 # $0#
$ *#
-0 0 0 -0 0 0 f
# -- ** #
-000000 -0 # 0 # 0 # -0 # 0 # 0 # -$0 # $0# $ $ $ $ $ $
$3 3$ $3 $3 3$ 3$ # 0 # 0 # 0 # 0 # 0 # -0 #
Vln. I
-*
0 $
Lg Sus Cym
$
0
f
$
ppp
-* # 1.
$
$ *$#
2
0 -*
f
$
$
$
$
-* #
$
$
0 # 142 2
Perc.
** ##
$
1.
mf
$
-*
-0 # 0 # *#
6
3
$ *
0
0#
*#
# # # # # -0 # -0 #-$0 $0 -$0 $0 $0 $ $
6
6
-0 # $
6
$ $ -0 *
3
3
3
$ $ -0 *
$ * 0
# # # # # 0# - 0 #- 0 0 - 0 0 0 $ $ $ $ $ $ $
0
0#
6
6
6
-0 * # $ $ 6
6
6
6
6
6
6
$ $ -0 * #
ff
ff
ff
ff
0 0 0 0 0 0 0 0# 0# *#
0# 0# *#
ff
ff
ff
10
75
! Fl. # 2 75
" !
-0 # 2.
4
f
4
)0 #
)0
# 2
4 )0 #
4
)0 #
)0
f
,* # 0 0 -0 -0 -0 -0 f
Cl.
" 3 & 0= 4 2
3 0= 4 2
p
mf
! 2 #
Vc.
Cb.
"
2
)0 )0
0 0 0 0 1
4
3 0
4
$ 0$
3 4 2 0 3 0= 4 2
p
f
And there were also two other malefactors led with him to be put to death. f mf
pizz.
4 )0#
div.
)0 0 0 ) 0
f (arco)
" !
4 ))00 ##
/ !
arco
)0 )0
pizz.
)0
* 4 )0 #
* )0
4
2 01 0
' 2
4 -0 #
4 -0 #
0
4
3 0 0
% 2
4 -0 #
4 -0 #
-0
4
3 0 0
$
4 -0 #
-0
4
0 0 1
%
f
(arco) f
(arco) f
f
! !
)0 0 0 ) 0 2 2
,* 4 )0 #
# 2
Vla.
$!
2
0 0 1
*
f
3 4 2 0
2
Vln. II
4
4
f
)) 00 ##
3 4 2 0
75
Vln. I
ff
0 0 1
0 )0 )0 ,0 ,0 0 *
)0 )0 )0 0
*
-0
$
& 2
Nr
-0 -0 -0 f
!% 2 "
Perc.
9
5
)0
4
! !
6
mf
2
%
mf
2
ff
# 2
Timp.
0
4 )0 #
6
"
-0 #
# 2 Ob.
Bsn.
4
/ !
'
! Fl. # 78
! !
11
mf
$
+
-0 0 ,0 -0-0
0 )0)0)00-0-0 *#
2
= -0= * # 9 0=-0
2
f
Flute 1.
+ 2
$
4
2. mf
* )0 0 1 1 4 = 4 =
0 , 0 ,* 0 0 -0-0
2
f
)0 =1
6
Ob.
#
0
0
2
f
)0
3 0
)0
3
3
$
#
Cl.
0)0 1 1. ) 0 ) 0 0 ) 40 2
$
3 4 0 ,0
2
mf
f
Bsn.
Perc.
Vln. I
"
%
$
& ! #
$
! ! 0#
unis. f
-0 0# 0
) 0 0#
mp arco
Snare drum
* + )
0#-00# 0
)0 0
)0
,0
mf
" %
without snares
00 4 2
Lg sus cym
mp
Snare drum
00# 0 ))00 0# 0#
-00#
0))00 0# 0 00 0#
)03 1
3 3 4 ))001 4 001 4 4
(mp)
= -0= 0 0 = 9 # 0
+
+
0 ' 4 0-0-0 4 4 pizz.
mf
' + Vc. "
2
div.
f
Vla.
+
$ 0 0# 0
mp
unis.
Vln. II
$
1.
4
pizz.
0 -0-0-0 ,0 f
)0 1 4
)0 1
+
-0 0 9-0-0 > 94
)0 1 4
)0 1
+
4
mf
04 -0 -0-0
2
div. pizz.
4
mf
$
+
2
)0 0 )0 ,0
arco
mf
12
=3 2 ! 4 )01 4 ))00 Fl. # = 4 =1 (2.)
= ) 03 4 )0 4 =1
=3 ) 0 2 4 )0 # )01 4 4 =1
81
Ob.
mf
(2.)
Cl.
# %
)0 f
2 4
f
% " 2
=3 ) 0 4 )0 4 =1
4 4
=3 ) 0 )0 =1
0
0 0
)0
Vln. I
Vln. II
Vla.
)0 0
2
4 2 0
= )0
= 0
4 4
= = = ) 0 )00 00 4 )0 = = 4 =
= = 0 ) 0 ) 0 0 4 = 4 =
= 00 =
4 4
= = = ) 0 0 0 )0 0 4 )0 = = 4 =
= = 00 4 ))00 = 4 =
= 00 =
2
2
4
,0
)0
0
)0
0
)0
)0
f
,0
0
)0
)0
)0
1.
)0
)0
)0
4 : : : 0 0 : : 6 6 mf mf
0
0 0 4
0 0 4
mf
4
-0 0# 0 ))00 0# 0
4 4
)03 1
3 4 ))00 4 1
'
4 4
$
on rim
: : : 6mf
0 0 4
0 0 4
00 0#
0
-0 0#
0
)000# 0 ))00 0#
003 1
4 4
)03 1
4 4
3 )00 1
3
4
)0 ,0 0 )0
arco
3
3
0
)00 0#
3 4 ))00 4 1
4 4
3 )00 1
)0
)0
)0
)0
)0
)0
mf
)0 ' 1 4 )0 Vc. " f
mf
)0
,0
0 -0 ,0 0
mf
mf
! 0# # 2 # 2
= 0
f
$
& 2
= )0
)0
mf
)0
! Hn. # "
Perc.
4 2
3
mf
)0#
Bsn.
4 4
=3 ))00 =1
0 )0 )0 )0 0
:
! 4 # 4
3 ))00 1
4 ) 03 ,0 )0
4 # 4
3 ))00 1
3 ,40 ))00
83
Fl.
Ob.
))00
# + %
Bsn.
Hn.
C Tpt.
)0
))00
)0
mf
,0
"
?0 # 0? # a2
f
"#
$
Vla.
! #
# 44 ' )0
-0 0#
)0 ,00 )0
3 ))00 1
) 03 4 )0 4 1 ,0
)-00 f
f
-0 # f
Vc.
Cb.
'
)0
% " +
,0
?0 #
f
f
?0 1
4
2
3 0?
0 0? #
3 0?
4
2
0? 0 3 3 -0 -40 # -0 -0 ,00
0? 0
0
3 -0
f
0?
0
4 -0 4
$ 0$
3
)0 )0 4#
2
-0
0 ?0 #
0? 0
f
,00
-0 0
2
?0 1
4
$ & 0 0 6: : : 0 0 6: : : : : : 0 0 0 0 0 0 0$ 00
4
4 ?0
f
?0 0 1
$
?0 0
3
2
ff
mf
3
4
f
$
3
13
?0 0 1
60 # )0 ,0 0 = ; )0 0 0 )0 0 )0 )0 0 0 9 1 0
f
,0
f
Vln. II
00 0?0 ##
+
,0
! # )0
? ,,00 ))00
4 0 )0 ,0 0 )0=
f
% )0
))00
4#
2
3
Vln. I
)00
f
!% Timp. " Perc.
,,00
)) 00
00 ?00 ##
f
0 0 )0 )0 0 # Cl.
,,00
0 )0
? ,, 00 )) 00
0? #
$ 0$
mf
? )0 0 ,0 )0 ?
)-00
0 0# 9
$$3 0#
? 0 0# 0 0# ?
0 63 0
2
3 0 0 9 0# = Lg Sus Cym " % 0# ff
?3 )) 0# 0 0# 0 1? ff
60 # 0 0 = -0 ; -0 0 -0 0 -0 0 -0 ,0 ,0 9 1 0
unis. arco
ff
,0 )0 )0= 4 ,0 )0 1
4
?0 0
?0
0? #
2 %
4 0
?0 1 0?
0 ?0 # 0 0? #
0? 0 ?0 1
0?
ff
)0 # ff
3 # 0? )0 ff
0
14
85
! Fl. # 85
Ob.
Cl.
$
f
# #
$
-0 0 0= 0 )0 0 9 1 # 0-0 3
Perc.
"# 4 !% "
Vla.
Vc.
00
# 2 ' 2 %
3
3
4 2
+#
0
% Cb. " 0
f div.
**
ff
f div.
*# *# *#
f
f
*#
f
4
ff
)0 )0 f
f
0 0= ,0 = -0 = 9 )0 0 9 -0>
0 -0= 0 0 2 -0-0-0-0 1 4 4 f - 0 - 0= 02 2 4 0 f
4 2
$
4 2
$
,0 0= 9 0 -0 -0 4 2 1 f
)0
; 0 0 0 0 0= 9 0? 4
+
f
f
)0
0
2#
04
2#
$
" ' 0 2
Lg Sus Cym
$
00
-0,0 0= 0 -0 -0 9 1 44
$
3
003 ) 0 # 1 )0 #
ff
0 -0= ,0 )0=-0 = 0 9 -0 9 >
a2
ff
$ 00
3
- 0 0 0= 0 - 0 - 0 1 44 9
2
$
85
Vln. II
f
+
f
f
-0 0 0= 0 )0 0 9 0 -0 1
0 0=90 -0 -0 1
f
$ ; 00= 9 0? 4
3
- 0 0 0= 0 ) 0 ) 0 0- 0 1 9
4
&
! Vln. I #
4 4 -03
f
a2
3
+
$
% " +
f 3
4 4 -0 0 -0 -0 0
ff
ff
! Hn. #
Timp.
3
$
%
C Tpt.
4
1. 3 -00 = 0 -0 -0 4 -00-0-00 09 1
# 2
f
Bsn.
2
0 -0 0 - 0 - 0 1.
+ 3 9 0 )0 0= 0 9 0 mp 3 0 9 0 0= 0 9 0 mp
3 0 9)0 0= 0 9 0
p
+
0 0
*# *#
)) **
00
, 00
))00
** # #
)* )*
0 0
,00
)* )*
0 0
00
)*
0
)*
0
( ( )* )*
* *
0
)0
0 )0
" !
15
! 0 =4 2 -0 Fl. # 88
mf
2
f
90
mf
0 -0= 0 0= ,0 0 = -0 = )0 0 9 -0 -0= + 9>
# 0-0= 4 4 0-0= 4
f
mf
mf
0 -0= ,0 0 = -0 = ,0 )0=-0 0= -0 0 )0 0 9 -0 -0= + = 9 -0 4 9> # 9 > mf f mf , 0 0=-0 0= )0 0 = - 0 - 0= , 0 0 0= -0 0= )0 = 9 > 04 9> 9 0+ # 9
Ob.
mf f
Cl.
Bsn.
0 -0= ,0 0 )0= -0 = 0 9 -0 -0= + 9>
- 0 - 0=
# + "
% 2
mf
0-0= 4 2
1.
C Tpt.
mf
" % 3 4 000
2
& +
Perc.
f
mf
0 00 0 00 0 0 p
Nr
! # ))00 # ))00
Vln. II
' ( (
Vla.
% *
Vc.
"
%
*
mf
$
$
$
$
$
$
$!
**
$ ($ +
$
-- **
, *# *# , *# *# 0# 0#
)0 1
)0 1
0 1 0 1
90
$
$
$
$
$
0
3 -0 -0 ,0 -0 -0
0
-0 -0 ,0 -0 -0 1
$ $
$ *$ + Crotales
3 -0+
2
#
2 And when they were unis.
** -- **
$
come to the place which is called Calvary mf
$
* -*
$
$
00
-*
$
pp
3 4 000 2
mf 1.
$
$$ !% 9 9 9 ( 0 ) 0 0 0 0 0 0 0 0 0 ) 0 0 0 0 0 0 0 0 0 0 0 " =0 = = = = =0 = 0 = = = = = = = = = with snares
* -*
$
1.
mf
Cb.
+
mf
9 0 0 0 00 0 0 9 0 0 0 0 9 0 0 0 0 0 0 0 0 0 0 "# 0 0= 0 = = == = = = = = = = = = = p=
Snare drum
Vln. I
$
1.
mf
Timp.
+
0 0= , 0 0 = -0 = 0 0 9 )0 0=)0)0= = 4 9> $ ,0)0 ,0 0)0 0 = = mf f = ,0 0 = -0 = a2 0 - 0 )0 0 -0 = 0 = = > 9 9 -0 -0,0-0-0,0=-0 -0 = -- ( ( f
! 9 9 Hn. # 0)0= 0 0 0= 0= 0= 0= 0= 0 9 0 0 )0= 0 0 0= 0= 0= 0= 0= 0= 0= 0= 0= p mf mf
$
-1.*
0 0 -0-0
"0 -# p
$!
$
there they crucified him
-0 -*
* -*
-*
* -*
mf unis.
*
mf
$
$
mf
-(
*
-*
* -*
-(
*
-*
* -*
mf
" !
16
! Fl. # 93
#
Ob.
Bsn.
"
Nr
%
#
Vln. II
%
Vc.
'
-0 )* 0 )* # rit.
p
*
-* 0 )* 0 )* #
-* -*
-0 --** 00 --** ## * -* 0 p
(1.)
p
"
%
* 2 2*
3 0 0 4,0 )* # 3 0 0 4 00 -* # 0 0 - *#
" / ! -* ! -*
-0 )* 0 )* # rit.
p
* -* -*
-* 0 )* 0 )* # p
-* -0 -* 0 -* #
!% Bsn. "
* 2 2*
7 )(
* 2 2 ** *
7 -( -(
$! + Then
0 -* # -* -0 -* p
* 2 2*
3 0 0 4 0 )* #
* 2 2*
7 )(
* 2 2*
$
$
$
* 0-0 )0 * 0) 0 ,0 * $!
! Vln. I #
$
'
$
% "
%
0, 0 - 0
mp
$ + 4
0 )0 ) 0 + 4 1 1 4 + 4 )01 1 4 +
3 0 ) 0 0# - * ,0 - 0 (unis.)
mp
$
mf
3 * 0) 0 ,0 * 0 , 0 - 0 0 )0 0 # * + -* mf
3 3 * 0 4 ,0 * 0 0
4 ,01 -0
p
3 3 -* + sul* E 0 0 0# mf
mp
$
103
7 , $
Darkly q=62
$
7 , $
ppp
$
7 , lyrically $ * 0-0 )0 mp 7 , lyrically 3 $ * 04 2
ppp
ppp
mp
3 0 )0 0 # )*
mf
q=72
$
$!
Convicted: 1980
0 ) 0 ) 0 q=72 1 42 2
$
$
$
$
2 )0 0 4 )01 )0 4 1
$
$
$
*
20
pizz.
0
$
know not what they do.
$!
pizz.
$
ppp
Executed: 1989
poco accel.
$
7 , $
ppp
ppp
(in a flat, factual manner) Convicted: 1979 mp
Vc.
-7 (
poco accel.
Nr
Vla.
7 -(
* 2 2*
a2 lyrically
Darkly q=62
7 , $
ppp
forgive them,
0 0 4 0 )* # 1
0 0 4 0 -* # 1
7 , $
$!(gently) $! 4 Father, for they
! ! )7(
3 0 0 4 0 -* #
103
! ! )7(
said Jesus, p
p
104
Cb.
0 0 4,0 )* # 1
and the malefactors, one on the right hand, and the other on the left.
! Vln. I #
Cb.
" / ! -* ! -*
2
arco sul E
2 *#
pizz. p
mf
-0 0 2 -0 +
0 )0 )0 )0
pizz. p
0
4 )03
17
!% " 112
Bsn.
poco accel.
$
$!
poco accel.
$
' 2 # )01 0 4 2 1
Vla.
$
*
+
4
+
) 0 q=80 3 4 )0 ,03 4 2
mf
p
)0 001 4 2
2
3 0# 0 0 )0 )0 0 )0 mf 002 % 3 4 2 2 0 Cb. " 0 0 %
Vc.
q=80
0,0 0
*
0000 0 0
-*
+
+
0 0 01 4 01 42
2
Executed: 1994
Nr
! Vln. I #
$
)0 #
115
$
0)0 0)0 ,0 )0 0 -*
0
+
-0
+
p
-0
-0
2 )0 0 4 0 3 4 2 # 0 3 4 2 2 0 0 )0 4 2 1 10 10 p pizz. + 4 03 3 4 2 2 3 4 0 2 + 0 0 0 0 p arco sul D 0 *# +# 0 2 0 2 -0 mp
'
! Ob. # 118
Cl.
poco accel.
$
"# &
Perc.
$
$
$
$!
! Vln. I # +
$
0
$!
# +
Vc.
Cb.
pizz.
0
2
+
2
+
' 2 )0 0 4 0 3 4 2 # 10 arco 000 * % *
Vla.
"
%
a2
$
*
p
mf
*#
2
$
$
$!
Exonerated: 2007
poco accel.
Vln. II
$
mf
Convicted: 1987 mf
Nr
$
0
pizz.
p
0
2
2
2
0 34 2 10
2
0000 0
0 2
0
000 $
Convicted: 1974
2
0
$
-0 0000 +
0
0
+
1.
)* p
-0 0 0 )* 0 0 0 0 0
$!
$
+#
lg sus cym
Snare drum
snare drum
900 p
Exonerated: 2004
0
2
+
0
0 2 +
0 4 01 2 +
0 0 0 0 -0 2 4 3 0 4 )03 0 2 0 4 ,03 0 2 + )0 arco 0 )0 * 000 0 0 0 0 0 0 )* 0 14 2 0 0 mf * 000 0 0000 0 0 -* 0 0 )0 9 0= 0= mp mf
002
+
2 0
2
*#
arco
" %
without snares
pizz. 4 01
124
18
! Ob. # )( " mp 3 Perc. & 0 4 2 124
Nr
Vln. I
0
! arco # * #
0 )0 -0
mf
'
! Fl. #
$
#
2
2
9 0 0
$
p
0)0-0
mf
3 3 & 0 4 4 02 $!
$
-* #
,(
( "# *
Perc.
mp
$ 2 2
$
9 )0 0 )03 4 2 = = )0 )0 4 1 1 4 2
4
$
9 )0= 0= )0 4 1
2 2
0*
$
0 )0 *#
%,& 0
$
*
*
! # 0 #
mp
'
Vla.
%
Vc.
"
arco
-*
mf
-*
0#
4 0#
-* )0 4 2 2 1 )0 1 4 2 2 mf
9
0= 0= 4 01 p
*
*#
% 0#
2 )*
*#
0-0 ,0
9 0 0 03 4 4 03 2 )0
2
-0 -0 - 0 0 0-0-0 ,0 , 01 0# -*
-( *
9 00 03 4 4 03 2
,*
-0
2
2
$
$
$
$
$
$
0#
9 0 0 *# = = p sub. 0 0# 4 1
+
mf
( *
*
mf
9 00 0 0 # 1
Lg Sus Cym
mp
0#
9 )0 0 )* # == p sub. )0 )0 # 4 1
0#
- 0 0 -0 0 0-* 3
4 0 # -* mf
,( 0 ## 00 ## 001 4 2 mf
mp
"% 2 9 00 03 4 4 03 4 03 9 00
Convicted: 1992, arson experts have concluded that the fire was accidental. (beat) Executed: 2004 sul A sul A
Vln. II
sul G
1.
p
Cb.
9 0 0 03 4 2
2
0 0 ,0 )0 )01 0 #
*
$
9 0 0 03 4 2 = = mp 0 0 4 1 1 4 2
2
mf
128
Ob.
0 ,0 )0
*
$
% 3 4 2 0 mf % 0 Cb. " 1 4 2
Vln. I
9 0 0 03 4 2
0
Convicted: 1983, New evidence uncovered... points towards another man... (beat) Executed: 1989
Vc.
Nr
2
0 -0
-0
,(
q=88
Vla.
Cl.
9 0 0 03 4 2
2
$!(still in a flat, yet firm tone)
Vln. II
'
)* #
q=88
4 0# -*
$!
Convicted: 1986, New
0 *
9)0= 0= )01= 0# -0 9 0= 0= * # p sub. mf p sub. )0 )0 4 1 1 4 2 2 4 )01 0 # mf
2
+ 0 )0 )0 )0
$ 0#
9-0= 0=
p sub.
4 )01
! Fl. # 133
Ob.
Cl.
#
*
*
*
)*
135 )*
19
,0 -0
)1.* -*
0 -0 0-0
2.
$)*
)*
$
$ "# 0)0)0)0 0 01 4 2
0
-0
0
mf
0 )* 0 0 ## 0 0 0 ) 0 4 2 0 1
3
! C Tpt. # "
-* 1.
2
$
$
$
1.
4 -01 01 mf
DNA blood evidence has thrown considerable doubt...(trail o!) (beat) Executed: 1997
Vla.
Vc.
135
'
$
$
% *#
% # Cb. " 0
+
)0)0 )0 ,03 0 0#
0
$ 9-0= 0= * p sub.
0#
+ + $
+#
$
Nr
# 0
-0 # - 0 03 -0 4 1 -0 2 = 6= mf 6
2
3 3 3 3 3 3 3 3 3 & 0 4 4 0 4 0 9 00 0 4 4 0 4 0 9 00 0 4 4 0 4 0 9 00 2 9 00 2
Vln. II
+
3
$
! #
2
f
Perc.
Vln. I
00
4 )01 0 #
3 0-0 0 -0 -0 # 4 -0 0 -0 1
0 0
3 # 0- 0 0 -0 0-0 0 - 0 -0
0 0
$
-0 1
-0
4 +
9 00 03 4 4 03 4 4 03 4 $!
Considerable doubt...
-0 # f
3 -0 # -0
2#
,0 0 0 3 1 1 )0
2#
3 3 ,0 0 0 3 )0
f
+
0 - 0 -0 * f
+
4 -0 0 -0 0-0 0 -03 -0 #
0 2
0 -0 -0 *
+
arco 4 4 -0 0 -0 0-0 0 -03 -0 #
0 2
0 -0 -0 *
+
f
f
20
! + #
-0 0 4 1
# Ob. # + "
-0
1.
138
Fl.
! 1.0 0 Hn. # "
Nr
0 1 4 2
, 00 )) 00 4 1 1 4
+
, 00 )) 00 4 1 1 4
-0
0 1 4 2
,0 ) 0 4 01 )01 4
+
0)0 4 01 )01 4
mf
1.
2
0 0 )0 )0 4 0 )01 4 1
3 & 0 9 0 0 9 0 0 4 2
3 4 0$$ 03 4
mf
Perc.
-0
)0 )0
0
a2
0
0
)0
)0
3 4 0$$ 03 4
with snares
+
(at a normal pace with some pause between each, not synchronized) eyewitness error... bad lawyering... government misconduct...
+
junk science...
4 01 )01 4
drunk lawyer...
snitch testimony...
! 3 Vln. I # 0 0
0 1
0 )0 1
0 1
0 0 )0 ) 0 0 )0 4 1 1 4
# 3 0 0
3 0
3 )0 0
4
+
4 01 )01 4
2
+
pizz.
0 0 ) 0 )0 f
+
0 0 ) 0 )0
0 0 )0 )0
+
0 0 )0 )0
4 01 )01 4
+
4 01 )01 4
Vln. II
Vla.
Vc.
'
% 0 0
% 0 0 Cb. "
$ )0
0
)0 )0
0
)0
2
+
2
+
pizz.
f
0 0 0 0 )0
)0
)0
)0
0 )0 4 1 1 4
0 )0 4 ,01 )01 4
60 ) 0 ) 0 ) 0 , 0 0 0 ,0 ) 0 ,0 ) 0 ,0 ) 0 , 0 1 1 4 2 + 4 1 4 1 4 1 4 1 4
! Fl. # + 141
p
f
Hn.
+
3 3 4 0 )0 ,0 4 2 + 0)0 0 6
p
$
f
+
%
! 0 0 #
$
+
f
3 4 0 ))00 ,003 4 2 + 0 6 mf
+
f
3 3 3 3 3 3 )0 )0 4 0 4 ))00 4 0 4 ))00 4 0 ))00 ,,00 4 2 + 0 0 0 6 p
+
f
C Tpt.
3 3 3 3 3 3 4 0 4 )0 4 0 4 )0 4 ,0 )0 0 4 2 + 0 )0 0 )0 ,0 )0 0 6 p
"# +
!% + Timp. " Perc.
Nr
f
3 3 4 0 )0 ,0 4 2 + 0)0 0 6
# "
mf
+
mf
Bsn.
f
6 00 ))00 ,,00 4 1 1 4 2 +
2.
Cl.
mf
6 3 0 0 0 0 )0 ) 0 0 4 ,003 4 ))00 ,00 ))00 ,00 ))00 ,,00 ) 0 )0 0 4 1 4 1 4 1 4 1 4 # 2 1 1 4 2 + 1.
Ob.
+
60 ) 0 , 0 ,0 ) 0 , 0 1 1 4 2 + 4
+
mp
$ *$
& + false confessions...
0 )0 $ ($
0
2
mf
$
f
mf
f
mf
f
3 4 0 ))00 ,003 4 2 + 0 6 3 3 4 0 )0 ,0 4 2 + 0 )0 ,60 3 3 4 0 )0 0 4 2 + 0 )0 0 6 mf f
f
0 )0
mf
+
" % 60= 1 4 2 +
Lg Sus Cym
2
0 $
f
21
G - E, Ab - Bb
$
60= 1 4 2 +
#
hearsay... f
0 6 ! 0 0 0 )0 ) 0 4 01 4 ) 01 4 01 4 ) 01 4 0 ) 01 , 01 4 2 + Vln. I #
+
0 ) 0 ,60 0 )0 1 1 4 2 2 0 )0 4
# 2
6 )0)0 0)0 4 ,01 4 )01 4 ,01 4 )01 4 ,0 )01 01 4 2 +
+
6 4 0 )01 01 4 2 +
' +
3 3 3 3 0 0 ) 0 )0 4 0 4 )0 4 0 )0 ,60 4 2 + mp mf
+
4 0 )03 ,03 4 2 + 6
4 0 4 )0 4 ,0 4 )0 4 ,0 )0 03 4 2 + 1 1 1 1 1 6 p
+
4 0 )0 03 4 2 + 1 6
p
Vln. II
Vla.
Vc.
% +
% Cb. " +
f
p
f
arco
f
pizz.
arco
f
arco 6 4 01 4 )01 4 01 4 )01 4 0 01 ,01 4 2 + p
f
+
mf
mf
mf
f
f
f
mf
f
mf
f
6 4 0 )01 ,01 4 2 +
146
22
! Fl. #
$
"#
$
146 rit.
Cl.
$ $
0 0 0 )"'0 0 ) * # # 2 11 1
Perc.
Gently q=68
Crotales
p
$
,( 0 $$
$
pp
146
! 0 0 01 01 0 )0 0 ) * Vln. I # 1 1 rit.
Vla.
'
"
$
pp
$
ppp
$!
*# 2 *#
( (
$
*# 2 *#
$
+
* *
p
p
$!
0 41
0
pp
0
( ( * +
1.
#
$
$
'
$
$
mp
2 +
Gently q=68
,div. ( 0 ( p
( ( +#
$
+#
$
*
( ( )0 0 ,( p
)0,0 ( p
$
$
mp
$
*
3 042 0 00
mp
mf
*
p
(
$
$
$
$
"#
$
$
$
$
$
+
$
$
$
$
$
+
Hn.
C Tpt.
Nr
! # "#
$
$
Vln. II
$
$!
Convicted: 1984, The conviction was overturned when another man confessed to the crime.
! ( # Vln. I
# +
"# +
$
* -*
unis.
mf
,*
pp
mf
pp
mf
-*
*
00
0
0 1 4 2 04 2 1
$
$!
p
160
+
(
mf
$
$
$
$ *
( (
$
p
**
+ -( (
p
( (
((
*
(
)(
(
-(
1. p
con sord. 1.
*
p
160
0 000 0 0 -0 0 -( $
$
mf
mf
mf
mf
Convicted: 1991, DNA evidence proved the hairs found clutched in the victim's hands were from a white man and the defendant was black...
Exonerated: 2002
*
$!
$
0 0 0 0 0 0 0 # -01
(
$
Cl.
$
0 14
$!
! Ob. # 155
*#
(
$
(with a sense of hope and irony) Convicted: 1999, The DNA results pointed Convicted: 1983, directly to another individual. (beat) Exonerated: No physical evidence Exonerated: 2004 linked him to the crime. 1987 mf Violin I Solo delicately
Nr
Vln. II
( $$
* * * *
2 0 2 0 mp
$
$ $
(
(
(
(
(
(
(
(
p
p
p
mf
mf mf
23
! Fl. # + 163
*
*
1. p
+#
+
p
# (
Ob.
p sub.
Cl.
C Tpt.
"# +
! ( "# p sub.
Vln. II
$
p
**
$* p
*
2
$ 0 0 0 +
$
"#
$
0
+ 2
(
2. p
0 2
0 0 0 0 4 0# 0 2 4 1
* +
Exonerated: 1997
! #
1.
mf
$!
Nr
Vln. I
(
0
$
mf
2.
)( (
* ##
p
( (
p
( *
*
breathe quietly as needed at tie breaks
$
$!
)1.( (
$
$
$
Convicted: 1982, The defense attorney failed to interview witnesses, failed to obtain police reports, elicited damaging testimony against
tutti
(
p
(
$
$
$
$
$
$
p
' ! )( ( Fl. #
breathe quietly as needed at tie breaks
( (
168
# (
Ob.
# # *(
Cl.
Bsn.
Hn.
Nr
"
%
! "#
1. To Picc.
)(
(
$
$
(
$
mf
+ *#
$
enter imperceptibly ppp 1.
)*
mf
( (
)0
( *#
)0
)( (
mf
change notes almost imperceptibly
change notes almost imperceptibly
)0
)0
( *# ( (
)( (
( (
)(
(
mf
$
$
$
$
$
$
1.
mf
ppp
his own client during cross examination of a witness. (long beat) Exonerated: 1996
$
+
4
3 -0 -0 -0 1.
mp
173
24
! Picc. # +
173 Warmly
4
-0 1
-0
4
-0 1
-0
0
0
Piccolo
mp
Fl.
# +
Fl. 2
Cl.
Hn.
"# 2
4
4 "# 2
Nr
mp
0
-0
-*
-+0 mp
,( mf
-*
-*
,( mf
*
+
mf
2.
3 -0
)0
-0
-*
mp
! -* # + senza sord. 1.
C Tpt.
)1.0 1
mp
-0
-0
-*
$
$
$
$
$ $!
$!
17 years later... (beat) Exonerated
12 years later... (beat) Exonerated
173
! div. Vln. I # )( )(
Warmly
( (
mf
# -( (
( (
( (
' )(
(
% )(
(
% )(
(
p
div.
Vln. II
p
Vla.
p
Vc.
p
Cb.
"
p
( (
mf
(
mf
(
mf
( mf
25
176
! Picc. # 176
$
$
Fl.
Bsn.
$
#
Fl. 2
"
%
+
$
-*
$
(
mp
-(
-0 4 1 -0 -0 -0 1.
mf
p
(space out loosely and emphasize the number) 16 years later... 21 years later... 26 years later...
! Vln. I #
$
#
$
+
rit.
-* *
(
0 -0 -0 -0 - 0 -0
( (
+
-(
+
-*
(
-(
% 4 3 -0 -0 -0 -0 0
*
-*
%
+
'
$
Vc. solo molto espressivo
p
0 - 0 -0
mf
-0
-0
Cb.
"
%
$
+
p
(
-* #
-*
(
-( $$
p
Never. p
$
-0 $
( t. 0 -0 -0 -0 - 0 por -0
-*
(softly and
mf
Vc.
$
$!simply)
+#
unis.
( (
mf
a tempo
-( (
--**
(
+
30 years later...
p
p
Vla.
$
p
$
176
Vln. II
(
$!
2
Nr
a tempo
rit.
-0
( -( $$
f
" !
26
! Picc. # 181
Bsn.
Hn.
"
*#
%
$
$
# *#
(
mf
' 2 *# (
-0
$
mf
0
(
(
(
$ -($
$ -($
' 190
3 ! # " 0 *
1.
3 ,0 0 0
*# +
2.
*#
Cb.
!% + "
$
% * p
div.
-0 p
0 *#
3
div.
0
,** ##
**
" / !* !0
mf
*
*#
(
*
*#
(
*
-*
*
0 *
*
+
)0
! !
193 ( (
(
(
Nr
Vc.
$
$ -* # - *#
*# *#
** ##
* )*
$
# -**# 1.
)0 2 p
3 30 0*#
01 * *
! !
0 )*
$
$
0
$
$
$
$
-* #
*#
$
0 * *
0 *
tutti
(
mf
Hn.
$
*
mf
% -( Cb. " $$
p
--**
(
$
*
% (
!% 2 # " -* #
+
)(
(
mf
Bsn.
$
p
*#
Vc.
$
$
unis.
%
$
/ !
mp
! ( Vln. I #
Vla.
(
mf
$
! "#
Vln. II
)(
(
2
To Fl.
mp
-* #
*#
*# *#
-* #
mp
$
$
7 $
$
$
7 $ $!
(like the beginning, at m. 40) But they cried, saying, "Crucify him, crucify him." (beat) Why? What evil has he done? mf
$
(( ((
unis.
)(
mp
unis.
)(
7 (
ppp
p
(
7 (
! #
7 $
#
7 $
$
#
7 $
$
#
7 $
$
%
7 $
$
196
Fl. 1
Fl. Fl. 2
Ob.
Cl.
Bsn.
"
! Hn. # C Tpt.
"# 7 +
Nr
Vln. I
$
2
)*#
$
7 $
$
" !
*# *#
1.
+
0
f
+ )* 0 2
*# )*#
%
*# *# *# *#
* ## *
* ## *
f
)0*)* 0 )** ## f
/ ) 2* # ! +
'
7 $
$
*#
f
*#
"
f
*# *# * ## * ** ##
**##
$
%
$
$ div. 0 **##
7 $
%
*# *#
** ##
*
div.
#
Vc.
$
** ##
Dramatically
$
*# *#
f
)* # )*#
$
2.
7 $
Vla.
*#
f
198 $
*#
f
f
7 $
(quietly) Crucify him. pp
Flute
/Dramatically ! *
! #
Vln. II
Cb.
" !
198
$
2 )*#
* (f)
*#
(f)
2# 2
$ 3 )* 0 0
$
*# )* # **##
(f)
)* # )*#
*# *#
* ## *
* ## *
(f)
$
*#
(f)
)00 #)* 0 0 )** ## 1 (f)
$
) 2* # * (f)
$0 0 1
** ## **##
$
2#
*#
$
*#
(f)
*#
f
(f)
7 $
$
)* #
*#
*#
$
)* # (f)
*#
7 $
$
)* #
*#
*#
$
)* #
*#
f
f
(f)
27
28
! # 204
Fl. 1
Fl. Fl. 2
Ob.
Cl.
Bsn.
#
0#
*#
) 0 0= ) 0 0 ) 0 )0 0 *
*#
ff
*
* # * #
) 0 0= ) 0 0 )0 )0 0 * 4
**
Timp.
!% "
$
$
(
(
2
$
$
$
2
$
$
$
)** ##
"# ** ##
Piccolo
mf
*# )* #
% " *# *#
To Picc.
6
ff
!% ** ## Hn. C Tpt.
6
! !
mf
)* #
staggered breathing
a2
*#
staggered breathing
(
(
*
( (
p
$
$
$
$
$
&
! Vln. I # Vln. II
Vla.
Vc.
#
$
$ *
)00
unis.
*#
' *# % *#
% Cb. " *#
$
$
*#
f
unis.
*# )*# $
)0)00 0 6
*
! !*
$
*#
(
)* #
(
)* # 6
(
(
ff
ff
7 -(( $ ff
( ( (
-( (
(
(
*
7 $
-( (
)( (
(
(
*
7 $
( (
)( )(
$ )($ p
( ( $ ($
$ "! $$ ($ (
pp
( ( (
div.
mf
f
f
f
-( (
div.
mf
*#
7 $
(
7 $
mf
*
-(
**
( (
$
* * f
Lg Sus Cym
Perc.
f
7 $
-( (
mf
(
f
212
($
mf
a2
mf
mf
** ## $
($
-(
" ! !* !
f
ff
ff
( (
( (
ff
7 $
)* +
$ 0$ 0
ff
*
7 $
$
$
f
f
" ! ! ** !
212 7 $
**
7 $
f
. -( ( ff
unis.
. (
. ( . (
ff
(
(
*
(
(
*
7 $
. )(
7 $
)(.
mf
$ )($
mf
$ )($
f
f
$ )*$ f
(.
unis.
. ( (
7 $
mf
( (
$ *$
f
( (
7 $
* *
ff
ff
ff
ff
(.
. )(
+
7 ! $ Picc. # 214
Fl. Fl. 2
Ob.
Cl.
7 # $
-* *
Perc.
Vln. I
Vln. II
Vla.
Vc.
"#
7 $
!% 7 $ " &
7 $
7 ! # $ 7 # $ '
7 $
% 7 $
% 7 $ Cb. "
0 0# 1
(
f
f
* *
f
00 00## 1
**
f
3 )0 # 0 03 0 # f
*
0 (
5 !( (
0
( (
00
$
#
mf
0 0 #)00 0 0 # 0 0 )*
+
0 0 00 0
-* ** *
00 -0 0 0 0 0 00 0
* , ** *
0 0 00 00 00 00
* )*
( (
0 0
* )* * )* f
0 00 0 0 )0 0 0 0 0
**
( (
00
( (
0 0
** * *
0 00 00 00 00 0
-* * * *
00 -00 00 00 00
)* *
0 )0 0 0 0
sffz
$$ ) * 0 6
2
* *
00
sffz
0 ( 0 (
-* 2 *
0 -0 0 0 0
( (
mf
+
*
f
mf
+
29
f
00 ( (
2
! ! -* f
mf
*# )* #
( (
0
mf
4-0 # 0 -0 ( 60 # 0 - 0 (
0 0 ## 01 0 )( )( 0 0 ## ( 00 ( 1
* )*
0 (
-* 2 *
0 0 ## -( 00 1 (
f
2 -* 2
00 00 ## (( 1
f
7 $
!% 7 $ Hn.
Timp.
* -**
#
1
f
7 # $
% 7 $ Bsn. "
C Tpt.
! Deliberately, with weight q=80 ! -* 0 0 # (
f
f
$ ($
0
$$ "! $$ * (
0
sffz
f
f
Lg Sus Cym
$
$
with weight q=80 ! -Deliberately, * 0 0# ! (
1
f
*
f
0 0# 1
(
*
f
3 0 0#
(
)*
3 0 0#
(
)*
0 0# 1 )(
f
f
+
$ 2 -**
div.
2
mp
0 ( 0 (
5 !( (
mf
0 0
mf
$
$
* * *
0 -0 0 0 0 0 0 00 0
! ! -* f
-0 (
(
0
f
2 *
-0 (
(
0
* *
sffz
(
0
)*
(
*# )* #
mf
mf
2 2
+ +
*
sffz
0
*
*
*
f
* f
*
)* div. * )* f
0
0 00 0
0 0 00 0 0
0 00 0
0 )unis. 0 00 0 0
30
! # 222
Picc.
Fl.
#
Fl. 2
#
Ob.
Hn.
C Tpt.
Timp.
Perc.
Vln. I
Vln. II
Vla.
Vc.
* * ** -* *
(
0 14
(
0 14
( (
0 04 1
"
%
)** * )*
! # * ** * * ,* "# ,* ) * !% " * )* & ! #
+ + ( (
5 ! * -* * *
* 0 0# ( 1
mf
ff
mf
ff
mf
$ *$#
f
mf
$ ($
*# )* #
* ## *
$
p
$
"% with snares $ + 000
$
! ! -*
unis. mf
$ snare drum
lg sus cym
0 0# ( 1
p
/ ! ,* #
226
*#
$
)0 2 +
2 0 0 000 2
$
+
* )*
(
4)0 1
* )*
(
0
(
(
0
(
(
f
f
f
mp
(
3 3 -0 # 0 0 0 # -0 0 *
)(
(
mf
mf
* +
mf
$
0 41 f
,(
ff
f
)0
0
)div. * unis. * % + )* # Cb. ) * "
)( (
+
' * *
*#
$
* ))** *
mf
ff
2
( (
0 4)0 1
)* #
*
** ))**
* *
* 0 0# ( 1
+
f
f
*
*#
*
f
f
3 3 ,0 # 0 0 0 # -0 0 * $
$
-,00
( (
0
*
**##
0 0
# * * -(
%
(
( ( ( (
Snare Drum
0 0
-(
-* * -* * -* *
4 03 0
**
(
f
2
- 0 ## 0 0 0 #--00 00 ** -0 0 0 0 # 1 1
( (
$ ($
** ##
*
f
2
# -0 0 * ,-00 # 00 00 00 ##- 01 0 * 1
$
-* 0 0 ## ,( * 00 )( 1
p
( (
# ,,** #
--( (
** + %
0 04 1
! ! -*
2
00 ## 00 00 -- 00 ## 0 0 - * 0 0 -* 1 1
** 00 00 ## ) ( ( 1
mf
+
0# 0 0 -0 # 0 0 -* 1 1 0 # 0 0 - 0 # 0 0 -* 1 1
* 0 0# )( 1
mf
**
** ##
/ !
226
) ** ##
+ )*$$# +
$
! !
03 4 -( ( 0 mf
-( # * * * * -(
Cl.
Bsn.
5 ! * -*
f
$
! !
$
)( (
div. f
$ $ 00$ 0 0$
3 0 mf
Picc.
231 ! * #
Fl.
#
Fl. 2
Cl.
Bsn.
"
Timp.
+
** ##
%
+
* *
**
+
# *
+
'
+
Cb.
"
*
0 2
+
% **
+
" %
$
232
/ !
" ! ! -* ! Flute
$ 2
-*
00 00 -* -* 1
2
-* -*
3 00 00
** ##
mf
(
( (
0 - ,** ## 0
)( )(
( (
2
)**
))( (
$
2 2 )0
+
200000000
2 0 2
* ## *
mf
0 0 )* 01 0 ) *
mp
mf
p
" ! ! -* !
3 0# 0 0 -0 #
3 0 0 -*
2
-*
0
3 0 # -0 0
*
3 0 # -0 0
*
$
+
* )*
( (
2 )0 +
on rim
+
mf
p f
(
(
*
(
(
0
*
(
(
0
*
*
mf
4 3 0
3 3 $ $$ 3 3 $ 0+0 0 0 0 0 0 0 4 : : : 0 0 0 2
(
mf
+
+#
(
mf
+
* *
**
mf
$
*
* (
mf
**
0 0 0 0 1
2
$
(
+
0 0 -* 1
3 ,0 # 0 0
(
+
0 ## 0
2
0# 0 0 -0 # 1
3 -0 # 0 0
(
mf
$
* *
31
mf
0 0 -* 1
00 ## --00 00 1
$
Lg Sus Cym
*
00 ##
0 # 0 0 --00 ## 0# 0 0 1
$
! * Vln. I #
%
* ## *
+
mf
Vc.
# ,-00 # 00 00 1
0 2 0
$ & *$
Vla.
0# 0 0 -0 # 1
+
2 0 0
!% "
Vln. II
$
# **
"#
Perc.
$
00## 00 00 --00 ## 1
**
!% ** Hn. C Tpt.
To Fl.
/ !
+
#
Ob.
*
232
mf
mf
)*
(
mf
p
32
242
! -0 # Ob. #
0 0 1
)0 #
3 0 0
238
#
Cl.
Bsn.
a2
a2
% # " 00 #
!% ( ( Hn.
3 -0 0 -0 0
-0 -0 00
0 0 00
0
-*
p
(
(
Timp.
"# !% 3 4 2 " )0 $ & 0+3 0 0$ 0
Perc.
mf
+
-*
(
**
)00
( (
( (
)0 )0
( (
$
$
( (
$
$
$
$$ )0$ 0 0 0
** ##
p
p
f
**
# -0 #
3 0 0
-0
Cb.
"
%
p
$
0 0
-* -*
div.
00
p
3 3 3 3 p 4 0$ 03 4 4 0$$ 03 4 4 0$$ 0 0 0 4 03 0 p
mp
mf
0#
0
0
*
0#
3 -0 0
0
0
*
( (
$
p
,unis. *
*
$
)*
,*
$
*
*
*
)*
( (
p
0
(
,0
(
0
(
(
(
(
p
3 -0 0
)**
mp
pp
*#
' ( %
000
2
242 -0
Vc.
3
on rim
0 0 1
Vla.
p
p 3 3 3 3 $ 3 0$ 0 0 0 : : : : : : 0 0 0 2 0 0 0 0
! -0 # Vln. I #
Vln. II
00
mf
mf
-*
(
+
p f
*
-0
+#
$
*
1.
p
C Tpt.
,1.*
mf
mf
p
)0 p
mf
$
f
33
! Fl. # 243
Ob.
Cl.
#
(
(
1.
)(
(
C Tpt.
Timp.
Perc.
Vln. I
Vln. II
Vla.
Vc.
"# !% "
$
#
$
((
ff
fff
0( , * #
((
f
$
$
$
$
3 3 $ $ )0$ 0 0 0 0 $$ )($ 0 0 0 0 0 (pp)
mf sfz
$ (
( $$
ppp
(
2#
f
)(
(
f
'
$
)( f
% ,(
(
% ( " (
)( )($ $
div.
f
$
+
$
+
$
7 $
((
7 $
( (
( (
7 $
( (
( (
7 $
-* *
( (
( (
7 $
f
ff
( )(
( (
7 $
$ ($
$ ($
7 $
( $$
( $$
0 * )0 * 1
0# 4 )0 # ff
#
$
$ ($
$ ($
( $$
( $$
( $$
((
fff
$
)( (
f
Cb.
*
0 - ((
ff
& ! #
( +
f
#
!%
+#
f
% Bsn. " ( ( Hn.
(
( $$
fff
fff
ff
( $$
fff
( $$
fff
fff
7 $ 7 $
)( $$
)( $$
)( $$
)( $$
7 $
$ ($
$ ($
$ ($
$ ($
7 $
( $$
( $$
( $$
fff
( $$
7 $
( ( $
( ( $
( ( $
( ( $
7 $
fff
fff
fff