Eco, Umberto, 124, 126 –7 Economy, 37, 38 – 40 Edges, see Margins Egyptian culture, 73 – 4 Elam, Merrill, 21–3 Elevations in caricature, 84 Elusive quality of play, 123 Empirical methods, 7– 8 Engravings, 109 Erasure methods, 59 Etchings, 109, 120 Eureka, 66, 67 Evaluation, 18, 21, 51, 53, 133 Evans, Robin, 7 Exaggeration, 88 –9, 103, 107 Expressionist movement, 26 – 8 Exquisite Corpse game, 66, 67 External symbols, 8 Eye metaphor, 87 Fabric city project, 29 Face drawings, 54 –5, 106 see also Head drawings Fantasy, 10, 43, 64 –70 caricature, 74, 84, 98 play activity, 31 see also Grotesque Farce, 108 Faville, William Baker, 96, 99 ‘Feedback’, 30 Ferriss, Hugh, 88 Festina lente, 35, 40 –2 see also Quickness Filarete, 11, 17, 24 Finland, 33 – 4, 45 – 6, 56 Foliage, 84, 90 –1 Folk tales, 36, 37– 8 see also Myths Fort, Frank, 93 – 4 Foster, Norman, 67– 8 Foucault, Michel, 124 Fragmentation, 130 France, 47– 8, 73 Francis, Captain George, 1 Franklin, Benjamin, 75 Frascari, Marco, 30, 36 Fraser, I., 2 –3, 5 Free associations, 53 Freedom limitations, 30 Freeman, Mathew L., 96, 98 Freud, Sigmund, 61 Gadamer, Hans-Georg, 30, 31, 32 –3 Gage, Mark Foster, 127–30 Galileo Galilei, 40 Games, 31, 33, 35, 66 –7 see also Play Gateways, 34 –5
Gehry, Frank, 11 Genoa, Italy, 15 –17 Germany, 107 Gero, John S., 9 Gesture, 13 Gibson, James J., 14 –15 Gillray, James, 75 Gladwell, Malcolm, 126 Goel, V., 7– 8 Gombrich, Ernst H., 74 –7, 79 – 80, 83 – 4, 91, 97, 100 –1, 109 Gordon Wu Hall, 69, 78 Graphics of sketching, 9 see also Lines; Mark-making Greek culture, 11, 74, 93 – 6, 123 the Grotesque, 9 –11, 77, 103 –22, 133 definitions, 103 – 4, 107, 121 history of, 104 – 8 Guattori, Felix, 31 Hadassah University, Jerusalem, 89 –90 Hans, James S., 26, 30 –1, 32 Harpham, Geoffrey, 77, 103 – 4, 108, 110, 114, 116, 119 Head drawings, 81–2, 91 see also Face drawings Helsinki, Finland, 45 – 6 Henmi, R., 2 –3, 5 Hermeneutics, 4, 14 Hofer, Philip, 109 Hogarth, William, 75 Hokusai, Katsushika, 42 Holl, Steven, 13 –14, 49 –50, 125 – 6 Hugo, Victor, 117 Huizinga, Johann, 31, 33 Human body: caricature, 74, 81–3, 90 –2, 101 grotesque sketches, 116 visual perception, 14, 17 see also Face drawings; Head drawings Hume, David, 57 Humorous art, 72, 74, 75 –7 The Hunchback of Notre Dame (Hugo), 117 ‘Hurry slowly’, see Festina lente Hybrid digital–analog sketches, 131–3 ‘Idea-grams’, 53 – 4 Idiot savants, 45 Illusions, 14 –15, 26 –32, 113 Image-making ability: fantasy, 70 imagination, 43 – 4, 70 memory, 44, 70
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Imagination, 2, 10, 43, 57– 64 caricature, 74, 78, 83, 98 communication, 19 fantasy connection, 65 –70 free associations, 53 grotesque sketches, 120 play activity, 31 visual perception, 14 Imitation, 123 – 4 see also Likeness Immediacy, 77– 8 see also Quickness Indeterminacy of imagination, 61 ‘Indications’, 53 ‘Indicators’, 5 Individual dialogue, 19 –20 Inside/outside paradox, 110 Inspiration, 66 – 8, 109 Intellect, 44, 59 Intention, 2 – 4, 10 caricature, 72, 78 imagination, 61 likeness, 126 media/technique, 20 methodology, 7 Intermediary aspects of sketches, 109, 113 –14, 116, 118, 120, 133 Interpretation, 4, 9, 14, 118 –21 Invention, 65 – 6, 69 Italy, 15 –17, 57, 59, 78 –9, 87, 104 –5 see also Roman culture Itami, Jun, 36 –7, 83 Jahn, Helmut, 88 –9 James, D.G., 124, 130 –1 Japanese architecture, 36 –7, 41–2, 61–2 Jean Gray Hargrove Music Library, 21–3 Jerusalem, 89 –90 Judgment purpose, 133 Jung, Carl, 44, 61 Kahn, Eric A., 28 –9, 72, 73 Kahn, Louis I., 10, 15 Kaleva Church, Tampere, 56 Kant, Immanuel, 59 Karoeja, Pentti, 45 – 6 Kayser, Wolfgang, 107, 118, 121 Knowledge acquisition, 32 –3, 44 –5, 114, 130 Knut Hamsun Museum, 49 –50, 125 – 6 Koolhaas, Rem, 38 Kostof, Spiro, 96 Kris, Ernst, 74 –7, 79 – 80, 83 – 4, 91, 97, 100 –1, 127, 130 Kurz, O., 127, 130