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T H E G A L L E RY C O L L ECT I O N Impressionist | Modern | Contemporary Stern Pissarro Gallery


front cover (detail)

CAMILLE PISSARRO (1830 – 1903)

Paysanne Rêveuse Assise, Soleil Couchant Oil on canvas 81 × 65 cm (317 ⁄ 8 × 255 ⁄ 8 inches) Signed and dated lower left, C. Pissarro 1892 illustrated on page 60

back cover

YAYO I K U S A M A (b. 1929)

Spirit of Glasses Collage, pastel and ink on paper 39.4 × 54.3 cm (151 ⁄ 2 × 213 ⁄ 8 inches) Signed and dated lower right, Yayoi Kusama 1975 and dated on the reverse, signed again and titled in Japanese on the reverse illustrated on page 5


T H E G A L L E RY C O L L ECT I O N PART I Post-War & Contemporary

Stern Pissarro Gallery 6 6 S T. J A M ES ’ S S T R E E T, LO N D O N S W 1 A 1 N E , U K TEL: +44 (0)20 7629 6662  EMAIL: STERN@PISSARRO.COM www.pissarro.art


A R M A N (1928 – 2005)

Colère de Violon Violin cut, acrylic and ink on canvas 80.08 × 59.6 cm (311⁄2 × 231⁄2 inches) Signed on the lower edge, arman Executed in 2003 Provenance Bugno Art Gallery, Venice Private collection, Italy Private collection, France, acquired from the above

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Exhibited Venice, Centro d'Arte Cultura et Bugno Galerie Arte, Arman: Opere Recenti, June 2004 This work is accompanied by a certificate of authenticity from the artist dated 5th August 2003 and is recorded in the Arman Studio Archives, New York under no. APA# 8021.03.242. It is also listed in the Archives of Denyse Durand-Ruel, who is preparing the forthcoming catalogue raisonné of Arman, under no. 8076.


J I M D I N E (b. 1935)

A Smaller Fortress Oil on board 91.5 × 122.2 cm (36 × 481 ⁄ 8 inches) Titled, signed and dated on the reverse A Smaller Fortress, Jim Dine 1981 Provenance Private collection, Japan The Market Auction, Tokyo, 25th October 2007 Private collection, Hong Kong The Studio of the Artist has confirmed this work is listed in the Artist's inventory records.

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YAYO I K U S A M A (b. 1929)

Teardrop Acrylic on canvas 38 × 45.5 cm (15 × 177 ⁄ 8 inches) Titled, (Namida/Teardrop), dated, 1989 and signed, Yayoi Kusama on the reverse Provenance Private collection, Japan Private collection, Japan Private collection, Asia This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo. 

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YAYO I K U S A M A (b. 1929)

Spirit of Glasses Collage, pastel and ink on paper 39.4 × 54.3 cm (151 ⁄ 2 × 213 ⁄ 8 inches) Signed and dated lower right, Yayoi Kusama 1975; and dated on the reverse, signed again and titled in Japanese on the reverse Provenance Nishimura Gallery, Tokyo Sakurado Fine Arts, Tokyo Private collection, USA, acquired directly from the above in 2016

Exhibited Tokyo, Nishimura Gallery, Yayoi Kusama, Message of Death from the Hades, 1st December-13th December 1975 This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo. 

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YAYO I K U S A M A (b. 1929)

Late Autumn Skies Enamel and ink on paperboard 27.3 × 24.1 cm (103 ⁄ 4 × 91 ⁄ 2 inches) Signed and dated lower left, YAYOI KUSAMA 1978; signed again, titled in Japanese and dated on the reverse Provenance Robert Miller Gallery, New York Victoria Miro, London Private collection, London, acquired from the above This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo. 

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YAYO I K U S A M A (b. 1929)

Rain on Red Poppies Enamel and ink on paperboard 27.3 × 24.1 cm (103 ⁄ 4 × 91 ⁄ 2 inches) Signed and dated upper left, YAYOI KUSAMA 1978; signed again, titled in Japanese and dated on the reverse Provenance Robert Miller Gallery, New York Victoria Miro, London Private collection, UK, acquired from the above This work is accompanied by a registration card issued by Kusama Enterprise, Tokyo. 

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C H U N KW A N G -YO U N G (b. 1944)

Aggregation 001-F008 Mixed media with Korean mulberry paper 163 × 131 cm (641 ⁄ 8 × 515 ⁄ 8 inches) Signed, titled, dated and inscribed on the reverse Executed in 2001 Provenance Private collection, Seoul Private collection, London

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C H U N KW A N G -YO U N G (b. 1944)

Aggregation (집합) S00-204 Mixed media with korean mulberry paper 97 × 147 cm (381 ⁄ 4 × 577 ⁄ 8 inches) Signed, titled and dated on the reverse Executed in 2000 Provenance Private collection, Seoul

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A L E X A N D E R C A L D E R (1898 – 1976)

McGovern Gouache on paper 76 × 56 cm (297 ⁄ 8 × 22 inches) Signed and dated lower right, Calder 11-7-72 Provenance Collection of George J. Goodstadt, acquired from the artist

Literature Hal Elliott Wet, George McGovern & The Democratic Insurgents: The Best Campaign Posters of the Last Fifty

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Years, University of Nebraska Press, Lincoln and London, 2015 This work is registered in the archives of the Calder Foundation, New York, under application number A17775.


A L E X A N D E R C A L D E R (1898 – 1976)

Composition Gouache on paper 57 × 77 cm (221 ⁄ 2 × 301 ⁄ 4 inches) Signed, dated and dedicated lower left, à Marie Paule et Jean Leymarie Calder 69 Provenance Studio of the artist, Saché, France Collection Marie-Paule and Jean Leymarie, France, gifted from the artist, 1969 Private collection, thence by descent This work is registered in the archives of the Calder Foundation, New York, under application number A28172.

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PA U L J E N K I N S (1923 – 2012)

Phenomena Prism Shadow Acrylic on canvas 99 × 99 cm (39 × 39 inches) Signed lower left, Paul Jenkins Signed, titled and dated on the reverse Executed in 1986 Provenance Irving Galleries, Palm Beach, Florida Private collection, Florida

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PA U L J E N K I N S (1923 – 2012)

Phenomena Once was Forever is Acrylic on canvas 194.5 × 121.5 cm (765 ⁄ 8 × 477 ⁄ 8 inches) Signed, Paul Jenkins lower left Signed again, titled and dated, 1991 Paris on the reverse Literature Provenance Acquired from the Artist Private collection, New York

Tristan Paul Roux, Paul Jenkins, Oeuvres sur Toile 19841992, Galerie Guy Pieters, Knokke-Zoute, Belgium, 1992 (illustrated in colour)  

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A L E X A N D E R C A L D E R (1898 – 1976)

McGovern Gouache on paper 76 × 56 cm (297 ⁄ 8 × 22 inches) Signed and dated upper right, AC 72 Provenance Collection of George J. Goodstadt, acquired from the artist

Fifty Years, University of Nebraska Press, Lincoln and London, 2015

Literature

This work is registered in the archives of the Calder Foundation, New York, under application number A26042.

Hal Elliott Wet, George McGovern & The Democratic Insurgents: The Best Campaign Posters of the Last

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A L E X A N D E R C A L D E R (1898 – 1976)

Spirale Gouache and ink on paper 75 × 110 cm (291 ⁄ 2 × 431 ⁄ 4 inches) Signed and dated lower right, Calder 1969 Dedicated lower middle and lower right à Anne – Marie with an illustration of a hammer Provenance Collection Anne-Marie Marteau, Tours, France, gifted from the artist Thence by descent, private collection This work is registered in the archives of the Calder Foundation, New York, under the application number A27972.

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OT TO P I E N E (1928 – 2014)

MyMy Fire gouache on card 67.5 × 47.8 cm (265 ⁄ 8 × 187 ⁄ 8 inches) Titled lower left, MyMy; signed and dated lower middle, O Piene 75 Provenance Galerie Löhrl, Mönchengladbach Private collection, Germany, acquired from the above

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A L E X A N D E R C A L D E R (1898 – 1976)

Composition Gouache on paper 75 × 109.5 cm (291 ⁄ 2 × 431 ⁄ 8 inches) Signed, dated and dedicated lower left, à Ray & Jeanne Sutter, Sandy Calder 70 Provenance Raymond & Jeanne Sutter collection (neighbours of Calder in Saché), gifted from the artist, 1970 Private collection, Paris Galerie Carole Brimaud, Paris Private collection, acquired from the above in 1992 This work is registered in the archives of the Calder Foundation, New York, number A28063.

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C H R I S TO (b. 1935)

Over the River (Project for Arkansas River State of Colorado) Wax crayon, graphite and charcoal on board 35 × 38.5 cm (133 ⁄ 4 × 151 ⁄ 8 inches) Signed and dated, Christo 1999, titled and inscribed with technical notes upper middle; signed, dated and inscribed on the reverse Provenance Baldwin Gallery, Aspen, 2000 Collection of Melva Bucksbaum, New York, acquired from the above, 2000

Exhibition Aspen, Baldwin Gallery, Over The River: Project for the Arkansas River, Colorado, March-April 2000 This work is accompanied by a certificate of authenticity signed by Christo.

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C H R I S TO (b. 1935)

Valley Curtain (Project for Colorado) Collage with coloured pencil, graphite, graph paper, photograph by Shunk-Kender and stapled fabric on board 71.1 × 56.6 cm (28 × 221 ⁄ 4 inches) Signed and dated lower right, Christo 1971 and inscribed with technical notes Provenance Studio di Arti Visive Oggetto, Italy Private collection, Switzerland, acquired from the above This work is accompanied by a certificate of authenticity signed by Christo.

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C H R I S TO (b. 1935)

Wrapped Reichstag (Project for Berlin) Acrylic, wax crayon, coloured pencil and graphite with taped photograph by Wolfgang Volz and printed map collage on board 36.3 × 56.6 cm (141 ⁄ 4 × 221 ⁄ 4 inches) Signed and dated lower right, Christo 1994, titled lower middle and inscribed with technical data on the upper margin; signed and dated on the reverse Provenance Collection of Mary Lippens Private collection, Belgium This work is accompanied by a certificate of authenticity signed by Christo.

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C H R I S TO (b. 1935)

Wrapped Reichstag (Project for Berlin) Collage with pastel, crayon, ballpoint pen, pencil, fabric, photograph by Wolfgang Volz and twine on board, in two parts 28.8 × 71.8 cm (111 ⁄ 4 × 28 1 ⁄ 4 inches) / 56.5 × 71.8 cm (221 ⁄ 4 × 281 ⁄ 4 inches) Signed and dated, Christo 1985, titled and inscribed on the lower edge of the upper part; inscribed with technical data throughout the lower part Numbered 25A and 25B and inscribed on the reverse Provenance Obelisk Gallery, Boston D. Fayman, San Diego Christie's, London, 20th May 1998 Private collection, USA, acquired from the above

This work is accompanied by a certificate of authenticity signed by Christo.

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PA U L J E N K I N S (1923 – 2012)

Phenomena White of the Tiger Acrylic on canvas 97 × 130 cm (381 ⁄ 4 × 511 ⁄ 8 inches) Signed lower left, Paul Jenkins Titled and dated 1987 on the reverse Provenance Private collection, France

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OT TO P I E N E (1928 – 2014)

Wo Alu und Honig Fließen Fire gouache with aluminium on cardboard 99 × 64 cm (39 × 251 ⁄ 4 inches) Signed and dated lower right, O Piene 72 and titled lower left Provenance Private collection, Austria

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M A R I N O M A R I N I (1901 – 1980)

Cavallo e Cavaliere Ink and tempera on paper 56.4 × 42.7 cm (221 ⁄ 4 × 163 ⁄ 4 inches) Signed and dated lower right, Marino 1955 Provenance Galleria II Castello, Capri Private collection, Modena Private collection, United Kingdom, thence by descent This work is accompanied by a certificate of authenticity from the Fondazione Marino Marini and is registered under archive number 514.

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L U C I O F O N TA N A (1899 – 1968)

Concetto Spaziale, l Quanta Waterpaint on canvas 40 × 30 cm (151 ⁄ 8 × 113 ⁄ 4 inches) Signed, L. Fontana and illustrated with 3 sketches on the reverse Executed circa 1960 Provenance Private collection, Viareggio Galleria Angolare, Milan Private collection, Switzerland Private collection, United Kingdom, thence by descent

Exhibited Milan, Galleria Angolare, Accrochage, 29th October – 14th November 1975 (illustrated)

Literature Enrico Crispolti, Fontana, Catalogo Generale, vol. I, Electa, Milan, 1986, no. 59 Q 14a, p.343 (illustrated) Enrico Crispolti, Lucio Fontana, Catalogo Ragionato di Sculture, Dipinti, Ambientazioni, vol. I, Milan, 2006, no.59 Q 14a, p. 516 (illustrated) This work is registered under the archive no. 59 Q 14a at the Fondazione Lucio Fontana.

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N O R M A N B L U H M (1921 – 1999)

Jocasta Acrylic on cardboard laid down on wood 59 × 89 cm (231 ⁄ 4 × 35 inches) Signed and dated lower right, bluhm 73 Provenance Martha Jackson Gallery, New York, archive no. 15408 Galleria d’Arte Rinaldo Rotta, Genoa Private collection, Europe

Exhibited Milan, Norman Bluhm, Galleria Il Cerchio and Galleria Rinaldo Rotta, 1974 Venice, Norman Bluhm, Circolo Artistico Palazzo delle Prigioni Vecchie, 19th July – 22nd August 1974 Mrs Carolyn Bluhm (widow of Norman Bluhm) from the Estate of the Artist has confirmed the authenticity of this work. This work is accompanied by a photo-certificate from Galleria d’Arte Rinaldo Rotta, Genoa.

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S A M F R A N C I S (1923 – 1994)

Sklye Acrylic on paper 14.6 × 10.2 cm (53 ⁄ 4 × 4 inches) Signed, Sam Francis and dated on the reverse Signed again, dated and inscribed on the backing board Executed in 1986, Los Angeles Provenance Angles Gallery, Santa Monica Private collection, California, acquired from the above Santa Monica Auctions, 8th June 2014 Private collection, acquired from the above Estate of Paul Coady, thence by descent This work is identified by the Sam Francis foundation with the archival identification number of SF86-332 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper.

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J E A N - PA U L R I O P E L L E (1923 – 2002)

Abstract Composition N Acrylic on paper laid down on canvas 89.7 × 49.5 cm (351⁄4 × 191⁄2 inches) Signed with initial lower right, R and titled, AC (Abstract Composition) N Executed in 1972 Provenance Christie's, London, 1st July 1999 Galerie Roche, Bremen, Germany Kaspar Gallery, Toronto, Canada Private collection, Italy

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J E A N - PA U L R I O P E L L E (1923 – 2002)

Carros Oil on canvas 89.5 × 116 cm (351 ⁄ 4 × 455 ⁄ 8 inches) Signed and dated lower right, Riopelle 66 Signed and dated, Riopelle 66 and titled, Carros on the reverse Provenance Galerie Maeght, Paris Collection Mme M. Godard Galerie Samuel Lallouz, Québec Private collection, USA, acquired from the above in 1987 Christie’s Paris, 5th June 2013 Private collection, Paris, acquired from the above sale

Literature P. Schneider, Riopelle: Signes Mêlés, Maeght Éditeur, Paris, 1972, no. 134, pp. 142 & 174 (illustrated) Y. Riopelle, T. Riopelle, Jean-Paul Riopelle: Catalogue Raisonné, vol. IV, 1966-1971, Hibou Éditeurs, Montréal, 2014, no. 1966.031H.1966, p. 98 (illustrated) This work is accompanied by a certificate of authenticity issued by Yseult Riopelle under the reference 366-FR-CP, dated 20th May 2013.

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TO S H I M I T S U I M A I (1928 – 2002)

Red Composition Oil on canvas 80.2 × 55.3 cm (315 ⁄ 8 × 213 ⁄ 4 inches) Signed TOSHIMITSU IMAÏ, dated 1963 Paris Inscribed in Japanese on the reverse Provenance Private collection, USA

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J E A N - PA U L R I O P E L L E (1923 – 2002)

Joute Oil on canvas 46 × 55 cm (181 ⁄ 8 × 215 ⁄ 8 inches) Signed lower right, Riopelle Executed in 1956 Provenance

Literature

Galerie Jacques Dubourg, Paris Arthur Tooth & Sons, Ltd., London Private collection, United Kingdom, acquired from the above in 1957 Private collection, United Kingdom, thence by descent

Yseult Riopelle, Jean Paul Riopelle: Catalogue Raisonné, 1954 - 1959, vol. 2, Montreal 2004, p. 229, no. 1956.054H.1956 (illustrated)

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TO S H I M I T S U I M A I (1928 – 2002)

Vagues “Wave” Acrylic on paper 127 × 95 cm (50 × 373 ⁄ 8 inches) Signed lower right, IMAI Inscribed in Japanese and English, VAGUES “WAVE”, 1992-1997 Signed and dated TOSHIMITSU IMAI août (August) 1992 on the reverse Provenance Studio of the artist Dr Jean-Paul Coussy (Director of MCAP Museum, France), acquired directly from the artist, March 15th 1998 Dr Giorgio Tosetti, Italy, acquired from the above

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Exhibited Paris, Galerie Chozo Yoshii, Hommage à André Malraux - Les voix du Silence, September - November 1997

Literature G. C. Calza, Imaï, Electa, Milan, 1998 (Onde/Waves series)


R O B E R T M OT H E R W E L L (1915 – 1991)

Gauloises on Grey No. 29 Acrylic with collage on board 59.7 × 24.8 cm (231 ⁄ 2 × 93 ⁄ 4 inches) Signed lower right, RM Executed in 1972 Provenance Harriet Walker Fitts, acquired from the artist circa 1972

Exhibited Provincetown, Massachusetts, Provincetown Art Association, Drawings and Photography, Summer 1973

Literature Jack Flam, Katy Rogers and Tim Clifford, Robert Motherwell, A Catalogue Raisonné, 1941-1991, Collages and Paintings on Paper and Paperboard, vol. 3, New Haven and London, 2012, p. 165, no. C318 (illustrated) This work is registered under the artist’s studio no. PH 32-11.

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M O S H E TA M I R (1924 – 2004)

Der Reiter Mixed media and collage on paper 101 × 72 cm (393 ⁄ 4 × 283 ⁄ 8 inches) Signed upper left, M Tamir Provenance Private collection, Switzerland

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J E A N D U B U F F E T (1901 – 1985)

Site Avec 4 Personnages Acrylic on paper 68 × 50.8 cm (263 ⁄ 4 × 20 inches) Signed and dated lower right, J.D.81 Executed 20th September 1981 Provenance

Literature

Waddington Galleries Ltd, London Mrs Bette Greenblatt, acquired from the above Galerie di Meo, Paris Private collection, USA

Jean Dubuffet (introduction), Daniel Abadie, Giovanni Joppolo, Jean-François Jaegger, Catalogue des Travaux de Jean Dubuffet, Psycho-Sites (1981-1982), fasc. XXXIV, Paris: Les Éditions de Minuit, 1984, p. 86, no. 311 (illustrated)

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D A M I E N H I R S T (b. 1965)

Spin Household gloss on paper Diameter: 45.8 cm (18 inches) Signed with the Artist’s Stamp and dated 2001 on the reverse Provenance Private collection, London, employee of the artist, gifted from the artist Private collection, England, acquired from the above

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A N TO N I T À P I E S (1923 – 2012)

Abstract Composition Oil on canvas 30.4 × 21.1 cm (12 × 81 ⁄ 4 inches) Signed, Tapies and illustrated on the reverse Provenance Private collection, USA Private collection, New York, acquired from the above

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A N D R É L A N S KOY (1902 – 1976)

Lecture Pour un Sourd-Muet Oil on canvas 81 × 54 cm (317 ⁄ 8 × 211 ⁄ 4 inches) Signed and dated lower right, Lanskoy 64 Titled and dated on the reverse Provenance Galerie Verrière, Lyon, 1982 Alexia Goethe Fine Art Private collection, London This work is accompanied by a letter of authenticity signed by André Schoeller and dated 28th January 2002.

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A N D R É L A N S KOY (1902 – 1976)

Composition Oil on canvas 81 × 54 cm (317 ⁄ 8 × 211 ⁄ 4 inches) Signed lower right, LANSKOY Provenance Private collection, Germany This work is accompanied by a certificate of authenticity issued and signed by the artist, and by a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy.

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G É R A R D S C H N E I D E R (1896 – 1986)

Composition Gouache on paper laid down on canvas 74.4 × 103.8 cm (291⁄4 × 407⁄8 inches) Signed and dated lower right, Schneider 74 Provenance Private collection, Brussels This work is registered in the Gérard Schneider Archives under the number GS-P-74-017 and will be included in the forthcoming catalogue raisonné.

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K A R E L A P P E L (1921 – 2006)

Personnage dans la Tempête Oil on canvas 115.9 × 88.9 cm (455 ⁄ 8 × 35 inches) Signed and dated lower centre right, k. appel ‘54

Exhibited

Provenance

New York, Martha Jackson Gallery, Karel Appel: First American Exhibition, 6th – 31st December 1954, no. 6 (illustrated)

Martha Jackson Gallery, New York Private collection, New York Private collection, USA, thence by decent

This work is registered in the Archive of the Karel Appel Foundation.

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E N R I C O D O N AT I (1909 – 2008)

Curtain Call II Oil and sand on canvas 110.5 × 99 cm (431⁄ 2 × 39 inches) Signed Donati (lower right); signed, titled and dated Curtain Call II 1971 Enrico Donati (on the stretcher) Executed in 1971 Provenance Staempfli Gallery, New York Christie's, New York, 14th February 1989 Private collection, France Private collection, gifted from the above circa 1998

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V I C TO R V A S A R E LY (1906 – 1997)

Saluces Oil on board 53 × 47.4 cm (207 ⁄ 8 × 185 ⁄ 8 inches) Signed and inscribed, Vasarely - n.n. Signed again and titled on the reverse Executed in 1947 Provenance Private collection, Europe Private collection, acquired directly from the above by the present owner

Exhibited Holte, Søllerød Kunstforening, Kunst Fra 50'erne, 9th November 2nd December 1983, no. 62, n.p. (incorrectly titled) This work is accompanied by a photo-certificate of authenticity issued by Pierre Vasarely and will be included in the forthcoming Catalogue Raisonné de l'Oeuvre Peint de Victor Vasarely currently being compiled by the Fondation Vasarely.

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D A M I E N H I R S T (b. 1965)

Shark spin Acrylic on card 48.7 × 65.8 cm (191⁄ 8 × 257⁄ 8 inches) Signed on the reverse, D Hirst, blindstamped and dated April 25th - 26th 2009 Provenance Private collection, UK

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B E R N A R D A U B E R T I N (1935 – 2015)

Dessin de Feu sur Table Rouge Burnt matches on cardboard 50 × 50 cm (193⁄ 4 × 193⁄ 4 inches) Signed and dated lower right, Bernard Aubertin 2010 Provenance Private collection, France The authenticity of this work has been confirmed by Giancarlo Rovetta and it is recorded in the Bernard Aubertin Archive.

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J E A N - M I C H E L AT L A N (1913 – 1960)

Composition Pastel on paper 54 × 46 cm (211 ⁄ 4 × 181 ⁄ 8 inches) Signed and dated lower left, Atlan 58 Executed in 1958 Provenance Private collection, New York Artcurial, Paris, 7th December 2005 Private collection, France

Literature Jacques Polieri, Atlan, Catalogue Raisonné de l'Oeuvre Complet, Milan, 1996, no. 1534, p. 565 (illustrated in colour)

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J E A N - M I C H E L AT L A N (1913 – 1960)

Composition Oil on canvas 100.2 × 65.3 cm (391 ⁄ 2 × 253 ⁄ 4 inches) Signed lower middle-left, Atlan Executed circa 1958

Provenance Galerie Arditti, Paris, 1958 Private collection, France This work is accompanied by a certificate of authenticity from Mr Jacques Elbaz.

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R A ' A N A N L E V Y (b. 1954)

Studio Feature Pastel on paper 32.5 × 47.5 cm (123 ⁄ 4 × 183 ⁄ 4 inches) Signed, R. Levy, dated, 93 and dedicated lower right Provenance Guy and Marian Nagar Crane Kalman Gallery, London Private collection, London

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D A V I D N A S H (b. 1945)

Charred Oak Sheaves Oak wood, charred 45.5 × 31 × 21.5 cm (177 ⁄ 8 × 121 ⁄ 4 × 81 ⁄ 2 inches) Executed in 1998 Provenance Collection of Lutz and Hannelore Teutloff, Bielefeld, Germany (Founder of Teutloff Museum)

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E D M U N D D E W A A L (b. 1964)

Colourfield Ten glazed porcelain vessels Largest 9.2 high × 19.9 cm in diameter (35 ⁄ 8 × 77 ⁄ 8 inches) Impressed with the artist's seal on the underside of each vessel Executed in 2004 Provenance Private collection, United Kingdom, acquired directly from the artist

Exhibited Kettle's Yard, Cambridge, Edmund de Waal, 26th May-22nd July 2007, later travelled to MIMA (Middlesbrough Institute of Modern Art), 9th August-11th November 2007, pp. 102103 (illustrated)

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T H E G A L L E RY C O L L ECT I O N PART II Impressionist & Modern

Stern Pissarro Gallery 6 6 S T. J A M ES ’ S S T R E E T, LO N D O N S W 1 A 1 N E , U K TEL: +44 (0)20 7629 6662  EMAIL: STERN@PISSARRO.COM www.pissarro.art

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C A M I L L E P I S S A R R O (1830 – 1903)

Usine à Saint-Ouen-l'Aumône, la Crue de l'Oise Oil on canvas 38 × 56 cm (15 × 22 inches) Signed and dated lower left, C. Pissarro 1873 Provenance Hôtel Drouot, Paris, 13th April 1892 Durand-Ruel, Paris, acquired at the above Bernheim-Jeune & Georges Petit, Paris, acquired from the above on 13th February 1899 Hôtel Drouot, Paris, 7th June 1911 Bernheim-Jeune, Paris, acquired at the above Galerie Paul Cassirer, Berlin, 22nd October 1932 Mme Tilla Durieux, Berlin, circa 1937 (Paul Cassirer's wife) Étienne Bignou, Paris, acquired before 1938 who still owned the work in 1941 Alex Reid & Lefevre, London, acquired after 1941 The 9th Earl of Jersey, Jersey, acquired from the above in August 1951 The 10th Early of Jersey, Jersey, thence by descent Private collection, London

Exhibited London, Alex Reid & Lefevre, Pissarro and Sisley, 1937, no. 6 Glasgow, McClellan Gallery, French Art of the 19th & 20th Centuries, 1937, no. 43 London, Alex Reid & Lefevre, The 19th century French Masters, 1937,

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no. 29 (titled L'Oise près de Creil) New York, Bignou Gallery, Masterpieces by 19th century French Painters, 1938, no. 11 London, Alex Reid & Lefevre, Milestones in French Paintings, 1939, no. 23 Jersey, La Societé Jersiaise, Centenary Art Exhibition, 1973, no. 6 London, Hayward Gallery; Paris, Grand Palais & Boston, Museum of Fine Arts, Pissarro, 1981, no. 28, illustrated in the catalogue

Literature Émile Dacier, Le Bulletin de l’Art Ancien et Moderne, 25th March 1899, p. 101 Maurice Méry, Le Moniteur des Arts, 31st March 1899, p. 1242 Ludovic Rodo Pissarro & Lionello Venturi, Camille Pissarro, Son Art, Son Œuvre, Paris, 1939, no. 214, illustrated pl. 43 Dr Richard Bretell, Pissarro and Pontoise; the Painter in a Landscape, Yale University, 1990, illustrated in colour p. 83 Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, Milan, 2005, vol. II, no. 297, illustrated in colour p. 234


C A M I L L E P I S S A R R O (1830 – 1903)

Bords de l’Oise, Environs de Pontoise Oil on canvas 32.4 × 40.9 cm (123⁄4 × 161⁄8 inches) Signed and dated lower right, C. Pissarro 1872

Provenance

Exhibited

Hector Brame, Paris Galerie Durand-Ruel, Paris, acquired from the above on 24th October 1921 Terves, acquired from the above on 1st March 1924 Bruno Stahl, Berlin, placed in storage at the Wildenstein Gallery, Paris Confiscated with other artworks belonging to Georges Wildenstein from the gallery by the Einsatzstab Reichsleiter Rosenberg (ERR) in occupied Paris and transferred to the Jeu de Paume, Paris Transferred to Lager Peter in Altaussee, Austria on 15th January 1943 Transferred to the Central Collecting Point, Munich on 20th June 1945 (inv. no. 212/21) Repatriated to France on 18th April 1946 Restituted to Georges Wildenstein on 21st March 1947 and returned to Bruno Stahl Wildenstein & Co., Inc., New York, acquired from the above in January 1949 Jacques Guerlain, Paris, acquired from the above in 1951 Private collection, France, acquired from the above

Paris, Galerie Durand-Ruel, Pissarro (1830-1903), 1956, no. 11

Literature A. Tabarant, Pissarro, Paris, 1924, pl. 13 L-R. Pissarro & L. Venturi, Camille Pissarro Son Art-Son Oeuvre, Paris, 1939, vol. I, catalogued no. 161, p. 102; vol. II, no. 161, pl. 32 G. Jedlicka, Pissarro, Bern, 1950, pl. 8 T. Natanson, Pissarro, Lausanne, 1950, pl. 8 R. Brettell, Pissarro and Pontoise, the Painter in a Landscape, 1990, referenced on p. 158 J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. II, Paris, 2005, p. 218, no. 274 (illustrated)

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C A M I L L E P I S S A R R O (1830 – 1903)

Lisière du Bois Oil on canvas 25.5 × 37 cm (10 × 141 ⁄1 6 inches) Signed and dated lower left, C. Pissarro 67 Provenance Galerie Romanet, Paris, before 1969 Simon Barbey, Geneva, acquired before 1960 Versailles, Hôtel Rameau, 9th June 1960 Simon Barbey, Geneva, acquired again from the above, who was the owner until 1976

Exhibited Pavia, Italy, Visconti Castle Stables, Pissarro: L’Anima dell’Impressionismo, Rubettino, 21st February – 2nd June, 2014, no.7 (illustrated)

Literature J. Pissarro and C. Durand-Ruel Snollaerts, Wildenstein Institute, Pissarro: Critical Catalogue of Paintings, vol. II, 2005, no. 113, p.105 (illustrated)

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C A M I L L E P I S S A R R O (1830 – 1903)

Route Enneigée avec Maison, Environs d'Éragny Oil on canvas 33.5 × 41 cm (131 ⁄4 × 161 ⁄ 8 inches) Signed and dated lower left, C. Pissarro 1885 Provenance Dr. Störi, Zürich Kunstsalon Orell Fussli-Hof Zürich, 26th November 1927 Hans Wirth, Siebnen, acquired at the above sale Private collection, Switzerland, acquired from the above in 1954 Private collection, Asia, acquired by 1998

Exhibited

Winter, Effets de Neige, 1998-99, p. 163, no. 45 (illustrated, titled Snow Effect at Eragny, Road to Gisors)

Literature J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. III, Paris, 2005, p. 517, no. 784 (illustrated)

London, Royal Academy of Art; Washington, D.C., Phillips Collection & San Francisco, Fine Arts Museum of San Francisco, Impressionists in

57


C A M I L L E P I S S A R R O (1830 – 1903)

Le Ru de Montbuisson, Louveciennes Oil on canvas 46 × 55.5 cm (181 ⁄ 8 × 217 ⁄ 8 inches) Signed lower right, C. Pissarro Executed circa1869 Provenance Alfred Daber, Paris The Lefevre Gallery (Alex Reid & Lefevre), London, acquired from the above in 1950 Robert Morley, London, acquired from the above in 1951 Annabel Morley, London Dr. W. Eisenbeiss, Zürich Private collection, USA

Exhibited London, The Lefevre Gallery (Alex Reid & Lefevre), Géricault to Renoir, 1951, no. 23 London, The Lefevre Gallery (Alex Reid & Lefevre), XIX and XX Century French Paintings and Drawings, October – November 1960, no. 29

58

Literature Christopher Lloyd, Pissarro, London, 1992, no. 8 Joachim Pissarro & Claire Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. II, Paris, 2005, p. 12, no. 136 (illustrated)


C A M I L L E P I S S A R R O (1830 – 1903)

Vacher dans un Pré à Éragny Oil on canvas 38 × 46.5 cm (15 × 181 ⁄ 4 inches) Signed and dated lower left, C. Pissarro. 1890 Provenance Arsène Alexandre, Paris Galerie Georges Petit, Paris, 18-19th May 1903, no. 47 Trabor, Hamburg, Germany Goldschmidt & Co., Frankfurt, Germany, circa 1926 Matthiesen Gallery, London Werner Feux, Switzerland Private Collection, Switzerland, acquired from the above in 1952 Zurich, Galerie Koller, 2nd December 2003, no. 3046 (illustrated in colour) Private collection, France Private collection, London

Literature Joachim Pissarro, Claire Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of Paintings, vol. 3, no. 881, illustrated in colour p. 579

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C A M I L L E P I S S A R R O (1830 – 1903) Paris, Falcone Gallery, Impressionist and Modern Masters, Autumn 1993. Tokyo, Isetan Museum of Art, Pissarro: Camille Pissarro & The Pissarro Family, March - April 1998, no. 52, pp. 82 & 161 (illustrated p. 82); this exhibition later travelled to Osaka, Daimaru Museum, April May 1998; Fukuoka, Mitsukoshi Gallery, May - June 1998; Mie, Mie Prefectural Museum, June - July 1998; and Yamaguchi, Prefectural Museum of Art, August 1998 Fort Lauderdale, Museum of Art, Impressionism to the Present: Camille Pissarro and His Descendants, January - April 2000, no. 45, p. 74 (illustrated) London, Stern Pissarro Gallery, Camille Pissarro, 1830-1903: St Thomas to Paris, November - December 2003, no. 35, n.p. (illustrated n.p.)

Literature

Paysanne Rêveuse Assise, Soleil Couchant Oil on canvas 81 × 65 cm (317 ⁄ 8 × 255 ⁄ 8 inches) Signed and dated lower left C. Pissarro 1892 Executed in 1891-1892 Provenance The Artist's estate Lucien Pissarro, London, by descent from the above, by 1904 Orovida Pissarro, London, by descent from the above O'Hana Gallery, London Private collection, Greece & London, by circa 1954 Alan Bond, Sydney, by circa 1989 Falcone Gallery, Paris Collection B.C.P. (Banque Commerciale Privée), Paris Briest, Paris, 28th November 1996 Private collection, London, acquired at the above sale

Exhibited Paris, Galerie Durand-Ruel, Camille Pissarro, January - February 1892, no. 48 Paris, Galerie André Weil, Pissarro, June 1950, no. 26, n.p. London, O'Hana Gallery, Three Generations of Pissarros, 1830-1954, April - May 1954, no. 14, n.p. Canberra, Australian National Gallery, Irises and Five Masterpieces: Alan Bond Collection, June - July 1989, n.p. (illustrated n.p.); this exhibition later travelled to Sydney, Art Gallery of New South Wales, July 1989; Brisbane, Queensland Art Gallery, July - August 1989; Melbourne, National Gallery of Victoria, August 1989; and Perth, Art Gallery of Western Australia, August - September 1989 London, Thomas Gibson Fine Art, 19th & 20th Century Masters, May - July 1990, p. 16 (illustrated p. 17)

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G. Lecomte, M. Camille Pissarro, in Art et critique, Paris, 6th February 1892, p. 16 G. Geffroy, Chronique Artistique: L'Exposition de Camille Pissarro, in La Justice, no. 4402, Paris, 2nd February 1892, p. 1 Joleaud-Barral, Un Maître Impressionniste, in La Justice, no. 4402, Paris, 2nd February 1892, p. 2 A. Alexandre, Chroniques d'Aujourd'hui: Camille Pissarro, in Paris, 3rd February 1892, p. 2 A. Paulet, Les Petits Salons: Camille Pissarro, in Le Jour, Paris, 5th February 1892, p. 2 F. Fénéon, Exposition Camille Pissarro, in L'Art moderne, Brussels, 14th February 1892, p. 55 G.A. Aurier, Choses d'Art, in Mercure de France, no. 27, Paris, March 1892, p. 283 C. Saunier, L'Art Nouveau: Camille Pissarro, in La Revue indépendante, vol. XXIII, no. 66, Paris, April 1892, p. 37 C. Kunstler, Un Fondateur de l'Impressionnisme, Camille Pissarro. Des Lettres Iédites de Camille Pissarro à Octave Mirbeau (1891-1892) et à Lucien Pissarro (1898-1899), in La Revue de l'Art, Ancien et Moderne, vol. LVII, Paris, January - May 1930, p. 186 L.R. Pissarro & L. Venturi, Camille Pissarro, Son Art, Son Oeuvre, vol. I, Paris, 1939, no. 824, p. 196 (illustrated vol. II, pl. 169) J. House, Camille Pissarro's Seated Peasant Woman: The Rhetoric of Inexpressiveness, in Essays in Honor of Paul Mellon, Collector and Benefactor, Washington, D.C., 1986, pp. 165-166 (illustrated fig. 6, p. 165) J. House, Camille Pissarro's Idea of Unity, in Studies on Camille Pissarro, London, 1986, p. 30 (illustrated fig. 19, p. 24) J. Bailly-Herzberg, Correspondance de Camille Pissarro, vol. III, 1891-1894, Paris, 1988, nos. 706, 713, 745, 750 & 776, pp. 142, 149, 189, 193 & 220 J. Pissarro, Camille Pissarro, London, 1993, pp. 160, 163 & 165 (illustrated fig. 165, p. 162) S. Roffo, Camille Pissarro, Paris, 1994, p. 27 T.J. Clark, Farewell to an Idea: Episodes from a History of Modernism, New Haven & London, 1999, pp. 59 & 133 (illustrated fig. 24, p. 59) J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue Critique des Peintures, vol. III, Paris, 2005, no. 914, pp. 601-602 (illustrated p. 601)


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C A M I L L E P I S S A R R O (1830 – 1903)

Paysanne Barattant Watercolour and charcoal on paper with white highlights 31.7 × 22.3 cm (121 ⁄ 2 × 83 ⁄ 4 inches) Stamped lower right, C.P. Provenance Mercury Gallery, London Mrs and Mrs P. Sado, acquired from the above on 10th April 1970 Private collection, London This work is accompanied by a letter of authenticity from Joachim Pissarro and will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro.

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C A M I L L E P I S S A R R O (1830 – 1903)

Une Rue à l’Hermitage, Pontoise Pastel over charcoal on paper 26 × 40 cm (101 ⁄ 4 × 153 ⁄ 4 inches) Stamped with artists initials lower right, C. P. (Lugt 613a) Verso: La Route Executed circa 1873-74 Provenance

Literature

Estate of the Artist Collection of A Bonin Hôtel Drouot, Paris, 26th June 1931 Sotheby’s, New York, 21st October 1976 Private collection, USA Stern Pissarro Gallery, London Private collection, USA

Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro - son Art, son Œuvre, Paris, 1939, vol. 1, no. 1518, p. 290 (illustrated vol. II, pl. 292)

Exhibited London, Stern Pissarro Gallery, Camille Pissarro - St.Thomas to Paris, November-December 2003, no. 12

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M A X I M I L I E N L U C E (1858 – 1941)

Le Repos sur les Bords de la Loire à Saint-Ay Oil on canvas 64.8 × 50.5 cm (251 ⁄ 2 × 197 ⁄8 inches) Signed lower right, Luce Inscribed with title on reverse Executed circa 1910 -1912

Exhibited Paris, Galerie Dru, M. Luce, 11th April - 30th April 1921, no. 36 (titled as La Loire à Saint-Ay)

Literature Provenance Hammer Galleries, New York Private collection, New York Spaniermann Gallery, New York

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Denise Bazetoux, Maximilien Luce: Catalogue Raisonné de L'Œuvre Peint, Paris, 2005, vol. 3, no. 745, p. 177 (illustrated)


A L F R E D S I S L E Y (1839 – 1899)

Bords du Loing Oil on canvas 46.1 × 55.7 cm (181 ⁄ 8 × 217 ⁄ 8 inches) Signed and dated lower left, Sisley 90 Executed in 1890 Provenance Galerie Georges Petit, Paris Christie's, New York, 19th November 1986 Mr & Mrs Edward Snider, Bryn Mawr, Pennsylvania, by whom acquired at the above Sotheby's, New York, 9th May 1989 Walter J Johnson, New York, by whom acquired at the above sale; his estate sale, Christie's, New York, 15 May 1997 Private collection, acquired at the above

Hiroshima, Prefectural Art Museum, Monet and Renoir, Two Great Impressionist Trends, November 2003 - January 2004, no. 33, p. 65 (illustrated); this exhibition later travelled to Tokyo, The Bunkamura Museum of Art, February - May 2004 New York, Hammer Galleries, Impressionist Masters, May-August 2013, p. 58

Literature M Gauthier, Hommage à Sisley, L'Art Vivant, March, March 1933, pp. 116-117 (illustrated p. 177) G Besson, Sisley, Paris, 1946, p. 56 (illustrated) François Daulte, Alfred Sisley, Catalogue Raisonné de L'Œuvre Peint, Lausanne, 1959, no. 727 (illustrated)

Exhibited

Paris, Galerie d'Art Braun & Cie., Sisley, 30th January - 18th February 1933, no. 30 New York, William Beadleston Inc. Fine Art, Alfred Sisley, May - June 1983, no. 14

This work is accompanied by a certificate of authenticity issued by the Comité Sisley and will be included in the new edition of the catalogue raisonné of Alfred Sisley by François Daulte, being prepared at the Galerie Brame & Lorenceau by the Comité Sisley.

65


M A X L I E B E R M A N N (1847 –1935)

Enkelin und Kinderfrau im Nutzgarten Oil on canvas 45.7 × 55.2 cm (18 × 213 ⁄ 4 inches) Signed lower left, M Liebermann Executed in 1923 Provenance

Literature

Paul Cassirer, Berlin, 1923 Lion collection, New York, 1954 Stuttgarter Kunstkabinett, Stuttgart, 25th May 1955 Hauswedell & Nolte, Hamburg, 5th June 1970 Sotheby's London, 1st July 1970 Franz Resch, Gauting, until the early 1970s Private collection, Hesse Michael Hasenclever, Munich Private collection, London, acquired from the above

H. P. Richardson, Landscape in the Work of Max Liebermann, Ann Arbor/MI, 1991, no. 646 M. Eberle, Max Liebermann: Werkverzeichnis der Gemälde und Ölstudien, vol. II, Munich, 1996, no. 1923/22, p. 1086 (illustrated)

Exhibited Zurich, Kunsthaus, Max Liebermann, 1923, no. 99

66


P I E R R E - A U G U S T E R E N O I R (1841 – 1919)

Lavandières au bord du Loup Oil on canvas 47 × 55.6 cm (181 ⁄ 7 × 217 ⁄ 8 inches) Stamped lower right, Renoir (Lugt 2137b) Executed in 1917 Provenance Bernheim-Jeune, Paris, acquired from Succession Pierre-Auguste Renoir, Cagnes, after 1919 Christie's, London, 28th November 1972 Raymond J Wilson, acquired at the above M Knoedler & Co., New York Sotheby's, New York, 18th May 1983 Sotheby's, New York, 12th November 1987 Private collection, acquired circa 1989-1990

Literature Bernheim-Jeune, L'Atelier de Renoir, vol. 1, Paris, 1931, no. 493 (illustrated pl. 156)

G.-P. & M. Dauberville, Renoir: Catalogue Raisonné des Tableaux, Pastels, Dessins et Aquarelles, vol. 5, Paris, 2014, no. 3917, p. 169 (illustrated) This work will be included in the forthcoming PierreAuguste Renoir Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.

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A L B E R T L E B O U R G (1849 – 1928)

Village et Promeneurs en Bord de Seine Oil on canvas 39.5 × 72.5 cm (151 ⁄2 × 281 ⁄2 inches) Signed lower left, a. Lebourg Executed circa 1870s Provenance Private collection, France

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E U G È N E B O U D I N (1824 –1898)

Étaples, Sortie des Barques de Pêche Oil on canvas 41 × 55 cm (161 ⁄ 8 × 215 ⁄ 8 inches) Signed and dated lower left, E Boudin 90 Provenance

Literature

Galerie Georges Petit, Paris, 24th May 1929 Gustave Cahen Collection, Paris, acquired from the above Galerie Marseille, Paris Private collection, Paris 

Robert Schmit, Catalogue Raisonné de l'Oeuvre peint d'Eugène Boudin, 1824-1898, vol. 3, Imprimerie Union, Paris, 1973, illustrated p.25

Exhibited Paris, Ecole Nationale des Beaux-Arts, Eugène Boudin, 1899, no. 296 Paris, Alfred Daber, Jongkind, Boudin, 1951, no. 26 

69


I S A A C I S R A Ë L S (1865 –1934)

Figures in a Park, Paris Pastel on paper 28 × 39 cm (11 × 153 ⁄ 8 inches) Signed lower right, Isaac Israels Executed circa 1908 Provenance Private collection, London

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I S A A C I S R A Ë L S (1865 –1934)

Bois de Boulogne Oil on canvas 59 × 42 cm (231 ⁄ 4 × 161 ⁄ 2 inches) Signed lower right, Isaac Israels Executed in 1904 Provenance Collection of J.B. van Stolk, 's-Gravenhage, 1906 Collection of W.C. Mees, Wassenaar Mak van Waay, Amsterdam, 13th November 1960, no. 273 (Titled "Twee Lezende Meisjes”) Kunsthandel G.K. Scherpel, Bussum/'s-Gravenhage B. de Geus van den Heuvel, Nieuwersluis Art and Antiques Group (AAG), Amsterdam, 28th April 1999 Private collection, London

Exhibited Laren, Singer Museum, Keuze uit de Collectie B. de Geus, 1967, no. 83 (Ttiled, "Twee Lezende Meisjes in een Parijs Park, Bois de Boulogne") 's-Gravenhage, Pulchri Studio, Isaac Israels en Tijdgenoten, 21st September 1980

Literature H.P. Bremmer, Isaac Israels, Moderne Kunstwerken, 1906, no. 4 (no. 40, afb. 5) H. H. Reisel, Isaac Israels, Portret van een Hollandsche Impressionist, 1967, p. 8

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A U G U S T E H E R B I N (1882 – 1960)

Moulin à Creteil vu du Quai Oil on canvas 38 × 46 cm (15 × 181 ⁄ 8 inches) Signed lower left, Herbin Executed in 1911 Provenance Galerie L'Effort Moderne [Léonce Rosenberg], Paris Hendricus Peter Bremmer collection, The Hague Private collection, Europe; sale, Sotheby's, New York, 8th November 2007 Private collection, London, acquired at the above

Ceret, Musée d'Art Moderne, Herbin, June - September 1994, p. 48 & 171 (illustrated p. 48); this exhibition later travelled to Le CateauCambrésis, Musée Matisse, October 1994 - January 1995 Deurne, Museum de Wieger, Kubistisch Avontuur, Werk van Herbin, Metzinger en Tobeen in Nederlandse Collecties, March - June 2003, no. 9, p. 123; this exhibition later travelled to Spanbroek, Frisia Museum, June - September 2003

Exhibited The Hague, Gemeente Museum, Verzameling H. P. Bremmer, March - April 1950, no. 57, p. 10 (titled 'Huizen Tussen Geboomte'; dated '1914')

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Literature G. Claisse, Herbin: Catalogue Raisonné de L'Œuvre Peint, Lausanne, 1993, no. 237, p. 321 (illustrated).


M A U R I C E D E V L A M I N C K (1876 – 1958)

La Mairie Watercolour, gouache and ink on paper glued on cardboard 44.5 × 60 cm (171 ⁄ 2 × 235 ⁄ 8 inches) Signed lower left, Vlaminck Provenance Private collection, France This work is accompanied by a certificate of authenticity from the Wildenstein Institute.

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G U S TA V E C A R I OT (1872 – 1950)

Paysage aux Bottes de Blé devant le Château de Georgenborn Oil on canvas 59.5 × 80.5 cm (233 ⁄ 8 × 313 ⁄ 4 inches) Signed and dated lower right, G. Cariot 1926 Provenance Private collection, Paris

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A R M A N D G U I L L A U M I N (1841 – 1927)

Chemin en Île-de-France Oil on canvas 60.5 × 74 cm (237 ⁄ 8 × 291 ⁄ 8 inches) Signed lower right, Guillaumin Signed again and titled on the reverse Executed circa 1889 Provenance Galerie Cardo Private collection, France This work is accompanied by a certificate of authenticity from the Comité Guillaumin confirming this work will be included in the forthcoming second volume of the catalogue raisonné.

75


H E N R I M A R T I N (1860 – 1943)

L’Heure du Thé sur la Terrasse de Marquayrol Oil on canvas 80 × 129.5 cm (311 ⁄2 × 51 inches) Signed lower left, Henri Martin Executed circa 1930 Provenance Eugénie Esbelin, Labastide-du-Vert, a gift from the artist Private collection, France, by descent from the above Sylvie Dagot, Montluçon, 1991 Richard Green Fine Paintings, London, acquired at the above sale Private collection, acquired from the above in 1991 This work is accompanied by a certificate of authenticity issued by Cyrille Martin.

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H E N R I M A R T I N (1860 – 1943)

Cinq Pécheurs et Leur Barque Échouée sur la Grève à Collioure Oil on canvas 83.80 × 106.7 cm (33 × 42 inches) Signed lower right, Henri Martin Executed circa 1930 Provenance David Findlay Galleries, Inc., New York (and sold: Sotheby's, New York, 12th November 1987) Private collection, New York, acquired at the above sale (and sold: Christie's, New York, 9th November 1999) Private collection, Switzerland Galerie Fabien Boulakia, Paris Private collection, acquired from the above on 20th February 2002 This work is accompanied by a certificate of authenticity issued by Cyrille Martin.

77


M A R C C H A G A L L (1887 – 1985)

Ange Ink wash and pastel on paper 39.8 × 29.9 cm (155 ⁄ 8 × 113 ⁄ 4 inches) Signed with Estate stamp lower right, Marc Chagall Executed in 1959-60 Provenance Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above, 1986

Exhibited Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichnungen, 15th November 1989 – 12th January 1990, later travelled to Landesmuseum Mainz (State Museum, 4th February – 22nd April 1990, no. 10, p. 35 (illustrated)

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London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp. 64-65 (illustrated) This work is accompanied by a certificate of authenticity from the Comité Marc Chagall.


M A R C C H A G A L L (1887 – 1985)

Hommage au Passé ou la Ville Oil on canvas 71.3 × 75.9 cm (281 ⁄ 8 × 297 ⁄ 8 inches) Signed and dated lower right, Marc Chagall 944 Executed in 1944 Provenance Pierre Matisse Gallery, New York, by 1948 Dr J.J. Mayers, New York Van Diemen-Lilienfeld Galleries, New York Feigl Gallery, New York The Frederick & Helen Serger Collection, New York, by 1954 Mr & Mrs Ludwig Neugass, New York, by 1956 until at least 1965 Private collection, Australia, by 1986 Private collection, UK, by 2012 Private collection, London, acquired from the above

Exhibited New York, Perls Galleries, Marc Chagall, 12th March - 14th April 1956, no. 15, n.p. Tokyo, Musée National d'Art Occidental, Marc Chagall, October November 1963, no. 69, p. 92 (illustrated); this exhibition later travelled to Kyoto, Musée Municipal de Kyoto, November - December 1963

Literature Raïssa Maritain, Chagall ou l'Orage Enchanté, Geneva & Paris, 1948, p. 154 (the earlier state illustrated; titled 'La Ville') Franz Meyer, Marc Chagall: Life and Work, New York, 1964, no. 736, pp. 452 & 758 (illustrated n.p.; titled 'La Ville') Jean Cassou, Chagall, London, 1965, no. 115, p. 280 (illustrated fig. 115, n.p.; titled 'Homage to the Past') Jacob Baal-Teshuva, Marc Chagall, 1887-1985, Cologne, 2008, p. 169 (illustrated) This work is accompanied by a certificate of authenticity from the Comité Marc Chagall.

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M A R C C H A G A L L (1887 – 1985)

Assuérus Chasse Vashti Gouache, India ink and ink wash on paper 32.9 × 26.7 cm (13 × 101 ⁄ 2 inches) Signed with Estate stamp lower left, Marc Chagall Executed in 1958-59 Provenance Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above, 1986

Exhibited Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichnungen, no. 70, p. 96 (illustrated), 15th November 1989 – 12th January 1990; later travelled to Landesmuseum Mainz (State Museum), 4th February – 22nd April 1990 London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp. 30-31 (illustrated)

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This work is part of the 1960 Verve Bible series. The subject is one of the most obscure of all those selected by Chagall for the project and comes from the "Book of Esther". Vashti, the wife of the Persian King Ahasuerus, resists an order to dance before him and his guests at a banquet and is banished, to be replaced as Queen by the Jewish heroine Esther. This work is accompanied by a certificate of authenticity from the Comité Marc Chagall.


M A R C C H A G A L L (1887 – 1985)

Fête au Village Gouache and crayon on Japon paper 56.7 × 76.8 cm (223 ⁄ 8 × 301 ⁄ 4 inches) Signed lower right, Marc Chagall Executed in 1969 Provenance A Centro Arte Internazionale, Milan Private collection, Italy This work is accompanied by a certificate of authenticity from the Comité Marc Chagall.

81


M A R C C H A G A L L (1887 – 1985)

Le Village au Soleil Gouache and coloured crayon on paper 65 × 45 cm (255 ⁄ 8 × 173 ⁄ 4 inches) Signed lower right Signed, titled and dated on the reverse Executed in 1957-59

82

Provenance

Greer Gallery, New York Private collection, Tokyo, acquired from the above in 1989

The Estate of Marc Chagall David McNeil, thence by descent Neue Galerie Richard, Zurich Galerie Gmurzynska, Cologne

This work is accompanied by a certificate of authenticity from the Comité Marc Chagall.


M A R C C H A G A L L (1887 – 1985)

La Robe Rouge Gouache and pastel on paper 90.5 × 61.9 cm (355 ⁄ 8 × 243 ⁄ 8 inches) Signed lower right, Marc Chagall Executed in 1971 Provenance Pierre Matisse Gallery, New York Sotheby's New York, 14th May 1998 Private collection, London This work is accompanied by a certificate of authenticity from the Comité Marc Chagall.

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M A R C C H A G A L L (1887 – 1985)

David et Goliath

Provenance

Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichnungen, 15th November 1989 – 12th January 1990; later travelled to Landesmuseum Mainz (State Museum), 4th February – 22nd April 1990, no. 61, p. 87 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June - July 2016, pp. 68-69 (illustrated)

Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above in 1986

This work is accompanied by a certificate of authenticity from the Comité Marc Chagall.

Pastel, ink wash and pencil on paper 50.7 × 32.5 cm (20 × 123 ⁄ 4 inches) Signed with Estate stamp lower left, Marc Chagall Executed in 1955-56

84

Exhibited


M A R C C H A G A L L (1887 – 1985)

Libération Oil on canvas 61 × 36.5 cm (24 × 143 ⁄ 8 inches) Signed lower right, Marc Chagall Executed circa 1937-1945

Exhibited

Provenance

London, Ben Uri Gallery, The London Jewish Museum of Art, Chagall and his Circle, 5th June - 31st July 200

Sotheby's London, 29th November 1988 Christie's London, 9th December 1998 Private collection, London

This work is accompanied by a certificate of authenticity from the Comité Marc Chagall.

85


F E R N A N D L É G E R (1881 – 1955)

Composition Mécanique Pen, ink and pencil on paper 27.1 × 21.2 cm (103 ⁄ 4 × 81 ⁄ 4 inches) Signed with initial and dated lower right, F.L. 1918

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Provenance

Exhibited

Galerie Louise Leiris, Paris Kunsthalle, Basel Saidenberg Gallery, New York B.C. Holland, Chicago Richard Grey Gallery, Chicago James Francis Trezza, New York

Paris, Galerie Louise Leiris, F. Léger: Dessins et Gouaches 1909-1955, 1958, no. 11 (illustrated) This work is accompanied by a certificate of authenticity from Mme Irus Hansma dated 3rd January 2017 confirming its inclusion in the forthcoming Catalogue Raisonné of Works on Paper by Fernand Léger.


F E R N A N D L É G E R (1881 – 1955)

Les Papillons dans la Roue Oil on canvas board 43.3 × 52.9 cm (17 × 203 ⁄ 4 inches) Signed and dated lower right, 44 F. LEGER Titled, LES PAPILLONS DANS la roue and signed, F. LEGER. 44 on the reverse Provenance Valentine Gallery, New York, circa 1945 Perls Galleries, New York Private collection, USA, acquired from the above Sotheby’s New York, 12th May 1993 Private collection, Miami Private collection, Paris, acquired from the above Corporate collection, Brussels

Exhibited New York, Valentine Gallery, New Paintings, 1945, no. 15

Literature Georges Bauquier, Fernand Léger: Catalogue Raisonné de l’Œuvre Peint 1944-1948, Paris, 2000, no. 1159, p.16, p. 17 (illustrated in colour) Sigfried Giedion, Léger in America, Magazine of Art, The American Federation of Arts, Washington, vol. 38, December 1945, p. 296 (illustrated; titled Two Butterflies and a Wheel) Fernand Léger Retrouve la France, Arts de France, no.6, June 1946, pp.33-42 (illustrated) This work is part of the Rouses Point series.

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G E O R G E S B R A Q U E (1882 – 1963)

Thèiére et Citron Oil on panel 22.5 × 25 cm (87 ⁄ 8 × 97 ⁄ 8 inches) Signed lower left, G. Braque Executed in 1947 Provenance Perls Galleries, New York Fujikawa Galleries, Osaka, Japan  Private collection, Spain 

Literature N. S. Mangin, Catalogue de l’Œuvre de Georges Braque: Peintures 1924-1927, p. 116 (illustrated)

88


G E O R G E S B R A Q U E (1882 – 1963)

Nature Morte à la Grande Cruche Oil on canvas 54 × 73 cm (211 ⁄ 4 × 283 ⁄ 4 inches) Signed lower left, G. Braque Executed in 1955 Provenance Dr Jean Arnon, Dieppe Arthur Tooth & Sons Ltd., London Private collection, London, by 1973 Private collection, thence by descent from the above 

Literature Galerie Maeght, Catalogue de L'Œuvre de Georges Braque: Peintures 1948-1957, Paris, 1959, no. 94b (illustrated)

89


H E N R I M AT I S S E (1869 –1954)

Tête de Profil Charcoal on paper 56.5 × 37.7 cm (221 ⁄ 4 × 147 ⁄ 8 inches) Signed with the initials HM. lower right Executed in 1950 Provenance Pierre Matisse, New York, by descent from the artist Pierre-Noël Matisse, Paris, by descent from the above The Estate of Jacquelyn Miller Matisse, thence by descent to the late owner Wanda de Guébriant has confirmed the authenticity of this work.

90


K E E S V A N D O N G E N (1877 – 1968)

Portrait de Madame Van Der Velde Oil on canvas 126 × 96.5 cm (495 ⁄ 8 × 38 inches) Signed centre left, van Dongen Executed circa 1920-23

Exhibited Martigny, Switzerland, Pierre Gianadda Foundation, Van Dongen, 25th January – 9th June 2002, no. 72 p. 122 (illustrated in colour)

Literature Provenance

E. des Courières, Van Dongen, Paris, 1925, p. 24 (illustrated)

Phillip’s London, 29th June 1987 Drouot-Richelieu Paris, 21st June 1988 Drouot-Montaigne Paris, 31st March 1990 Private collection, Paris Private collection, acquired from the above in 2001

This work is accompanied by a letter from the Wildenstein Plattner Institute signed by Elizabeth Gorayeb on 25th September 2018 confirming its inclusion in the forthcoming Van Dongen Digital Catalogue Raisonné.

91


L É O P O L D S U R V A G E (1879 – 1968)

Nature Morte aux Fleurs Oil on canvas 54 × 65 cm (211 ⁄ 4 × 255 ⁄ 8 inches) Signed lower left, Survage Executed circa 1918 Provenance J.M. Tyrell, Paradise, California Stendahl Galleries, Los Angeles Collection of Ruth and Murray Gribin, California Sotheby's London, June 23rd 1993 Harriet Griffin Fine Arts, New York Private collection, London

92

Exhibited Riverside, 1971, no. 33 (illustrated in colour) Los Angeles County Museum, Monet to Matisse: A Century of Art in France, from Southern California Collections, 6th September - 8th November 1991 (illustrated in colour; lent by Ruth and Murray Gribin) This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.


L É O P O L D S U R V A G E (1879 – 1968)

Ville Oil and graphite on canvas 73.4 × 60 cm (287 ⁄ 8 × 235 ⁄ 8 inches) Signed and dated lower right, Survage 24 Provenance Private collection, Paris, before 1993 Private collection, acquired at the above

Exhibited Troyes, Musée d'Art Moderne et Le Cateau-Cambrésis, Musée Matisse, Survage: Les Années Héroïques, January-June 1993, p. 95 (illustrated in colour; titled, Village à l'Oiseau) This work is accompanied by a certificate of authenticity from Anne-Marie Divieto.

93


A L B E R T G L E I Z E S (1881 – 1953)

Composition Gouache on paper laid down on cardboard 25.7 × 13 cm (101 ⁄ 8 × 51 ⁄ 8 inches) Signed and dated lower right, Albgleizes 22 Provenance Collection Paul Lombard, Paris

Literature A. Varichon, Albert Gleizes, Catalogue Raisonné, vol. I, Editions Somogy, Paris, 1998, no. 1079, p.357 (illustrated, upside down)

94


V I C TO R B R A U N E R (1903 – 1966)

Accouplement d'Éléments Oil on canvas 81 × 65 cm (317 ⁄ 8 × 25 inches) Signed Victor Brauner, dated 1962 lower right and titled lower left Provenance Alexander Iolas, New York Galleria L'Attico, Rome Dino Fabbri, Milan Private collection, Europe Private collection USA, acquired from the above in June 1990 This work is accompanied by a certificate of authenticity issued by Samy Kinge.

95


I S M A E L D E L A S E R N A (1898 – 1968)

Jeune fille à l'accordéon Oil on masonite 89 × 116 cm (35 × 451 ⁄ 2 inches) Signed upper right, De La Serna and titled on the reverse Provenance Private collection, USA

Literature C.R. Aguilera, Ismael de la Serna, Barcelona and Paris, 1977, p. 153, no. 209 (illustrated)

96


LO U I S V A LTAT (1869 – 1952)

Fleurs Rouges à la Cruche Brune Oil on panel 46 × 37.5 cm (181 ⁄ 8 × 141 ⁄ 4 inches) Stamped with initials lower right, L.V Executed circa 1940 Provenance Arthur Tooth & Sons Ltd., London (no. 5918) Private collection, London, and thence by descent This work is accompanied by a letter of inclusion for the forthcoming Catalogue de l'Œuvre de Louis Valtat signed by Julien Valtat and is registered in the Les Amis de Louis Valtat Archives under no. 3362.

97


J U L E S PA S C I N (1885 – 1930)

Mija Oil on canvas 91 × 73 cm (357 ⁄ 8 × 283 ⁄ 4 inches) Signed, Pascin, dated and dedicated upper right Executed in Paris, 1927 Provenance Private collection, Paris Private collection, London

Literature Yves Hemin, Guy Krohg, Klaus Perls, Abel Rambert, Pascin: Catalogue Raisonné, Peintures, Aquarelles, Pastels, Dessins, vol. 2, Paris: Abel Rambert Editions, 1987, pp. 264, 354, no. 921 (illustrated) This work is accompanied by a certificate of authenticity signed by Abel Rambert and dated 6th of March 1990.

98


J U L E S PA S C I N (1885 – 1930)

Rebecca Couchée Oil on canvas 73.1 × 91.8 cm (283 ⁄ 4 × 361 ⁄ 8 inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris

Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery Inc., New York Private collection, USA, acquired from the above, June 2011

Provenance

Literature

Collection Marcel Bernheim, Palais des Beaux-Arts de Bruxelles, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above, 1952 Perls Galleries, New York, no. 13565 Private collection, Osaka

Luis Seoane, Pascin, Editorial Poseidon, Buenos Aires, 1944, 1st ed., no. 25, p. 64 (illustrated and titled Mujer Desnuda Tendida) Y. Hemin, G. Krogh, K. Perls and A. Rambert, Pascin: Catalogue Raisonné, Peintures, Aquarelles, Pastels, Dessins, Paris, 1984, vol. 1, p. 303, no. 597 (illustrated)

99


M O Ï S E K I S L I N G (1891 – 1953)

Lys Oil on canvas 73.1 × 54.2 cm (283 ⁄ 4 × 213 ⁄ 8 inches) Signed lower left, Kisling Executed in 1930 Provenance Oscar Ghez, Geneva, acquired by 1971 Private collection, Europe, acquired from the above Private collection, Europe, by descent from the above Private collection, Israel

Literature Joseph Kessel & Jean Kisling, Kisling 1891-1953, Turin, 1971, vol. I, no. 31, illustrated p. 179

100


M O Ï S E K I S L I N G (1891 – 1953)

Frère et Sœur Oil on canvas 73 × 61 cm (283 ⁄ 4 × 24 inches) Signed and dated lower left, Kisling 25 Provenance Private collection, Paris, Drouot Private collection, Paris Sotheby's London, 27th June 1990 Private collection, London, acquired from the above

Literature Jean Dutourd, Jean Kisling, Kisling: 1891-1953, vol. III, 1995, no. 67, p.135 (illustrated)

This work is accompanied by a certificate of authenticity signed by Jean Kisling and dated 20th of July 1989.

101


PA U L D E LV A U X (1897 – 1994)

Nu Couché Watercolour and China ink on paper 12.8 × 21.3 cm (5 × 83 ⁄ 8 inches) Signed, P. Delvaux and inscribed upper middle Executed circa 1969 Provenance Private collection, a gift from the artist Sotheby's, London, 28th March 1984 Private collection, UK, acquired at the above This work is accompanied by a certificate of authenticity issued by the Paul Delvaux Foundation which is signed by Martine Gautot Van Deun and dated 12th June 2018.

102

The present work was painted on the reverse of the artist's letterhead paper. The letter, dated 18th September 1969 is addressed to Messieurs Peney and Gibey, a journalist and a photographer who collaborated on an article about Paul Delvaux published in Paris-Match.


M A U R I C E U T R I L LO (1883 – 1955)

Place Jean-Baptise-Clément Oil on cradled panel 51.3 × 76.2 cm (201 ⁄ 4 × 30 inches) Signed towards lower right, Maurice. Utrillo. V. Executed circa 1918 Provenance

Literature

Galerie Marcel Bernheim, Paris Weill Collection, Zürich Galerie Römer, Zürich, no. 53 Private collection, Zürich, acquired from the above in 1982, until at least 1963 Private collection, thence by descent

Paul Pétridès, L'Œuvre Complet de Maurice Utrillo, Paris, 1962, vol. II, no. 739, p.226 (illustrated n.p.) This work is accompanied by a certificate of authenticity from the Comité Utrillo.

Exhibited Bern, Kunstmuseum, Maurice Utrillo, 19th January - 17th March 1963, no. 67 (illustrated)

103


A N D R É B R A S I L I E R (b. 1929)

Courses sur le Rivage Watercolour, pencil and pastel on paper 57 × 76 cm (221 ⁄ 2 × 30 inches) Signed lower right, André Brasilier signed again, dated and inscribed on the reverse, Courses sur le rivage. André Brasilier. 2004 Executed in 2004 Provenance Atelier de Paris, Japan This work is accompanied by a certificate of authenticity signed by Alexis Brasilier on behalf of the Comité Brasilier, dated 13th February 2017.

104


R A O U L D U F Y (1877 – 1953)

Le Champ de Courses à Epsom Gouache and watercolour on paper 50.3 × 65.7 cm (193 ⁄ 4 × 257 ⁄ 8 inches) Signed lower right, Raoul Dufy Provenance Galerie de France, Paris Galerie Stiebel, Paris Sotheby’s Parke Bernet, New York, 23rd February 1984 Private collection USA, acquired from the above sale

Literature F. Guillon-Laffaille, Raoul Dufy, Catalogue Raisonné des Aquarelles, Gouaches et Pastels, Paris, 1981, vol. 1, p. 378, no. 1040 (illustrated)

105


A U G U S T E H E R B I N (1882 – 1960)

Composition sur Fond Vert Gouache on paper 28 × 44.3 cm (11 × 171 ⁄ 2 inches) Signed and dated lower centre, herbin 1942 Provenance Galerie Melki, Marbella Private collection, Paris This work is accompanied by a certificate of authenticity issued by Madame Geneviève Claisse.

106


A U G U S T E H E R B I N (1882 – 1960)

Composition sur les Noms Communs: Ange, Lion, Fauvette Oil on canvas 160 × 80 cm (63 × 311 ⁄ 2 inches) Signed and dated lower right, Herbin 1942 Provenance Kunstmuseum, Basel, inv. no. 2332 Galerie Chalette, New York Dallas Museum of Fine Arts, lent by the above Donna Josey, Houston Private collection, USA, acquired from the above in 1994 Alon Zakaim Fine Art, London, acquired in 2007 Private collection, Florida, acquired in 2008

Exhibited Paris, 54th Salon des Indépendants, Musée des Beaux-Arts de la Ville de Paris, 14th March – 11th April 1943, no. 1547 Dallas Museum of Fine Arts, Geometric Abstraction: 1926-1942, 7th October – 19th November 1972, no. 29 (illustrated in colour)

Literature L. Degand, Auguste Herbin: Ein Ausschnitt aus seinem Schaffen, Privatdruck der Basler Druck und Verlagsanstalt, 1955, no. 4 (illustrated in colour) G. Claisse, Herbin, Catalogue Raisonné de l’Oeuvre Peint, Lausanne, 1993, no. 798, p. 420 (illustrated)

107


C H A N A O R LO F F (1888 – 1968)

Deux Danseuses Bronze 78.5 × 18.7 × 20 cm (307 ⁄ 8 × 73 ⁄ 8 × 77 ⁄ 8 inches) Signed and inscribed on the base, Ch.Orloff 4/8 Executed in 1914 Literature F. Marcilhac, Chana Orloff, Les éditions de l’amateur. 1991, p. 204, pl. 11 (illustrated) This work is accompanied by a certificate of authenticity issued by Ariane Tamir, dated 24 January 2016.

108


O S S I P Z A D K I N E (1890 – 1967)

Reclining Nude Gouache on paper 47 × 64 cm (181 ⁄ 2 × 251 ⁄ 4 inches) Signed and dated lower right, O. Zadkine 27 Provenance Private collection, London

109


M A R C E L G R O M A I R E (1892 – 1971)

Nu, les Deux Bras au Dessus de la Tête Pen and India ink on paper 32.4 × 24.5 cm (123 ⁄ 4 × 91 ⁄ 2 inches) Signed lower left Gromaire 1955 Provenance Galerie de la Présidence, Paris Private collection, Paris Private collection, London Private collection, London This work is accompanied by a certificate of authenticity issued by Françoise ChibretPlaussu of Galerie de la Présidence.

110


L E O N KO S S O F F (1926 – 2019)

From ‘Minerva Protects Pax from Mars’ by Rubens, no.1 Charcoal on paper 40.4 × 50 cm (157 ⁄ 8 × 193 ⁄ 4 inches) Executed in 1982 Provenance The Artist's Studio Sotheby's London, 23rd March 1987, The Courtauld Auction (sold by the artist who donated the proceeds to the Courtauld Institute of Art Fund) Private collection, London The authenticity of this work has been confirmed by Andrea Rose.

111


B E R N A R D B U F F E T (1928 – 1999)

Poires, Verre et Raisins Oil and pencil on canvas 46 × 65.4 cm (181 ⁄ 8 × 253 ⁄ 4 inches) Signed and dated upper right, Bernard Buffet 50 Provenance Private collection, Japan Private collection, Japan, acquired from the above The authenticity of this work has been confirmed by Maurice & Ida Garnier.

112


INDEX APPEL KAREL ARMAN ATLAN JEAN-MICHEL

41

KISLING MOÏSE

100, 101

2

KOSSOFF LEON

111

46, 47

KUSAMA YAYOI

4, 5, 6, 7

AUBERTIN BERNARD

45

KWANG-YOUNG CHUN

BLUHM NORMAN

26

LANSKOY ANDRE

38, 39

BOUDIN EUGÈNE

69

LEBOURG ALBERT

68

BRAQUE GEORGES

88, 89

BRASILIER ANDRÉ

104

BRAUNER VICTOR BUFFET BERNARD CALDER ALEXANDER CHAGALL MARC

LÉGER FERNAND

86, 87

LEVY RA'ANAN

48

95

LIEBERMANN MAX

66

112

LUCE MAXIMILIEN

64

MARINI MARINO

24

10,11, 14, 15, 17

CARIOT GUSTAVE

8, 9

74

MARTIN HENRI

76, 77

78, 79, 80, 81, 82, 83, 84, 85

MATISSE HENRI

90

MOTHERWELL ROBERT

33 49

CHRISTO

18,19, 20, 21

DE LA SERNA ISMAEL

96

NASH DAVID

DE VLAMINCK MAURICE

73

ORLOFF CHANA

DE WAAL EDMUND

50

PASCIN JULES

98, 99

PIENE OTTO

16, 23

DELVAUX PAUL DINE JIM DONATI ENRICO DUBUFFET JEAN DUFY RAOUL

102 3

PISSARRO CAMILLE

108

52, 53, 54, 55, 56, 57, 58,

42 35

59, 60, 61, 62, 63 RENOIR PIERRE-AUGUSTE

67

105

RIOPELLE JEAN-PAUL

28, 29, 31

FONTANA LUCIO

25

SCHNEIDER GERARD

40

FRANCIS SAM

27

SISLEY ALFRED

65

GLEIZES ALBERT

94

SURVAGE LÉOPOLD

GROMAIRE MARCEL GUILLAUMIN ARMAND HERBIN AUGUSTE

92, 93

110

TAMIR MOSHE

34

75

TÀPIES ANTONI

37

72, 106, 107

UTRILLO MAURICE

103

HIRST DAMIEN

36, 44

VALTAT LOUIS

97

IMAI TOSHIMITSU

30, 32

VAN DONGEN KEES

91

ISRAËLS ISAAC

70, 71

VASARELY VICTOR

43

JENKINS PAUL

12, 13, 22

ZADKINE OSSIP

109


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