Anchorage press july 6, 2017

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ANCHORAGE PRESS • ANCHORAGE’S HIGH-FLYING NEWSPAPER • JULY 6 - JULY 12, 2017 • VOL. 25, ED. 27 • FREE

ON SITE, ABOARD CHOPPER WITH THE HEROES OF ALASKA PARARESCUE TEAM

ALSO INSIDE * Dr. Fermento’s 20 years with the Press Page 2 * Cyrano’s heads into final summer before moving. A.M.E. section * Press Eats: Carlos’ Mexican Restaurant and Pancho’s Villa. Page 12

EDITOR'S NOTE

731 I Street, Suite 102 Anchorage AK 99501 (907) 561-7737 Fax: (907) 561-7777 anchoragepress.com

HAPPY 20TH PRESSIVERSARY, DR. FERMENTO

ANCHORAGE PRESS General Manager Clare Tilley clare.tilley@anchoragepress.com Editor Matt Hickman editor@anchoragepress.com

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Calendar Editor Alejandra Buitrago alejandra@anchoragepress.com Page design Bethany Strunk bethany.strunk@svherald.com Advertising Account Executives Karen Edes karen.edes@anchoragepress.com Bridget Mackey bridget.mackey@anchoragepress.com Circulation Director Clare Tilley clare.tilley@anchoragepress.com WICK COMMUNICATIONS ALASKA Publisher Dennis Anderson publisher@frontiersman.com Editor Matt Hickman news@frontiersman.com Advertising Coordinator Candice Helm candice.helm@frontiersman.com Advertising Account Executives Petra Albecker petra.albecker@frontiersman.com Tawni Davis tawni.davis@frontiersman.com Brandon Williams brandon.williams@frontiersman.com The Anchorage Press is a news, opinion, features, arts, entertainment and recreation paper. Established in 1992, the Press is printed weekly on Thursdays and distributed throughout Anchorage and the surrounding area. Copyright: the Anchorage Press is published by Wick Communications Co. With the exception of syndicated features and cartoons, the contents of the Anchorage Press are copyright 2016 by Anchorage Press. No portion may be reproduced in whole or in part systems without the permission of the publisher.

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BY RICHARD PERRY

POP-UP GROCERY STORE

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BY ROBERT FORAN III

THE UNSEEN

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BY JOE YELVERTON

THE PEONIES ARE COMING

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BY AMY ARMSTRONG

PRESS EATS

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BY MATT HICKMAN

BEER

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BY JAMES 'DR. FERMENTO' ROBERTS

IDENTITY

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BY RICHARD PERRY

COMING EVENTS

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BY ALEJANDRA BUITRAGO

FIRE MUZIK

B2

BY SNARLEY BROWN

YEAH, WRITE

B5

BY JEREMY PATAKY

ART

B6

BY JEAN BUNDY

CYRANO'S RELOCATES

B8

BY RJ JOHNSON

FILM REVIEW

B12

BY INDRA ARRIAGA

SAVAGE LOVE

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BY DAN SAVAGE

CHANCE, THE MOVIE

B10

BY MATT HICKMAN

ALASKA BASEBALL

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n July 4, 1776, Thomas Jefferson clicked the send button on the Declaration of Independence. On July 4, 1997, James Roberts put quill to parchment on the first of what would become a streak of more than 1,000 consecutive weeks of his beer column running in the pages of the Anchorage Press. Besides sharing a birthday, these bodies of work don’t share a whole lot in common, except maybe for this: The Enlightenment was looking for a new nation to try out its values and ideals, and found it in the American Colonies and its Founding Fathers. Likewise, 16-year-old James Roberts was wandering the streets of San Francisco driven to write but needing a subject to ply his talent. “Everywhere I went I carried notebooks, Bic stick pens,” Roberts recalled over an IPA at McGinley’s last week. “I wrote about everything I saw — just filled notebooks with thoughts.” Those thoughts had no unifying theme, no purpose, until one day in 1974 he walked into the original Spaghetti Factory — not the one that was spun off into a chain — for a plate of pasta with a very garlicky red Manhattan clam sauce. He was only a sophomore in high school, but it was San Francisco and 1974 and no one really batted an eye when he decided to order an Anchor Steam to go with. The way that beer complemented the food turned on a light switch in the young man’s mind. He kept going back to the restaurant and eventually mustered the courage to belly up to the bar. The bartender asked him whether he’d like to meet the man who made the beer with which he’d become so enraptured. ‘I would,’ James replied. ‘Well introduce yourself, you’re sitting right next to him.’ Fritz Maytag, of the Maytag appliance empire, and since 1965 the owner of Anchor Steam Brewing Company in San Francisco, pushed up his glasses, looked at the young man and asked him to years away and describe, in detail, why Budweiser, Coors, he liked the beer so Miller and worse much. ruled the landMaytag advised the scape, and shitty young man to pay European knockattention to every beer offs like Lowenhe drank — its color, brau were about as the head, the taste and good as good beer most importantly — to got. write it all down. Taking what he The military brought learned from Fritz Roberts to Anchorage BY MATT HICKMAN Maytag, Roberts in 1979 and immediategot involved in the ly he sought to get into homebrew scene the beer scene, which in Alaska and even wasn’t much back then. He recalls the only place you could get decent beer became the chapter’s president for a in town was at Koots’, or at Harry’s, couple of years. For two years Roberts kept up the which operated in the downstairs of what’s now the Key building in mid- local homebrewers club’s newsletter through the golden age of the rise of town. American beer, as a whole, sucked craft beer and microbreweries, and when the Anchorage Press was seekback then. The craft beer revolution was still ing a new beer writer in 1997 and Rob-

erts was the inevitable heir apparent. Roberts’ first Anchorage Press column was comparing Budweiser to its original inspiration, the Czech lager Budvar. He’d found his muse, and now he’d found his canvas. Soon he’d find his audience and later his avatar, dressed up as the mad scientist Dr. Fermento. “I’d never not loved to write, but what made me a better writer was getting feedback, getting edited,” Roberts said. “Instead of writing random thoughts, I wrote about beer. The first thing I spent a lot of time on one subject was beer. I think it comes out in my conversational style. I still maintain that feeling from when I would write in journals. When I write about beer, I write what I feel, what I see.” Happy 20th Pressiversary, Dr. Fermento! Here’s to another 20 years of hoppy beers and even hoppier writing.

BY JOHN ARONNO

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July 6 - July 12, 2017

PARTY OR PRIVACY NEW FEDERAL GUIDELINES WANT DETAILS

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et's start off with some fun facts. First, the Alaska State Constitution (my favorite!), Article One, Section 22: “The right of the people to privacy is recognized and shall not be infringed.” The right to privacy was enshrouded in our state's guiding document in 1972, ratified by over 82 percent of the vote. And it's kind of important to us. Our elected officials invoke it all the time. Earlier this year, the legislature did their best to avoid a proposal to comply with the Bush (43) Administration's REAL ID Act, a security mandate requiring private information to be handed over to BY JOHN the federal government in trade ARONNO for access to that place beyond the TSA checkpoint. “Many people believe that the idea that the data’s not going anywhere, that’s hard for some folks to accept that that doesn’t happen given,” Sen. Mike Dunleavy (R-Wasilla) said. “[J]ust about every week in the newspaper, there’s a report that there’s been data breaches, security breaches in data banks that were never even supposed to be shared.” It was a rare moment in which he raised valid concerns. But, vacations are also really important, so they eventually complied. Rep. Steve Thompson (R-Fairbanks) buried language bringing Alaska into compliance with REAL ID in a bill largely about training for first responders and the (privacy) rights of drivers being stopped by law enforcement. It passed the House unanimously and the Senate with threequarters of the body in support. But they dragged their knuckles throughout the process and, to provide cover, also passed a nonbinding resolution objecting to the thing they just passed. Because privacy is a very big concern and they have to knock on the concerned's doors to secure reelection. We're a state that, in 2013, considered nullification to prevent any hypothetical future gun control laws implemented by President Obama.

Eventually, they settled on a compromise: a law was passed prohibiting state law enforcement from aiding the enforcement of any future gun control measures. Because the State's constitutional privacy clause matters. Whether you're a conservative worrying about the feds infringing on Second Amendment rights or a liberal adamantly opposed to restrictions on abortion, privacy is a huge deal in Alaska. Republican lawmakers, especially, hoot, holler, and stamp their campaign literature any time they can possibly — even tangentially — claim to have fought for the right to privacy. And then this one guy got elected leader of the free world. “In addition to winning the Electoral College in a landslide, I won the popular vote if you deduct the millions of people who voted illegally,” He said. “I will be asking for a major investigation into VOTER FRAUD.” President Donald Trump then appointed a commission to investigate voter fraud and suppression. He put Kansas Secretary of State and Harvard, Oxford, and Yale-educated attorney (drain that swamp!) Kris Kobach in charge. Kobach is well known for his role in implementing rigid ID laws that require a birth certificate or passport in order to vote to cut down on voter fraud. In effect, the requirements really just appear aimed at cutting down voting in general – at least, for certain people. White America, fear not. Everyone else, fear a lot. Federal courts in North Carolina and Texas have ruled that restrictions Kobach has successfully championed into law primarily disadvantage lower income and minority voters. One notable ruling from a federal court in Virginia found that they “target African Americans with almost surgical precision.” But, as goes Kansas, so goes the nation. Said nobody. Ever. Kobach's commission took a bad idea in Kansas and decided to take it national – and not state

YIELD

by state, but centralized and regulated by the federal government. The Presidential Advisory Commission on Election Integrity has formally requested all 50 states and the District of Columbia to turn over a lot of private data. Names, party affiliation, addresses, dates of birth, the last four of your social security number, voting history, criminal records, and whether or not someone is registered to vote in more than one state. Never mind that Kobach's strategy yielded just nine alleged accounts of voter fraud out of 1.8 million Kansas voters. Fun fact number two: Under the The Tenth Amendment to the U.S. Constitution, states determine the bulk of election procedure. That provision accords the oxygen that keeps Alaska's Privacy Clause alive. It fundamentally recognizes the state's right to regulate what private election and voting information should be surrendered to the feds. But that information – sovereign information – is now under request of forfeiture by the federal government, despite there being no power designated under the constitution to do so. I looked outside today. I failed to see David Eastman, Mike Dunleavy, Pete Kelly, or any other of the “state's rights,” “protect privacy” conservatives piping up about it. No pitchforks. Mike Chenault, who just a few years ago seemed poised to relitigate the Civil War over hypothetical gun control measures President Obama never attempted, offers the sound of crickets one-hand-clapping. Hell, there hasn't even been a single press release. Absolute bupkis. Maybe they're super busy not doing much about our fiscal crisis? Governor Bill Walker doled out a statement last week clarifying what information state law allowed and prohibited. Voting, social security, driver's license, phone, and state ID numbers are not permissible to relay, alongside birth dates, place of birth, primary ballot records, and signatures. But voting status, names, mailing addresses, voter registration dates, party affiliation, district and precinct designation, voting history, and personal residence address (unless requested under Alaska Statute 15.07.195 — because we all do that,

right?) are fair game. That seems dumb. But, one side of the partisan divide is staying entirely mum on the issue (which also seems dumb). Twenty-seven states have answered Kobach and Trump's request with a solid “Um, no,” to which Trump tweeted, "Numerous states are refusing to give information to the very distinguished VOTER FRAUD PANEL. What are they trying to hide?" I'm going to try to say this in a way he might understand: PRIVATE INFORMATION YOU HAVE NO TITLE TO FFS ARE YOU SERIOUS SAD. Even Kris Kobach conceded that Kansas won't give up social security information at the request of Kris-freaking-Kobach. Fun fact number three: In Alaska, the only ones raising their hands are the Democrats. The Senate minority fired off a letter to Lt. Gov. Byron Mallott last week lambasting what they called (and what is) an “egregious attempt at federal overreach.” “Our Constitution is extremely clear, and extremely strong on privacy rights,” East Anchorage Democratic Senator Bill Wielechowski said in a press release. “I’m hoping that this request to the administration is a no-brainer.” His colleague, Sen. Tom Begich, representing downtown, dovetailed. “There is no wondering in this case, there is no debate. We have a decisive constitutional mandate that [tells] us what we are bound to do.” The executive branch offers a lot of expansive powers. This is not, and should never be, one of them. This is the abyss not only staring back, but demanding your social security number. As that famous liberal bastion, the Heritage Foundation, once wrote, “[T]he power ends when it reaches too far into the retained dominion of state autonomy.” In his ruling in the 1941 Supreme Court case, United States v Darby, Chief Justice Harlan Stone opined that the Tenth Amendment is "but a truism that all is retained which has not been surrendered." So, how much are you willing to surrender? And which elected officials have your back? Pick a side. Party or Privacy. It's a pretty important choice.

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PETERSON LOOKS TO TAKE NATIVE VOICE ONE TO NEW HEIGHTS BY RICHARD PERRY

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ative Voice One (NV1) recently hired Bob Peterson as network manager at Koahnic Broadcast Corporation. He arrived in Anchorage about a month ago from Bethel and was brought to expand the program offerings for NV1. Based in Anchorage, Koahnic Broadcast Corporation is a nonprofit Alaska Nativegoverned and operated media center. NV1, locally on 90.3 KNBA, is part of the distribution division of Koahnic that offers Nativethemed programing with the aim to educate, advocate, and celebrate indigenous life and values. Peterson brings with him an understanding of rural Alaska. “One thing from growing up in Bethel is you learn to get along,� Peterson said. “It’s a small community and with people from different and emerging cultures, with different backgrounds. You learn to rely on and help people.� Peterson went to college and earned a degree in business. He ended up working in social services, serving on various boards, and provided financial and business consulting. While in Bethel he volunteered at KYUK and at his college radio station. He had always been active in his community but he explained there seemed to be something missing. Out of Bethel, much of Peterson’s broadcast background comes from his podcast, “Eskimo Bob Lives� where he interviewed musicians, authors and community members. Looking for a creative outlet, Peterson produced the area podcasts and that is where he found a greater sense of fulfillment.

Now in Anchorage, NV1 programing will be carried by over 175 affiliate stations, reaching reservations, village-based stations, and larger markets throughout the U.S. and Canada. “We have eleven programs,� Peterson explained. “Our shows covers talk, news, and music. We have great talk shows like ‘Native America Calling’, a live show that runs Monday through Friday. People call across the nation talking about specific issues that are affecting Indian Country. We really get a lot of interaction.� The NV1 programs seek to inform the pub-

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lic, in general, and Native people about news, culture, history, music, events, and modern life of Native Americans. NV1 programming strives to offer entertaining, thought-provoking content that is timely and culturallysensitive. Nationally, the big topics in the Indian Country have been Standing Rock and the Dakota Access Pipeline. More recently the senate health care bill has been an issue, and then there are sovereign rights and other developing issues. “I really feel that the Native voice is going to be one of healing,� Peterson said. “There are

IDENTITY

always issues happening but recently with all the division, animosity, and chaos that’s happening it seems like it’s just burgeoning out of control. It seems the case, but I don’t think it will. Once we get down to our humanity we are all the same when it gets down to it.� Petersen explained that NV1 aims to provide an inclusive message; it’s not just for Native people. It’s not just for those trying to understand Native people or for entertainment purposes. It is supposed to be engaging, applicable, and entertaining with a Native perspective and enjoyable by many. “Although NV1 is catered to Native voices touching on cultural items, for me there is a message of community,� Peterson continued. “It starts first with the person, then goes out to the family, the family then helps the neighborhood, the neighborhood then builds the town, and the town helps build everything else. Then, there you go.� NV1 also offers a 24 hour web stream and has become a leader in bringing Native voices across North America with great content with programs like NV1, Native America Calling, National Native News and a growing list of other programs. “One thing we are looking forward to is growing content,� Peterson said. “The voice is clear, the voice is strong but we need help in getting more of our voices out there. We are looking for folks to carry that voice, their story, and that’s what we are going to be doing.� Look for NV1 locally on 90.3 KNBA, online at nv1.org, and station affiliates across the nation.

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GOIN DOWN THE ROAD FEELING BAD

JUDGE NOT BY SEAN O’HARE

he shall pass away. (James, 1:9-11.). Pastor Schultz' talk inspired me to attempt to do my small part to shame these "Christian" senators who would take from the poor to give to the rich. There are even four "Christian" senators who will not vote for this bill because it takes not enough from the poor to give to the rich. "Christian" Ted Cruz who says "I am a Christian first, American second;" "Christian" Mike Lee who says that "Judeo-Christian values are American values;" and a "Christian" such as that champion of pro-life, profamily values, Ron Johnson. Rand Paul rounds out the gang of four. I would like to remind these four alleged Christians that it was Jesus who said "...it is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of heaven." (Matthew, 19:23-26) As you take the possibility of medical care away from poor families remember that Jesus said "...when you refused to help the least of my brothers and sisters, you were refusing to help me." (Matthew, 25:45) I suppose that if Jesus was on expanded Medicaid the four plus all who would vote for this bill would also take away his medical benefits. And you smug Democratic senators who could have created a one payer universal health care system when you were in charge but instead took the bribes, I mean the

"J

udge not lest ye yourself be judged" are the words of Jesus of Nazareth (Matthew 7:1-3.) After reading the judgments of so many self-righteous, self-described "Christians" on the sinfulness of being LGBT, of being a single poor pregnant woman, of being on welfare, etc., I have decided to risk being judged by doing some judging myself. I would like to take this opportunity to judge those Republican senators, those modern day Pharisees and Scribes, those throwers of first stones, who are planning to vote in favor of Trumpcare, which will deprive some 20 million of our poorest working citizens of expanded Medicaid, and thus, of medical care. I can do this judging because I don't care if I get judged in return. I do not claim to be a righteous Christian, although I have read the Bible. So go right ahead and judge me back. Pastor Matt Schultz of First Presbyterian recently gave a talk at the Bartlett Club about the Christian requirement to take care of our poor, citing passages from Jeremiah, Micah, Isaiah, and James who wrote "Let the brother of low degree rejoice in that he is exalted, but the rich, in that he is made low....

SHORELINES BY SCOTT A. STERLING

contributions, from the lobbyists of the pharmaceutical and insurance industries, and gave us the disaster of Obamacare, should also ask the poor for forgiveness. No wonder they don't vote for Democrats. All you hypocrite millionaire Republican senators who were endorsed by the Faith and Freedom Coalition should remember that Jesus said "Blessed are you who are poor, for yours is the kingdom of God." (Luke, 16:20-26.) Did he say blessed are the rich for you shall have villas and everything money can buy? No, in fact, he said quite the opposite. As you meet to discuss stealing from the poor and giving to your rich benefactors in some fine country club on your 4th of July recess, remember the story of Lazarus and the rich man. (Luke, 16:1931.) As you burn in Hades, don't ask Lazarus who you denied medical benefits and is now standing next to Abraham, to come and bail you out. And keep your children away from matches because it will be the fire next time. You, believers in fire and brimstone, will finally feel the shame and humiliation you deserve.

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n 1941 E.B. White published his now-venerable essay “Once More to the Lake.� In concise terms he brought us to a lake in rural Maine, which he first visited in 1904 on a trip with his father. They stayed in a lakeside camp cabin. They went fishing, paddling and exploring. White, the boy, drank deep of the lake’s innate serenity, sounds and feel. The experience lived on in his heart. When he went back once more, decades later, with his own son, White, the man, felt true joy at seeing the lake in its wholeness and a kind of fatalistic dismay at what change — especially in the form of much louder and larger motorboats — had wrought. The water birds were splashing away, the sun was shining and yet mortality refused to be ignored. Watching his son put on some wet clothes White recalled that “..suddenly my groin felt the chill of death.� Re-reading “Once More to the Lake� I, myself, felt a little chill down south. So before it gets too cold, here is what’s wrong. First is the fact that lake-living is ceaselessly popular and every year more and more homes, cabins and commercial ventures show up on the shorelines. Second is the fact that there is

no sensible, comprehensive regime that helps lakefront property owners get right with God when it comes to shoreline protection. Third is the fact that between Fact No. 1 and Fact No. 2 far too many lakes are in trouble, in part because far too many of us strip away natural shoreline vegetation, install lawns down to the waterline and fail to mitigate run-off. I am a moderate offender: I have no lawn, kept most of the natural shoreline intact and try to divert run-off. But I have not done enough. Healthy lakes are important to life in Alaska in thousands of ways. If we are to be serious about stewardship and somehow, someday, get past grassy lawns as the beau ideal, then we need to find a way to encourage and reward shoreline protection. The State of Wisconsin operates a government program (oh, the horror) which educates and informs on lake and shoreline protection. And guess what? Active shoreline protection and prevention of petroleum product spillage into the water works wonders for the lake and property values, both. Yes, Mr. White, nature does indeed constantly remind us of mortality. In response, though, if we care enough and manage to keep the pecuniary in its proper place, then, I believe, we can ward off the chill, if only for a while.

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5

Airport Heights’ ‘Pop-up Grocery Store’ BY ROBERT FORAN III

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ince Fire Island Rustic Bakeshop’s first farmers market started on May 31, a welcoming atmosphere has been unfolding every Wednesday from 3 to 7 pm on the corner of East 16th Avenue and Logan Street in the Airport Heights neighborhood of Anchorage. During each market, the parking lot of Fire Island comes to life with neighbors gathering to get a glimpse of what the vendors have brought for the day; whether it be fresh herbs, leafy greens, locally picked mushrooms, homemade fermented salsa, fish, meat, pasta, bread — all the freshest foods your stomach desires. The current vendor lineup features Butcher Block No. 9, Alaska Pasta Company, Far North Fungi, Favco Seafoods, Wild Child Fermented Foods, Four Tern Farm, Wild Scoops, Alaska Seeds of Change, and Ojala Designs. There is also live music performed at each market to set a welcoming ambiance. Commuters either on their bicycles or in their cars are slowly going by to get a peek at the action, with some curious enough to stop over and become a part of what’s underway — which is exactly the kind of curiosity Fire Island Rustic Bakeshop’s manager Jason Croft wanted for this event. If you are anything like Croft, then you may not always enjoy having to run to the grocery store at any given time in the middle of the week. The selection at bigger grocery stores can be overwhelming and you’re never truly thrilled to be there. The look on many people’s faces often reads that they want to get in and out of there as fast as possible. In response to that feeling, Fire Island Bakeshop created an alternative to that routine by hosting a weekly farmers market for the Airport Heights community and its vicinity as a place to find those quick shopping needs. “The best way to characterize it was to create a pop-up grocery store.” Croft said about the idea

PHOTOS BY ROBERT FORAN III

Jason Croft, Fire Island Rustic Bakeshop’s manager to start the farmer’s market as a summer addition to the bakery. The Airport Heights branch of Fire Island opened its doors in October of 2015 as an extension of its downtown location on G Street. Neighbors from the community quickly began venturing into the newly welcomed bakery to enjoy their many baked goods and a cup of coffee. Soon word got out to students and staff of the University of Alaska Anchorage and Alaska Pacific University, and they, too, were stopping by to try something tasty at the new bakery nearby. Once they became established in the neighborhood, Croft and the managing staff of Fire Island thought of the market as a way to enhance

that sense of strong community they were witnessing. “It’s for the Airport Heights community at its core,” Croft said. “We’re here to provide a venue for the community to get together on a weeknight, do some grocery shopping and get to know each other a little better.” Farmers markets and small co-op shopping experiences are something Croft is familiar with, coming from a background in Madison, Wisc. Croft wanted to maintain those same kinds of values as those co-ops and have what he calls, “a neighborhood-oriented gathering space.” Croft pointed out how at one of the recent markets he saw evidence of his vision coming to

life. “People were eating their fresh oysters they bought at the market — how great is that?!” He said. “Some customers took a seat on the bench, while one ran to their house nearby to grab some lemon juice and hot sauce. He came back and they ate two bags of fresh oysters right there.” Those fresh oysters came from the Favco Seafood table run by Fire Island Bakeshop employee Bethy Whalen. Having seafood at the market was a must for the bakery simply because there are not many other markets in town that offer a full range of seafood. And let’s remember that it’s full-on fishing season in Alaska right now — so fish, scallops, oysters, and other seasonal seafoods are readily available. “Coming to this market you can find your entire dinner, complete with dessert,” Whalen said. The dessert Whalen referred to is Wild Scoops Ice Cream — currently one of Anchorage’s favorite ice cream fixes. Elissa Brown, owner of Wild Scoops recently opened her first ice cream shop on 429 E Street downtown after two years of selling her handcrafted ice cream at various farmer’s markets and pop-ups at local businesses. However, farmer’s markets are not off the table for Brown, and that’s a good thing for everyone. That way their unique brand of ice cream can be available to a small neighborhood that would not normally see it once a week. Fire Island Bakeshop and Wild Scoops have had a strong relationship previous to the market starting. They’ve been working together where Wild Scoops has been using their products in the ice cream. The ice cream flavor “Malted Milk and Cookies” for example features Fire Island Bakeshop’s cookies made with all natural ingredients. Brown talked about the way the market brings her back to the beginning days of her company, “This event is a fun way to remember how we began our business and began to connect with our ice cream loving fans and supporters.” she said. Brown also mentioned that it is always

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welcomed and fun to hear suggestions on new flavor ideas from customers for the ice cream company who is known for its interesting flavors such as Alaska Birch, Yukon Gold, and Scouts Honor. Please visit www.wildscoops.com for more flavors and their descriptions. Fire Island is not the only business on the premises now working in collaboration with Wild Scoops. Alaska Seeds of Change is another vendor at this market who is now providing Wild Scoops with their mint supply thanks to the efforts of the market bringing people together. Alaska Seeds of Change has added in their brand of fresh herbs and leafy greens that is grown using vertical hydroponic farming. This is a year-round method of farming that uses water alone to grow their plants without soil, and allows plants to grow from top to bottom instead of the traditional side-by-side process we may automatically think of. A unique market calls for a unique program like Alaska Seeds of Change, which is run by young adults to promote self-reliance and community involvement. There, the youth are trained on how to maintain farming techniques and other job skills crucial to their transition into adulthood. “By having this job, I’ve been able to move out of my parents house, get an apartment and live alone,” said Alaska Seeds of Change worker Lyndsey Kellard, 21. In regards to being a part of the market she said, “You see different faces every time, it’s a family community. It’s a wonderful vibe here.” “It’s like a block party,” said Alaska Pasta Company vendor Matt Martell. Martell is seeing good results with his pasta moving off the table at the market. Although Alaska Pasta Company started back in 1987 and has already been successful distributing its pasta to more than 30 restaurants in town, retail sale is a more recent experiment for the business. Some of the other vendors in the food business here in Anchorage that have been building recognition due to the market are companies like Wild Child Fermented Foods, run by Renee

Parks. Wild Child currently specializes in fermented salsa dips, and Park’s recipes have people making interesting faces upon trying each salsa flavor she has out to taste. “My favorite part of the market is watching people when they first take a bite and go, ‘Oh my God, this is so good.’” Parks said with laughter, “And other people don’t say anything, they just grab a jar and say, ‘I have to have it!’” As you continue to walk around the market you come across resourceful businesses like Far North Fungi. Co-owner of the recently started business, Allison Dunbar is there selling her selection of local wild mushrooms that have been foraged with her partner Gabriel DeGange. They both live in the Airport Heights neighborhood where they started Far North Fungi in a greenhouse in their backyard. “It’s an important market for us.” Dunbar said referring to how their presence at the market is helping to contribute to their notoriety. Mushrooms have a short shelf-life, so Far North Fungi offers locally picked mushrooms making them as fresh as possible for the best quality and flavor. Dunbar said many of their mushrooms are being found near McHugh

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Creek, where they have blossomed after the fire there last year. At the market she is displaying morel mushrooms, boletus, and the popular blue oysters. “Their texture is really nice.” Dunbar said of the blue oyster type, “Because they are so clean, people can just throw them into a pan and won’t have to wash them or do any prep.” All of the mushrooms Dunbar and DeGage sell are maintained on straw rather than wood for a sweeter flavor. People all around are also enjoying the live music at the market. Music was made possible through Jason Croft’s relationship with Fire Island’s own “oven master” and local musician Carlyle Watt of the band, the Super Saturated Sugar Strings. Croft contacted Watt about possible entertainers and Watt tracked down a list of musicians and then recommended music duties be turned over to bandmate Kevin Worrell. That’s where he came up with the idea to have a “music residency” as a part of the new market. The residency means that a single performer would play the market for two or three consecutive weeks. They’ll play a two-hour set of original music, get-

ting familiar with the setting and the audience. Americana singer-songwriter Todd Grebe is currently getting acquainted with the crowd now. In essence, the music agreement is proving to be an effective and essential part the market. “Kevin has been nothing but outstanding to work with” Croft said. “There’s a cohesiveness that we’re all supporting each other; the bakeshop supports the vendors, the vendors support the musicians, the musicians provide an environment for us to collaborate and work together in a space that attracts people — how often do you get to see a live concert in your neighborhood?” The agreement that Croft and Worrell have also includes something special. After each musician’s ‘music residency’ is over, through that experience, they will reflect on their time at the market and will write a song about it. The deal is to eventually have every musician who’s played all come together at the end of the summer market season and perform those songs at the final market, tentatively planned for August 30 as a last hoorah. What has transpired is something that the Airport Heights community has not ever been offered in this format. This particular farmers market offers a different kind of shopping experience. It’s not just another farmer’s market in Anchorage, it’s an assembly of neighbors, musicians and local businesses who just love fresh food, music, and sharing a sense of well-being — it’s community serving community. Grab your family or just wander in to visit the market and see what the people of Airport Heights are talking about. The Fire Island Rustic Bakeshop of Airport Heights is located at 2530 E 16th Street. Parking is available in the Fire Island lot, on the street surrounding the bakery, and at the nearby Manai Fou Assembly of God church across the street. Robert Foran III is a student journalist studying at the University of Alaska Anchorage. Robert’s work can be followed at foranbrandjournalism. wordpress.com

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‘SO THAT OTHERS MAY LIVE’ DRIVES ALASKAN PARARESCUERS — WHO SEE THEMSELVES AS ANYTHING BUT HEROES BY JOE YELVERTON

Unseen is an environmental portrait of the Alaska Air National Guard Rescue Squadron, a group of enigmatic individuals highly skilled at standing in harm's way. The opening for Unseen will be Friday July 7 (5-9pm) at the International Gallery of Contemporary Art. Address 427 D St, Anchorage, 99501.

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earing body-armor and a helmet, I observed intensely dramatic combat rescue simulations that involved a variety of powerful weapons and live ammunition. On other missions we flew to high altitudes in helicopters to practice landing in mountainous and highly glaciated areas, where I experienced the limitations of an amazing helicopter in an extreme environment. After donning a full dry-suit and learning emergency procedures that struck me with the intense realities of a dangerous occupation, we flew out into open Alaskan ocean where I watched men jump from the helicopter into frigid waters. The entire time I remembered being briefed on what to do if the helicopter were to crash in the water, hearing without embellishment of any sort, that "when we hit the water and the helicopter flips upside down—which it will—it will be violent as fuck," but I also learned about the procedures for dealing with such emergencies. Crammed shoulder-to-shoulder into the back of the helicopter with six pararescuemen, we climbed to 12,000 feet where I watched these men jump out and free-fall for thousands of feet. Over many square miles of snowy muskeg and stands of black spruce, I flew on a tactical training mission, consisting of two helicopters flying in formation at 100 mph just above the treetops, simulating combat rescue scenarios that required two continuous hours of intense maneuvers. Over a period of many months I observed unique

individuals performing incredibly complex tasks, oftentimes very dangerous tasks that carry great risk, all at a level of such expertise and proficiency that in the end I had to remind myself how few people know this rescue squadron even exists. I also had the opportunity to hear a variety of rescue stories, many with hair-raising details that affirmed how difficult the job of rescue is. I learned about mostly unwritten doctrines—the code among people who routinely put themselves in harm's way for the benefit of others, a code that most of society wouldn't really understand. One key rule: a person is never a hero if they are just doing their job. Many of the men I got to know have a complicated distrust of the term "hero," even a distrust for those who accept the moniker as if it confirms recognition. Recognition is something many rescuers struggle to accept, not because they lack grace, but more because of a deep honor.

July 6 - July 12, 2017

Another rule is never leaving anyone behind. If you're on the crew and you get dropped off somewhere, your teammates will die before leaving you behind. Except this isn't Hollywood rhetoric. "That others may live" is the oft spoken mantra. In stadium size letters this message adorns the inside of the helicopter hanger. But it's more than words, the concept permeates every part of their being. These are men who could just as easily fit into the role of hard-working farmers, tending to the land for the benefit of others. They epitomize "salt of the earth." I was reminded how the altruistic accomplishments of some people are often disguised by a deeply embedded humility, even rural sensibilities, which many of them share. In the end, I also wondered if there were even more complex reasons for a persona that shields itself from attention, choosing instead to work behind the scenes, staying focused on the job at hand. After all, these are individuals who prefer to remain unseen. It started to become apparent that there is a complicated psychology of rescue. Particularly complicated is the mindset of rescuers themselves. Many rescuers share common personality traits including an inherently humble nature, a reticence to accept praise for their actions, and especially a reluctance to discuss anything but the mechanics of executing a difficult mission. But this is contrasted by an odd form of compassion, a caring attitude, and even a deep presence during conversations. In essence, these individuals are not as hardened as one might expect, given the things they've seen and done. Spending time with these men—especially before, during, and after training missions, allowed me to explore questions that are hard to answer with words. I wanted to understand what compels certain people to get into the rescue field in the first place, what sustains them, and what has enabled many of these men to be in the rescue field for over twenty years.

ARTIST STATEMENT I would learn this is a very difficult question, with no easy answers. I would also learn that probing for answers is less effective than simply observing. Many rescuers have an innate distrust of the media and journalists. I treaded a fine line, became friends with some of the men whose lives I wanted to investigate. It's irrefutable that the job of military rescuers involves danger, real-life human drama, and tragedy. Sometimes rescuers save people's lives, but sometimes they work feverishly to save people who end up dying no matter the will (and skill) of those working to save them. That process, the attempt to save lives, and dealing with the remains of people who died horribly violent deaths, leaves an indelible mark on the psyche of those involved. These are the emotional costs unseen by society and popular culture. So now, two years later, I know that Brian Kile's confession—about not being that interesting— has an important footnote. Like many of his associates, he leads a parallel life that shields him from the stress and realities of his profes-

sional life. You see, not seeming that interesting is a desirable alternative. Most of the men I spoke with denied ever discussing the stressful details of their jobs (namely rescues) with their spouses or partners. Brian Kile might seem like an ordinary guy, but not unlike other rescuers he possesses a well of intensity that he uses strategically. I finally concluded that humility is part of the rescuers body armor, that which helps keeps them alive. After all, hubris has an inescapable nemesis. A hole emerged in the clouds next to Mt. Hayes, giving the rescuers a first glimpse of the place where they thought the climbers might be. With new terrain to search Kile began climbing to an altitude where the helicopter's performance was unproven. Four huge rotor blades twisted through the thin air, suspending a carbon fiber and aluminum airframe held together with thousands of rivets and lightweight bolts. An unearthly CONTINUED ON PAGE 10

Rescuers are a unique breed, standing in harm’s way to help people they often don’t even know. And regardless whether they are successful or not, rescuers inherit the sometimes graphic memories of the circumstances they’re tasked to respond to. The impetus to risk life and limb seems to extend well beyond the rescuers’ actual job description. Military rescuers, especially, are part of a tribe of warriors who possess an ancient kind of courage. Deciding to do dangerous work for a living is easy — just like getting killed is easy. More challenging is the vetting process and the years of training necessary to be a true rescue professional. In other words, it takes a great deal of skill and discipline to learn the craft of calculated risk taking. It's the yearafter-year practice that helps prepare an individual to make good decisions under immense psychological and often physical pressure, the kind of training that also helps prepare the mind and body to do the impossible. For an eight month period I had the privilege to observe and talk with the men and women who work for the Alaska 210th and 212th rescue squadrons. I met with highly specialized aviation mechanics, parachute riggers, weapons experts, and medical personnel. I spent time at the Rescue Coordination Center which is the central hub for orchestrating the initial response to emergencies. I watched intense warfare training that included pararescuemen and combat rescue officers. And I flew on hair-raising missions with incredibly talented helicopter pilots and their equally capable crew members. I was constantly reminded of a paradox—observing highly skilled individuals doing complex tasks inextricably associated with risk of harm or death, who outside of that environment appeared deceptively ordinary. Ordinary people doing extraordinary things—but not without sacrifices, in some cases significant ones. These images and words are my observations. I am deeply thankful for the opportunity to pursue this project. There were many patient individuals who gave me their time, helped me, and kept me “out of harm’s way” when I was inside and around aircraft. This project would not have been possible without the generous funding provided by both the Rasmuson Foundation and the Alaska Humanities Forum, two agencies that show incredible support for Alaskan artists. I am honored they chose to support Unseen. — Joe Yelverton

July 6 - July 12, 2017

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f force transmitted throughout the cockpit. The entire crew felt it, the strain of a 3,000 horsepower, twin shaft power-plant. The crew might as well have jumped on the back of a mythical dragon with a chain around its neck and a bit in its mouth. Man's most audacious invention became a defiant beast. As Kile approached a critical distance from the mountain he suddenly lost his focus. Fear took control, and his confidence began to erode. He imagined his 20,000-pound helicopter tumbling down the mile-high slope below him, violently killing everyone on board. His grip on the controls was inextricably connected to the fate of men's souls. Major Brian Kile wasn't a daredevil pilot, nor was he wanting to be a hero. He had responsibilities. He was a leader of men, of pilots and flight engineers. He was a husband, father, football coach, mentor. Kile had a future. And yet, fear was luring him towards a destiny that would erase his commitments. When Dopson spotted the helicopter it was the first time he thought he might be getting out alive. But that changed when he saw the helicopter struggling in the wind. He was uncertain if they would ever be able to land. Kile and his crew tried several approaches but kept backing off. Finally, he found a spot on the ridge where they thought they might be able to do a partial landing. As he was coming in, his co-pilot insisted they were coming in too low. "You're undershooting," he insisted over the radio. "I got it," Kile responded. But then he second-guessed himself and that's when fear took over. He imagined crashing, then his grip tightened on the controls. The two climbers, having no communication with the helicopter, could only wait nervously, fearing for the safety of the men on board, but also hoping they would be rescued. Finally, Kile was able draw on all his years of experience and begin his final approach on a narrow ridge above the climbers. He passed the point of no return and was basically forced to land, still with the wind threatening to push the helicopter from its tiny perch. The entire back half of the helicopter was hanging precariously over the side of the mountain, rotors still spinning in case they had to abort. Dopson described getting hand signals from the flight engineer to not approach the helicopter, to stay back. Kile was uncertain if he might have to take off any second, which could have killed the climbers if they were hit with the rotor or blown off the mountain by 100 mph prop wash. Finally, Kile felt confident enough and a pararescueman was sent out, belayed by another from inside the helicopter. The two climbers were quickly hooked to the rescuers’ harness and led back to the helicopter. After being helped into the helicopter Dopson described nearly being in tears as he looked at his climbing partner and saw how overwhelmed he was. Their faces mirrored both relief and anxiety. They were far from

safe, because the overloaded helicopter was still in a dangerous spot. As Kile began applying full power he tried to force his worst fears from his mind. He was at one of the most dangerous junctures a rescue pilot will ever face. The mission was only half over. With the engines and crew prepared for takeoff the wind started to force the helicopter from the ridge. Realizing he had no choice, Kile had to fully commit to trying to use the wind to his advantage. What worried him most was now provided the additional lift they needed to get off the steep ridge-line, especially with the added payload. After Kile flew into more stable air he turned over the controls to his co-pilot and in that instant a rush of endorphins flooded his body. His hands were stiff with pain. In just a few minutes they met with the C-130 for aerial refueling and then headed back to base. "No other mission scared me as much as that," Kile said, adding "not even being shot at." When they prepared to land at Eielson Air Force base in Fairbanks, Kile saw a woman standing at the edge of the hanger. She was pensive, and he knew she was waiting for the helicopter, but he also knew she would have been unaware of the details of the rescue. After the crew opened the doors on the helicopter he watched Dopson run towards the woman. After many stressful hours of intense focus, time suddenly stopped. Kile watched the two climbers reunited with their loved ones, and he got his crew back to base safely, giving him the only sense of accomplishment he needed. Then he went through his post flight routine with his crew, like they all had done so many times before. No celebration, no interviews, no fan-fare. Just an ordinary man doing an extraordinary job

July 6 - July 12, 2017

The Peonies are coming! Eagle River’s Stiehr family full of hope this summer BY AMY ARMSTRONG

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our years of consistent care, tending, watering and weeding are about to pay off for the Alaska Mountain Peony farm owned by the Stiehr family off Monastery Drive in Eagle River. In 2013, the family of seven planted 700 peony plants in hopes of entering a floral market that is blooming with possibility in Alaska. Andrea Stiehr, mom and lead gardener, is a woman full of hope for summer 2017, excited to show the buds now developing on the plants. These the buds contain what will become a gorgeous, largesized flower full of color and often chosen by brides for decorating their wedding receptions. “I think their size is impressive,” Andrea said as she examined plants on a cool Monday evening. “They are every bit as beautiful as big roses and smell just wonderful but have more interesting petals and they do not have the thorns that are on a rose plus they have a longer vase life than a tulip.”

With this being her first year to harvest, Stiehr is marketing the pending results of four years of patience and delayed floral satisfaction to local florists. She well may be on to a profitable side venture for her family. The peony industry in Alaska saw its first big boon about five years ago as numerous growers obtained root stock and began planting. Today more than 50 farms are registered with the Alaska Peony Growers Association. At an average price of $5 per stem, the peony flower has the potential of being a profitable cash crop. Despite the flower’s growing popularity, they still are not available in Alaska year-round. That surprised Stiehr, who hopes one day to help change that. “We (the industry) will fill that gap,” she said with hope. At Alaska Mountain Peony, the farm is a indeed a family operation. All five children – Evelyn, Josephine, Leonid, Roman and Veronica – ranging in ages from 16 to 6 lend Andrea and her husband, Jesse Stiehr, a helping hand. Even if they really don’t want to. “Some days they like weeding less than other days,” Andrea jokes. Yet, each child has several rows

Photo by Amy Armstrong

The Stiehr Family of Eagle River show off some of the 700 plants that are close to producing the first crop of peony flowers for Alaska Mountain Peony. Pictured here from left to right are Josephine Stiehr, age 10, her grandmother, Melinda Kendall, Roman Stiehr, age 16, his grandfather, Dan Kendall, Evelyn Stiehr, age 13, Jesse Stiehr, Andrea Stiehr, Veronica Stiehr, age 6 and Leonid Stiehr, age 8. Learn more about Alaska Mountain Peony farm online at www. alaskamountainpeony.com or at is namesake page on Facebook. Contact Andrea Stiehr at 726-7238.

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ext year, Carlos Carrillo will celebrate 40 years in business on Old Seward Highway. One looking for the secret to his longevity and success last Friday afternoon needn’t look further than the corner booth in the cantina, where John and Linda Rime were dining at their favorite haunt. Back in 1978, when Carrillo took over the property, previously a cafĂŠ called Sad Shack, Linda was among his first employees. “I remember he was the best boss I ever had in my life, and that’s not kidding,â€? Linda Rime said, her combination plate half-gone. “The cooks used to cook down in the basement and one morning I went to work and there was an earthquake and Carlos comes up and says, ‘Linda, are you dancing again?’â€? Carrillo said there weren’t other Mexican restaurants in the area then. In fact, there wasn’t much of anything there then. “The closest Mexican restaurant used to be downtown,â€? Carrillo recalled. “La Mex was a big place, La Cabana, Pancho’s Villa — we started as No. 5.â€? Carrillo’s simple way of making people feel right at home has been instrumental in his rise from an immigrant laborer to a entrepreneur. Originally from the state of Michoacan, west of Mexico City, Carrillo came to Alaska at the age of 23 in 1969, following in the footsteps of a trio of uncles who helped build the Alaska Railroad. Young Carlos began working in restaurants, and though being a restauranteur was never a dream of his growing up, the idea of opening a place of his own became increasingly logical, and when the chance to buy the Sad Shack came up, he jumped at it. Ten years later, he was monitoring the real estate market, and when the property came up just down the street from his at a price he liked, he jumped at it. Carlos’ Mexican Restaurant moved into its new location at 11401 Old Seward Highway in 1990 and has been serving traditional Mexican food and potent margaritas there ever since.

“I moved here in 1969, in Fairbanks working for restaurants; one very classy restaurant, 5 star and I started to look around in 1978. I see an opportunity over here, and I get in,� Carrillo said. “I started like anybody else — washing dishes, worked up to bartender, whatever.� Carrillo said his most attractive menu item may be his margaritas, which, he insists consist of the most honest pour in town. “With liquor I do pretty good — probably one of the best in this town. People like our Cadillac Margaritas,� Carrillo said. “You’ve got to give the people the liquor; don’t cheat the people, they’ll start walking out.� As for food, Carrillo said his most popular dish tends to be the carne asada, complete with fresh chiles, rice and beans. Carlos’ also moves a considerable number of American plates, owing to Carrillo’s background working in a number of different types of Alaska restaurants. “Ribeye steak, all kinds of sandwiches, fried chicken, too,� Carrillo said. “My style is a little more like Arizona or California, with the burrito, enchilada, chilorio, but I have them all. I try to get more into seafood, too — shrimp, scallops.� In his decades in Alaska, Carrillo has the demographics come to mirror his own background considerably more. “I remember it was only me and my

uncles — only like 10 people,� Carrillo joked of the Latino community in those days. “Now there’s 45,000 to 50,000 (Latinos) in Alaska — they keep coming up from California. They always look for menudo. You make a good one for them, they like you.� Carrillo isn’t sure whether he’ll still be running the restaurant when his 40th anniversary comes up next year. He may hand day-to-day operations over to his nephew Eduardo. But even in retirement, he won’t be heading south to live, even though he keeps a condo in Puerto Vallarta where he spends two to three weeks avoiding the Alaskan winter. “I’m getting too old,� Carrillo said. “I have my cabin in Houston and my house, things over here. I like Alaska. I think this time of year, the summer is beautiful.� Looking back, Carrillo can hardly believe his American Dream came true. “I never (thought) too much about having any business at all. I tried to come and work for a little while, then have a good time in Acapulco or Puerto Vallarta, or even your hometown, but for me everything changed into a different way — work, work, work, work,� Carrillo said. “You think in Alaska, you started something and it’s like something you make responsibility for you to keep going. It’s the only way you can make it.� July 6 - July 12, 2017

'THE MEXICAN CHEERS’ HAPPY HOUR MAY NOT BE A THING IN ALASKA, BUT AT PANCHO’S VILLA, IT SURE FEELS LIKE IT IS BY MATT HICKMAN

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reason we come in; we like to forget the outside, the rain, snow, sunshine, whatever, and enjoy the food and the good times. La Mex, that’s what happened to them. They put in windows and tried to update and within six months they’d shut their doors.” But Pancho’s Villa isn’t just a place to wind down for an after work drink among friends. Gomez and his chef, Ricardo Villaseñor, both hail from the Mexican state of Michoacan, a region famous, Gomez said, for its carnitas. The menu they’ve put together is a far cry from run-of-the-mill fare of combination plates. “The pollo and chipotle is one of the recipes Ricardo brought to Alaska before anyone else. One time, on vacation (in Michoacan), he ordered that dish and loved it and tried to get the recipe. So he went back two or three times and got it and brought it back up here,” Gomez said. “The other is Carnitas Michoacanas. If you go to Mexico, there’s no place more famous for carnitas. We even have this huge (copper) pot we cook it in. That has something to do with it. You can make it in a regular pot, but if you cook in a copper pot, it adds flavor to it.” Gomez came to Alaska from California when he was just 14 years old and immediately began working. He’d followed his brother, 19 years older than he, who’d come up to the Last Fron-

tier years earlier and had come back to California with what young Carlos saw to be a fortune. “He had a bed with a mattress on it, a TV, living room set — I never had any of that, so I thought, ‘this is luxury!’” Gomez recalled. “He had a pickup and was teaching me how to drive when I was 10 years old. I was like, ‘man where does he get all this money? He’s been to Alaska. I’ve gotta go to Alaska.” To pull that off, 14-year-old Carlos decided he had to perform so poorly in school his parents would have to support his plan to go north. This don’t-try-this-at-home, kids gambit paid off ultimately in a 29-day trip from California to Anchorage — with a stop-off in Indiana to visit family there — and Carlos Gomez has been an Alaskan ever since. Gomez worked in restaurants and construction, and one day in the late 1990s, he was visiting his brother-in-law, working in the kitchen

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at Pancho’s Villa. “I came in to say ‘hi’ and he said, ‘why don’t you buy the restaurant from Nash? He’s trying to sell it’,” Gomez recalled. “A few minutes later the previous owner comes in and my brotherin-law says, hey, why not sell it to Carlos? I said, ‘quit messing around’, and (Nash) said, ‘Wanna buy it?’” Pancho’s Villa is one of the older edifices in Anchorage, anchoring the historic Spenard district since 1972. Partly out of respect for that history, and partly adhering to the wishes of the establishment’s all-important regulars, Gomez has resisted any serious makeovers. “We try to paint it, give it a little facelift, but the customers, they don’t really want you to tear down a wall and make a modern building,” Gomez said. “They want to keep tradition a little. Call it a hole-in-the-wall, so to speak.”

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appy hour specials may be forbidden by Alaska law, but around quittin’ time it sure feels like happy hour at Pancho’s Villa as regulars and newcomers alike populate the bar and the restaurant to get away from it all. “Most customers call this the Mexican Cheers because everybody knows everybody,” said Carlos Gomez, the owner and operator of the iconic Spenard eatery since 1999. “One customer will start saying ‘hi’ to everybody, ‘let me introduce you to so and so’ — it’s kind of like that.” When Gomez acquired the property 18 years ago, the business had fallen on hard times. It owed everybody and its reputation around town wasn’t good. The one good thing he did inherit was a loyal core of regulars that Gomez has continued to build on to this day. “We changed the menu and we were trying to do what we could, but we were on the verge of closing our doors,” Gomez said. Then it was suggested to him that he contact the Anchorage Daily News about having a review of the place done. With nothing to lose, Gomez placed the call and a week later came a section front and a glowing review. The only negative thing the reviewer had to say was that she’d have preferred the cilantro to be visible, not blended into the salsa. “That was basically our big turnaround… I never realized how powerful that thing was,” Gomez said. “That Friday night it came out, the restaurant was full from open to close. We were running out of everything… People said, ‘give me whatever she said in the newspaper.’” Gomez considers the momentum from that review propelling him still today, though no review, no matter how positive can fight off time and mortality. Last Friday afternoon, just before the 5 o’clock rush, that reality was present in Gomez’s mind as he sat at the edge of the bar, right in front of the photo of the restaurant’s revolutionary namesake. Eugene, a 90-year-old, devoted customer for decades, had died just a few days earlier. “I used to keep this place as kind of my office,” Gomez said of ‘his’ barstool. “But for (Eugene), I had to move. We have lost a lot of the older customers that we pretty much inherited, but they were loyal to the last days.” Moving in a new generation of regulars is a process, but Gomez said he will resist making any radical changes — including adding an outdoor patio space — that would take away from the buildings original and historic charm, even if making those changes might help attract a new generation of customers. “Our biggest thing is there’s no windows. Most of the regulars say, ‘don’t touch it; don’t put in any windows,’” Gomez said. “There’s a

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9th State Brewing Company established a solid presence in Alaska's brewing community in 2010 when a quiet opening happened north of here in Healy, Alaska where the company first set down roots. The then unassuming venture immediately took hold and took Alaska by storm. In an improbable location along a lonely stretch of highway between Anchorage and Fairbanks, this little brewing company exploded with might and presence — not only up north — but wherever the brand ended up. I was smitten during my first visit. I’m not alone. In the Alaska craft beer world, 49th State is one of the most popular beer destinations out of Anchorage and the brewery quickly grew an incredible cult following. The spacious grounds, including a beer garden, soundstage and the movie set recreation of the bus from ‘Into the Wild’ draws people from all over and keeps the place packed. I was immediately impressed with the moxie that owners David McCarthy and Jason Motyka demonstrated in establishing a solid footprint in beer, food and top-notch entertainment. With a huge vision — but with limiting seasonal constraints at the forerunning establishment in Healy — the team never looked back. With a hugely successful business model and incredible drive, the team quickly set sights on an expanded market. Healy’s a great market in the summer with tourists landing in Denali Village, 13 miles south of the brewery. Although locals and the large hospitality staff that migrates to the little village every year to support the businesses there, it’s not enough to support a year-round brewing operation in the winter, and 49th State goes into hibernation in September or early October every year. Producing the world class beer and shipping it north to Fairbanks and south to Anchorage was cost prohibitive, so the brewery filled the fermentation tanks with long-aging, over-wintering beers, dropped the temperature in the buildings, winterized the place and waited for spring. “We had to wind down just when we’d get to the peak of things in August up here in Healy,” said McCarthy. “We’d have to go the other way and start shutting down,” he says of the seasonal operation to the north. Winter pushes the Healy operation into quick hibernation. “In September it drops below freezing. In November we’re definitely well into the negatives. We’re the only company with heaters in our refrigerators to make sure the grain and everything else doesn’t freeze,” he said. I was super-excited when I got the news that 49th State Brewing Company bought Anchorage's Snow Goose Restaurant and Sleeping Lady Brewing Company in late 2015. The Goose had become stagnant over the years, but owner Gary Klopfer didn't want to sell the building to see it become high end apartments or anything that wouldn't capitalize on the building's full entertainment potential. McCarthy and the other 49th State owners had been after Klopfer

for a couple of years. Klopfer wanted to move on and finally acquiesced. Securing a location in Anchorage helped McCarthy realize part of an ever expanding vision. In an interview in July last year I quickly realized his dream is not gobbling up market share, but rather delivering his love of Alaska translated through excellent beer, world class food and venues that properly feature it.

"Everything's ancillary to the focus we put on our beer. I would never negate the food because it complements the beer and so does the entertainment, but all together those three elements really define who we are."

49th State’s operation in Anchorage does more than just add a winter venue. Despite becoming the first company in Alaska with two brewpubs, the addition will foster the co-mingling of distinct, but complementary beer lineups with product migrating back and forth between the two locations. "Everything's ancillary to the focus we put on our beer," said McCarthy back then. "I would never negate the food because it complements the beer and so does the entertainment, but all together those three elements really define who we are." 49th State's footprint in Anchorage and the re-vamp of the Goose was one of the most anticipated and exciting transformations in a long time. Structurally, the place remains pretty much the same, but the inside of the building has been

extensively opened up, modernized and has an excellent feel to it. That was late in 2015. The new venue quietly opened on the 4th of July last year, but everyone seemed to know about it. 49th State's Healy reputation preceded it. I curtailed my long weekend at my remote enclave in Hope and drove back for the event. I wasn't disappointed. I got there early and despite no advertising preceding the opening, the line of anxious folks snaked a good ways to the east down Third Avenue where the building's situated. The place has been packed ever since. 49th State’s one-year anniversary celebration for the Anchorage location is on July 7. Join fans at the downtown location starting at 6 p.m. at a Block Party with music by Black Water Railroad and H3, and late night entertainment provided by DJ Spencer Lee. Fire dancers and food carts, a 49th State Beer Garden, a Beer School, sustainable food seminars, a Luau Bike Rally, a pig roast and games and activities for the whole family will fill the evening and take you into the wee hours if you hang that long. General admission is $10 and VIP passes are $30. Kids 13 and under are free. 49th State’s 1st Year Anniversary beer is 907 Frontier Style Lager. This beer’s been out a while and I’ve been getting my fill in pints at the Anchorage pub and in bottles from my favorite grog shops. Although this won’t be the only beer featured at the anniversary celebration, it’s noteworthy. 907 is a dark amber Vienna style lager with a bready/roasty aroma that pushes through aptly in the flavor that’s accented by Magnum and Saaz hops on a Bohemian Pilsner and Crystal malt foundation. This easy sipper’s low bitterness lets the malt foundation push through and shine and finishes clean, begging for the next sip. At 5.3 percent alcohol by volume, more than one is probably okay, and that’s a good thing because one’s never enough for me. To celebrate the anniversary, growler fills at the pub at $9.07 through the month of July. Get all the details and purchase your tickets at 49statebrewing.com, or call (907) 277-7727. Ticket information can also be found at brownpapertickets.com and on 49th State’s Facebook page. July 6 - July 12, 2017

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PEONIES CONTINUED FROM PAGE 11 assigned to them with their parents and Andrea’s folks – Dan and Melinda Kendall – overseeing the tending that includes regular watering and weeding. “I want my kids to grow up to be capable people able to take care of themselves and this one way for them to learn those skills,� she said. Her oldest – son Roman, age 16 – has already taken steps toward creating independence. He purchased bees and set up hives near the field. Yes, he will harvest the honey and help his father make mead, but more important to the peony flowers, Roman’s bees help keep the flowers clean and disease free. The bees gather the sap from the flowers and keep the flowers clean. It is a win-win according to Andrea. The family commitment to the flowers goes well beyond weeding. It includes having to haul massive amounts of water from an offsite source. After two months of hauling water by hand, Andrea and Jesse had a system of heavy-duty plastic piping installed throughout the rows of peonies. It was an expensive investment, she admits. But well worth it.

“Watering by hand was not fun,� she said. If Mother Nature continues to cooperate, by mid-July Alaska Mountain Peony farm will have three varieties ready for customers: The Avalanche, Duchess De Nemours and the Coral Sunset. A recent visit to the farm revealed an abundance of buds developing at the top of the peony plants. The peony is a flower sold in bud form to a customer. After it is placed in water at room temperature, it blooms, Stiehr explained. She likes to display peony flowers along with Alaska’s forget-me-nots and wild ferns, but the peony flower has enough character to display well on its own. Andrea is confident the plants are ready to produce this year. “I can see a real difference in them,� she said. “The petals are different and the plants are mature.� Learn more about Alaska Mountain Peony farm online at www.alaskamountainpeony. com or at is namesake page on Facebook. Contact Andrea Stiehr at 726-7238.

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Anchorage • The Valley • Kenai Peninsula

July 6 - July 12, 2017

CHANCE THE MOVIE

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WITH BUITRAGO

THINGS TO DO THIS WEEKEND IF YOU: 1) GOT NO MONEY BOONDOCKS BREAKAWAY 5K TRAIL RUN Kincaid Park, Sunday, 10 a.m. to noon Running is free. So go join other broke people and run your little hearts out. Because honestly, if they had money, they’d probably be at hot yoga with the rest of the hipsters. (Raspberry Rd.)

BY ALEJANDRA BUITRAGO

3) GOT KIDS JR. NATURALIST: NATURE’S RED, WHITE AND BLUE Friends of Eagle River Nature Center, Saturday, 11 a.m. to noon For ages K through 6th grade, come see all the colors that nature has to offer in this afternoon hike amongst growing and blooming life. Free. (32750 Eagle River Rd., Eagle River)

THURSDAY, JULY 6 ARTS, OUTDOORS, ENTERTAINMENT, CULTURE EARLY MORNING BIRD WALKS—Develop and fine-tune your birding skills and witness the progression of songbird migration through the Campbell Tract this spring. Join BLM staff and Anchorage Audubon Society members for a series of early morning outdoor bird walks in May. Please dress appropriately for the weather and for walking on uneven terrain. Hot cocoa and coffee will be available at the Science Center afterwards. Free, 6:30 a.m. (BLM Campbell Creek Science Center, 5600 Science Center Dr.) 10-MOVEMENT TAICHI/THUR— LaoShih Holly starts this class with simple Qigong warm-ups done either standing or seated. Wear Loose fitting, layered clothing to adjust for body temperature changes. Free, 7 a.m. (Jade Lady Meditation, 508 W. 2nd Ave., Ste. 103)

2) GOT NO FRIENDS ARCHERY Kincaid Park, Saturday, 10:30 a.m. It only takes one to shoot a bow and arrow. Learn a skill that will impress anyone at your next dinner party, assuming you get invited to dinner parties. If the weather is shit this event will take place in the wax bunker. Free. (Kincaid Park, Raspberry Rd.)

PRESCHOOL STORY TIME—A half hour of stories, songs and movement that build early literacy skills and prepare your preschooler ages three to five for Kindergarten. Free, 11 to 11:30 a.m. (Loussac Library, 3600 Denali St.)

4) GOT A HOT DATE SCARED SCRIPTLESS IMPROV 49th State Brewing Co, Saturday, 3 p.m. If you don’t have the same sense of humor, it’s never going to work out. Save yourself the trouble and see what makes your date laugh, while sharing a couple of local brews. Tickets at centertix. com, $12.50 - $14.75. (717 W. 3rd Ave.) MORE ON PAGE 5

GUIDED TOURS OF THE OSCAR ANDERSON HOUSE—Step back in time with a 45-minute guided tour of Anchorage's only house museum, built in 1915 and restored to show visitors a glimpse into daily life in early Anchorage. Tours are on a walk-in basis, except tours on Fridays, which require 24-hour advance reservations by phone or e-mail. Noon to 4 p.m. daily except Mondays through August. Free, noon to 4 p.m. (Oscar Anderson House Museum, 420 M St.)

LUNCH HOUR YOGA—A 55-minute yoga practice; a perfect choice for your busy day. Step onto the mat, let go and reconnect. Focusing on hips, core and shoulders. Drop in price is $14 or brand new members can purchase an eight-class pass for $49, expires one month after purchase. 12:15 to 1:10 p.m., weekly. (Namaste North Yoga Studio, 508 W. 2nd Ave.) FREE DANCE CLASSES—Pulse Dance Co. is excited to host intro/open level dance classes for the community every Thursday in June. Check their website for details on each class. Free, 5:30 to 6:30 p.m. (Pulse Dance Co., 2422 E. Tudor Rd.) MIDNIGHT SUN BREWING COMPANY BREWERY TOUR—Get an insider's look at how MSBC brews its bold craft beer. And yes, you can have some drinks as well. Must be 21+ or accompanied by parent/guardian. Free, 6 p.m., weekly. (Midnight Sun Brewing Company, 8111 Dimond Hook Dr.) DUNGEONS & DRAGONS THURSDAY— Join Bosco’s for their weekly D&D campaign. Play out one epic encounter at a time. Each session only takes 1 - 2 hours to play, so it’s easy to fit your game in after school or work. And each week there’s a new and exciting challenge. Jump in anytime. As you defeat enemies, solve puzzles, finish quests and perform heroic deeds you’ll earn renown points that you can use to get exclusive rewards. All you need is dice. Free, 6 p.m., weekly. (Bosco's, 2301 Spenard Rd.) TAI CHI BASICS—Regardless of your skill level, coming back to the basics is like coming home. You will connect philosophy and breath as you develop balance and control. This class with reduce concerns before starting a regular Tai Chi class. Free, 6 p.m., weekly. (Jade Lady Meditation, 508 W. 2nd Ave., Ste. 103)

CONTINUED ON PAGE 15

MOUNTAIN VIEW’S

TELLS IT LIKE IT IS IN ANCHORAGE HIP HOP SCENE BY SNARLEY BROWN

I

t was Memorial Day, and I had just been contacted by Sule Spain regarding a piece on his musical communion, the one and only Fire Muzik. Fire Muzik is essentially a hip hop quintet representing Mountain View. They've been in the hip hop game a decade-plus. Main members are Sule Spain, Charles Dufresne, Killa Kato, Kita, and Capo Dufresne. Sule is originally from Mississippi, Capo and Kato came from the Carolinas, while Charles and Kita stem from Anchorage. I've been sharing stages with Sule and Kato since back when the Anchor Pub was still in existence. I first met Charles back in 2011 at the last Juice battle, held out at Kincaid Park. The Juice battles were an all-ages event, a competition encompassing all aspects of hip hop — breakdancing, graffiti, freestyle battles, beat boxing, and beat making. Sule is a jack of all trades — a graphic designer, cameraman, editor, producer, director, engineer, and so on. He's always had a good ear for talent, and therefore Fire Muzik has always been a camp of solid MC's. I took him up on his invite to a Memorial Day barbecue being held at his Mountain View home. The vibe hit as soon as I stepped on his grass. The kids were running circles around me playing what they call "cops and robbers" these days, with NBA 2K emanating from the kitchen, coupled with the competitive shit-talk that comes with.

"I think I went a little overkill," Sule said with a grin over the grill. "I used wood chips AND coal.” Kita, one of Fire Muzik's newest editions, took on a motherly role at the stove by making sure her family got plates. We ate, then retired to the studio in the back of Sule's home to preview some new projects by the group. I will say this of the group — every member has their own style and approach. These folk deliver heat whether it be a solo piece, or a group effort. After the listening, we set up the mic and prepped for a little Q&A Who is Fire Muzik? Sule: Fire Muzik is a collective of artistry in Alaska that represents real hip hop. What's the movement about? Sule: The movement is about artists superseding the middle man. They always have their shit in the business, but they don't do nothin’. It’s already known Fire Muzik is reppin' harder than a motherfucker out here, but do they want to call us when its time for them to shine? When they know there's a lick for a show, or an interview, or when they know someone is gonna have a camera out? They don’t wanna call. The fact is they don’t wanna be next to it. Cause when you put it next to it, you gotta measure it. Kita: In reality, they can't come next to it. (If it were me) I wouldn’t want to give someone a platform to outshine me either, you know (laughs)?

That’s the problem, it shouldn't have to be like that, right? Sule: It is looked at like that, 'cause people look at each other like that. They look at it and it's like "Okay, nobody has made it from Anchorage. I want to be the first one." That shit is so irrelevant. In 5 years that guy wont even matter… Sule: It doesn’t mean shit. That's the thing when we said the middle man is the enemy. What you gotta do is this — pay the artist. The artist is gotta be getting something off what the they're doin'. The promoter does shows, calls the artist, the artist comes and delivers, the promoter gets money, the artist goes home knowing they performed in front of people. It’s a spiritual payback, but not a residual payback. All your effort is going into a pit of nothing. And that right there, that's the life of an Alaskan artist. Artists just need to be educated. For example, go to a venue and offer to do a show for free. You pick an odd day, middle of the week, like Wednesday or Thursday. You have them print out their year-to-date spreadsheet after-

ward. If you prove that you've turned a profit, then you’ve got grounds to work with. Sule: If you discover Plymouth Rock, do you need to find that bitch every year just to prove you found motherfuckin’ Plymouth rock? Gimme accolades for what I did. There are artists that have earned status to be earning money and they’re not demanding it. So we doin’ our own shows, with our own venues, and superceding the bullshit. Earlier you said you went home. Where is that? What’s the comparison to how things are here? And how is Alaska viewed down there? Sule: Its in between Buloxi, Mississippi and New Orleans — that’s where I was raised. There’s a heavy industry presence. I know some people in some heavy shit, and there's opportunities for Alaskans to make moves if they know how to market themselves. Most people in Alaska are just worried about Alaska, and Alaska ain’t who you tryin’ to sell to. You want Alaska? Sell that shit to Nebraska. Then, when they find out Nebraska loved it, Alaska gonna want it just caused you got picked up somewhere else. It’s an ass-backward system, like the toilet shitting

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July 6 - July 12, 2017

outside, or the toilet shits up. But, that’s how it works up here.

If you could break your movement down into one word, what's that word, and why? Sule: Evolution. Because in my musical travels, I was first just an artist. I just rapped, then I became a producer. Then I became a videographer, and so on. Even when it comes to us, I am not the king. I might be Yoda when it comes time to spit some shit, but we don’t have a king. We are all men. We grow together. Alaska has definitely struggled trying to find its personality in hip hop. CD: But to who is this identity supposed to be for? Alaska is one of the most multi-cultural states in the union. That means you have people with different music, different accents, and people are gonna latch on to that. What’s the message you think hip hop should be conveying? Sule: You. Convey you, whoever you are. Don’t be him; don’t be them. Be you, and if it is you and it is true to yourself then express that shit. They will feel that because it’s you being honest. It’s gonna be real, that’s hip hop. Who you are, where you are, what you’re about, how you feel, what you think. It aint about a fad — yes, it is fashionable — we are cutting edge, but it’s not something you can really out a finger in.

In the last year whose projects came the hardest, locally? Sule: Tayy, Duckman, Bishop Slice, Starbucks. Those are people whose movements I respect But who is in your rotation? Kato: Honestly, I always go back to Sule. Sule: Truthfully, yah, we be on some Taliban shit. We bump ourselves. It ain’t no set trippin’ though. We could sit you in here for 9 hours and run you songs you’ve never heard. We stay on like that. Kato: This is how I was taught to be as an artist. It’s like this, your name is Snarley, whatever. Let’s say your real name is Jim. Jim might care about me as a person, but Snarley only gives a shit about himself as an artist. That’s just the way it is. I’ve been cutthroat like that since the beginning. You ain’t in the family? Bye. Sule: If you look at the legends of the past in

Sule: At the moment we have a couple projects about to come out on all digital venues… Charles Dufresne has a mixtape called ‘My Addiction’. Fire Muzik has a mixtape out called ‘We are Banditos’. Nikita has an album coming out; we're working on 5 singles. The first one coming out is called ‘Greedy’ with a music video. Killa Kato has a mixtape coming out called King Me, with some videos coming out as well. Charles has been working their groups to collaborate more with the local scene. Mostly Unbreakable, Duchess, Young Aniken, Ash Maverick, and Brian Ledet. We've been working with a woman going by Asenati. She is a monster, remember that name. She is our R&B singer, and she is vicious. Kita: She's the only other female artist outside of me and Chrissy. Sule: Chrissy is in the click. She's the First Lady, cause she is the first. Kita is the doll holding it down reppin.

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Do you guys currently have a venue where you can be seen? Sule: As far as show venues we have the Playhouse on 4th avenue every Thursday. We're about to go in overload doing events that are not in venues, but public areas. We will be doing car washes, barbecues, just different types of events. We're about to take this shit on the road man. There’s no point in standing around here where people don’t appreciate your work, bro. Right now we trying to pump it up for the underground motherfuckers that ain’t getting’ no love. People who are really loved in the streets, but when they call artists they don't get called. It’s like, "Are we gonna call the same guy we called last time, or are we gonna call someone else that’s hot so they can rock, too?" CD: For me, I've stopped worrying about that for the most part because my feelings would get too involved, and not in an emotional state. I’m the type of dude where if I feel disrespected I'm gonna say something. I dont necessarily need to flash on you, but I'm gonna say something. Motherfuckers out here are the type to talk shit while you're on stage, and then shake your hand and tell you it's dope when they see you face-toface. Or you will reach out to people, not just artists, people involved in other facets of this music industry, and they won’t show because its not them in the spotlight. But then let it be T.I. coming up here, and everyone wanna show up. Sule: Exactly, you goto New Orleans, Mississippi, Cleveland, New York, L.A., they rep where they at. In those places the radio plays those artists all day. RC: In Alaska, they want to sound like everybody else. They dont wanna rep Alaska. Sule: To the street level they love whats from here and they want to see that pop. It’s the people in positions to make it pop that don’t let it pop. CD: Its corny, they would rather pay $50,000 for a nobody from the states than invest in their own community. Sule: We working on changing that.

other cities, they worked together. When Salt-nPepa gotta tour, they hit up everyone else at the time and everyone came out. We not doing that up here. Back then they built like Legos. They built off each other. I mean right now I got people hitting me up to host battles. I don’t wanna do battles. I don’t wanna tear us down, I want to build us up. CD: Let it be known I started out real humble with this. I have a saying, "everyone eats". I could end your career but I want to let you shine. We did a battle and shut a whole label down. Where I’m at now is this: Dont try to walk through the doorway once you see the light is on. If you aren't part of the family, go get yourself a light bulb at the store — get your own bright idea.

Charles Dufresne

July 6 - July 12, 2017

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TEN YEARS OF THE NORTHERN RENAISSANCE READING SERIES

YEAH WRITE

BY JEREMY PATAKY

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or ten consecutive Julys in McCarthy, I’ve felt a certain kind of FOMO that recurs Groundhog Day-style. It’s not so much a fear, though, but a resigned certainty (COMO?) that I’ll miss out on the annual Northern Renaissance Arts & Sciences Reading Series. For nine nights each year, the University of Alaska Anchorage Low Residency MFA Program in Creative Writing welcomes the public to join its faculty and students for a fantastic lineup of nightly readings featuring a wide array of authors and genres. Sometimes I manage to catch a night or two here and there—like Gary Snyder’s keynote address one year, and a powerful reading by Eva Saulitis another. This year, the series runs July 9-18th, headlined by the renowned essayist Jo Ann Beard, who appears Saturday, July 15th. Her essay "The Fourth State of Matter" is considered by Robert Atwan, who edits the Best American Essay Series, to be one of the ten most outstanding essays written since 1950. The events are popular—often drawing audiences of 100 people or so—and worth slating in between fishing runs, peak bagging, and out-of-state-guestguiding. The MFA is a 45-credit degree program taken over a three-year period. The readings are one feature of the MFA program’s 12-day-long July Residency, an intensive convening

that gathers far-flung faculty and students together three times during the graduate track. Course work—otherwise done via distance—culminates in book-length creative theses in fiction, literary nonfiction, and poetry, accompanied by critical essays and annotated bibliographies. Students “work toward a mastery of craft, read classic works that define the evolution of their genre, and develop skills to balance the demands of life with the discipline of writing.” The reading series is a fantastic opportunity for anyone in the public to meet famous writers and inject a solid dose of inspiration into their Alas-

kan summer. This will be the tenth residency session for the “new” low-residency program, which evolved from UAA’s old traditional residential MFA program that was more akin to UAF’s program, the other creative writing MFA program in Alaska. The low-res program attracts students from the Lower 48 and from all over Alaska, with students hailing from our urban hubs as well as Kotzebue, Nome, Bethel, Haines, and more. While they work from home, wherever it may be, independently and through correspondence with mentors, the chance to gather face to face is

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“the exhausting and exhilarating highlight of the year.” During the residency session, students and faculty “establish a sense of community that sustains them throughout the rest of the year.” Since its inception, the low-res program has been directed by David Stevenson. He’s taught creative writing for over twenty years at the University of Utah, University of California Davis, and at Western Illinois University, where he was full professor and director of the Graduate Program in English. He was educated in the west at The Evergreen State College in Olympia, Washington (BA '78) and the Univer-

sity of Utah (PhD '94). He writes often about the mountaineering experience in fiction and nonfiction and has published widely in journals like Ascent, Alpinist, Isotope, and Weber Studies, and in The American Alpine Journal, where he’s edited book reviews since 1996. His first full-length book of fiction, Letters from Chamonix, was published in 2014, followed by his latest, Warnings Against Myself: Meditations on a Life in Climbing, in 2016. That collection of 21 essays covers three decades of his time in mountains both in and out of Alaska. I suppose spending time in my Wrangell-St. Elias summer habitat counts as an excused absence from the literary hubbub around the program in Anchorage each year. My own ways resonate with the program’s mission, which “emphasizes a literary approach to exploring and redefining relationships between people and place.” Stevenson first came to Alaska in 1977 on a ski mountaineering expedition to Mt. Kennedy, a remote peak near the Alaska-Yukon border in the St. Elias Range. The program he leads “takes advantage of the North's boundless terrain to help writers discover their own place in the world. This philosophy encompasses a landscape of memory, family, and culCONTINUED ON PAGE 5

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THINGS TO DO THIS WEEKEND IF YOU: DOWNTOWN ANCHORAGE MUSEUM—Free admission, enjoy live music and all that the museum has to offer: 6 to 9 p.m. (625 C St.) CAPTAIN COOK COFFEE CUBBY—Presenting originals and prints by Denise Broussard, urban scenes from around Anchorage: 6 to 8 p.m. (939 W. 5th Ave.)

viduals highly skilled at standing in harms way: 5 to 9 p.m. (427 D St.) MIDNIGHT SUN CAFE’—Featuring William Lee’s “Artistry in Equations”: 5 to 7 p.m. (245 W. 5th Ave., Ste. 106) SEVIGNY STUDIO—Presenting popular Alaskan artist Annie Brace: 6 p.m. (608 W. 4th Ave.)

CREST GALLERY—New sea glass & gemstone fine jewelry by Elyse Clark: 5:30 to 9 p.m. (939 W. 5th Ave.)

SIDE STREET ESPRESSO—Exhibit reception for “Portraits of People I Know or Have Known” by Yéil Yádi Olson: 5:30 to 8 p.m. (412 G St.)

CRUSH WINE BISTRO—Featuring the one of a kind art by Shiree Farmer: 5:30 to 8 p.m. (343 W. 6th Ave.)

SNOW CITY CAFE—Featuring new pieces by Jessie and Juilenne: 5:30 to 8 p.m. (1034 W. 4th Ave.)

DESIGN HOUSE ALASKA—Local artist Amy Johnson continues her Alaskan inspired body of work: 4 to 8 p.m. (527 B St.)

STEAMDOT—Presenting Rebecca Tremont Art, plus appetizers and coffee: 4 to 6 p.m. (6th Ave.)

INTERNATIONAL GALLERY OF CONTEMPORARY ART—“Unseen” is an environmental portrait of the Alaska Air National Guard Rescue Squadron, a group of enigmatic indi-

STEPHAN FINE ARTS—Featuring works by Robert Bissell: 5:30 to 10 p.m. (939 W. 5th Ave.) THE BOARDROOM—New work by artist and master oil painter Carlos

Pereira: 5:30 to 7:30 p.m. (601 W. 5th Ave., Fl 2nd)

AROUND TOWN 2 FRIENDS GALLERY—Celebrating 8 years of art, and featuring paintings and giclee prints of Alaska nature by Susan Pennell Ellis: 5 to 7 p.m. (341 E. Benson Blvd.) ANCHORAGE DISTILLERY—Enjoy fresh jewelry and fresh Alaskan reindeer sausage: 4 to 8 p.m. (6310 A St.) HUGH MCPECK GALLERY—Featuring “Transatlantic Hullaballoo”: 5 to 7 p.m. (3211 Providence Dr.) KALADI BROTHERS COFFEE— Presenting artist Debby Bloom and her works of watercolors and large scale acrylics: 5 to 7 p.m. (1340 W. Northern Lights Blvd.) MIDNIGHT SUN BREWING CO.—July brings new art by Jennifer Sonne, aviation art: 5 to 8 p.m. (8111 Dimond Hook Dr.)

CONTINUED FROM PAGE 4 ture, making it possible to imagine anything and to write about it—from the local to the global, from the personal to the communal, and from the unlimited mind to the infinite universe.” So far, the program has weathered the state’s fiscal upheavals and its ripple effects at UAA as well as the rapid proliferation of low-res MFA programs across the country. “I think originally they were suspicious that we’d succeed,” said Stevenson. “I originally just had a three-year contract.” When the program launched, there were 156 MFA programs in the country; today there are 244. Stevenson is tenured, now, and more than capable of keeping his eye trained on the ball, curves and all. Once a stand-alone program, the MFA is now housed in the English Department, with Stevenson as the only full-time MFA staffer—there used to be another. Commenting on the restructuring of the MFA program to its low-res formant a decade ago, he said “the administration was looking for a way to cut the costs of an expensive traditional program. They were perhaps prescient in making the change because now we don't offer the same kind of program they offer in Fairbanks and can't really be seem as a ‘duplicate program.’ Our program and Fairbanks' program draw from a different pool of potential students. We attract people who want to stay where they already live and work from home. To enroll in a traditional program, you have to uproot your life completely and move and do the work full-time. Our students tend to have fulltime jobs and/or families and are willing to work a bit more slowly toward their degree.” While I hope readers in Anchorage will take advantage of the Northern Renaissance series and attend some events, I’ll console myself in being away with what Stevenson observed: “The literary landscape here in Alaska is astonishingly vibrant, as you know,” he said. “We have not only our program and 49 Writers, but Alaska Center for the Book, The Kachemak Bay Writers Conference, and the Anchorage Museum—I've just heard they're bringing Sherman Alexie here in the fall. Ernestine

July 6 - July 12, 2017

5) GOT GUESTS IN FROM OUT OF TOWN ALASKA FLAG DAY CELEBRATION AK Child & Family, Sunday, 5:30 to 8:30 p.m. There is no better way to highlight what we Alaskans cherish most, than to take your guest to a celebration of our colors, “eight stars of gold on a field of blue.” This all ages event will feature live music, lawn games, BBQ dinner and fun for all of the guests you have in town this weekend. Tickets at events. r20.constantcontact.com, $5 - $20. (4600 Abbott Rd.)

6) GOT CASH BURNING A HOLE IN YOUR POCKET HORSE TIME AND RIDING LESSONS South Anchorage, Hillside Dr., Saturday, 10 a.m. Share the joy of horses with others in a small area with emphasis on communication and natural horsemanship skills. Ride for an hour and 15 minutes for $45, or take four lessons for $150. More information at equiimpowermentak. com. (Hillside Dr.)

7) GOT AN URGE TO GET OUTTA TOWN 42 ANNUAL FOREST FAIR Girdwood, Friday through Sunday, 11 a.m. to 6 p.m. daily The Forest Fair features Alaskan artists, handcrafted items, exotic foods and entertainers from all over Alaska. Fun for the whole family is kicked off by the Forest Fair Parade on Sat., July 8 at 10 a.m. The fairgrounds are located at Mile 2.2 on the Alyeska Highway in the community park area. Limited parking is available at the Alyeska Resort Daylodge with Shuttle service provided. Carpooling is encouraged. Free admission. More information at girdwoodforestfair.com. (Girdwood, AK)

@madmyrnasfans

@madmyrnasak @myrnaskaraoke @madmyrnasak

NEW SUMMER HOURS STARTING JULY 1ST! Hayes is doing terrific work as State Writer Laureate, Joan Kane keeps winning national awards and publishing new work. Alaska Quarterly Review continues their amazing work. A new independent bookstore, The Writer's Block, is expected to open in the fall. So many good things are happening in our world it's hard to keep track of it all.” One more good thing to add to the list: several years’ worth of recorded readings from the series are available for download from the program’s website. It’s got a long but worthwhile URL: https://www.uaa. alaska.edu/academics/college-of-arts-

and-sciences/departments/creative-writing-and-literary-arts/podcasts.cshtml. No replacement for the live event, but something those of us who can’t be in two places at once appreciate. All events from July 9-18, including a 10 Year Anniversary Reception and a reading by Jo Ann Beard on July 15, take place at 8 pm in UAA’s Fine Arts Building Room 150. Jeremy Pataky is the author of Overwinter and Executive Director of 49 Writers, Inc. He migrates between McCarthy and Anchorage.

SUNDAY 7PM - 1:30AM MON THRU THURS 4PM - 1:30AM FRIDAY & SATURDAY 4PM - 2:30AM

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TRAVELING TO HARSTAD NORWAY’S ARCTIC ARTS SUMMIT (JUNE 21-22 2017)-PART 1

SLEUTHING ART BY JEAN BUNDY

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ight countries (U.S./Alaska, Canada, Iceland, Greenland, Norway, Sweden, Finland and Russia) all inhabit the Arctic Circle and share similar concerns about global warming and retaining distinct Native cultures in spite of Western invasiveness that brought about mixed consequences. Snow machines, outboard motors and smart phones, along with modern medicine made living in the North easier, but at what costs? Eradicating Native languages and outlawing ways of survival or life skills that have existed for thousands of years is not only insensitive, it has destroyed a people’s self-confidence/ self-worth. Conferences like the Summit bring together artists and politicians who freely debate without impasses, while realizing that caring and compromise have to be reconsidered, almost reconstituted into modernity. As a white painter/writer who, with my husband Dave, came from Boston to Anchorage 45 years ago, chasing opportunities brought about by the Alaska Pipeline project, my ‘soccer-mom’ lifestyle carried forward in a Western tradition. Therefore, it was a great pleasure for me, the only reporter from Alaska spending five days in Norway, above the Arctic Circle’s solstice, to further appreciate if not completely understand what it means to be an indigenous human living in the far North. After flying into Nord-Norge, Dave and I walked through the airport musing we could be in Fairbanks, except we couldn’t read much signage. We found the Hertz desk and drove the winding roads that outline the fjords to our Harstad Airbnb; we could have been in Juneau. We stopped at a Rema 1000, a warehouse emporium that echoed Alaska’s Three Bears groceries. Like many Bush villages, products were packaged or frozen. There were few fresh fruits/vegetables and prices were high. We bought bottled orange juice, Earl Grey tea, several frozen pizzas and some breakfast rolls—butter, jam and chocolate bars were amazingly good. Our home for the next five days was a cabin with a ‘to die for’ three-tiered-landscape: cranberry and mustard houses overlooking a small boat harbor, ultramarine blue water cradling crisscrossing ferries and distant mountains with streaks of leftover snow, piercing an intermittently sunny cerulean sky for 24 hours straight. Inside our cabin, appliances were all in Norwegian and the owners were in Oslo, so our attempts to turn on the washer/dryer and television failed. We managed to heat the oven for pizzas. We washed our undies in the sink and with the help of nosebleed dryness, wet socks were wearable by morning. After stowing away loitering bric-a-brac and ski equipment, we scrounged for bed sheets and sunk into a mattress that had the feel of bagged marshmallows. Not only is jet-lag a nuisance but European diesel Volvos have a fuel saving device that shuts off engines when braking. The following morning, exploring Harstad (concrete condos outstripping cabins) while being honked at and gestured in Norwegian, we headed back to the counter at Hertz, which enlightened us about how to turn off this nuisance—who knew Volvo directions were in Norwegian?! A Burger King became an oasis of comfort. That evening the upside down world we had crashed into improved, when we attended a concert, prelude to the Summit. The Harstad Kulturhus which overlooks the port was decorated with long, colored sheets, similar to material used when corralling reindeer. Artists were selling paintings and furs. A man wearing women’s lingerie and a horned helmet splashed clay frenetically, as he attempted to make a bowl on a potter’s wheel. A female clown dressed in a women’s corset atop the appearance of a maid’s uniform pranced around the room, insanely. In a psychedelic parka, with what looked like multi-colored drinking straws in place of a fur ruff, Alaska Native performance artist Allison Warden, speaking only Inupiaq, was selling her

B6

Harstad Culture House poetry book: Taiman Isaaq/a Kkupak (Long Long Time Ago/Right Now). Here’s one of her Tweets that go out to 87,000 fans: our ancestors giggle at the new technology of tweeting/ they make sacred ground in the twittersphere/ to connect as Nations here. The Icelandic Dance Company performed Sacrifice, a Mini Festival. Dressed in black and screaming/chanting in perfect pitch while wrapping themselves in black ropes, they presented Shrine, about stages of rigor mortis and decay. Their second piece, No Tomorrow, highlighted their women’s drill team, which strummed guitars while executing intricate maneuvers. The company also produced a video, Union of the North, with artist Matthew Barney, about consumerism versus spirituality. Summit Day 1: becoming used to hilly roads and incessant round-a-bouts, we headed back to the Kulturhus for panels on edifying awareness, where Canada’s Ambassador to Norway, Artur Wilczynski (conference- MC) began tossing tennis balls to Arctic dancers (company Kartellet) and the audience as way of communicating the need for greater cooperation among all ethnicities who work and play in the North. This ‘me to you’ thematics continued as concluding speakers tossed balls to upcoming ones. Of the eight countries present, the Alaska delegation: Anchorage Museum curators Julie Decker and Kirsten Anderson, Mayor Ethan Berkowitz and wife Mara Kimmel (btw, mayor paid his own way) were ever-present, speaking in break-out sessions and exchanging ideas during the shrimp/marinated fish sandwich lunches. Also visible were the Norwegian and indigenous Sami (Laplanders) hosts. Norway’s history, like Alaska’s, is about white settlers/entrepreneurs paradoxically changing indigenous ways of life. Like Alaska Natives, Sami view land as a borrowed gift/resource for hunting and fishing and don’t conceive of land as Western ownership/real estate. In the 19th century, the Norwegian government began appropriating Sami lands which were resource rich

The eight arctic countries and economically viable. Like Alaskan tribes, the semi-nomadic Sami also experienced disruptions to their ancient ways. Sami were ordered to assimilate into Norwegian culture and language; children were sent to state run boarding schools like Alaska Native children. In 2005, the Norwegian government gave Sami their own parliament, but many at the Summit felt this attempt to re-establish/recognize Sami governance is a ‘Potemkin Village.’ For example, the government culls Sami reindeer herds, saying there are too many per acre. It would be closer to honest for them to say grazing lands are more remunerative developed for mining and natural gas. The intent of this Summit was to recognize cultural similarities between Arctic countries — gaining strength in numbers. It is perceived the North can’t think for itself. More people who live outside think about the North than those who live inside. There is the “North” (created by outsiders) which overtakes the insider “North.” Counterpoint: indigenous groups within feel they better understand nature’s harmonies/balances and should be stewards of all things land/ sea related. Unfairly, the outside world wants and often gets sweeping bans and/or trade restrictions. Some at the Summit felt too many

tourists, too many cruise ships, ruin natural surroundings. Alaskan artist Sonya Kelliher-Combs pointed out that ‘Madison Avenue-esque’ tourist maps use big black dots to highlight certain communities and ignore others, thereby creating a false impression of which communities are important or interesting. On the flip side, tourists are one of the biggest resources for Arctic prosperity as well as the sale of indigenous art. Finding an Arctic voice which sees beauty in landscape and wildlife while coping with 21st century development that often challenges ancient indigenous ways, could become one of the tropes for creating dual outside/inside coordination. Will voices not heard be supported? Can there ever be a balance between development and the environment? It was generally agreed, there has to be all things. Next week, Part 2 of Norway’s Arctic Arts Summit: where I will explore Subsistence, the art exhibition and the Summit gala that accompanied this conference. Art can be decorative but it is also a way to communicate, a meeting place. Keep on Sleuthing for Art. Jean Bundy aica-usa is a writer/painter living in Anchorage Email: 38144@alaska.net July 6 - July 12, 2017

July 7 AN EVENING OF SMOOTH JAZZ Featuring Gerald Albright and Regina Belle Gerald Albright began piano at an early age but his love of music really soared when he was given a saxophone from his music teacher. You may have heard his work with studio artists such as Anita Baker, Ray parker Jr., The Temptations and Olivia Newton-John to name a few. He was also 1 of 10 saxophonists to play at Bill Clinton's inauguration. Regina Belle is a talented singer song writer who began her musical career performing for Englewood's Mount Calvary Baptist Church. She has worked with the Temptations, Johnny Mathis and Peabo Bryson. She is featured on "A Whole New World", feature song from Disney's Aladdin soundtrack. Hear both artists in Anchorage July 7 Atwood Concert Hall. Purchase tickets by going to centertix.net

July 15 BUSH 8 p.m., Alaska Airlines Center 3550 Providence Drive, Anchorage Tickets: $126-$161

Tickets: $69-$251 August 1-August 2 LUKE BRYAN: HUNTIN’, FISHING’ & LOVIN’ EVERYDAY TOUR 2017 7:30 p.m., George M. Sullivan Sports Arena 1600 Gambell Street, Anchorage Tickets: $24-$187

July 20 DYLAN LEE JOHNSTON 9 p.m., Blue Fox, Anchorage Tickets: TBA

August 12 ZAC BROWN BAND IN ANCHORAGE 8 p.m., Alaska Airlines Center 3550 Providence Drive, Anchorage Tickets: Sold out

July 22 UAA GOOSEFEST: SUPER SATURATED SUGAR STRINGS WITH THE HANNAH YOTER BAND AND TODD GREBE AND COLD COUNTRY 1 p.m. 3211 Providence Drive, Anchorage Tickets: Call (907)-786-1207 or email uaastudentactivities@ gmail.com.

September 25 MIRANDA LAMBERT IN ANCHORAGE 7:30 p.m. George M. Sullivan Sports Arena 1600 Gambell Street, Anchorage Tickets: $89-$260

July 24 BEN HARPER AND THE INNOCENT CRIMINALS Moose’s Tooth Pub Anchorage

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EXIT, STAGE RIGHT CYRANO'S THEATRE COMPANY RELOCATES, N BUT HOLDS TRUE TO ITS VISION

BY RJ JOHNSON

C

yrano's Theatre Company is well known statewide. Regularly voted by the public as the best live theater, they are known for producing work that is not only accessible, but also important, both socially and politically. Local actors remember their times on the little stage at the corner of 4th and D streets in downtown Anchorage fondly, and will often compare which shows they have performed there, even while working with other companies. For many artists, they have gotten their start in the space, or learned from the myriad of more experienced players that they have had the chance to work with. Cyrano's Off Center Playhouse began in 1992 in a space that had originally opened in 1987 as a bookstore and a cafe. In the 25 years that theater has been happening in the building, founding members Jerry and Sandy Harper became beloved within the theater community of Alaska. Their company, Eccentric Theater Productions, became Cyrano's Theatre Company in 2005. CTC has created a high standard for itself, while holding true to its goal of nurturing regional talent. Theresa K. Pond is the current Producing Artistic Director at CTC, and is also well known among those that make work in the theater their livelihood or hobby. She has worked with ACT, ATY, Out North, Perseverance Theater Company, UAA Department of Theatre and more locally, and stepped in to take over CTC when Sandy Harper announced her retirement. Recently, Cyrano's Theatre Company announced that it would be moving out of the building that it has called home for two and half decades, and into the Out North Theater building on Debarr Road. There has been some confusion in the community about the situation because of the knowledge that Sandy Harper does own the building that housed the company for so long. I contacted Pond to discuss with her what the move could mean for the company, and what direction she hopes to take it. While she is anxious about the loyal patrons of CTC finding them in the new location, she is optimistic, because

some have already begun to contact her about the first show of the fall, ‘She Kills Monsters’, which will premiere in the new location at the end of September. “It was one of these serendipitous events, once we got through our first year of transition, from the leadership of Sandy Harper, to myself moving in, Sandy was moving into retirement mode. She was renting her building, and traveling and writing, and the theater company was in a more independent pathway, because she was no longer running that,” Pond said. “Once it was us looking at the numbers and what the theater company needed, and with downtown rents being quite high. We are lucky, Sandy gave us quite a discount in the building. We started looking at what the future might be down the road, what the long range goal might be, if we ever considered moving. Then it happened, that the building that was the residence for Out North Contemporary Art House had been shut down for the winter, and the city was looking at what would happen with this building. It is owned by Out North, in a deed of trust with the city. So we were talking to them, seeing what was possible, and what they were thinking. After a couple of months, they came back to us, to see if we could anchor this building, as an arts center. Could this be our new home? That was a fantastic possibility for us, because Cyrano's has 25 years of an amazing legacy, and where do we go from here? How do we grow? Where do we grow, if we have more space artistically and with sustainability?” Artistic growth and pushing boundaries is something that CTC has been known for in the past, and something that Pond feels should continue in the new location. The ideals set forth by the Harpers will continue on, and hopefully with a larger space they will get better. As Pond said to me at one point: “Isn't that the ultimate compliment to a parent? For their child to be more successful than they were?” Pond also feels strongly about the impact on patrons and artists that CTC has had, and will continue to have. A sense of community is very important to her, especially in theater. Her mentor and father is Bob Pond, who quite literally wrote the book on the theater community in Anchorage. She took over for him at ACT in the 90's, and so she also has a 25 year history

with theater, especiallyy in smaller venues. She also lso has realized many things ngs through her constant nt work towards maintainning relationships, proofessionally, personallyy and artistically. “To work with other groups in the community is very exciting to me,” she said. “To have all ships rising together is the only way to have a healthy artistic community, or a healthy community all. Anchorage munity at all is going through some tough economic times, there is a lot of fear in the air. The greatest art often gets created when times are uncertain. Let's see what we can do together.” It's these types of productions that people have come to expect from CTC and she wants to continue that, not only for her company, but for all companies. She is excited for the opportunity to continue the Cyrano's tradition of hosting events beyond plays and musicals. With higher ceilings, the ability to move where the audience is placed, and having extra rooms and galleries, more possibilities are open to all that come to take advantage of the new location. “What's more exciting than to be in a place with multiple spaces, so that multiple artistic voices can be heard at the same time?” She said with a smile. Pond is grateful to be taking over the legacy that Sandy Harper handed over to her, as it has given her the chance to focus on what her vision is: “Going through this process and transition, I really crystallized my vision. I didn't know that I hadn't, but when you go through a change, it makes you look at your values, at your center. What is your base? Why are you doing this? People asked me why I returned to Anchorage. I had been freelancing out of New York. I have said, I came home to build community in the arts. I need to feel an ability to build relationships. I was able to build off of what Cyrano's had been brewing and building.” She also understands the mixed emotions involved with taking such a mainstay of the community and putting it somewhere completely different. “I know that transition and change can bring up a lot of feelings, people can feel uncertain, and wonder what it means for the future. It can allow the possibility for you to realize inside yourself, and around you, what you hadn't

thought of. For me, what really crystallized was, having room to try new things, to take new risks. This space allows us the ability to leap and to try and to grow. When you have that possibility, an arts organization is even healthier.” Pond has no plans to change the type of art that Cyrano's puts forth. “We have a history of doing plays that look at social issues, community issues. I think that is a legacy that I am very proud to be stepping into the shoes with, because Sandy Harper had quite a vision, and was never afraid to take a look at the harder subjects,” Pond said. “We also do musicals, like later this summer, ‘The Great American Trailer Park Musical’. We can run the gamut on the kind of work that we want to do, or the shows that we want to put on, and what we think the community might want.” It is this type of belief that has kept Cyrano's at the top of so many people’s lists when they think about where to go when they want to catch a great show. With a new location, more space, and more stable finances, the team of Cyrano's Theatre Company is looking to the future with hope, excitement, and maybe just a few pre-show jitters, something that anyone in show business never really gets over. For Pond, she has one main reason to keep working hard, and doing what she does. “There is a draw for actors and artists with Cyrano's and the high artistic standards, the really strong professional quality that comes out of it. The people that are drawn are the ones that create that, it is their energy and work that makes it. One thing I have realized through all of my years of directing. People are capable of so much more than they realize.”

Live After Five

July 13th • 5:30pm - 7:30pm • Town Square Park • Featuring Woodrow

Music For Little Ones

July 10th • 12pm - 1pm • Peratrovich Park (4th & E) • Fiddle De Dee

144 Activities In Town Square

July 5th • 4pm - 6pm • Town Square Park The Mr. O Show

Music In The Park

July 12th • 12pm - 1pm • Peratrovich Park (4th & E) • Local Performers

First Friday

B8

For information on the Downtown Pass July Specials, in addition to lists and schedules of bands for our summer events, please head to www.AnchorageDowntown.Org

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Bluegrass Skirt Luau • 6pm - 12am • 49th State Brewing H3 & Blackwater Railroad Company

July 6 - July 12, 2017

SOUL, CAREFULLY ARTICULATED BY RJ JOHNSON

W

ords have power. If you’re a writer, you know that to be true. So what words do you use, when your mentor says you don't have a voice? Questions like these are raised in Seminar, currently playing at Cyrano's, presented by Blue Chair Productions and Cyrano's Theater Company, and directed by Ryan Buen. Seminar is a newer play, having opened on Broadway in 2011, and is set in current times. The themes of power, sex, art, connections, knowledge and talent are things that everyone has dealt with at one time or another. It's easy to see why Colby Bleicher and Buen chose it as the second production for their company, Blue Chair Productions. Bleicher and Buen are longtime colleagues and have been working on Seminar since 2014 at the Valdez Theater Conference. At the curtain, four students waiting for their instructor are discussing life, connections, and vision in an Upper West Side apartment. Douglas (John Parsi) speaks with the air of someone who knows what to say, but not exactly how to say it. His air of pseudo-intellectual superiority carries throughout the run of the show, and he is well matched by Bennington educated Kate (Colby Bliecher), free thinking, seductive Izzy (Zoey Grenier), and the gentle, good natured Martin (Isaac Kumpula). Each character has payed $5,000 for the private instruction, and they all feel they have something to say with their writing. The ensemble cast stumbled slightly in the beginning of the show getting into the rhythm and flow of the quick-paced dialogue, but soon enough syntax and simile were

SEMINAR AT CYRANO'S RAISES QUESTIONS AND STARTS CONVERSATIONS.

CONTINUED ON PAGE 13

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July 6 - July 12, 2017

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B9

CHANCE

Young filmmakers take on causes of homelessness with exquisitely shot feature-length movie

THE MOVIE

BY MATT HICKMAN

D

PHOTO BY MATT HICKMAN

Cast and crew pose for pictures following the premiere of BIZZAY Productions' new film 'Chance'. From left: Sebastian Baquero, George Faust, Norberto De Jesús Jr., Corina Garrison, Jessie Wei, Jessica Quintero and Tristan Heil.

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present issues and take the next step,” de Jesus said. “I think the main objective of all the companies is trying to bring the industry up here. When you think of shooting films you think of L.A., New York or Vancouver, but you never think of Alaska as a place to shoot. We have such amazing scenery and none of it is being used.”

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ne ducer, along with Upper One ed owner Rick Mallars, proved more valuable. as “Finding these guys was w really incredible,” Karpow ut said. “These kids are about rt half our age. I saw their short o films and said, we need to grab these kids up — they’ree going to put us out of workk one day.” Karpow said the efficiency and professionalism displayed at the audition was all he needed to see to be convinced to invest. “They were so organized, I was blown away,” Karpow said. “They’re half my age and they were dialed in. They had written contracts… it was amazing. My audition barely got out, and I was like, ‘dude, I want to support you.’” oNext up for BIZZAY Productions, de Jesus said, is a comedy they’ll start putting together in a couple of months. As for ‘Chance’, de Jesus said it may get some more showings later in the year, but the main goal of the project has already been achieved. “This was the first feature film for us. I think this was more of a learning lesson for us, a way to reach out to people and say, hey, we’re here, we

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Perhaps the biggest star of ‘Chance’ is the city of Anchorage itself. Aglow in hoarfrost and awash in the flimsy light of the winter months, the beauty of the film is a testament to the cinematography and photography of Roohi and Traejen Scott. Roohi, also the film’s Production Manager and Editor, was unable to attend the premiere, away in Houston, Texas where he’s interning with NASA. “We were definitely trying to include a lot of spots familiar to the people of Anchorage, that was another aspect of it, allowing people to be exposed to Anchorage on a big screen,” de Jesus said. “It really helped the audience connect with the reality and truth behind the film. Homelessness is one of those things that goes unnoticed, yet you’re so used to.” For de Jesus, Roohi, Baquero and the rest of the BIZZAY Productions, the opportunity to shoot a film as clean and professional as ‘Chance’ came thanks to partnerships with other local production groups, including Wei’s EISSEJ Films and especially Upper One Studios, a local company that focuses on shooting commercials for some of Alaska’s biggest companies. That partnership came somewhat by accident, as Upper One Studios jack-of-all-trades Tom Karpow, an acting student from his college days in Vancouver, heard about the film and decided to try out for a role. He wound up being cast as Robbie, whom Chance and Manny encounter at a party, but his eventual role as executive pro-

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on’t look now, but Alaska’s film scene, once made up mostly of somewhat juvenile shorts is maturing into one of feature-length films with an eye toward addressing issues that matter. The community’s latest offering is ‘Chance’, a film shot over seven days in the heart of an Anchorage winter, taking on — at least peripherally — the city’s pervasive and too-often-ignored homelessness problem. It made its debut Saturday night at the Alaska Experience Theater. The story surrounds Chance (Tristan Heil), a handsome, aspiring actor from a middle class white family in Oregon, who, after breaking up with his girlfriend Rachel (Jessie Wei) finds himself living on the streets, missing busses and spending his panhandling remuneration on alcohol. One day, after missing a bus, Chance runs into an old high school friend, Manny (Sebastian Baquero), a relatively successful real estate agent, who makes Chance’s redemption his personal cause. “The best thing to take away from the film is that Chance could have been anybody — a college student who fell on hard times,” said Baquero, who served as the evening’s emcee. “People have this stigma (with homeless people) that they did it to themselves, but that’s not true in many cases. You could be someone who specializes in something that fades away… That would be the main message, the end of the stigma of looking down at someone who’s homeless.” Before ‘Chance’, Baquero’s previous acting experience was limited to a commercial and a couple of short films. So the game plan of directors Norberto de Jesus Jr. and Zayn Roohi to insist upon long, deep, intense close-ups, put the acting chops of Baquero and the rest of the mostly lightly experienced staff to the test. Daniel Day Lewis might even balk at the strenuousness of the scenes, but, all in all, the cast holds up well enough to carry the story all the way through. “The reason for that is to show the eyes,” de Jesus said. “Once you emphasize the eyes, that’s where the emotions are. It’s supposed to be an emotional film, which I think it was based on the reaction of the audience.” Baquero said that as an actor, he didn’t know so many of the scenes would be framed in tight, long-lasting shots that practically cast every facial follicle as an extra, but he had an idea where it was headed. “I had two short films under my belt,” he said. “It was just enough for me to get used to the camera being right there on your face ready to give out that line as best you can and, often, as many times as you can. It was daunting, but overall, it was good.”

Interested persons should submit written comment to their local governing body, the applicant and to the Alcoholic Beverage Control Board at 550 West 7th Ave, Suite 1600, Anchorage, AK. 99501

July 6 - July 12, 2017

Pirates take the stage for an old comedy act “P

irates of Penzance,” a historical comedic play brought to life in modern times, will open on July 7 at the Glen Massey theater on the Mat-Su College campus. The story follows Frederick, a young pirate apprentice who is released from his contract on his 21st birthday. The contract was originally signed when he was a child by his hard-ofhearing nursemaid, Ruth, who mistook his father’s directions to sign him up for a ship’s pilot apprenticeship. Frederick is finally freed from his contract, and sets out to exterminate all pirates, even the kind ones he had worked for his entire life. He soon meets the love of his life, Mabel, and wishes to marry her, but finds out that he was born on February 29 of a leap year and is actually only five years old. Bound by duty and the contract, Frederick must return to his apprenticeship to work for the pirates until he is in his 80s. This version of the play deviates very little from the original, according to director AJ Seims, but the humor is still as relevant and relatable now as it was in in 1979 when it was first debuted. Even in terms of cultural status, not much has changed. “Actually, it is relevant to a lot of culture here even now… with rich people being a little above the others,” Seims said. “These pirates we come to find out are actually noblemen that have gone wrong, and so they get all their titles back and everything at the end.”

The play is known as an operetta, a style often done by the “Pirates of Penzance” creators, Arthur Sullivan and W. S. Gilbert. Different from an opera, operettas have more talking and are usually comedic. “It was meant to be silly; it was kind of one of those [plays] where they make fun of the opera,” Seims said, “It’s not stuffy like operas are.” For Seims, this has been a play that he has loved since childhood, even before he was involved in performing arts. Seims graduated from college with a degree in theater, and originally planned to move to Hollywood, willing to live in a truck while pursuing acting. “But I started dating this girl, and suddenly Hollywood didn’t seem that great anymore, and we got married,” he said. Since then he has been contributing to the Alaskan theater

scene to feed his love of the stage. For a couple years, he acted in a one-man show about an old sourdough character called Moosejaw who would tell Robert W. Service tales, or even stories written by Seims himself. In the past year, Seims has also been involved in the productions of “Fiddler on the Roof,” and “A Christmas Carol.” For “Fiddler on the Roof,” he invited prolific Utah director, Rodger Sorensen, to take over so that he could act in the play. The cast consists of a mix high schoolers, college students, and non-students. Auditions were open to the entire community. Many of the same actors and crew from past plays are coming back for this production, including Kelly Rentz. “I’m having a blast. This is probably the most fun that I’ve ever had doing a show, it’s a lot of fun,” she said. Rentz plays the nursemaid, Ruth, a character who develops considerably over the course of the play. “I like that she’s very multilayered. First she’s just an old wench on the boat, and then she gets to be a pirate later,” said Rentz. Rentz did many plays in high school, then after a short break and a bout of stage fright, she was dragged back in by her daughters, who are both involved in theater. She most enjoys watching the actors grow in their skills, and believes that on opening night the audience will be impressed at the quality of talent. “It’s been a lot of fun watching the young people grow in their rolls. When they first get

U P C OM I NG E V E N T S 907-276-4200 • BEARTOOTHTHEATRE.NET 7 8 9 10 11 12 13 5:00 5:00 5:00 5:30 5:30 5:00 7:45 7:45 7:45 2:30 8:15 8:15 10:30 10:25 10:25 12:00 12:00 2:30 2:30 5:30 8:00 8:00

7/7 - 7/13

King Arthur: Legend of the Sword ....... Alien: Covenant............................................ Baywatch........................................................ The Boss Baby ............................................. The Princess Bride (1987) ......................... FIREWEED 400 Awards Ceremony - FREE Paint It Black ................................................. An Officer and a Gentleman (1982) .....

Now Playing KING ARTHUR: LEGEND OF THE SWORD JULY 7-9, 11-13

JULY 20 | 6:00PM

July 6 - July 12, 2017

Tickets on sale July 11th online and at the Bear Tooth box office!

When the child Arthur’s father is murdered, Vortigern (Jude Law), Arthur’s uncle, seizes the crown. Robbed of his birthright and with no idea who he truly is, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword from the stone, his life is turned upside down and he is forced to acknowledge his true legacy…whether he likes it or not. XNLV337661

here they’re kind of a little stiff, and a little scared to get out there.” Jarett Hardy, a recent graduate from Palmer High School, plays Frederick, the pirate apprentice. Hardy has been involved in theater for six years, but this will be the first time he has performed on such a big stage with such unique challenges. “This is the first production that I’ve gotten to do where there’s big choreography or just doing any of these big stunts. I like doing that,” he said. Tickets are $20 for adults, and $10 for ages 12 and under. All shows are at 7 p.m., and will take place Thursdays, Fridays and Saturdays for several weeks in July. Seims chose to make admission lower for children as he hopes they will find the same joy in the play as he did when he was young. “Our job is to entertain, and that’s really what we want. We just want the audience to have fun and to enjoy themselves and to laugh, and I think there’s going to be a lot of laughing,” said Rentz. The crew of “Pirates of Penzance,” will also have a pirate ship float in the upcoming Fourth of July parade in Wasilla to promote the play.

ABOVE: Joshua Hardy, who plays the pirate king. TOP: John Fairfield, who plays ‘Samuel’

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BY KATIE STARK

Show opens Friday at Glenn Massay Theater

11580 Old Seward Hwy. (907) 344-0716 • 601 W. Dimond Blvd. (907) 349-3712 7141 Jewel Lake Rd. (907) 243-0749

GROWLER BARS AT KLATT & JEWEL LAKE STORES! B11

PAINT IT BLACK: QUID PRO QUO

FILM REVIEW BY INDRA ARRIAGA

A

mber Tamblyn is no stranger to the creative process. She’s an actress and a poet, she’s worked in television and film, she’s a published author, and now, with Paint It Black, Tamblyn adds “director” to her name. Tamblyn’s debut film is based on the novel by the same title, which was written by Janet Fitch. Fitch also wrote “White Oleander”, the coming of age drama that was made into a film in 2002. Paint It Black, the film, is synergetic with the novel, and its direction is informed by the written work. “Paint It Black” started out at as a gothic short story described by the author as, “A secret, windowless room at the heart of a haunted mansion.” From there, she built it out until a doorway to the sun emerged. The description of the novel is fitting for Tamblyn’s treatment of grief on the screen, because

grief is the process of emotional and painful descent into darkness and a painstaking and slow emergence into light and hope. Paint It Black takes place with the punk scene of Los Angeles in the 1980s, well before cell phones, hipsters and gentrification. The film is nicely textured with the 80s palette even if at first the references are hard to pinpoint, because unlike the novel, the film doesn’t delve deeply into the music and alternative art scene, and the events that marked the decade. The print story prefaces the work with the Rolling Stones’, “I see a red door and I want it painted black. No colours anymore, I want them to turn black.”, the spirit of which the screen version doesn’t really leverage. However, this does not detract from the plot and Tamblyn’s cinematic interpretation of the novel. There are a number of references to the work of Ingmar Bergman throughout that are subtle enough to add depth but don’t impede Tamblyn’s own vision. Tamblyn opens the film by letting the viewers know exactly where the point of despair is found; it’s found in the death of Michael (Rhys Wakefield). From there, the plot unfolds into a quid pro quo between the two bereft women in his life — his girlfriend, Josie, played by Alia Shawkat, and Meredith, his mother, played by

Community Outreach

ULTRAMAN - DOUBLE FEATURE!

5:30pm

ULTRAMAN X THE MOVIE 2016

When reality TV host Carlos Kurozaki breaks into a mysterious underground pyramid for a television event, he removes a special gem... ULTRAMAN GINGA S THE MOVIE 2014 - A sinister space warrior,

1230 W. 27th Ave

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For a complete listing of this week’s movies, visit beartooththeatre.net

B12

Etelgar, forces a beautiful young alien princess, Alena, to use her magical mirror to trap every Ultraman hero in the Galaxy! ENGLISH DUBBED.

Janet McTeer. The two women couldn’t be more different. Josie models for art classes, drives a beater and lives in the one-room apartment she shared with Michael in Echo Park. Meredith is a world famous pianist, a diva fully equipped with worldly goods and a giant ego (think of the mother in Bergman’s Autumn Sonata). Their interaction is twisted, to say the least, as they exchange physical, emotional, and psychological torment and blame. Initially the quid pro quo is about pain, then it’s about acceptance, and the final exchange is about control. Alfred Molina has a minor role as Cal, Michael’s father, but as small as his role is, it does serve a purpose, which is to set up the family dynamics that precedes the plot without weighing on Josie and Michael’s story. In her interpretation of the novel, Tamblyn does something interesting and unconventional, but it works—she hides Michael, his story, and his reasons for committing suicide. Tamblyn sets up the enigmatic Michael from the get go in the scene where he and Josie meet. She’s fully exposed sitting for an art class and all that the viewers see of Michael is a partial shot of his face, but it’s enough to establish his interest in Josie and its reciprocation. It takes a few scenes for the director to give viewers a

Art House Monday PAINT IT BLACK 55TH ANNIVERSARY

ArtKILL House Monday July (1962) 10 TO A MOCKINGBIRD 8:00 pm 10:30pm

What happensAlabama, to a dream 1932. when Small-town the dreamer is gone? Atticus Finch (played by Gregory Peck) lawyer PAINT IT BLACK is is theastory and a widower. He has of Josie, a young woman two young children, Jem dealing with the aftermath of and Scout. Atticus Finch is her lover Michael’s death.Tom As currently defending Josie searches for the man key to Robinson, a black accused of raping a white understanding his death, she woman. Meanwhile, Jem finds herself both repelled andand Scout are intrigued by their attracted to Michael’s pianist neighbours, the Radleys, and mother, Meredith, who holds Josie the mysterious, seldom-seen responsible forinherparticular. son’s torment. Boo Radley

good look at Michael. From that point on, what viewers know of Michael is mainly through the interaction between the women. In their quest for one another’s insights into Michael, the story touches on a number of issues related to class, privilege, sex, intimacy, and even traces of incest. When Michael’s countenance is on full display, it is in a state of transformation between the three characters; just like in Bergman’s Persona, it is the exchange between characters that defines them.

Paint it Black Not rated Runtime: 2:16 Monday, 7/10 at 8:00 PM

Retro Series AN OFFICER AND(1973) A WESTWORLD GENTLEMAN (1982) ~ 35th 10:30pm Anniversary Presentations Retro series Thursday,

An amusement park for July 13th 8:00 pm rich vacationers. The park Critics called it “The best film of provides its customers 1982” Academy Award for Best a way to live out their fantasies Supporting Actor—Louis Gossett, Jr. Best Music,the Original through useSong of robots Zack Mayo, a newanything member of the U.S. that provide they Navy, has a bad When he want. Two ofattitude. the vacationers signs up for the Aviation Academy, choose a wild westleadership he is met with the strict adventure. However, of Sgt. Emil Foley, who givesafter Zack aa rude awakening in terms of relating computer breakdown, they with other people. Through Foley’s find that they are now being guidance -- and romance with Paula, stalked a rogue an outsiderby--Zack learnsrobot some tough gun-slinger. lessons and discovers what he truly

wants out of life.

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Note: Anchorage Press film reviewer has recently been approved as an official ‘Tomatometer-approved’ critic on Rotten Tomatoes. See her reviews at www.rottentomatoes.com/ critic/indra-arriaga/movies

July 6 - July 12, 2017

SPIDER-MAN: HOMECOMING

AT THE MOVIES Tom Swanner and Brian Judd are movie reviewers based in Los Angeles. Visit them online and listen to their podcasts at swannerandjudd.com.

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Peter has a crush on; can he find a way to impress her? The movie picks up with Peter Parker already having his powers, which saves the audience from have to watch the radioactive spider bite for the hundredth time, and keeps the movie moving at a fast clip all the way up until the end. Tom Holland and Michael Keaton both give great performances, and Marisa Tomei’s May Parker seemed a little too young for the role, but that’s an admittedly petty complaint. The rest of the cast perfectly satisfactory performances, but no real standouts. Here’s hoping that the sequels can let our character grow, while still remaining an awkward, goofy teen — for as long as nature permits — without introducing unnecessary angst.

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Ford (Cop Car, Clown); Chris McKenna (Community); Erik Sommers (Drawn Together, American Dad). This is a group of underdogs that encapsulate the struggle of our hero. Inexperienced and slightly bumbling, they, in the end, finally create a SpiderMan that the audiences will be eager to see on screen again. Part of that comes from Tom Holland, who finally gives us an age appropriate Spider-Man. His angst comes from not being taken seriously, and being treated as an inexperienced and slightly bumbling superhero. When our villain, wonderfully played by Michael Keaton, starts wreaking havoc, Peter Parker brings it to the attention of Tony Stark. When Tony tells him that The Vulture is too low level a criminal, Spider-Man takes matters into his own hand, against Tony’s advice to remain a “friendly, neighborhood Spider-Man.� Meanwhile, there is a girl at school that

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Judd: Spider-Man has had some very bad luck in the theaters. Spider-Man: Homecoming introduces the third Spider-Man audiences have come to know in the past 15 years. Since 2002 Sony Pictures has tried to create a franchise for the ages, but was never able to sustain the interest. When the Marvel Cinematic Universe (MCU) was kicked off in 2008, Disney and Marvel finally found a way to make multiple related pictures that keep the audience excited for the next. Does Spider-Man: Homecoming keep that fire burning? Jon Watts directs Spider-Man: Homecoming, and his resume is only Kevin Bacon’s Cop Car (2015), direct-to-video Clown (2014) and thirteen episodes of The Onion News Network sitcom. Writers include Jonathan Goldstein (Cloudy with a Chance of Meatballs 2); John Francis Daley (Cloudy with a Change of Meatballs 2); Jon Watts; Christopher

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July 6 - July 12, 2017

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See accolades should be given by our peers, and those teaching us are under no obligation to be sensitive to our feelings. As with life, things become further complicated once sex is introduced into the equation, and the chemistry between the players was obvious when the boundaries between relationships starts to become blurry. Grenier, in particular, does a stellar job of amping up the heat on stage, as her husky voice drips like honey with innuendo and intention. The timeframe of the story is over a few weeks, and that requires many costume changes, as well as cleaning up props from the set. Costume choices were well done by Bleicher, adding one more layer to who each character really is. These changes had the potential to make the show drag on much longer than it should have, but a decision from Buen, to create a character and cast the funny Reagan James as a cleaning lady, made the transi-

tions more seamless. I attended the show with three friends — all artists in their own right — and each of us had conflicting opinions of what we had seen. Discussions of feminism, sexuality, art and politics were born out of it. One friend thought that the female characters were written badly, and another felt like characters weren't realistic, and I disagreed with both. I contacted Bleicher to discuss why the show had been chosen. She summed it up perfectly for me when she said, “I don't need to have a good guy or a bad guy in a story. Life isn't like that.� This speaks to the vision of what Bleicher and Buen are passionate about with Blue Chair Productions. As they seek to bring modern theater to Anchorage, and make it financially accessible, as well as artistically valid, they want to create dialogue amongst audiences. If they continue to produce works like these, they will succeed.

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flying fast as they discussed the merits of being writers, and what they could learn from the mentor they had hired. Knowing that these characters were all writers with seemingly vast vocabularies, made the ample use of the word “Fuck� even more poignant, when you understand that they choose words purposefully. The packed house laughed, sometimes in shock, at the audacity and wit of the four students, and joined the emotional journey happening on stage when things turned darker. As the celebrity teacher Leonard (Aaron Wiseman) arrives, the heart of the play begins to be revealed. Leonard stalks the stage, speaking of his experiences, as if his presence alone should be enough to inspire creation. As he reads the pages given to him by his students he litters them on the ground, giving the impression that once he has devoured their thoughts they are no longer of use to him. When Martin says “Here is my soul, carefully articulated� as he finally hands his work over, you know that it is his truth, not just because of the skill of the actor portraying him, but because after what the teacher has put them all through, baring your soul is a true risk. Leonard's interaction with the students brings up questions for the audience, making us wonder what we actually need from mentors. Are they there to praise us and tell us how good we are, or should they break us down and challenge us to do better? Perhaps what we actually need is a mixture of both, or perhaps

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Savage Love. By Dan Savage I’m a 29-year-old straight woman facing a dilemma. I dated this guy about a year ago, and in many ways he was exactly the guy I was looking for. The main hitch was sexual. Our sex was good, but he had a fetish where he wanted me to sleep with other guys. Basically, he gets off on a girl being a “slut.” He was also into threesomes or swapping with another couple. I experimented with all of that for a few months, and in a way I had fun with it, but I finally realized that this lifestyle is not for me. I want a more traditional, monogamous relationship. I broke it off with him. We reconnected recently, and he wants to get back together. He says that he wants to be with

BY ROB BREZSNY

ARIES (March 21-April 19): It's not your birthday, but I feel like you need to get presents. The astrological omens agree with me. In fact, they suggest you should show people this horoscope to motivate them to do the right thing and shower you with practical blessings. And why exactly do you need these rewards? Here's one reason: Now is a pivotal moment in the development of your own ability to give the unique gifts you have to give. If you receive tangible demonstrations that your contributions are appreciated, you'll be better able to rise to the next level of your generosity. TAURUS (April 20-May 20): Other astrologers and

me, even if it means a more traditional sex life. I’m interested, but suspicious. If he decides to forego his fetish in order to be with me, can he ever feel truly fulfilled with our sex life? I don’t want to be with someone I can’t completely satisfy. I also worry that down the road he might change his mind and try to convince me to experiment with nonmonogamy again, which would make me feel pressured. I’m looking for someone to settle down with, and I’m scared to waste more time on this guy, even though in many ways he’s a great fit. Do you think it’s possible for us to be happy together in a traditional arrangement when deep down he wants more? Interested Despite Kink Every partnered person on earth is with someone they “can’t completely satisfy.” No one person can be all things to another person—sexually or in any other way. So don’t waste too much time stressing out about that. That said, IDK, this guy gets off when girls—his girl in particular—are “sluts.” That doesn’t mean he can’t/won’t/ doesn’t get off when you’re not being slutty. (In this situation, “being slutty” refers to you sleeping with other people, which is only subjectively slutty.) He likes it when you’re a slut, but I bet he also likes it when you ___, ___, or ___. (I don’t know your sex life. Fill in the blanks.) Are you focusing too much on one of the

things he’s into (you fucking other people) and not enough on all the other things he’s into (things like ___, ___, and ___)? If those other things are enough for him to have a great sex life with you without getting to enjoy this particular kink, you can make this work. In other words, IDK: If giving up his hotwife/cuckold fantasies is the price of admission he’s willing to pay to be with you, maybe you should let him pay that price. If being with someone who fantasizes about sexual scenarios you would rather not participate in (and who may be fantasizing about them while you’re having sex) is the price of admission you’re willing to pay to be with him, maybe you should pay that price. Another maybe: Are there accommodations that would allow him to have his fetish/fantasies without having to stifle them and allow you to have your monogamous commitment? No fucking other guys, but sometimes sharing stories of past exploits? Or making up dirty stories you can share while you’re fucking? Kinky people sometimes place a few of their kinks on the shelf for years, decades, or all their lives because they love their partner, but their partner doesn’t love their proclivity for ball-busting/ piss-pigging/whatever-evering. And, yes, sometimes a person says they’re willing to let go of a kink and then

changes their mind and starts pressuring their partner years or decades later—often when it’s much harder for the nonkinky partner to end things, i.e., after marrying, having kids, etc., which renders the pressure coercive and corrosive. Another thing that sometimes happens: People who never thought they’d be into X and married someone with the understanding that X was forever off the table suddenly find themselves curious about X and wanting to give X a try years or decades later. Who we are and what we want at 39 or 49 can look very different than who we were and what we wanted at 29.

fortune-tellers may enjoy scaring the hell out of you, but not me. My job is to keep you apprised of the ways that life aims to help you, educate you, and lead you out of your suffering. The truth is, Taurus, that if you look hard enough, there are always seemingly legitimate reasons to be afraid of pretty much everything. But that's a stupid way to live, especially since there are also always legitimate reasons to be excited about pretty much everything. The coming weeks will be a favorable time to work on retraining yourself to make the latter approach your default tendency. I have rarely seen a better phase than now to replace chronic anxiety with shrewd hope. GEMINI (May 21-June 20): At least for the short-range future, benign neglect can be

an effective game plan for you. In other words, Gemini, allow inaction to do the job that can't be accomplished through strenuous action. Stay put. Be patient and cagey and observant. Seek strength in silence and restraint. Let problems heal through the passage of time. Give yourself permission to watch and wait, to reserve judgment and withhold criticism. Why do I suggest this approach? Here's a secret: Forces that are currently working in the dark and behind the scenes will generate the best possible outcome. CANCER (June 21-July 22): "Do not be too timid and squeamish about your actions," wrote Ralph Waldo Emerson. "All life is an experiment." I'd love to see you make that your operative strategy in the coming weeks, Cancerian. According to my analysis of the astrological omens, now is a favorable time to overthrow your habits, rebel against your certainties, and cruise through a series of freewheeling escapades that will change your mind in a hundred different ways. Do you love life enough to ask more questions than you've ever asked before? LEO (July 23-Aug. 22):

Thank you for contacting the Center for Epicurean Education. If you need advice on how to help your imagination lose its inhibitions, please press 1. If you'd like guidance on how to run wild in the woods or in the streets without losing your friends or your job, press 2. If you want to learn more about spiritual sex or sensual wisdom, press 3. If you'd like assistance in initiating a rowdy yet focused search for fresh inspiration, press 4. For information about dancing lessons or flying lessons or dancing-while-flying lessons, press 5. For advice on how to stop making so much sense, press 6. VIRGO (Aug. 23-Sept. 22): The cereus cactus grows in the deserts of the southwestern U.S. Most of the time it's scraggly and brittle-looking. But one night of the year, in June or July, it blooms with a fragrant, trumpet-shaped flower. By dawn the creamy white petals close and start to wither. During that brief celebration, the plant's main pollinator, the sphinx moth, has to discover the marvelous event and come to gather the cactus flower's pollen. I suspect this scenario has metaphorical resemblances to a task you could benefit from carrying out in the

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My partner has a hard time dealing with the fact that, before him, I had several casual flings and one-night stands. It has repeatedly caused issues with us. He is disturbed by the vastness of my past and concerned that I am sometimes impulsive. Because of these things, he often feels too scared to move forward in the relationship. In all other ways we have a supportive, fun-filled, and loving relationship—but I wonder if this issue is just too fundamental. I cannot change my past (and wouldn’t even if I could) and I am trying to be less impulsive, but I’m not sure he sees the changes I’m making. Partner’s Angst Seriously Troubling With apologies to George Santayana: Bros who cannot

shut up about your past are condemned to reside in it. DTMFA. My boyfriend of three months is great! He’s smart, funny, and attractive—and two weeks ago, we said those three words. My parents like him, my friends like him, and my cat is enamored with him. But that’s where the problem starts. I had some reservations that he was only coming around to cuddle with my cat—which I know sounds crazy—so I disregarded it. Then he told me that he loves sleeping in my bed because of the mattress! He says his mattress at home hurts his back and he feels achy all day unless he sleeps at my place. (I splurged on an expensive gel/ foam combination mattress.) I can’t shake the feeling that he is using me for my mattress and my cat. Boy Erodes Dame’s Satisfaction Which seems likelier: This smart, funny, and attractive guy has been fucking you for three months (and said “those three words” two weeks ago) to keep the gel/foam and literal pussy coming, BEDS, or this guy likes you, he really likes you. Since men can get cats and mattresses of their own, BEDS, my money is on the latter. But you’re right about one thing: Your question makes you sound crazy. I was surprised by your advice to CUCK, the gay man

days ahead. Be alert for a sudden, spectacular, and rare eruption of beauty that you can feed from and propagate. LIBRA (Sept. 23-Oct. 22): If I had more room here, I would offer an inspirational Powerpoint presentation designed just for you. In the beginning, I would seize your attention with an evocative image that my marketing department had determined would give you a visceral thrill. (Like maybe a photoshopped image of you wearing a crown and holding a scepter.) In the next part, I would describe various wonderful and beautiful things about you. Then I'd tactfully describe an aspect of your life that's underdeveloped and could use some work. I'd say, "I'd love for you to be more strategic in promoting your good ideas. I'd love for you to have a well-crafted master plan that will attract the contacts and resources necessary to lift your dream to the next level." SCORPIO (Oct. 23-Nov. 21): I advise you against snorting cocaine, MDMA, heroin, or bath salts. But if you do, don't lay out your lines of powder on a kitchen table or a baby's diaperchanging counter in a public restroom. Places like those are not exactly sparkly

whose husband was sleeping with another man who insisted on treating CUCK like a cuckold—sending him degrading text messages—even though CUCK isn’t into that. Why isn’t this a case of someone involving another person in his sex life without his consent? While CUCK has agreed to let his husband fuck another person, he didn’t agree to receive sexually explicit texts from that person. Consensual Lovin’ Is Paramount The Other Man (TOM) is fucking CUCK’s husband, CLIP, so TOM is involved in CUCK’s sex life—at the margins, on the edges, but kindasorta involved. When CUCK told his husband he didn’t appreciate TOM’s texts, his husband asked CUCK to play along because it turns TOM on. (I suspect it also turns CUCK’s husband on.) I told CUCK that he should play along only if the texts didn’t bother him. It may have been out of line for TOM to send that first message without making sure it would be welcome (I’ll bet CUCK’s husband, who was there, gave TOM the okay), but it was a party foul at best. And, again, if the texts don’t bother CUCK and he’s willing to play along for his husband’s benefit, I think he should. On the Lovecast, Mistress Matisse is back to talk about her very special lube: savagelovecast.com.

clean, and you could end up propelling contaminants close to your brain. Please observe similar care with any other activity that involves altering your consciousness or changing the way you see the world. Do it in a nurturing location that ensures healthy results. P.S. The coming weeks will be a great time to expand your mind if you do it in all-natural ways such as through conversations with interesting people, travel to places that excite your awe, and encounters with provocative teachings. SAGITTARIUS (Nov. 22-Dec. 21): In late 1811 and early 1812, parts of the mighty Mississippi River flowed backwards several times. Earthquakes were the cause. Now, more than two centuries later, you Sagittarians have a chance — maybe even a mandate — to accomplish a more modest rendition of what nature did way back then. Do you dare to shift the course of a great, flowing, vital force? I think you should at least consider it. In my opinion, that great, flowing, vital force could benefit from an adjustment that you have the wisdom and luck to understand and accomplish.

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July 6 - July 12, 2017

SATURDAY, JULY 8 ARTS, OUTDOORS, ENTERTAINMENT, CULTURE CONTINUED FROM PAGE 1 DISTILLERY TOUR—Visit the Anchorage Distillery and see how vodka, gin and moonshine are crafted with local grains and ingredients. Can't make a Thursday? Private tours available just call 561-2100. Free, 6 p.m., weekly. (Anchorage Distillery, 6310 A St.) ALASKA OUTDOORS WEEKLY EVENING HIKE; KINCAID PARK JODHPUR—The Alaska Outdoors hosts easy to moderate social hikes every Monday and Thursday, all year, throughout Anchorage. Monday’s hike is designed for hiking beginners and families with children, on established wide and mostly flat trail about 3.5 4.5 miles in 1.5 hours. Thursday’s hike is designed for moderate hikers. Free, 6:30 p.m. (Kincaid Park Jodhput, 8200 Jodhpur St.) FUSION BELLY DANCE WITH NICOLE YVONNE—Depending on the mix of students this class provides beginning moves for those just starting out, and combinations, choreography and improv for those ready for more adventure. Dress comfortably and bring water. Free, 7 p.m., weekly. (Jade Lady Meditation, 508 W. 2nd Ave., Ste. 103) SEMINAR: A COMEDY—Cyrano's Theatre Company and Blue Chair Productions present Theresa Rebeck's smart and sexy comedy Seminar. In Seminar, four aspiring young novelists sign up for private writing classes with Leonard, an international literary figure. Under his recklessly brilliant and unorthodox instruction, some thrive and others flounder, alliances are made and broken, sex is used as a weapon and hearts are unmoored. The wordplay is not the only thing that turns vicious as innocence collides with experience in this biting Broadway comedy. Following a criticallyacclaimed premiere production of Nick Payne's Constellations in Summer 2016, Blue Chair makes their Cyrano's debut with this provocative comedy by the writer of NBC's "Smash." Directed by Ryan Buen. Starring Aaron Wiseman, Isaac Kumpula, Colby Bleicher, John Parsi and Zoey Grenier. On stage through July 9, 2017 Fri through Sat 7 p.m. and Sun, 3 p.m. and Thurs. July 6 at 7 p.m. Tickets are $15 and available online through centertix. com. Play runs approximately 90 minutes. Contains profanity and sexual references. (Cyrano's Theatre Company, 413 D St.)

MUSIC LIVE AFTER FIVE FEAT. EMMA HILL & CO., 5:30 p.m. (Anchorage Towne Square, 6th Ave. and E St.) LIVE MUSIC, 6:30 p.m. (Organic Oasis, 2610 Spenard Rd.) PARLOR IN THE ROUND, 7 p.m. (TapRoot, 3300 Spenard Rd.) IRISH MUSIC, 7:30 p.m. (McGinley’s Pub, 645 G St., Ste. 101) OPEN MIC WITH CONWAY SEAVEY, 7:30 p.m. (Aviator Hotel, 239 W. 4th Ave.) #TBT FEAT. DJ SPENCER LEE, 8 p.m. (Tequila 61, 445 W. 4th Ave.)

other fun and energizing activities. Drop-In: $12/ class or 10 classes for $100, 11 a.m. (Open Space Alaska, 630 E. 57th Pl.) BOOKS AND BLOCKS—Join in for stories, songs and construction fun with blocks, gears and other building materials. Ages 5 & under with their families. Free, 11 a.m. (Muldoon Library, 1251 Muldoon Rd., #158) WATER AEROBICS CLASS—Community water aerobics class in a newly-renovated saltwater pool. Great exercise that's kind to your joints, great teachers and a fun atmosphere. $4.50 - $5, noon to 1 p.m., weekly. (APU Moseley Sports Center, University Dr.) POWER YOGA—Spend your lunch reconnecting with your body and mind. Lunchtime yoga takes place Wednesdays and Fridays. Make space for your spirit and get to your mat. By donation, noon to 1 p.m. (Open Space, 630 E. 57th Pl.) COFFEE WITH A SCIENTIST—What goes great with coffee? Science, obviously. Join a scientist each week for a special program about various Alaskan science topics including, but not limited to; glaciers, volcanology, wolf biology, archaeology, climate change, plant physiology, water quality and wildland fire science. Refreshments will be served. Free, 2 p.m. (Alaska Public Lands Information Center, 605 W. 4th Ave.)

FREE COMMUNITY TAI CHI—Cultivate internal harmony while increasing strength and balance. Join LaoShih Holly as she guides you through the principles of standing meditation and Yang-style Tai-Chi. No experience or special attire required. Protect the floors, no street shoes please. Free, 9 a.m. (Jade Lady Meditation, 508 W. 2nd Ave., Ste. 103) ANCHORAGE MARKET & FESTIVAL—Enjoy the largest outdoor market in Alaska with over 300 vendors spread out on 7 acres. Watch the swarms of tourists walking around, eat lots of food and enjoy local music each weekend through September 10. Free, 10 a.m. to 5 p.m. Saturday’s and Sunday’s. (Anchorage Market & Festival, 255 E St.) AERIAL SILK CLASSES—Cirque Boreal offers a drop-in aerial class every week at the Alaska Moving Arts Center. The Drop-in classes are open to all levels whether you're new to aerial or been doing it for years. The class is followed by an Open Hang time for aerialists to practice. $10 - $30, 12:30 to 3 p.m. (Alaska Moving Arts Center, 10901 Mausel St., #104, Eagle River) YOGA + BEER—Free one hour of yoga hosting in the Williwaw Social Hall every Saturday through the summer months. Free, 1 to 3 p.m., yoga starts at 2 p.m. (Williwaw, 609 F St.)

MUSIC CHESS NIGHT AT TITLE WAVE BOOKS— Please join in each Friday evening for Title Wave's chess club. This event is free and open to all ages. All skill levels and abilities are welcome. They like to see new faces. Free, 5 p.m. (Title Wave Books, 1360 W. Northern Lights Blvd.)

LOFT BLUES JAM, 5:30 to 9:30 p.m. (239 W. 4th Ave.)

SATURDAY CINDERS, 9 p.m. (Avenue Bar, 338 W. 4th Ave.)

MUSIC

FRIDAY NIGHT MAGIC—Looking for a way to play Magic while meeting new friends and winning cool foil prize cards? Friday Night Magic is designed to bring casual players together on Friday nights to play for fun in a less-competitive event. Try it out and discover why Friday night is the best night of the week. All are welcome to come and play without joining the tournament. Free, 6:30 to 11 p.m. (Bosco’s, 2606 Spenard Rd.)

LIVE MUSIC, 9:30 p.m. (Humpy’s Great Alaskan Ale House, 610 W. 6th Ave.)

SATURDAY NIGHTS WITH DJ HAUNTED SURFER, 9 p.m. (The Whale’s Tail, 939 W 5th Ave.)

FRESH BEATS, 10 p.m. (Koot’s, 2435 Spenard Rd.) DANGER MONEY, 10 p.m. (Blue Fox, 3461 E. Tudor Rd.) DJ MARK, 10 p.m. (Gaslight Lounge, 721 W. 4th Ave.)

MEDITATION CLASSES—Experience a unique style of meditation by choosing the technique that suits you. Whether it be through dance, sound or breath this practice will give you a sense of fulfillment and peace. $10 - $12, 7 to 8:30 p.m. (Gitanjali Meditation Center, 4143 Raspberry Rd.) INTRO TO SALSA & BACHATA—Interested in learning how to Salsa and Bachata dance? Bring your friends and join us every Friday night to get a quick introduction to Salsa and Bachata. $10, 8 to 9:30 p.m. (Alaska Dance Promotions, 300 E Dimond Blvd., Ste. 11A)

I LIKE ROBOTS, 11:30 p.m. (Williwaw, 609 F St.)

SUNDAY, JULY 9 ARTS, OUTDOORS, ENTERTAINMENT, CULTURE GEEKS WHO DRINK—Simply, a quiz game played in a pub. It's an Anglo-Irish tradition, but the goal is the same: to foster friendly competition, and promote social drinking, a noble cause indeed. Free, 6 p.m. (TapRoot, 3300 Spenard Rd.)

SATURDAY CINDERS, 9 p.m. (Avenue Bar, 338 W. 4th Ave.)

UNDER 21 OPEN MIC NIGHT, 5:30 to 8 p.m. (Middle Way Cafe, 1200 W. Northern Lights Blvd.)

LIVE MUSIC, 4 p.m. (Bernie’s Bungalow Lounge, 626 D St.)

DJ MARK, 10 p.m. (Gaslight Lounge, 721 W. 4th Ave.)

FRIDAY, JULY 7 ARTS, OUTDOORS, ENTERTAINMENT, CULTURE KIDS YOGA—Yoga for little people is an active and fun way to promote the physical, emotional and social development of children. Kids will learn the basics of yoga, through creative poses, storytelling, songs, games, breathing exercises and

July 6 - July 12, 2017

MEDITATION—In this busy, chaotic world, it is very important for our day-to-day happiness and peace that we learn how to control our mind. This is a class designed to show how to apply simple meditation techniques and basic Buddhist psychology in the midst of a normal, modern lifestyle. $5 - $10, 7 to 8:30 p.m. (Namaste North Yoga Studio, 508 W. 2nd Ave.)

SONGBIRD SATURDAY, 7:30 p.m. (TapRoot, 3300 Spenard Rd.)

MUSIC

DJ JAMES, 9:30 p.m. (Humpy’s Great Alaskan Ale House, 610 W. 6th Ave.)

ALASKA OUTDOORS WEEKLY EVENING HIKE; BICENTENNIAL PARK: SMOKE JUMPER—The Alaska Outdoors host easy to moderate social hikes, every Monday and Thursday, all year, throughout Anchorage. Monday hike is designed for hiking beginners and families with children, on established wide and mostly flat trail about 3.54.5 miles in 1.5 hours. Thursday hike is designed for moderate hikers. Free, 6:30 p.m. (Bicentennial Park: Smoke Jumper, 6909 Elmore Rd.)

BLUEGRASS SKIRT LUAU—The 49th State Brewing Co. is celebrating its first anniversary and wants to spend it with their neighbors. In collaboration with the Anchorage Downtown Partnership, this full day of entertainment will include live music, food, education, family activities and late night dancing. Tickets at brownpapertickets. com. $10 - $30, 6 p.m. to midnight. (49th State Brewing Co., 717 W. 3rd Ave.)

ALTERNATING LOCAL ARTISTS, 7 p.m. (Organic Oasis, 2610 Spenard Rd.)

MUSIC

THURSDAY NIGHT LIVE FEAT. EMMA HILL & CO., 9 p.m. (Williwaw, 609 F St.)

HOW WE MAKE IT MONDAY—Get a whole new view of the brewery. Share some up close time with the brewers, packagers and everyone who makes the beer flow at Midnight Sun Brewing Company. Enjoy sessions with each part of the brew crew component, learning how they make it all happen. And grab a few beers from their tap line up, picked by the brewers. Free, 5 to 7:30 p.m. (Midnight Sun Brewing Company, 8111 Dimond Hook Dr.)

GEEKS WHO DRINK AT THE 49TH STATE BREWING CO—Yes, it's really at the 49th State Brewing Co. Come get your geek on while having 49th State beer and food in the theater with quizmaster Warren Weinstein. Tables will be set up to accommodate a plethora of teams. Doors open at 6, quiz at 7 p.m. Free, 7 to 9:30 p.m. (49th State Brewing Co., 717 W. 3rd Ave.)

STAND-UP COMEDY, 8:30 p.m. (Brown Bag Sandwich Co., 535 W. 3rd Ave.)

LIVE KARAOKE THURSDAYS, 9 p.m. (Van’s Drive Bar, 1027 E. 5th Ave.)

Parks and Recreation for a weekly walk through Towne Square where you can learn about all the beautiful botanical wonders growing in the park this summer. This weekly walk through will be hosted by either a horticulturist or a trained Park and Rec staff member to educate you all about the flowers. Free, 11 a.m. to noon. (Anchorage Towne Square, 560 W. 5th Ave.)

MISHA SHIMEK, 6:30 p.m. (Organic Oasis, 2610 Spenard Rd.) ACOUSTIC DINNER SERIES: BECKY KOTTER, 8 p.m. (Hard Rock Cafe, 415 E St.) LIVE MUSIC, 8:30 p.m. (Bernie’s Bungalow Lounge, 626 D St.) MICHAEL HOWARD & KORY QUINN, 9 p.m. (Van’s Dive Bar, 1027 E. 5th Ave.)

ALTERNATING LOCAL ARTISTS, 7 p.m. (Organic Oasis, 2610 Spenard Rd.) OPEN MIC NIGHT HOSTED BY JUSTIN BOOT, 8 p.m. (Van's Dive Bar, 1027 E. 5th Ave.) OPEN MIC, 8 p.m. (Humpy’s, 610 W. 6th Ave.) ACOUSTIC DINNER SERIES: STEVEN BACON, 8 p.m. (Hard Rock Cafe, 415 E St.) KARAOKE, 9 p.m. (Gaslight Lounge, 721 W. 4th Ave.)

FRIDAY NIGHTS WITH DJ TICO, 9 p.m. (The Whale’s Tail, 939 W 5th Ave.)

TAPROOT KARAOKE, 9 p.m. (TapRoot, 3300 Spenard Rd.)

H3, 9:30 p.m. (Williwaw, 609 F St.)

MONDAY, JULY 10 ARTS, OUTDOORS, ENTERTAINMENT, CULTURE

LIVE MUSIC, 9:30 p.m. (Humpy’s Great Alaskan Ale House, 610 W. 6th Ave.) DJ MARK, 10 p.m. (Gaslight Lounge, 721 W. 4th Ave.)

WEEKLY FLOWER TOURS—Join Anchorage

MUSIC FOR LITTLE ONES, noon. (Peratrovich Park, 4th & E St.) ERIN PESZNECKER, 6:30 p.m. (Organic Oasis, 2610 Spenard Rd.) KARAOKE, 9 p.m. (Gaslight Lounge, 721 W. 4th Ave.)

TUESDAY, JULY 11 ARTS, OUTDOORS, ENTERTAINMENT, CULTURE PROGRESSIVE FIVE WEEK KIDS CAMP—For ages 5 to 9, this Tuesday and Thursday series will go through August 10 and host 3 hours to play games, craft, enjoy free play, practice yoga and experience your rhythmic side. Each Tuesday they will have a specially trained yoga teacher share and hour of energizing movement, breathing and relaxation. Each Thursday there will be singing, dancing and exploring a variety of instruments. Register at openspacealaska.com. $345 - $395, 9:30 a.m. to 12:30 p.m. (Open Space Alaska, 630 E. 57th Pl.) MIXED LEVEL YOGA CLASS—Ever find yourself wishing for yoga in the middle of the workday? You're in luck if you work downtown Midday, mixed levels classes for clarity and focus on Monday, Tuesday and Thursday and a gentle class at 10 a.m. on Wednesday. All by donation. Noon to 1 p.m. (G Street Studio, 406 G St., Ste. 212) YU-GI-OH TOURNAMENT AND OPEN PLAY—Born from the game Duel Monsters within the original Japanese manga, the Yu-GiOh card game is a battle-based gameplay where players duel each other using monster face cards. Come and try it out for free, or if you’re a more serious dueler, bring your decks along. Occasional sealed deck tournaments may come with a higher charge. Free for casual play, $6 - $7 for tournament play, 3 p.m. (Bosco’s, 2301 Spenard Rd.) SKINNY RAVEN PUB RUN—Join the weekly joggers scurrying around downtown. The runs are approximately 5K in distance which starts at Skinny Raven and finishes at McGinley’s Pub. Product demos and fun prizes every week. Free, 6 p.m. (Skinny Raven, 800 H St.)

CONTINUED ON PAGE 16

B15

CROSS WORD & SUDOKU

ANSWERS TO SUDOKU

ANSWERS TO LAST WEEK’S CROSSWORD

ALASKA SUDOKU By John Bushell

ALASKA SUDOKU - PIONEER

onsite while enjoying a brewski. Vinyl nights every Wednesday at Resolution Brewing Company. Free, 5 p.m. (Resolution Brewing Company, 3024 Mountain View Dr.)

/(9(/ &+((&+$.2 _ 3,21((5ȼ _ 6285'28*+

CONTINUED FROM PAGE 15 CONTINUED FROM PAGE 14 CAPRICORN (Dec. 22-Jan. 19): You're entering into the Uncanny Zone, Capricorn. During your brief journey through this alternate reality, the wind and the dew will be your teachers. Animals will provide special favors. You may experience true fantasies, like being able to sense people's thoughts and hear the sound of leaves converting sunlight into nourishment. It's possible you'll feel the moon tugging at the waters of your body and glimpse visions of the best possible future. Will any of this be of practical use? Yes! More than you can imagine. And not in ways you can imagine yet. AQUARIUS (Jan. 20-Feb. 18): This is one of those rare grace periods when you can slip into a smooth groove without worrying that it will degenerate into a repetitive rut. You'll feel natural and comfortable as you attend to your duties, not blank or numb. You'll be entertained and educated by exacting details, not bored by them. I conclude, therefore, that this will be an excellent time to lay the gritty foundation for expansive and productive adventures later this year. If you've been hoping to get an advantage over your competitors and diminish the negative influences of people who don't empathize with you, now is the time. PISCES (Feb. 19-March 20): "There is a direct correlation between playfulness and intelligence, since the most intelligent animals engage in the greatest amount of playful activities." So reports the *National Geographic.* "The reason is simple: Intelligence is the capacity for learning, and to play is to learn." I suggest you make these thoughts the centerpiece of your life in the coming weeks. You're in a phase when you have an enhanced capacity to master new tricks. That's fortunate, because you're also in a phase when it's especially crucial for you to learn new tricks. The best way to ensure it all unfolds with maximum grace is to play as much as possible.

B16

totem poles

WHALE FAT FOLLIES—The Alaskan show the Department of Tourism does not want you to see. The Follies is the most extravagant Alaskan multi-media comedy ever staged and features a live band, stunning singers and dancers, and so much more. Tickets available at centertix.net, and the show will be running through August 16. $22.50 - $27, 7 p.m. (Hard Rock Cafe, 415 E St.) POTTER MARSH BIRD WALK—Join us for a guided walk on the Potter Marsh boardwalk to learn about the area’s wildlife. This family-friendly event is for the beginning birder as well as those that know their way around a bird’s wing. Binoculars, spotting scopes and guide books are available for loan. Plan for rain-or-shine and dress accordingly. Meet your guide at the boardwalk entrance kiosk at Potter Marsh (MP117 Seward Highway). Sponsored by Alaska Department of Fish & Game and Audubon Alaska. Kids encouraged, wheelchair accessible. Free, 7 to 9 p.m. (Potter Marsh boardwalk, 2880 E. 154th Ave.) PUB QUIZ—Join Humpy’s every Tuesday for drinks and trivia. Free, 8 p.m. (Humpy’s, 610 W. 6th Ave.)

MUSIC BOB PARSONS, 6:30 p.m. (Organic Oasis, 2610 Spenard Rd.) TURN IT UP TUESDAY, 7 p.m. (Hard Rock Cafe, 415 E St.) FIRESIDE LIVE, 9 p.m. (Koot’s, 2435 Spe-

nard Rd.) OPEN MIC, 9 p.m. (TapRoot, 3300 Spenard Rd.)

WEDNESDAY, JULY 12 ARTS, OUTDOORS, ENTERTAINMENT, CULTURE KIDS YOGA (AGES 3 - 6 YEARS)—Why Yoga for little people? Yoga is noncompetitive physical activity which encourages flexibility, strength, coordination and body awareness. In a world full of hustle and bustle, yoga teaches kids how to relax and relieve stress. Yoga helps to bring out kids’ inner self and utilize their unique qualities in a positive way. $75 - $125, 10 a.m. (Open Space Alaska, 630 E. 57th Pl., #2) VICTIMS FOR JUSTICE POPCORN BAR— WATER AEROBICS CLASS—Community water aerobics class in a newly renovated saltwater pool. Great exercise that's kind to your joints with great teachers and a fun atmosphere. $4.50 - $5, noon to 1 p.m. (APU Moseley Sports Center, University Dr.) LUNCHTIME MEDITATION—Find inner peace amongst a stressful workday. Join Rev. Rachel for a midday quiet meditation in a peaceful and welcoming environment. All experience levels welcome. Free, noon to 12:30 p.m. (Unity of Anchorage, 1300 E. 68th Ave.) BEER MEETS RECORDS: VINYL NIGHT—Bring your records or play some

MANGATAINOKA BARBARIAN YOUTH RUGBY CAMP—Give your kids the opportunity to learn a new and fun unique sport from some pros. The Mangatainoka Barbarians are a group of former New Zealand All Back and Super 18 Rugby plays on rugby tour playing classic rugby sides and sharing the passion for the game with kids everywhere they go. Free, 6 to 8 p.m. (Delaney Park Strip, Anchorage) WEDNESDAY NIGHT TRIVIA—Every Wednesday have the chance to win cash prices and hotel gift cards at trivia night. Free, 7 p.m. (The Whale’s Tail, 939 W. 5th Ave.)

MUSIC DIANE HALL PENDERGAST, 6:30 p.m. (Organic Oasis, 2610 Spenard Rd.) LIVE MUSIC, 10 p.m. (Pioneer Bar, 739 W. 4th Ave.) OPEN DECKS, 10 p.m. (Koot’s, 2435 Spenard Rd.)

CALL FOR SUBMISSIONS ANCHORAGE FILM FESTIVAL CALL FOR ENTRIES—The 2017 AIFF is open to any film completed after January 1, 2016, regardless of content, subject or origin. Any film completed after January 1, 2016, that has not screened on cable or broadcast television in Alaska or any other U.S. state prior to December 1, 2017 is eligible. Visit filmfreeway.com for more information. Deadline is September 5.

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B17

ABL UPDATE

HIS NAME IS THADDEUS WARD AND HE'S REALLY, REALLY GOOD BY JOHN ARONNO

T

haddeus Ward. That, my friends, is a quintessential baseball name. On a scale of Buster Posey to Dansby Swanson, Thaddeus Ward is at least a seven. A complicated ratio of first-and-last-name combos comparable to Arizona Diamondbacks outfielder Socrates Brito. Provoking, but also grounded. Enlightened, yet basebally. What would his walk-up music be? Does he identify more with the Thaddeus part of the Ward part? Oh, wait, according to the Internet, he goes by Thad. So, questions most likely answered. More on that in a bit. As the Alaska Baseball League closed out its fourth week, two teams have established themselves as the teams that everyone else wants to beat the crap out of but likely won't because they're not as good. At the time of this writing, the Mat-Su Miners are in command with a 15-7 record. The Anchorage Bucs are biting at their ankles a game and a half back. The Eagle River-Chugiak Chinooks and Peninsula Oilers are six games shy of first place, with the Anchorage Glacier Pilots a half game further behind. Stats could change and the bottom three might eventually seem like they're worth talking about, but we're not there yet. As such, the Miners and Bucs are really fun to talk about because they're really good and especially fun to watch when they play against each other. Which they did last week in Anchorage. It was amazing and I don't know why you weren't there (does not apply to anyone who was there). Why weren't you there? The Miners are solid. The Bucs are solid. Ironically, while Mat-Su's green and gold have bloodied the rest of the league, the Bucs have gotten the upper hand in their head-to-head contests. In six games played thus far, the Bucs are 5-1 over the Miners with a run differential of 14. Heading into first pitch last Friday night, and acknowledging the average eight-plus runs scored in their meetings, I was readying for a slug fest. Evidently, those were not the droids I was looking for. Instead, I was treated to a pretty epic pitchers' duel. Georgia Tech sophomore Micah Carpenter dealt first. The right-hander has spent his early collegiate career as a late innings reliever and is using the ABL as an opportunity to fine-tune his mechanics. It was a struggle from finish to start, as he repeatedly adjusted in attempts to locate his pitches. To his credit, he went a strong six innings, striking out three while allowing only one earned run on seven hits, lowering his earned run average to 2.41. Spencer Hudson, taking the hill for the Miners, was a stranger story. The freshman hurler from Oral Roberts University – and No. 12

ABL STATISTICAL LEADERS

overall prospect hailing from Oklahoma – outmatched Carpenter handily in terms of stuff. He put down the first five batters before Bucs infielder Gunnar Schubert (I honestly don't know what to do with that name) laid down a bunt and benefited from an errant throw from the third baseman. A fielder's choice, hit batsman, and sacrifice fly later, the Bucs were up 1-0. Two walks, and a single later, the Bucs were up by two. None of the runs earned. Just shoddy defense and a lapse in control by Hudson. The Miners responded much later in the very condensed rally via a smoking home run by Nick Brooks, a slugging Gonzaga junior, because that's what he does. Despite his three years resulting in a batting average of just .238, his on-base percentage plus slugging average is .753. That's more or less an average OPS in the bigs. So, he can swing a stick pretty well. And he did. He crushed that thing. Which brings us full circle to Thaddeus Ward (or Thad, or whatever). He came on in relief in the eighth, with the score tied at two, and dude is a beast. Ranked nationally at No. 125 as a right-handed pitcher with a 6'4” 185 lb frame (he also was an all-area first team hon-

ALASKA BASEBALL LEAGUE Matsu Miners Anchorage Bucs Anchorage Glacier Pilots Chugiak Chinooks Peninsula Oilers

Conference 17 8 0.680 14 9 0.609 9 13 0.409 9 14 0.391 7 12 0.368

THIS WEEK'S GAMES July 6 5 PM Pilots vs.Oilers Mulcahy Stadium 7 PM Oilers vs. Pilots Mulcahy Stadium 7 PM Chinooks vs. Miners Hermon Brothers

B18

2 6.5 7 7

1W 1W 1W 1L 1L

7-3 6-4 3-7 3-7 5-5

Season 20 8 16 10 10 16 9 15 7 12

0.714 0.615 0.385 0.375 0.368

Jul 7 7 PM Bucs vs. Chinooks Lee Jordan 7 PM Oilers vs. Miners Hermon Brothers Jul 8 7 PM Oilers vs. Miners Hermon Brothers 7 PM Bucs vs. Chinooks Lee Jordan Jul 9 4 PM Pilots vs. Miners Hermon Brothers

oree in basketball his sophomore year), he was dominant on the hill. He struck out three over four innings pitched, and despite a single from Schubert which I can only assume was blind luck, he looked unhittable. I'm not sure what the velocity on his fastball was, but it had a lot of movement and I watched as a couple Miners players, stationed behind a radar gun, took notes, wide-eyed. Ward backed the heat up with a slider that was on point and he shut down the Bucs like they were an annoying porch light when the Northern Lights are out. Of any player I've watched this season, this kid is where I'd place my bets for next year's MLB draft. Bank it. In 21.1 innings pitched, his ERA is a rather dazzling 1.68. Those are video game numbers. And if you watch him (which you should, like, now), they make sense. The effort sustained the Miners into bonus baseball territory, where the team was able to string together a single, a hit batsman, a fielder’s choice, another single, and that pivotal “Goodbye Felicia” game-winning run. The two juggernauts of this year's ABL will square off seven more times before season's end. You should probably get on that.

3 9 9 8.5

1W 1L 1W 1L 1L

8-2 6-4 3-7 3-7 5-5

5 PM Oilers vs. Chinooks Lee Jordan 6 PM Pilotsvs. Miners Hermon Brothers 7 PM Oilers vs. Chinooks Lee Jordan Jul 10 7 PM Oilers vs. Bucs Mulcahy Stadium 7 PM Pilots vs. Chinooks Lee Jordan Jul 11 7 PM Oilers vs. Pilots Mulcahy Stadium

7 PM Jul 12 7 PM 7 PM Jul 13 5 PM 7 PM 7 PM

Pitching ERA Kerr, R Ward, T LeBrun, C Pyatt, H Jones, N Batten, M Weekley, T

Oilers Miners Miners Bucs Chinooks Chinooks Chinooks

1.39 1.96 2.28 2.46 2.63 2.82 3.10

Wins Ward, T Mulvaney, J LeBrun, C Hardy, Z Butcher, J Nardi, A Kaneen, S

Miners Bucs Miners Miners Miners Miners Bucs

3 3 3 2 2 2 2

Strikeouts Weekley, T Boyer, L Gomer, B Batten, M Kerr, R Pyatt, H Kaneen, S

Chinooks Bucs Pilots Chinooks Oilers Bucs Bucs

30 29 25 22 21 20 20

Batting Average Cotton, Q Strahm, K Ammons, J Lott, T Vieth, J Brennan, W Shackelford, A

Miners Oilers Miners Bucs Bucs Pilots Chinooks

.376 .348 .333 .321 .307 .307 .296

Home runs Benefield, B Brooks, N Thomas, J Michie, B Shackelford, A Vieth, J Lott, T

Miners Miners Oilers Chinooks Chinooks Bucs Bucs

6 3 2 2 2 2 2

RBI Benefield, B Vieth, J Michie, B McCready, C MacNamee, E Pavlica, P Gomez, J

Miners Bucs Chinooks Pilots Miners Miners Chinooks

26 19 14 12 12 12 12

Bucs vs. Chinooks Lee Jordan Pilots vs. Miners Hermon Brothers Oilers vs. Bucs Mulcahy Stadium Bucs vs. Miners Hermon Brothers Oilers vs. Chinooks Lee Jordan Bucs vs. Miners Hermon Brothers

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