Art Times March 2022 Edition

Page 54

A VERY GRAND TOUR By Jessica Bosworth Smith www.salon91.co.za

A Very Grand Tour is a debut solo exhibition by Jessica Bosworth Smith. “I first lived overseas in 2012 working as an au pair in Paris. During my year abroad, I extensively explored the city. And, while inhabiting the role of both tourist and Parisian local, learnt of a very interesting phenomenon, Paris Syndrome. This syndrome is characterized by an overwhelming sense of disappointment that reality does not match up to expectations that tourists sometimes hold of the city. Throughout my many trips to famous monuments, I felt that, yes, I could very easily see the burst bubble of romance in some tourist’s faces as they attempted to capture the perfect vista of the Eiffel Tour while trying to ignore other tourists attempting to experience the magic of the city at the very same time as they were. Despite the reality often falling short, I still took immense delight in discovering the city; the magic that seemed to lie in unexpected places, and the welling up of emotions that often took me by surprise. The sudden stumbling onto a scene that unfolded like a tableau that felt like I had discovered a more real version of the city than the actual city I had been experiencing. This encountering of the whimsically unexpected began to change the way I interacted with the places around me. Over time, I began using a camera less, preferred travelling alone, and would purposefully lose myself in a place to reflect on things that can only be truly examined when your comfort zone has been stripped away. For me, travel became about self-examination. I’ve done much travelling since then and I’ve wondered about the nature of being a tourist. To tour a place is to create the tourist attraction. I have my own very complicated feelings about this simple fact. I want to inhabit, to experience, to take pictures, but I begrudge my own presence there. The early photos from March 2020 of monuments completely deserted was like glimpsing into a strange place where there was no such thing as a tourist.

54

Somebody’s Home, 2022, Gouache on board, 480 x 360mm

In Cahoots, 2021. Gouache on board. 345 x 285mm

W W W. A R T T I M E S . C O . Z A


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.