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Symposium of Contemporary Music, 1968

Page 5

ILLINOIS WESLEYAN UNIVERSITY SCHOOL OF MUSIC and the

SYMPOSIUM OF CONTEMPORARY MUSIC present

David

Nott, Bass-Baritone ina

FACULTY RECITAL of CONTEMPORARY VOCAL MUSIC Westbrook Auditorium,

8:15

Friday, March

p.m.

15, 1968

I - Italian - Atonal Lyricism

Cinque Canti

(1956) .. .... . .......... Luigi Dallapiccola ( 1904-

per Baritono e Alcuni Strument�

I - Molto Animato II - Tranquillo; serenamente III - Rapinoso IV - Lentamente V - Mosso; scorrevole

)

II - German - Extended Post Romanticism

Five E arly

Songs (1899-1904) .... ... .. .. .. Anton Webem (1883-1945)

Fromm (Falke) Sommerabend (Weigand) Gefunden (Avenarius) Vorfruehling (Avenarius) Heimgang in der Fruehe (Liliencron)

III - American - Total SerUtlitation

Two Sonnets (Gerard Manley

Voice, Clarinet, Viola and CeUo

H opkins ) ..... Milton Babbitt

(1916-

Spelt from Sybil's Leaves That Nature is a Heraclitean Fire

)

IV - French - Post Impressionism

Le

Camaval (1954) .. . ............... Jacques Leguerney (1906-

I - Le Grotesque II - La Belle Brune III - Le Carnaval

)

V - British - Eclecticism

Songs and Proverbs of Wm. Blake, Op. 0-

0-

74...Benjamin Britten

(1913-

0-

)

Assisted by Abram Plum and Carmen Shaw, Pianists. Instrumentalists: Mary Leathers, Linda Williams, Paul Heyboer, Paul Grischke, Richard Hishman, Ruth Krieger. Conductors: Robert Donalson and Abram Plum.

The Symposium of Contemporary Music is partially supported by the Frank R. Bohnhorst Memorial Fund.


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