Marta Kosieradzka
consequently executed our plan. But this was the only time that making a plan before I start really worked for me... In my most recent collaboration I've entered a world of improvised jazz music that I didn't really know very well before. I'm working on a film project that will be a collaboration between me and a Polish jazz band ''Olbrzym i Kurdupel'' and a film maker Eva Campos Suarez. I've learned a totally new way of seeing the act of 'writing' dance or music. By listening to that music I had imediatelly a clear picture of what I want to do and which character I want to
Peripheral ARTeries
portray in my film, it was like I was sucked into the world of jazz music just by listening to it... Your work is intrinsically connected with the chance of creating a deep interaction with your viewers, urging them to follow your process and pushing them to not play as a passive audience: as you have remarked once, you see your process and your work also as a contribution to the society and a way of sharing my thoughts and comments on surrounding world with other people: although I'm aware that this might sound a bit na誰f, I have to admit that I'm sort of convinced that Art -especially nowadays-