Pedro Azevedo Architect Portfolio

Page 1

JUNIOR ARCHITECT


CV

SKILLS AUTOCAD | ARCHICAD | SKETCHUP | 3DS MAX | CINEMA 4D

PEDRO AZEVEDO

ARTLANTIS | VRAY | MENTAL RAY ADOBE PHOTOSHOP, ILUSTRATOR, INDESIGN, PREMIER, AUDITION

PEDROFILIPE.A@GMAIL.COM PORTUGAL +351 912999043 20/04/1988 PORTUGUESE NATIONALITY OBJECTIVE: SEEKING A POSITION AS JUNIOR ARCHITECT/DESIGNER

EDUCATIONAL BACKGROUND JAN.-APRIL 2013

HAND DRAFTING AND MODELING | DIGITAL FABRICATION

LANGUAGES ENGLISH

3D MODELING GRATUATION - YOUREXIT PORTO

SPEAK FLUENTLY AND READ/WRITE WITH HIGH PROFICIENCY

ADVANCED 3DS STUDIO MAX

PORTUGUESE SEP. 2006-MAY 2012

SEP. 2003-JUN. 2006

NATIVE LANGUAGE

FACULTY OF ARCHITECTURE - UNIVERSIDADE LUSÍADA DO PORTO ARCHITECTURE MASTER’S DEGREE

SPANISH

SPEAK AND READ WITH GOOD COMPETENCE

HIGH SCHOOL - ESCOLA SECUNDARIA DE PENAFIEL

FRENCH

SPEAK AND READ WITH GOOD COMPETENCE

GERMAN

BASIC KNOWLEDGE

DEPARTMENT FOR ART & PHOTOGRAPHY

WORK EXPERIENCE

OTHER

SEP. 2013 - NOW

SEP. 2012 - SEP. 2013

FREE LANCER ARCHITECT/DESIGNER

ARCOLINHA ARQUITECTURA, LDA - ARCHITECTURE INTERN I LEARN EVERY PROJECT STEPS SINCE CONCEPT TO DETAILING

JAN. 2008-JAN. 2009

ENGEL&VOELKERS - ARCHITECTURE PHOTOGRAPHER

PUBLICATIONS JUN.-2012

APRIL 2008 JUN.-2005

DRª PATRÍCIA DIOGO, PEDRO AZEVEDO; MASTER THESIS: O VAZIO, A FUNÇÃO E O NOVO NÚCLEO, EQUIPAMENTO CULTURAL NA CIDADE DE CHAVES. 2012, 120 PAGES ENGEL&VOELKERS; HOUSE’S CATALOGUE 2008, 30 PAGES HIGH SCHOOL BEST WORKS, 2005

GRAPHIC DESIGN | PHOTOGRAPHY | TRAVELLING AVAILABILITY



HISTORIC CENTRE EVOLUATION ROMAN OCCUPATION, CENTURY III

CULTURAL CENTER LOCATION: CHAVES, PORTUGAL STATUS: SCHEMATIC DESIGN FOCUS: BUILD A CULTURAL NUCLEUS IN A CITY’S VOID.

CHAVES, CHOSEN CITY BY PROJECT III COURSE, TO DEVELOP ANY PROJECT WE WANTED, WICH ALSO WOULD BECOME OUR FINAL DISSERTATION TOPIC. RIVERSIDE CITY, BATHED BY TÂMEGA RIVER, RICH IN HISTORY AND MONUMENTALITY, SUFFERS FROM A COMMON SYNDROME OF MEDIUM-SIZED CITIES WICH AVIDLY EXPAND OUTWARDS FROM HISTORIC CENTRE; THE URBAN VOIDS. WAS CHOSEN A VOID ATTACHED TO THE RIVER, WICH WAS REDESIGNED AND EQUIPED WITH NECESSARY INFRASTRUCTURE, NOT ONLY FOR COMMON DAILY ROUTINE, BUT ALSO FOR THE DEVELOPMENT AND SUPPORT OF THE VOID, WITH THE CREATION OF A NEW CULTURAL NUCLEUS, BY INCLUDING A MARKET (SMALLER SCALE BUILDING) AND A CULTURAL CENTER ( LARGER SCALE BUILDING). BOTH BUILDINGS SHARE TIMBER AS EXTERIOR FINISH AND STRUCTURE TOO, HIGH GROUNDED BY PILOTIS SAFEGUARDING ANY RIVER FLOODING.

CURRENT OCCUPATION, CENTURY XXI

MEDIEVAL OCCUPATION, CENTURY IX

NEW FORTIFICATION SYSTEM, CENTURY XVII

OCCUPATION, CENTURY XVIII


SEPARATED LAYERS VEGETATION

MERGED LAYERS

COMUNICATION

SURROUNDING BUILDINGS + BUILT STRUCTURE


GROUNDFLOOR PLAN - 350.00m

4 8

FIRST LEVEL PLAN - 356.00m

20

m

5

m

FOR THE DESIGN OF THIS CULTURAL CENTER, WE PROPOSED TWO BUILDINGS; ONE MARKET (BUILDING OF SMALLER SCALE), ORGANIZED IN BATTERY THAT SHOULD SATISFY THE REQUIREMENTS OF DAILY USERS AND RESIDENTS NEIGHBORS; AND A CULTURAL CENTER, WITH WORKSHOP ROOMS, SHOWROOMS, DANCE ROOM AND ITS RESORTS AND A MIDDLE SIZE CONCRETE HALL. schematic transverse section

schematic west facade

1 2


1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.

10 20

50

cm

1. EXTERNAL COVERING, TIMBER 2x0,12m 2. ASPHALT CANVAS 22mm 3. THERMAL INSOLATION 4. DOUBLE GIRDER, 180x60mm 5. INTERIOR COVERING, TIMBER 500x500mm 6. THERMAL INSOLATION 12.

7. PILLAR IN SIGHT 8. EXTERIOR PERPENDICULAR SUBSTRUCTURE 9. EXTERIOR PARALLEL SUBSCTRUCTURE 10. AIRBOX 30mm 11. DRANAGE WATER CAISING

13. 14.

12. IRON INGOT, “Z” SHAPE 13. CONCRETE FOUNDATION 14. COMPACTED GRAVEL


HOUSE EXTENSION LOCATION: VILA CAIZ, AMARANTE, PORTUGAL STATUS: BUILT DESIGN BY: RAÚL SOUSA CARDOSO ROLE: PROJECT COLLABORATOR FOCUS: BUILD A PORCH, EXTENDED FROM PRE-EXISTING HOUSE, WITH MINIMUM OF RESOURCES

THE MAIN PURPOSE OF THIS PROJECT, WAS PHYSICALLY CLOSE AN EXISTING PORCH TO EXTEND THE HOUSE INTERIOR. THEREFORE, WE WERE CONDITIONED TO A SPECIFIC VARIETY OF MATERIALS, THAT THE OWNER HAD, TO MINIMIZE THE COST OF THIS EXTENSION. THE CONCRETE BRICK (20x50x25cm) AND TIMBER RULERS (120x12cm) WERE TWO OF THOSE MATERIALS. THE BRICK’S MEASURES ESTABLISHED THE METRIC AND THE OPENINGS SIZE AS WELL TO CONTROL THE WASTE. WERE THOUGHT WOOD BOXES BUILTED IN BRICK SPACES, TO SERVE THE NEW SPACE VALENCES, AND WORK AS LIGHT POINTS AS WELL. INSIDE, THE BRICK WAS AT SIGHT JUST PAINTED WHITE, AND THE TIMBER RULERS LAYERED ALL THE BACKWALL TO ENSURE THE ELECTRIC INSTALLATION. OUTSIDE THE PORCH WAS COVERED WITH WAVY METAL PLATE, WICH IS A CHEAP AND USUAL IN AGRICULTURAL SHEDS NEARBY.


SECTION A-A’

A’

A

GROUNDFLOOR PLAN

20

40

100

cm


1.

2.

3.

4.

5.

10

20

50

cm

6.

1. TIMBER VALANCE, WITH EMBEDDED LEDS 2. TIMBER BOX, WITH LIGHT INSIDE 3. IRON FRAME 4. WAVY METAL PLATE IN SIGHT 5. TIMBER SILL 6. BLASTED GRANITE EXTERIOR SILL 7. CONCRETE BRICK (20x50x25) 8. INTERIOR THERMAL INSULATION 9. CONCRETE BRICK (20x50x20) 10. EXTERIOR LAYER OF BLASTED GRANITE

7. 8. 9. 10.


LIVING ROOM FURNITURE STATUS: BUILT DESIGN BY: RAÚL CARDOSO & PEDRO AZEVEDO FOCUS: DRAW A TELEVISION & SPEAKERS FURNITURE.

THE PURPOSE OF THIS WORK, WAS TO DRAW A FURNITURE, FOR A LIVING ROOM. IT WOULD SUPPORT A TELEVISION, TURNTABLES AND ITS SPEAKERS, BUT SHOULD BACK UP SOME TRIVIAL OBJECTS OF THAT ROOM; AS CUPS AND BOTTLES, AND SMALL ITEMS WICH WOULD BE STORE IN LOCKERS TOO.


THE WOOD HOUSE LOCATION: PORTO, PORTUGAL STATUS: SCHEMATIC DESIGN FOCUS: BUILD A HOUSE FOR A ARCHITECT STUDENT

THE WOOD HOUSE, IT’S THE FIRST APPROACH TO PRIVATE ARCHITECTURE IN ARCHITECTURE COURSE. WE SHOULD DESIGN A HOUSE FOR A ARCHITECTURE STUDENT. THE PHYSICAL SUPPORT OF THE WORK WAS IN CENTER OF OPORTO, 2º BIGGEST CITY IN PORTUGAL. THE TERRAIN WAS ALMOST SQUARE AND LEVELLED, HAD A DENSE ROW OF TREES WICH SHOULDN’T BE ALIENATED. THE TREES MARK THE ENTRY INTO THE HOUSE, A PLATFORM RECEIVES THE USER AND LEADS HIM. THE FACADE FACING THE STREET IS IMMACULATE OF OPENINGS ONCE THE HOUSE LIVES TO ITS WON INTERIOR, AWAY FROM THE ROAD CONSFUSION, ALLOWING A GREATER CONCENTRATION TO STUDENT. ALL INTERIOR ORGANIZATION FEATURES IN BATTERY, RESPECTING A GRADATION, FROM THE COMMON SPACES TO INTIMITATE ONES.


GROUNDFLOOR PLAN

1

2

5

m


1.

3. 2.

10

20

50

cm

1. ROOF CONSTRUCTION: TWO-LAYER BITUMINOUS SHEETING 200-260 mm ROCKWOOL THERMAL INSULATION VAPOUR BARIER 68mm SOFTWOOD/FIR LUMBER CORE PLYWOOD, 3-PLY 2. SUSPENDED CEILING: 35mm WOOD-WOOL ACOUSTIC BOARD 40mm MINERAL-FIBRE THERMAL INSULATION 60/175mm SQUARED TIMBER SUPPORTING STRUCTURE 3. DOUBLE GLAZING


THE BOOKSTORE LOCATION: VILA MEÃ, PORTUGAL STATUS: BEING BUILT DESIGN BY: RAÚL CARDOSO & PEDRO AZEVEDO FOCUS: BUILD A BOOKSTORE, HABERDASHERY, AND STATIONERY, IN A PORTION OF AN EXISTING BUILDING.

THIS PROJECT, INVOLVES REDESIGNING AN EXISTING SPACE, IN FIRST FLOOR OF A TALL BUILDING. THE SPACE HAD NO FUNCTION TILL THAT MOMENT. IT WAS A LARGE, EMPTY AND UNFINISHED ROOM, WITHOUT FLOOR LAYER OR ANY PAINTED WALLS. THE BUDGET WAS VERY SCARCE. ROOM SHOULD HAVE THREE DIFFERENT FUNCTIONS, STATIONERY / BOOKSTORE, HABERDASHERY AND REPROGRAPHIC. IT WAS USED ​​TWO COLORS TO SEPARATE REMAIN (PURCHASE/SALE) SPACES OF COMMUNICATION SPACES. THE BOOKSTORE, IS LOCATED NEAR A SCHOOL, WILL EXIST A CONTINUE FLOW OF PEOPLE IN AND OUT, AND FOR THAT REASON THE TRANSITION SPACES MUST BE CONTROLLED WITHOUT ALLOW CONGESTION. THE SERVICE SPACES, ARE ORGANIZED IN BATTERY FOR A EASY AND DIRECT ACCESS AS YOU CAN SEE IN ORGANIGRAM (NEXT PAGE).


ORGANIZATION SCHEME, MERGED LAYERS WORKSHOP ROOM

HARBERDASHERY

REPROGRAPHIC

BOOKSTORE


3D MODELING THIS IS HOW BOOKSTORE SHOULD LOOK LIKE IN THE END.


OTHER PROJECTS I CAN SHOW THIS PROJECTS UPON REQUEST


KITCHEN REDESIGN LOCATION: MARCO CANAVESES, PORTUGAL STATUS: BEING BUILT DESIGN BY: RAÚL CARDOSO & PEDRO AZEVEDO FOCUS: REDESIGN AND UPDATE AN EXISTING KITCHEN


LIVING ROOM REDESIGN LOCATION: PORTO, PORTUGAL STATUS: BEING BUILT DESIGN BY: PEDRO AZEVEDO FOCUS: REDESIGN AND UPDATE AN EXISTING LIVING ROOM



THANK YOU PEDROFILIPE.A@GMAIL.COM


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