5 Poems of Nicholas Barker for chamber ensemble
Mark Chambers
5 Poems of Nicholas Barker for chamber ensemble duration: ca. 20’
Mark Chambers (b. 1969)
Š 2008 Grady Dodd Music Contact: Mark Chambers info@markchambersmusic.com http://www.markchambersmusic.com
INSTRUMENTATION Flute (double Piccolo) Clarinet in Bb (douoble Bass Clarinet in Bb) Violin Cello Piano Baritone Tenor
Percussion (Suspended Cymbal, China Cymbal, 4 Temple Blocks Low to High], 3 Bongos [Low, Medium, Nigh], 3 Toms [Low, Medium, High], Tam Tam, Large Bass Drum, Vibraphone [with Bow], Marimba)
PERFORMANCE NOTES • • • • • •
Score is transposed. All accidentals remain in effect throughout the measure at the register indicated. Grace notes should always be played before the beat. Flutter-tongue, trills, and tremolo should always be played unmeasured, and as fast as possible. All trills are at the half step unless otherwise indicated. The primary note should be articulated first. In the strings and piano, tremolo is indicated with slashes through the note stem, or between stems. In the flute and clarinet, slashes indicate fluttertongue.
•
In the strings, indications such as s.p. followed by an arrow pointing to another indication such as ord. indicate a gradual change from one timbre to the next.
Abbreviations used in this score are as follows: s.p. = sul ponticello s.t. = sul tasto ord. = ordinario •
Notational convention for microtones is as follows:
¼ tone sharp
¾ tones sharp
•
Crescendo and decrescendo markings with a small circle at the tip indicate coming from or going to a niente (nothing) volume level.
•
Glissandi should occur over then entire rhythmic duration of the note to which they are attached.
POEMS
Introduction Barely existent at Midday, At sunset and sunrise I Am grossest, though no heavier Than at noon. The sun and I disappear altogether Together. Usually You and I play footsies. Now Surely you remember my name?
Lover with a Half-full Glass The most minimal Smile Of politeness assured my Heart Of her heart’s equal obsession With me. When she appeared quite indifferent to me, I knew She was just playing hard to get.
Cupidity Mental agitation—embarrassing Drift Toward self-gratification—desire Not To desire—tense proclivity to lust.
Invasive Species The backs of My Hands display veins as Crisscrossed As the shiny ivy twines That these very hands, muddy and green-stained, strain To deracinate.
Death at Sixty (April 28, 1997) Her little body Still Here though containing no Soul Housed a spongy brain that Had for months displayed no outward evidence of mentality And today Lost its value even for triggering Electric impulses necessary for breath.
I. Prelude
Nicholas Barker
Flute
A
q=60
Vibraphone
Piano
Violin
Violoncello
3
f
Tam Tam f
Bass Drum
q=60
f
6 6 mp
4
Fl.
Vln.
Vc.
3
p
6
3:2q
B q=50
3
3:2q
f
mp
f
Sus. Cymbal
6
pp
p
Pno.
f
scrape with coin
Vib.
Tam Tam
Perc.
mf
mf
Cl.
Temple Blocks
scrape with coin
Tam Tam
f
3:2q
Bongos
Sus. Cym. soft mallet
Percussion
f
Clarinet in Bb
Mark Chambers
Bass Drum
3
3:2q
mp
f
3:2q
q=50
pp
pp
mf
3:2q
3:2q
f f 1
s.t.
3
pp s.t. 3
pp
8
Fl.
6
p
Perc.
Vib.
Pno.
Vln.
Pno.
Vln.
Vc.
3
3:2q
3:2q
3:2q
3
3
fp
fp
ord.
s.p.
fp
mf
ord. fp
s.p.
6
s.p.
6
p
mf
p
ord.
p
mf
2
Vibraphone motor on
s.p.
f
f
3
3
mf
Bass Drum
mf
q=60
3
3
q=60
3:2q
12
Vib.
fp
f
6
Perc.
Cl.
Sus. Cym.
C
Fl.
3
p
3
Vc.
6
mf
Cl.
ord.
p
3
D
15
Fl.
Cl.
3
3
Vib.
Pno.
Vln.
f
3:2q
3
p
3
f
19
f
Bass Drum
Perc.
f
Vib.
Pno.
Vln.
Vc.
rit.
p
Cl.
6
f
f
attacca
pp
scrape with coin
p
3
f
Tam Tam
E
Fl.
p
f
3:2q
f
f
Sus. Cym.
f
p
3
6
Bass Drum
f
Vc.
6
f
Sus. Cym.
Perc.
poco a poco dim.
mf
f
3
p
pp
pp
5
II. Introduction
q=60
Flute
Baritone
Piano
Fl.
B.
pp
3
B.
F 30
B.
rit.
Bare
Mid
3:2q
day,
3:2h ly
ex
-
-
-
3:2h
3
f
subito p
-
mf
3
3
mf
tent
at
3
5
poco a poco cresc.
4
3
pp
p
poco a poco accel.
-
G
is
pp
mp
-
pp
3
p
mf
q=48
mp
q=48
p
rit.
3
Pno.
34
Fl.
pp
6
mf
p
Pno.
6
Fl.
3
ppp
26
Pno.
q=60
e=e
3
mf
q=60
39
Fl.
B.
Fl.
q=60
3
6
f
mp
f
mf
I
3
q=60
3
heav
q=60
f
-
6
-
q=48
-
Pno.
poco a poco rit.
3
3
3
3:2h
Than
at
accel.
f
6
3
mf
3:2q
5
q=66 3:2q
noon.
mp
q=66
6
q=48
3
I
mf
B.
7
6 3
3
ier
mp
-
accel.
50
Fl.
3
no
3:2h
e=60
6
poco a poco rit.
rit.
though
mf
3:2h
est,
e=60
molto rit.
f
pp
gross
mp
Pno.
3:2h
Am
q=60
6
47
B.
q=60
Fl.
6
ff
42
q=48
molto rit.
f
H
Pno.
poco a poco accel.
3
B.
f
q=48
Pno.
molto rit.
3:2q
f
sim.
3:2q
q=88
6
53
ff
B.
B.
q=88
3:2q
I
dis
B.
B.
-
3:2q
q=60
3:2q
mp
p
mp
geth
-
p
3:2q
3
geth
-
-
q=54
-
-
mf
-
3
Us
3:2h
-
ual
-
ly
pp
p
6
3
You
(long hold)
-
3:2q
p
er.
-
pp
-
J
p
-
3:2q
to
mf
q=60
(long hold)
mp
-
-
To
3:2e
3:2q
mf
er
q=54
poco a poco rall.
al
pear
3:2q
ap
3
Pno.
q=72
-
3:2q
poco a poco rall.
63
Fl.
Pno.
and
sun
3:2q
55
ff
q=72
3
ff
60
Fl.
The
Pno.
Fl.
Pno.
Fl.
3
and
3
67
Fl.
B.
mf
B.
3
70
sies.
q=48
-
ly
you
-
mem
5
mf
re
attacca
3:2h
p
3:2h
3:2h
p
3:2h
Now
3:2h
mf
-
-
-
ber
p
7
3:2h
my
f
-
3
Sure
-
Pno.
foot
mf
mp
play
Fl.
fp
Pno.
3:2h
I
q=48
3:2h
name?
III. Interlude 1 q=50
Piano
Fl.
Pno.
Pno.
Pno.
Vln.
3
p
II
p
3
3
3:2q
p
IV
3
p
3
3
83
3
3
p
6
3
3
p
p
f
f
p
8
3:2q
3
3
ord.
3:2q
poco a poco dim.
p
f
3:2q
p
3
6
mf
f
3
3:2q
6
6
IV
IV
mp
3
p
p
81
3
3
3
Vln.
Fl.
p
78
Vln.
Fl.
Violin
Flute
mf
s.p.
3
p
Pno.
Vln.
Fl.
Pno.
3
Vln.
88
Pno.
Vln.
3:2q
f
3
p
3:2q
s.p.
mf p
3:2q
3
ord.
3
p
mf
9
3:2q
attacca
pp
3:2q
3:2q
3
mf
q=50
p
fp
p
3
3
pp
3:2q
poco a poco rit.
6
mf
Fl.
3
92
3:2
poco a poco dim.
q
f
6
3:2
q
f
3:2q
q=66
ord.
6
K
Fl.
85
pp
ppp
IV. Clarinet in Bb 98
Baritone
Marimba
Piano
Violin
Violoncello
103
Cl.
B.
Mar.
Pno.
Vln.
Vc.
e=192
Lover with a Half Full Glass
senza vib.
ppp
12:10x
ff
senza vib.
ppp
pp
pp
ppp
mf
senza vib.
e=176
pp
pp
ppp
pp
10:8x
mf
f
ppp
ppp
10
107
Cl.
B.
Mar.
Pno.
e=160
mf
mp
p
long pause
ff
ppp
L q=72
112
Cl.
Freely
colla voce
3:2q
p
B.
Mar.
Pno.
Vln.
Vc.
mp
The
most
min
3:2q
-
i
-
mal
Smile
11
long pause
ff
ppp
p
mf
pp
mf
8:6x
e=192
Vln.
pp
ppp
Vc.
117
Cl.
B.
Mar.
Pno.
Of
Vln.
3:2q
po
-
lite
-
ness
Vc.
3:2q
Mar.
Pno.
Vln.
Vc.
as
3:2q
-
sured
my
Heart
pp
mf
124
B.
Cl.
3:2q
3:2q
Of
her
e
-
qual
ob
-
ses
-
-
-
mp
f
f
mf
sion
mf
mp
mf
3:2q
heart's
pp
12
Cl.
B.
Mar.
Pno.
with
8:6x
f
p
ff
10:8x
8:6
me.
mf
e=176
Vln.
Vc.
8:6x
e=160
130
mf
f
M
e=192
134
Cl.
ff
B.
Mar.
Pno.
Vln.
ffp
12:10x
ff
f
Vc.
ff
ffp
ff
13
ff
12:10x
ff
138
e=160
Cl.
B.
Mar.
Pno.
Mar.
Pno.
10:8x
ffp
ff
fp
p
f
mf
mp
mf
14
mf
ppp
p
pp
f
mf
f
mp
e=120
8:6x
mf
Vln.
Vc.
f
e=144 141
Cl.
B.
Vln.
Vc.
poco a poco rit.
pp
pp
N
145
Cl.
3:2q
mp
B.
Mar.
Pno.
When mp
she
ap
-
peared
quite
in
-
dif
3:2q
-
fer - ent
to
me,
Vln.
Vc.
151
Cl.
B.
Mar.
Pno.
Vln.
Vc.
poco a poco dim.
poco a poco dim.
3:2q
3:2q
was
just
play
p
hard
to
get.
p
attacca
pp
pp
I
knew
She
15
-
ing
V Interlude 2
q=72
Clarinet in Bb
Violoncello
I
Vln.
Vc.
Mar.
Vln.
Vc.
mp
mp
167
Cl.
Mar.
Vln.
Vc.
f
mf
mf
mf
f
q=60
ff
16
f
3
fp
rit.
fppp
3
3
fp
f
f
3
f
I
5
mf
p
mf
p
f
mf
3:2q
3:2q
mf
164
Cl.
3:2q
3:2q
ppp
161
mp
Mar.
mp
Violin
Cl.
Marimba
3:2q
3:2q
mp
mp
mp
3
mf
170
Cl.
Mar.
Vln.
Vc.
Mar.
Vln.
Vc.
pp
Mar.
Vln.
Vln.
Vc.
p
3
ord.
accel.
p
6
q=66
poco a poco dim.
3
ord.
p
s.p.
mp
5
mf
rit.
5
f
3
ord.
f
s.p.
3
mp
Mar.
184
Cl.
ord.
Vc.
pp
179 q=80
Cl.
3
mf
174
Cl.
pp
6
s.t.
mf
attacca
ord.
pp
ff
ppp
17
s.p.
q=60
p
p
p
VI. Cupidity
e=450
Piccolo
Clarinet in Bb
Vibraphone
in 1
Violoncello
194
Cl.
B.
Vc.
Cl.
B.
f
p
p
f
p
ff
ff
p
ff
ff
mf
p
f
p
Vib.
Vc.
p
p
f
201
Picc.
mf
mf
Vib.
p
mf
p
p
Picc.
p
Baritone
18
O
Picc. 205
fff
Cl.
Vib.
fff
Men
-
-
fff
-
-
-
p
mp
f
mf
-
-
-
ta
-
-
f
tionf
p
-
-
-
-
-
ff
f
Drift
-
ward
self
p
p
To
f
-
-
grat
-
i
-
fi
-
f
19
f
Vc.
ing
B.
-
rass
213
Vib.
bar
ffp
f
f
em
ffp
Picc. Cl.
-
P
B.
p
-
Vib.
i
sim.
ag
Cl.
Vc.
tal
p
209
Picc.
mf
mp
Vc.
p
fff
B.
ca
-
-
-
Q
217
Picc.
Cl.
p
Vib.
tion-
ff
ff
B.
Vc.
220
f
p
mf
Vib.
de
f
-
-
-
mf
-
ff
Picc. Cl.
-
-
f
f
B.
Vc.
Picc.
Vc.
Not
ff
ff
ff
B.
sire
Vib.
223
Cl.
p
ff
-
ffp
-
ffp
p
20
ffp
de
ff
To
-
-
sire-
ffp
R
Picc. 228
p
B.
Vc.
-
cliv
-
f
mf
f
-
i
-
f
-
-
f
-
-
-
ff
ff
ff
lust.
attacca
fp
fff
fp
21
fff
fff
f
to
pro
ty
mf
ff
f
f
B.
Vib.
mf
f
235
Cl.
Vib.
mf
231
Cl.
p
p
Picc.
Picc.
tense
B.
p
Vib.
Vc.
Cl.
Vc.
fff
VII Interlude 3
q=60
Clarinet in Bb
Violin
p
Vln.
s.p.
ord.
Vln.
Cl.
Vln.
s.t.
256
Cl.
Vln.
mp
260
Cl.
f
Vln.
f
264
Cl.
Vln.
mp
mf
mp
p
s,.p. at the tip
f
fp
mf
f
s.p.
s.t.
s.t.
mf
fp
s.p.
mf
f
ord.
mf
pp
at the tip
pp
s.p.
p
pp
s.p.
ord.
251
ord.
mp
p
ord.
p
247
Cl.
243
Cl.
f
22
mp
mf
molto rit.
fp
pp
pp
attacca
VIII. Invasive Species q=100
Piccolo
Baritone
B.
B.
ff
mf
mf
The
backs
close n) (slowly
of
My
Hands
fp
dis
play
-
ff
ff
veins
as
q=66
Criss
-
crossed
As
B.
twines
mp
the
That
ve
shin
-
ry
-
y
i -
vy
mf
(slowly close n)
hands,
mud - dy
poco a poco cresc.
mf
fp
f (emphatic)
q=76
B.
288
Picc.
mf
f
and
green- stained,
q=100
ff
poco a poco cresc.
strain
To
de
-
rac
23
fp
-
-
-
i
-
-
-
fp
poco a poco accel.
B.
these
286
Picc.
p
f
p
mf
fff
poco a poco rall.
q=76
mf
fp
283
Picc.
ff
279
Picc.
274
Picc.
nate.
attacca
fff
IX
q=50
Flute
Percussion
Vibraphone
Piano
Pno.
Vln.
Vib.
Pno.
3:2q
Vln.
p
mp
mp
3:2q
mf
3
3:2q
mp
f 6
accel.
Sus. Cymbal
l.v.
6
mp
p
mp
ord.
297
Perc.
Fl.
f
Vib.
294
Perc.
mp
Fl.
Violin
f
Bowed
Interlude 4
24
300 q=50
Tam Tam
Perc.
Vib.
Pno.
Vln.
6
mp
f
p
p
f
f
pp
p
25
pp
attacca
p
Bass Drum mp
Fl.
X
q=60
Bass Clarinet in Bb
Death at Sixty (April 28, 1997)
3
Tam Tam
scrape with coin
Percussion
Baritone
Piano
Violoncello
Pno.
Vc.
mp
Sus. cymbal
fff
315
B.
Bass Drum
3
mf
B. Cl.
Perc.
mf
3
3
mp
f
mf
3
mf
p
3
p
ff
3
26
319 B. Cl.
ff
Perc.
B.
Pno.
Vc.
ff
3
3
3
mf
3
ff
S B. Cl. 323
B.
Pno.
Vc.
mf
Her
Perc.
3
p
3
3
p
lit
-
-
-
3
-
mf
tle
p
27
3
mp
B. Cl. 327
Pno.
Vc.
Perc.
B.
3
p
p
3
bo
-
-
-
p
-
3
3
p
Bass Drum
3
p
3
dy
3
Perc.
Vc.
p
mf
332
Pno.
toms
3
mf
B. Cl.
B.
3
3
3
3
3
3
3
3
Still
p
p
mp
non vib.
3
non vib.
fp
28
mf
3
T
q=50 loco
336 B. Cl. mf
Tam Tam scrape with coin
Perc.
B.
Vc.
3
mp
repeat figure in rhythm; notes in random order
6:4e
ppp
f
p
3
mf
340
Perc.
with hushed intensity
Pno.
Vc.
B. Cl.
B.
mf
Pno.
f
3
5:4q
Here
5:4q
f
6:4e
ppp
mp
f
29
5:4q
3
B. Cl.
343
Perc.
B.
3
Vc.
5:4q
mp
5:4q
mp
tain
-
ing
3
5:4q
5:4q
p
ppp
3
5:4q
p
6:4e
p
as before
Vc.
Soul
no
mp
Bass Drum
Pno.
mf
3
3
p
B.
3
347 B. Cl.
Perc.
3
6:4e
ppp
-
con
3
Pno.
though
3
5:4q
p 3
3
p
30
3
U
350
B. Cl.
Vc.
mf
Vc.
p
3
mf
3
p
f
pp
that
mf
3
5:4q
3
Had
for
p
dis
mf
3
-
6:4e
f
6:4e
mf
5:4q
months
3
mp
poco a poco cresc.
6:4e
f
3
p
3
3
f
mf
5:4q
mp
brain
6:4e
3
f
3
6:4e
mf
f
gy
6:4e
p
3
-
6:4e
mf
3
-
-
3
5:4q
growing increasingly agitated
6:4e
spon
mf
Pno.
mf
mf
f
3
end free pattern here
3
3
6:4e
ppp
353
3
a
as before
B. Cl.
B.
mp
Housed
Perc.
Bongos
3
mp
3
Pno.
3
Perc.
B.
f
5:4q
f 3
31
3
fp
3 mf
B. Cl. 356
3
p
B.
3
played
3
3 3
3 no
out
Vc.
B. Cl.
Pno.
Vc.
3
f
-
3
tal
-
-
-
-
i
3
3
6:4e
poco a poco cresc.
3
-
ff
5
f
-
-
3
mp
32
3
6:4e
f
6:4e
ff
Toms
ff
ty
3
6
-
6:4e
ff
3
men -
6:4e
3
of
f
5:4q
6:4e
dence
f
3
3
-
5:4q
3
5:4q
3
f
i
5
f f
f
p
-
6:4e
mf
3
3
ev
mf
f
359
B.
f
3
Perc.
- ward
5:4q
6:4e
3
6:4e
mp
3
f
6:4e
f
Pno.
mf
Perc.
5:4q
3
B. Cl.
361
V
fff
Perc.
B.
f
3
Vc.
fff
3
3
3 3
3
mp 3
day
3
p
3
5:4e
non vib.
3
p
p
3
val
-
3
5:4e
5:4e
p
ue
mf
its
3
poco a poco dim.
Lost
mf
3
3
mp
mp
3
fff
5:4q
3
-
3 mp And
3
3
fff
p
mf
6:4e
to
3
Vc.
ff
7
poco a poco cresc.
mp
365
Pno.
6:4e
3 B. Cl.
B.
3
f
Perc.
Pno.
3
p
3
p
3
3 p
f
33
mf
3
non vib.
p
3
3 B. Cl. loco
370
B.
p
e
3
-
ven
Pno.
Vc.
3:2q
-
ger
-
Vc.
loco
3
p
3
-
ses
p
3
-
tric
im
ne
- ces
- sa
-
p
pul
for
5:4e
p
3
attacca
pp
3
breath.
34
-
ry
-
(more breath than tone) ppp
3:2q
3
-
(slowly transition to a breathy tone)
lec
3
3
mf
-
3
3
p
Pno.
E
3
p
374
B.
3
3
Perc.
3
poco a poco dim.
mf
B. Cl.
ing
3
mp
mf
for trig
poco a poco cresc.
3
p
mp
mf
Perc.
3
XI Coda
6
q=60
Flute
Clarinet in Bb
Percussion
Piano
Violin
Violoncello
ff
f
f
f
fp
Perc.
Pno.
Vln. 1
Vc.
ff
Tam Tam
ff
3:2q
6
6
China Cymbal
ff
ff
f
p
3:2q
3
ff
3
ff
3
pp
ff
3
Bass Drum
p
3
6
f
3
6
poco a poco cresc.
6
f
3
Bass Drum
6
3
6
p
3
ff
poco a poco cresc.
China Cymbal
f
not measured; slowly increase tremolo speed
6
pp
f
pp
China Cymbal
not measured; slowly increase tremolo speed
poco a poco cresc.
p
f
ff
Cl.
fp
f
q=60
3:2q
6
3:2q
f
poco a poco cresc.
pp
Tam Tam
Bass Drum
ff
pp
6
380
Fl.
6
pp
6
poco a poco cresc.
6
poco a poco cresc.
35
ff
ff
W
383
Fl.
Cl.
Perc.
Pno.
Vln. 1
Vc.
mf
386
Cl.
Perc.
Pno.
Vln. 1
Vc.
6:4q
pp
pp
f
Fl.
p
3
pp
3
pp
6:4q
3:2q
6:4q
36
ppp
6:4q
ppp
3:2q
6
389
Fl.
6
poco a poco cresc.
Cl.
Perc.
Pno.
3
Tam Tam
6:4q
6:4q
s.t.
3
6
pp
poco a poco cresc.
Bass Drum pp
pp
poco a poco cresc.
3
6:4q
3
6:4q
mf
6:4q
6:4q
X
Vln. 1
Vc.
Perc.
Pno.
392
Cl.
mf
Fl.
poco a poco cresc.
6
Vln. 1
Vc.
6
mp
37
f
3
ord.
395
Fl.
6
Cl.
Pno.
6:4q
f
f
3
p
3
6:4q
6
ff
fp
mf
ff
Sus. Cymbal choke
f
Sus. Cymbal choke
mf
s.p.
mf
s.p.
mf
38
ord.
ord.
mf
fff
Y
fp
6
6
6
6
6
3
mf
6:4q
mf
3
fp
6
fp
6:4q
fp
f
f
f
f
f
Vln. 1
Vc.
Perc.
398
Fl.
6:4q
Bass Drum mf
Vln. 1
Vc.
mf
Tam Tam
6
Pno.
poco a poco cresc.
Perc.
mf
6
Cl.
6
ff
f
p
401
Fl.
fp
Cl.
Pno.
ff
3
p
3
f
3
6
ff
f
f
ff
p
f
fp
f
Fl.
fp
Cl.
Perc.
Pno.
Vln. 1
Vc.
f
f
p
p
p
6
3
p poco a poco cresc.
Bongos
3
3
6
6
fp
6
mf
ff
f
6
f
ff
poco a poco accel.
fp
f
f
Temple Blocks
Bongos
3:2q
6
p
3:2q
fp
Temple Blocks
ff
f
poco a poco accel.
404
f
ff
3:2q
Toms
3:2q
p
ff
China Cymbal Tam Tam
f
f
Temple Blocks Toms
6
Toms
mf
Vln. 1
Vc.
mp
China Cymbal
Perc.
f
6
6
6
s.p.
fp
6
s.p. 6 ff fp
39
406
Fl.
Cl.
Perc.
Pno.
Vln. 1
3
ff
Z
6
6
Temple Blocks
6
3
Pno.
Vln. 1
Vc.
3
ffp
f
Bass Drum
6
3
6
6
3
fff
fp
China Cymbal
ff
3
ffp
3
ff
3
3
f
ff
3
6
fp
6
Bass Drum
ff
f
6 6 fp Sus. Cymbal
f
ffp
6
3
6
fff
fff
3
6
3 6 3 6 ff
Tam Tam
3
3
Perc.
3
408
Cl.
China Cymbal
fff
ff
Fl.
3
fff
6
ff
ffp
6
3
fff
6
6
Vc.
6
6
ff
f
40
3
fp
fp
3
ff
410
Fl.
Cl.
Perc.
Pno.
Vln. 1
Vc.
6
6
6
f
3
Cl.
Perc.
Pno.
Vln. 1
3
Vc.
3 3
f
f
3
6
6
3
3
6
poco a poco cresc.
poco a poco cresc.
3
fff
3
3
Bass Drum
41
ffp
ffp
choke
3
fff
fff
3 fff
3
Sus. Cymbal China Cymbal choke
6
fff
ffp
3
fff
ffp
3
6
6 3 6
3
3
fp
fff
6
fff
3
6
3
poco a poco cresc.
3
3
poco a poco cresc.
fff
ff
f
f
ff
ff
choke
ff
3
Toms
3
China Cymbal
ff
6
6
fff
6
fp
Tam Tam
f
412
Fl.
fff
fp
6
6
Sus. Cymbal
6
fff
fff
fff
fff