2020 vol. 2 is. 3
THE SUMMER ISSUE ARTISTS IN ISOLATION
ALIGN Editor-in-Chief
Allison Barr
EXECUTIVE EDITOR Danika Taylor DIGITAL EDITOR Lillian Hotchkin BRAND MANAGER Kelsey Munger PROJECT MANAGERS Gillian Arthur, Kaeleigh James WEBSITE EDITOR Sam Payab DIGITAL MEDIA TEAM Catherine Dosch, Sydney Kuhn, Olivia Bostick, Meredith Bjorvick DESIGNERS Sam Montagne, Katalena Sanchez, Mehak Dedmari PHOTOGRAPHERS Jonathan Roensch, Isa Ramos, Athena Ngyuen, Amalia Birch, Patrick Hanlin, Lara Waibel, Mariah Botkin, Sarita Ahmad, Sophie Ackerman, Veronica Szmit, Hayley Sharkey WRITERS Gabi Raab, Emerson Brady, Camryn Privette, Hailey O’Donnell, Josie Hinke, Lizbeth Ibarra Gonzales, Maleena Saadeh, Lainey Toole, Taite Stull ILLUSTRATORS Elsa Douglass, Anna Maestes
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INTERESTED IN WORKING WITH US? APPLY TODAY! EMAIL ALIGNMAGUO@GMAIL.COM WITH INQUIRIES ALIGN 3
ERIC GARNER ♦ JOHN CRAWFORD III ♦ MICHAEL BROWN EZELL
FORD
AARON BAILEY ♦ TAMIR
RICE
DANTE
♦
PARKER
♦ DYZHAWN PERKINS MICHELLE
♦
CUSSEAUX
LAQUAN MCDONALD ♦ TANISHA ANDERSON ♦ AKAI GURLEY RUMAIN
♦
GEORGE
MANN
NATASHA
MCKENNA
BRISBON
MATTHEW
♦
PHILLIP
WHITE
ALEXIA
CHRISTIAN
TONY
♦
ERIC
♦
JERAME
♦
BRENDON
♦
SCOTT
GLENN
HILL
VICTOR
♦
SMART MYA
♦
WILLIAM
♦
CRUTCHER
FRANK
♦
ANTHONY
♦
WALTER
♦
TERENCE
♦
AJIBADE
ROBINSON
HARRIS
REID
HALL
CHAPMAN
MANUEL
II
LAROSA
JONATHAN SANDERS ♦ FREDDIE GRAY ♦ JOSEPH MANN ♦ SALVADO ELLSWOOD SANDRA
BLAND
ALBERT
♦
JOSEPH
DAVIS
DARRIUS
♦
STEWART
BILLY RAY DAVIS ♦ SAMUEL DUBOSE ♦ MICHAEL SABBIE ♦ BRIAN KEITH DAY CHRISTIAN KEITH
TAYLOR
HARRISON
PATERSON
SMITH
MICHAEL
MICHAEL
TYREE
HARRIS
NOEL
PICKETT KEVIN
♦
NATASHA MCKENNA ♦ WENDELL
TORREY MARY
DAVIS
ROBINSON TRUXILLO
FOSTER
BOTHAM
ERIC
MALCOLM RIAH
JOSEPH
LOUD
♦
ROBINSON SEMER
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ALTERIA
PERKINS
MIGUEL
♦
ESPINAL
QUINTONIO
♦
CALIN
♦
PETER
GAINES
KEVIN
HICKS♦
♦
WILLIE
TILLMAN
♦
FLOYD HARSCH ♦
CLARK
LEGRIER
ROQUEMORE FELIX
KUMI
ANTRONIE
SCOTT
♦
TERRILL
♦
RAYSHARD
REKIA
BOYD
MCLAIN
TURNER
THOMAS
BROOKS ♦
EDWARDS
ANTWON
♦
DOMINIQUE
♦
WHITFIELD
LORENZO
JORDAN
♦
ELIJAH
OLUWATOYIN
♦ ♦
♦
CHRISTOPHER
MICHAEL
♦
WOODS
PAMELA
♦
JEFFERSON
MILTON
DARIUS
STEPHON
♦
REASON
GEORGE
MARCO
♦
♦
JEAN
ATATIANA
BIGGS
LATANYA HAGGERTY ♦ ALTON STERLING ♦ PHILANDO CASTILE
O’NEAL
RONELL
ASHFORD
RICHARD
♦
JONES
JONES
LA’VANTE
♦
TIGNOR
BETTIE
♦
DAVID
DEMARCUS
♦
LEE
ANTHONY
KAGER
CLARK
BENNI
MATTHEWS
♦
♦
SYLVILLE SMITH ♦ PAUL
♦
JAMAR
MANLEY
LAMONTEZ
♦ ♦
INDIA
♦
PHAROAH
KEITH CHILDRESS JR. ♦ JANET WILSON ♦ RANDY NELSON
CELESTINE
CHRISTOPHER
♦
PROSPER
HUTCHINSON
CRAWFORD
MARSHALL
ASSHAMS
♦
JUNIOR
♦
DOMINIC
♦
♦
LEE
NATHANIEL
ROBINSON
MCLEOD
BROWN
ALONZO
TROY
♦
♦
DEAN
CHRISTOPHER
ROSE
II
CLAYTON MCCORVEY
♦
BREONNA
TAYLOR
SALAU
♦
ROBERT
FULLER
♦
DOMINIQUE
YVETTE
SMITH
♦
REM’MIE MIRIAM
FELLS CAREY
CHERLEENA LYLES ♦ KENDRA JAMES ♦ TETE GULLEY ♦ TERRON JAMMAL BOONE
A WORD TO OUR READERS Our staff and contributors found themselves at home in March. Some felt stuck. Some were excited to have the time to focus on personal projects. As states began to reopen, we recognized a lot had changed since we were last able to go outside and some felt angry. We were angry. In the weeks spent inside either with friends or family or even alone, ‘home’ took upon a new meaning. Home, wherever or whoever that may consist of, usually means safety and comfort. But the United States has a long history of white privilege that leaves minorities, especially Black folx in this country, feeling not at home. Anywhere. The racism that embeds our legislation, our institutions, our policing, and even our own homes does not provide safety and comfort. Many of us have taken our privilege and weaponized it just by sitting back, staying silent. This can no longer be the way we approach the matter. To stay silent is to be violent, it is time to use our positions of power, our platforms, our skills to amplify Black voices and stand alongside them in a rally for great change. Black people have allowed everyone to benefit from their creativity, art, and culture. It is far beyond time they are recognized and respected for all they have accomplished, shared, and discovered. To not acknowledge or support this issue would be a dishonor to the culture that we celebrate and emulate on a daily basis. The contribution of the Black community needs to be recognized and appreciated, not appropriated for consumer culture. As a fashion and lifestyle magazine, we owe much of today’s arts and culture to Black creators. As media makers, it is our responsibility to push the culture in the right direction, which has traditionally been exploited from Black culture without credit. We hope Align is a space people feel welcome to share their voices, their visions, their hopes and dreams. There is always an open door to anyone who wants to contribute, but we recognize our failure in actively seeking out BIPOC voices. In the future, Align will create a more diverse space for all creatives. And remember, all lives can’t matter until Black Lives Matter. ALIGN 5
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22 28 34 58 64 FACETIME PHOTOSHOOT
HELLO, GOODBYE
FACES OF QUARANTINE
70’S FASHION
CHEERS TO TWENTY-ONE
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INTO
IT
LETTER
FROM
THE
EDITOR
Well… I never thought this day would come. This is my last we recognized the voice we had and started taking action. issue with Align, and it’s probably the most emotional one
We set up a clothes-selling Instagram account with all
yet. Not necessarily in a dismal way, just more a reflection of proceeds being donated to The Loveland Foundation; a this whirlwind of a term.
organization that provides therapy to Black women and girls. We also launched a series of fundraising workshops in which
Of course as we all know, the Coronavirus impacted our
we took advantage of our individual skills to teach others for
spring term at the University of Oregon. All our classes a great cause. I am so impressed with how so many team went online, and we were forced to quarantine ourselves for
members offered their time, were on board with our mission,
months with no end in sight. Creativity in this time has been
and spent countless hours with the organizational aspects of
muffled, but began flourishing in different ways. We entered
both of these initiatives.
an era of social distanced shoots, zoom calls, FaceTime photography, and folks tried their hand in self-portraiture. Align has been my prized possession for two years. It’ll be We were scared to lack content with this issue, but with bittersweet to pass the baton, but I am more than confident our inbox overflowing, I am so happy that the outcome was in next year’s editors. We have added more positions and the complete opposite of our expectations. I’m proud of
tasks to manage our ever growing team, which is something
everyone’s hard work and creativity, as always.
I couldn’t have imagined when I took on revitalizing the magazine.
This term, we also started challenging ourselves as a platform to stand up for the political climate. On May, 25th 2020, a Thank you for a great run everyone! You’ve all given me a Black man named Geroge Floyd was killed by a white police product and community to be extremely proud of. I can only officer, which sparked a series of international protests hope Align continues to be a safe haven for creatives at UO. fighting against deeper race related issues. As a publication, I have no doubt it will be.
ALWAYS, ALLISON ALIGN 7
ONWARD AND UPWARD, SURELY. Written by Kaeleigh James Editor-in-Chief, Allison Barr and Executive Editor, Danika Taylor are the dream team. One could compare them to a perfectly broken in pair of Doc Marten boots (Allison being the left and Danika the right). New to the executive team, Gillian and I are a fresh pair of Docs with a lot of curing and maturing to go but we’re ready for the challenge. Here’s to a less than final goodbye to our wonderful leaders, Allison and Danika. You’re a tough pair of shoes to fill. Now to conclude my shoe comparisons, here’s my interview with recent grad, Danika Taylor, who’s leaving us for bigger and better things. Align is losing a good one. So, quarantine amiright…? What’s life been like for you? I guess life has always seemed busy and hectic, but since quarantine has started, while I don’t have anything to do physically, it seems like I’m just as busy. It’s been kind of crazy especially right now while I’m trying to get things ready for graduation, for moving, and for this transition with Align which is the first one we’ve ever done. Just very busy. What’s been the best thing you’ve done in quarantine creatively or just that you’ve learned about life or yourself? It’s such a blur. It’s been one of the longest times, but also one of the shortest times. Well for one, I learned that I really enjoy hanging out with people and not being able to do that has been really sad for me. But I feel like that’s the case for so many people. I guess I had to learn how to be okay with being with myself. I’ve always been the type of person who likes to have another person with me. I’m one of those girls that asks someone to go to the bathroom with me because I don’t want to go by myself, and I’m not ashamed to say that. Being in quarantine I’ve had to learn how to be with myself and come to terms with that being okay. It’s been a learning curve and very humbling. It’s probably been a good learning point. I’ve been friends with my best friend since third grade, and we’ve gone to school together since then. I’ve always had someone by my side, and I think this moment in time has been preparing me to make that move where I’m literally going to be by myself in a new city. It’s a small jump I guess because I’m learning to
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be by myself in an environment I’m already familiar with, but I think it’s a good bridge to that future environment of adapting to being on my own. I think if I had gone from being surrounded by all my friends and doing everything with them to being across the country in a new city with no friends I would have just panicked and ran away.
Kaeleigh: I just took creative strat with Deb and I definitely think the biggest thing that stuck with me is that if you apply for a job and you don’t end up getting it after putting your heart and soul into showing them who you are as a person and they don’t choose you then obviously it wasn’t the right place for you. I’m glad you’ve been able to look at job opportunities in this way too.
I guess this is a good transition to ask, how you feel about entering into the real world. After time to practice being on your own, do you feel ready to get out there?
STAND UP
Looking into my future is really scary. I never imagined at this point I wouldn’t have a job secured for post-grad. I always imagined I’d be set and ready to go once I graduated but...I don’t know if I can use quarantine as an excuse or COVID for why I haven’t gotten a job yet, but it’s just really intimidating. I’ll be super excited once I have an opportunity or a job in my career field but right now the job market, especially in advertising, is flooded with so many people laid off. So all those people who are out of jobs are now fighting for the same jobs that would be open to recent grads, and so it’s just a lot of competition. Even though I’ve gone through interview processes for jobs and have gotten far and my hopes have definitely gone up, not getting one is pretty crushing. I’ve had to learn how to self reflect and just move forward and recognize that not every job is going to be for me, that there’s a reason why I didn’t get hired on, and that there’s something better out there. That’s what I like to believe. But yeah, scary times that’s for sure. Kaeleigh: I think it’s really awesome that you’ve been able to look at all of this positively because I think a lot of people are finding it so easy to accept defeat right now.
FOR WHAT YOU BELIEVE IN AND
What made you realize you could write ad copy or that being a copywriter was the right fit for you?
STAND UP
I’ve always been a writer. Even when I was little I would always write little stories, but I never really thought of it as a career path. I always thought design was something that I would eventually go into because I felt that was my strong suit, and I thought it was what I enjoyed most, but designing stresses me the f*ck out. It did not come naturally to me. While I enjoyed it, it was always a struggle and with writing and copywriting it always flowed and people would say “wow, that’s a great idea! Words are so hard for me,” and I’d go “really?” because it felt easy. I just realized that it was my natural strength and something I’ve been developing unconsciously for years. Eventually, I decided it was a path I could go down and be successful at. Whether I’m a copywriter in five years or not, I know I can get my foot in the door as a copywriter.
TO SUPPORT OTHERS IN WHAT THEY’RE TRYING TO DO.
Danika: I’m being authentic and definitely being myself [in job interviews]. I’ve been turned down for jobs before because people didn’t like my personality, but I’m happy with myself for not trying to fake it to make it, I’m actually trying to be myself and be confident in who I am. Even though I haven’t made it yet, I’ve still made great connections. I’m really just proud of myself for making that move to stand up for myself in being who I am. 10 ALIGN
Danika: What you decide to do is going to change so many times. I thought I was going to be an art director, a designer, a producer, but now I’m a copywriter and a project manager. I went back and forth between art direction and design, but I was always writing. However, I never thought I’d be a copywriter because I wasn’t writing ad copy. I was writing articles, nonfiction essays- stuff like that. But going back and forth is just part of the process, and your portfolio will change so many times.
Who’s your creative inspiration in any realm? These questions always trip me up. Well, I did grow up reading Vogue magazine and that was a big inspiration to even get into fashion and do magazine design. I was alos one of those girls who watched America’s
AND IF ALL GOES LEFT, GO TO THE BEACH, RIGHT? Next Top Model like no other. I’ve always been interested in the fashion world whether I saw myself being a part of it or not. For writing, I started finding my voice and realizing that my voice was an acceptable voice in writing when I started reading Cosmopolitan because their magazine has such badass, strong woman vibes with their copy. Before that, I always thought that magazines were all formal writing and Cosmo just has a different vibe to it. That was a moment for me when I realized that there is a space out there to just do your thing and be a badass.
Maybe this is more of a question for me personally as a new member of the leadership team, but what do you feel like Align is still missing as a publication or as far as leadership goes?
I really want Align to have a strong aesthetic like an ingrained-continuedthroughout-the-years aesthetic where people recognize something we create as an Align piece. I think that has a lot to do with the magazine itself and the people we hire on. I’ve been really happy that we’ve been able to accept anyone who has applied to be a designer or really any position because we were just starting out so we needed all the help we could get, but now I’m looking forward to Align being able to make those harder decisions about who they want to bring on for specific roles just so we can get the quality of our content where we want it and where we know it can be. I’m also really excited to see where the leadership team takes things.
Kaeleigh: I’d love to end this interview by asking what advice you would give to creatives today. I know you’re going to do incredible things going forward, and I think a lot of creatives at the UO could use some advice from someone who did so many great things during their undergrad. Danika: I would say stand up for what you believe in and stand up and support others and what they believe in and what they’re trying to do. The worst things about a lot of creatives in general is that they think there’s only one place for one type of person or one type of art or idea, and that’s not true. As long as people make the effort to make space for other people and their ideas there will be space. There is enough validation and love to go around to support everybody. I’m really happy that Align is a place that does not believe in conforming to the ideal standard of what art or fashion might be. It’s a space for people to use their voice and create what they want to. I’m really glad that we establish ourselves as that place where we accept all pitches and ideas. We try to bring everyone’s voices to life. We’re a platform that creates that space. Be unapologetic and do your thing, but also be nice. Thank you to Danika Taylor for joining me for this virtual interview. We’re so happy to have had you on the Align team, and there’s no way we’d be where we are today without you. Go kick some ass out there. We can’t wait to see your work featured in Cosmo one day.
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COTTAGE CORE Written by Josie Hinke On the surface, cottage-core is a cutesy aesthetic that embraces traditional femininity and domestic work in a way that is both romantic and nostalgic. The aesthetic is represented by girls wearing long, summery dresses, who do things like bake homemade bread and press flowers in their spare time. They are finding solace in activities that are seen as “old-fashioned,” or typically associated with the 1900s. But the real movement aims to offer a more inclusive space, where everyone is welcome regardless of gender, and femininity is celebrated without the association with being a housewife or taking care of a man. Activities such as picnics, reading books, and baking are just some of the ways that many women are embracing a cottage-core lifestyle. The popularization of movies like Little Women (2019, Directed by Greta Gerwig) has assisted in the romanticization of the aesthetic of the past. Cottage-core embraces a slower lifestyle, one in which every breakfast is made with fresh eggs, laid that morning, and every meal is followed by some kind of homemade pastry and some quiet time to read a book. The people who identify with the cottage-core lifestyle do so because these are hobbies that they enjoy for themselves, not because they have been forced into a typical housewife or caretaker role. The popularization of cottage-core came just in time to help many people through a global pandemic. As they retreated to their homes, many people suddenly lost the packed schedules and overwhelming lifestyles that they’d grown accustomed to. Left with no idea how to spend all of their newfound free time, many people have begun participating in cottage-core style activities. Flour flew off the shelves as everyone collectively decided to try their hand at homemade bread, and many people started altering their own clothes, reading books, or doing puzzles. Accessibility is the key that makes cottage core a more modern take on traditional domestic life. Cottage core is for everyone. It has especially acted as a safe space for many lesbian women who find domestic bliss appealing when it’s with another woman. By recasting elements of traditional femininity, cottage core is working to reclaim domesticity and change the ideas of what success looks like. Instead of a capitalist idea of success that involves a high ranking position and a large salary, cottage core focuses on a more self-sufficient lifestyle.
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HOW TO STYLE COWBOY BOOTS Written by Audrey Chu Illustrated by Anna Maestes
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The first pair to come into my possession were white. I saw them while at work, sitting on top of our mess of shoes for sale. They were ankle height, creamy white, and had a short little grey-brown heel. Unsuspecting at first glance, and not your everyday sneaker, these boots are now one of my most worn pieces in my closet. Something about throwing on a billowing floral skirt and crochet cardigan and stomping around in my boots just makes me feel like I’m walking out of a hippie dreamscape or a Stevie Nicks concert. That crisp clomp of the heel striking out from underneath a pair of bell bottoms or flared jeans just elevates the whole outfit, and a little sundress and a bandana go well with just about anything but a pair of cowboy boots instead just brings out a whole new level of versatility. There is no wrong way to “Style Cowboy Boots” so I encourage you all to get your hands on a pair and enjoy them; they’re a fun staple piece and you deserve to wear whatever the fuck you want.
GETTING READY WITH NOWHERE TO GO Written by Camryn Privette
The alarm goes off and just as I flicked my eyes open I realize it’s just another day in quarantine, another day working from home trying to distract myself from the impending uncertainty of life. Working from home for me entails a few Zoom calls, responding to those forgotten emails, and constantly reminding myself that school is not optional right now-- no matter how much it feels like it. Majority of the time I’m trying to channel my inner Marie Kondo and find anything that “sparks joy” in my 800 square foot apartment-- invigorating right. Surprisingly enough the thing sparking the most joy is my morning pill of self-confidence by putting any amount of effort into my appearance-- even if my Zoom is only from the waist up. My morning routine in quarantine has brought comfort among the unknown and in all honesty, it makes me feel attached to the old “normal” life I had before COVID-19. Rolling out of bed andchanging my outfit, even if it’s just into a new pair of sweats or even a full ensemble, gives me a sense of accomplishment. In a way, it’s the act of shedding off my sleeping attire into a more productive outfit that symbolizes that it is a new day with new goals. Moving from my closest I’ll station myself comfortably at my vanity with a cup of matcha never too far out of my reach and blot a few drops of concealer to cover my (designer) eye bags, do a simple brown eye wing, and finish with some always trusty Jeffree Star lipgloss. Running a brush through my grown out balayage either picking up my straightener to fix or curl some pieces completes the routine and I’m done. Fifteen-twenty minutes is all that it takes for me to feel put together and in control. If anything I think its the cliche of “look good feel good” in full effect. While being in quarantine has not been the most ideal situation, obviously, it’s important to prioritize the few things that we can control, and for me personally one of those is my beauty routine. Now more than ever, I’ve had the time to organize my closet, style new outfits, finally stick to a healthy skin care routine, and experiment with new makeup looks-which I know my future self will appreciate. Getting ready to go nowhere is a concept that probably has never resonated with me personally as much as it does right now. Quarantine has made me realized three things: do things that truly make you feel good, do things that kill time, and finally-- a little bit of narcissism is good for the soul, especially right now. Likewise, right now is the time to truly invest in yourself and do whatever “sparks joy”-- no matter if that means getting ready every morning dressed to the nines or staying in those comfy sweats.
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PICNIC
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FOR
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Photographed by Mariah Botkin Model Lisa Deluc
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F A S H I O N REVOLUTIONARY Written by Emerson Brady I can say without a doubt in my mind that Maya Agapito is a name the fashion industry will remember. Maya grew up in Eugene, Oregon, and is of Nigerian, Malian, Beninese descent. Maya has always been creative and from a young age turned to art as a means of expression. She painted, drew, and danced. “I started teaching myself how to draw fashion designs around middle school and loved it.” She got her bachelor’s degree at Virginia Commonwealth University School of Arts where she continued her career as a fashion student. While at Virginia Commonwealth University she joined the African dance team (Les Fiyettes D’Afrique). She describes how her time on the dance team allowed her “to practice more of my sewing work while working on some of our costumes. This is where I started to learn how to work with traditional Kente cloth.” During her years as a fashion student, Maya created and designed a small clothing brand called High Maintenance. Her clothing line was featured in the 2018 New York Fashion Week. She has since left High Maintenance to her business partner after deciding to study art at the University of Oregon. Maya’s designs feature bold colors, feathers, and modern corsets. Her clothing is nothing less than captivating. Describe your journey as a fashion designer. How did you know you wanted to create a clothing brand? What steps did you have to take to create the brand you have today? What kinds of challenges have you encountered in your career? How did you overcome those obstacles? MAYA: I always knew I loved fashion design, but one random day I decided to look of different kinds of fabric online. I found these beautiful bold colors and fur, brocade, and satin, and I fell in love. I just started making fun designs with them. When I got the opportunity to show a line during NYFW in New York City that was the first full-line I had ever created, and I jumped at the opportunity along with my business and production coordinators who were also students at VCU. It was an amazing, fast-paced, and crazy experience for all of us. I loved getting to work with professional models, and being able to stylize every outfit. It took so many days and nights of hard work on the sewing machine to pull it off during a full course load, but it was definitely worth it.
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How would you describe your style and brand? MAYA: I like to design in a range of different styles. Sometimes I love designing in powerful colors, bold fabrics, and chic silhouettes. I like to get inspiration for historical clothing and make it modern. I’m currently creating a new line of gold and jeweled accessories inspired by ancient African culture and royalty. The most powerful and influential people rose from Africa and I want to emphasize this in my designs. Who are your style influences? MAYA: Like many people, I love brands such as Dolce & Gabbana, Chanel, and love every single one of Rihanna’s creative outfits, but I also get a lot of inspiration from past queens, kings, and ancient royalty of both Africa and Asia. I love looking at and studying the cultural fabrics, and beautiful bold jewelry and accessories. What are three words to describe your brand? MAYA: Bold, Enticing, Chic What is your relationship with the fashion industry? How is it changing? Do you think it’s becoming more accepting and accommodating to all body types or less? MAYA: I think the fashion industry is moving in the right direction. As someone who does not fit the American standards of Extra Small size beauty, I have loved to see the progression in the acceptance of all body types in fashion. Making space for women of all sizes to show 20 ALIGN
their insurmountable beauty. Even more than this is the gradual but powerful inclusion of non-white artistry. People are finally starting to accept the rise of black designers, and the resulting cultural expansion and creativity in the industry have been incredible. I do think this also brings about issues of cultural appropriation when people overstep their boundaries in this new age, but now is the time for people to learn. Is there an era of fashion that inspires you? MAYA: I love and am inspired by fashion all throughout history and through to present-day fashion. I love seeing historical trends brought back to life in modern-day, and seeing designers inspire new trends. How do you find time for yourself whilst running a business? MAYA: As an independent designer, it can be hard to make time to create without responsibilities such as work and school getting in the way. I like to keep a sketchpad around while I’m just chilling and relaxing watching television. Sometimes I think I make my favorite designs when I’m watching my favorite TV shows or movies. Any parting thoughts? MAYA: People of color have been the bedrock of not only the fashion industry but the vast world of art as a whole. I am inspired by so many every day, so I’m thankful for the opportunity to share my artistic journey as a designer thus far!
Photos provided by Maya Agapito
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FACETIME: NEW
THE PHOTOSHOOT
Photographed by Allison Barr Model Maria Mbodj
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SOME THINGS WE LOVE RN Photographed by Veronica Szmit
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DEAR 2014 TUMBLR Written by Hailey O’Donnell It’s exhausting, imagining each way to say I miss you. It’s even more exhausting to say I miss you completely––in this wistful, self-frustrating way that I’m sure you would be proud of. Sometimes I think each love of mine must be some shadow of yours, or at least they know your style. Maybe it’s just that I search for how you made me feel in everything. Driving my car always brings me back, even though I couldn’t drive when we met. It must be the romantic solitude, or the romantic loneliness, which I often mistake for romantic freedom. “Freedom” was a word we used often, thinking it would help us understand it. Freedom was distance from “normal people.” Freedom was listening to “Robbers” and “Teen Idle” in the backseat of my parents’ Toyota on our way to Red Robin. But when I shut my eyes, I swore I had all I wanted and knew just who I was––which was, of course, lost. And misunderstood. But free. Sometimes, mostly in the morning, I wonder just how many of my aspirations and attributes lead back to you. Yes, I would like to think I’m over you. I would like to think I’m over Effy Stonem and rainbow oil puddles and reciting the “Ride” monologue to no one. I would hope I’m over Urban Outfitters records on Crosley Cruisers. Black and white grids. Tennis skirts that never fit me. Tate Langdon in face paint. Wilted roses. Suburban iterations of Bonnie and Clyde. Tacking phrases like “She’s an angel straight from hell” to my bedroom bulletin board. That perfect degree of tragic relief. I was conditioned to be an escapist, an idealist and a blinking light. Someone who makes “sad girl anthem” playlists and likes the memory more than the time itself.
So how could I be over you? How could I erase you, when you’re the reason? You must know by now that you’re the reason I write, or at least the reason I look for my voice. I trusted you with my first words––the ones about some “misery beach” that I wrote on an iPad in the back of world history class. #Poet. #Love. #SoftGrunge. How well they looked next to rows of succulents and The XX’s album cover. GIFs of Matty Healy that were mine, and about me, always. At least that’s how you made me feel––like every light-leaked screengrab or italicized quote from Palo Alto was either addressed to or inspired by me. And my life as a muse was a peaceful one. I’d like to have one more day. Wake up on some middle school weekend where my only plan is to be emotional. Put on Whatever People Say I Am, That’s What I’m Not because I like the early stuff more than AM. Find some maroon cardigan and two different chokers. Look up to printed posters of femme fatales. Log on to my Tumblr, @wild--lushlee, the same one I keep at the age of 19. And I’d broadcast my uncertainty, my indifference and my idea of darkness. Because you were this way to cope with nothing, so of course you meant everything to me. Even though I know I can’t get you back, I had to find some way to tell you––I love you. Even if neither of us really know what that means. Yours, Hailey
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SIX HOOVES APART
Photographed by Allison Barr Model Gillian Arthur
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HELLO, GOODBYE WRITTEN BY GILLIAN ARTHUR It’s a strange time to say goodbye. In some ways it feels as though I’ve already said my goodbyes to some despite a proper farewell, and for others, I’ll never actually say goodbye. Saying goodbye to our senior staff this year is without a doubt the toughest pill to swallow. What will things look like when they are gone? How can we keep this ship afloat? It seems daunting but I know our staff will always be there for Align, even after graduating. Wrapping up this year, Allison told us she’s always just a text away, and I’m incredibly thankful for that. From resurrecting this magazine, to piloting it, Allison is Align’s first guardian angel and I couldn’t be more honored to succeed her. We all wish she could be with us another year but we know her talents will take her incredibly far. Goodbyes always feel so final, but they don’t have to be. I really hope saying goodbye to Allison, and our senior staff, is the exception.
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Gillian: I love the direction we went with the self portrait cover but I love your ode to Robert Pattinson even more. Could you elaborate a bit on how you took these? Being a photographer yourself I was wondering what your process was.
Gillian: I feel like that is the perfect message if you will for everything we [Align] is all about — It sounds so cheesy but the idea of pushing creative boundaries and what we think is comfortable and exploring new ways to be creative. I think something so unique about the situation we are all in right now and one of the questions I have for you is about having to think “unconventionally” more. As someone who is constantly creating things, how are you finding ways to be creative? Is there anything you’ve gained through quarantine, whether it’s a skill or a realization about creativity?
“This has really forced me to slow down and really put quality over quantity in my work.”
Allison: I’ve shot self portraits before in my room and the two I think of when I think of self portraits I’ve taken have always been me on my bed and I just look “here I am,” nothing special so after seeing the Rob Pattinson ones I just — I think it’s so funny how creative he got and how much of his personality shown through because now after we saw that we were like “oh my god he’s so weird,” but no one really thought about that until this so for me I was like 1. Since this is a fashion magazine I wanted to wear something fashionable and something I felt cute and powerful in but my goal was to just be weird in my room and try angles I haven’t taken before. There are some where I’m sitting on my guitar amp, I took some where I’m on my bed in my shoes, like I just wanted it to look unconventional because it was a challenge for me to be more creative than just the same tripod in the same place and me in the same position. I’ve really wanted to feel more creative during quarantine and honestly I thought I was not going to have a good time, thinking I wasn’t going to like any of the pictures. I genuinely feel creatively fulfilled after doing it — it was really fun. So that was my inspo. 30 ALIGN
Allison: I actually think I’ve learned a lot because this has really forced me to slow down and really put quality over quantity in my work. I’ve done a couple things around the house to do documentary style [photography]. I don’t really love it because my house is boring to me [laughs] but just because I’ve lived here so long. For example one of my classes was like “interview someone about something” so usually for a class project I half-ass it because I never have time and I’m always running somewhere or I’m not passionate about it but now I have time I feel like I should put more time into it and really just make it quality and make something I’m actually proud of. This is the first term in four years that I feel like I’ve made something I’ve really liked and am proud of for school. Also, with all the protesting that’s going on, if I were in Eugene, I would’ve probably gone but not gone afterwards but today I realized where my priorities are and I made time to go down and
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photograph the remains of what happened last night. I was just thinking today, a photojournalism project for school, I would’ve half-assed it but I really was not afraid to get close to people (six feet away) who were doing important things and stay there for a while, take photos. Quarantine has made me realize you have to get out there and you can’t be afraid of it. Gillian: Do you have any advice for creatives at the moment? I think what you just said is really good advice for anyone apprehensive about being a creator in such an uncertain time. Allison: I guess what my advice would be is actually advice from someone else. At the beginning of quarantine I got ahold of a bunch of artists because if I couldn’t shoot I still wanted to learn so there’s this whole notion that you can ask for informational interviews from people so I reached out to a lot of photographers and only like 3 responded (I’m still really thankful for that) but one person was like “don’t forget you have to study these things — aspects of photography.” Yeah I had always paid close attention to artists but the way she said it made me start studying and practicing technicalities which is something I wasn’t really exposed to in school necessarily. That was another way for me to be creative — learn more about photography and go even deeper. It’s hard to take pictures of the same things all the time but you can be creative in the way of learning more. I feel much more fulfilled sometimes doing that than when I go out and take pictures of stuff. Gillian: I really love that — this idea that educating yourself on a craft is actually what can serve someone the best. Looking back on your time with Align, what would you say is a favorite memory first, then something you’ll miss the most? Not to make you all sentimental, I’m sorry!
Allison: I’ve easily met over 100 people because of Align and I’ve been in contact with other people because of Align. I can’t even imagine having met or interacted with that many people on a regular school day. Gillian: Seriously. So many of these projects have given people the opportunity to meet amazing people and make friendships. So cool. Is there anything you’re looking forward to in the coming weeks, months, or year? Allison: Weeks? Well I did a lot of work I’m really proud of for this next issue — it’s probably gonna be my favorite issue, personally — so I’m really excited to share that I think I’m really excited for what you all are doing for the seniors and I think it’ll be a very fun sweet way to send everyone off. In the coming months I have some stuff up my sleeve photography wise once social distancing gets lifted but again I’ve used this time to flesh projects out and developing more solid ideas that are few and far between than shooting every day. I’m really excited to execute things that have been in my brain for 3 months.
“When I was leaving I was crying- I didn’t know when I was going to see campus again.”
Allison: I think for me the biggest thing is that I can’t think of one moment necessarily but I think a huge thing is just that I did it? I don’t know there could’ve been a lot of people who took this in their hands and no one was and I’m glad that I did it because it’s a home to 70 people and a ton of people care about it. I’m just happy I led that many people and I helped publish that many magazines and coordinated that much. I’m proud I did all of that in general. Some of my favorite things is when people have thanked me for having Align back up and running or that they have a place in it. Something that stood out to me was that at the beginning of quarantine these two girls thanked me for still keeping Align running so they still had a place to contribute and I think that meant a lot. It’s just really neat to see that. What I think I’ll miss the most is working for a publication — I don’t know when I’ll work for a publication again — and the team. I really will. I know not all members interact with each other but I interact with all of them. To me it feels like a huge group of creatives so I’ll miss that environment and that big of an environment too.
Gillian: With this interview coming to an end, I just wanted to know what life looks like right now for you because I imagine between finishing school and ending projects on Align, I’m sure there’s a lot going on and a lot of emotions. We talked a lot about this issue being a sort of time capsule or diary to look back on — considering this would you be able to come up with a verbal diary entry for how it feels right now?
Allison: When quarantine happened and social distancing orders were put in place everything happened super fast and my parents were very worried about me working down in Eugene (they were waiting for my boss to send out an email) and the second my boss sent the email about work closing I packed my bags and moved back to Portland. When I found out I got a subleaser my dad and I left like 10 minutes before my subleaser got there so all of that was really hard and to me that was my goodbye to Eugene. When I was leaving I was crying and I didn’t know when I was going to see the campus again. That in a way almost felt like graduating because I had my stuff in my car and was saying goodbye. I’m kind of thankful it happened that fast because I think right now if things were normal, things would be really emotional — being like “oh this is my last trip to the EMU.” I don’t want to say I’m glad it happened the way it did. I’m ok with how it happened. To me, it’s kind of scary how much I’ve adjusted to this and living with my parents. When my parents say I’m graduating they say it’s a big deal and it is a big deal but it doesn’t feel like it’s hit necessarily and I don’t know if it will because I’m just still gonna be at home and I’ll be done with classes but I think that’s just how I’m feeling. I feel like I’m gonna miss everything but I feel like I already got the emotional part out of the way and it’s just about what’s next.
Gillian: I really do think this is such a community you’ve built. I’ve said this so many times but that’s something I want to continue and ensure and I I don’t think this group is very divided — I think there is a lot of appreciation for others in this group. ALIGN 33
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IN THE FACE OF QUARANTINE WRITTEN BY DANIKA TAYLOR At the drop of a hat, we were all called to vacant campus, told to leave our jobs, stay off the streets, and keep tucked away in our homes. It was a pause on our busy lives, but only that- a pause. We had a moment to catch our breaths, a miracle really. But in the face of quarantine, we didn’t know what to do. How could we just do... nothing? The idea of it was daunting. No nine to five, no in-person classes, no pants. For many, it was a scary time. No one knew if their job was safe, if their loved ones were safe, if they themselves were safe. Often, the anxiety and fears overruled the break that we were blessed with. However, through the uncertainity, we found our voices. More specifically, we found the beauty of a self-portrait. We found moments to reflect, and we found deep within a better understanding of ourselves and of the world. We captured a vulnerability and authenticity often shy of the camera. And through this, we created art. While we are still in a time of peril, and for more reasons than one, we look to a future of change. We don’t want to go back to normal. Fuck normal. Instead, we look forward to enter a new era of innovation and creativity. ALIGN 35
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Jonathan Roensch Eugene, Oregon
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Lara Waibel Walnut Creek, California
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Athena Nyguen Portland, Oregon
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Isa Ramos Eugene, Oregon
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Patrick Hanlin Eugene, Oregon
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Kenny J. Park Portland, Oregon
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Sophie & Avery Ackerman Spokane, Washington
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COOL
FOR
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THE
BY
AMALIA
SUMMER
BIRCH
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MUSIC
TO
OUR
EYES
To the left: inspired by the album Woo$ah by Childish Major Above: inspired by Megan Thee Stallion’s album, Fever Following page: inspired by Rihanna’s album, Anti
PHOTOGRAPHED BY SARITA AHMAD
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MODEL LUCY LAJTHA
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IT
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FEELS
LIKE
SUMMER?
PHOTOGRAPHED
BY
HAYLEY
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THE PERMANENT ACCESSORY Written by Seela Meehan Tattoos are the accessories of 2020. From celebrities to everyday people, tattoos join body and art to create a moving image of individuality. Artists can create large, small, thick, thin, colored, black and white, etc pieces of art that not only enhances you and your body, but also allows them to create in their own unique style. Whether your tattoos mean everything to you or you just love to add pops of art to your body, tattoos are a statement piece for your summer wardrobe and beyond. Specifically, fine line tattoos have become a staple for trending tattoo styles on all different types of bodies. I have curated a list of a few fine-line tattoo artists who are breaking barriers in the tattoo industry and taking their creative vision to the next level. EAST IZ ON THE WEST COAST East Iz is a tattoo artist for Shamrock Social Club located in West Hollywood, California. He specializes in single needle tattoos that create a very elegant and delicate look. When asking East to describe his style, he says his style is, “Simple, timeless, memorable and personal”. East is also a believer in the fact that, “Tattoos don’t have to be huge to be called a tattoos”. East is also a very thought out and intricate designer, especially when it comes to how the tattoo will look in the long run. He says that, “First I’ll see if the tattoo that the client wants is going to heal well or not. There’s a lot of single-needle tattoos out there that look really intricate with a lot of details & color. It only looks good the minute you got it, but looks completely different when it heals. So, there’s a lot of unrealistic expectations out there so that’s why the design of the tattoo, the color of the tattoo, the size of the tattoo and most importantly the location of the tattoo must be discussed to the fullest before I execute the tattoo”. I have personally been tattooed by East Iz twice, and can confirm that he takes a lot of factors into account beforehand so you can end up with a beautiful tattoo for years to come. Iz claims that his biggest accomplishment as an artist has been that he, “…changed the worlds perspective of tattoos. I succeeded in encouraging and showing that everyone, in all sorts of lifestyles, can get a tattoo & enjoy it just as much as a person with a bodysuit full of tattoos”. As a celebrator of all tattoos, East Iz is the man to see if you are looking for something to spice up your body. Information: Best way to make an appointment: contact his managers, Cody or Alex, at Shamrock Social Club at 1(310)271-9665 Check out his Instagram (@east_01 for photos of his work) 56 ALIGN
Photo Credit: Danika Taylor
LIFE IN COLOR: BRYAN GUTIERREZ Located in New York, New York, Bryan Gutierrez stands out from the hustle and bustle of the tattoo world by popping color and realism into his artwork. Bryan also uses single-needle tattooing, as well as a tight 3 line needle. This means that his tattoos are also rather delicate and precise. He likes to think about tattoos as, “jewelry on the body,” that will, “complement your specific body frame like a nice necklace or earrings would”. Gutierrez devotes his biggest accomplishment to the shop he is able to work in, Bang Bang. He describes his work environment as, “..such an amazing shop filled with incredible people” and enjoys, “growing as an artist and having people come to me because of my specific art style” which gives him a, “very fulfilling feeling”. He also pulls a lot of his inspiration for his work by his coworkers. Bryan says that he is, “…lucky to work in a studio with so many talented artists that ignite new ideas and that help me be more creative. I’m inspired by everything around me, flowers on trees, fashion, jewelry & other forms or art”. As we can see by his 33.5k Instagram following, Bryan’s feed full of flowers, animals, people, etc has drawn a crowd to his incredible work and has built a great reputation around the New York City tattoo scene. Information: Best way to make an appointment: Email Bang Bang Tattoo @bangbangforever.com See more of his work on his Instagram: @Bryan.gee LIFE IMITATING ART BY ARIEL WYU Ariel Wu uses her fine-line tattooing to bring movies, music, paintings and even everyday occurrences to an image of art on the body. In her studio at Blind Reason Tattoo in New York, New York, Wyu devotes a lot of her time to making sure her art is going to be perfect for her clients. When asking her about the steps she takes to actually execute her work, she says that, “First, my assistant goes over all the emails and lets me know what kind of project I got. I’ll start working on it by order. When it’s time for tattoo session, I usually have a short conversation with my clients about that kind of style and color tone. And then, I’ll draw or fix the design upon their request. After the design is set, we will talk decide which color will look good and show on skin and where is the perfect place to have it on. After everything is set, I’ll print out stencil with different sizes and clients can see/check one by one on their skin til they find the right one”. Ariel is also an artist for the brand Inkbox. Inkbox allows everyday people to try out tattoos on their skin before actually committing to a lifelong design. This can help with placement and size when contemplating a tattoo idea. What really makes Ariel’s work unique is her ability to find art in everyday places. She says that she can take inspiration from anywhere, even if it is, “random photos of things in our life like leftover pizza slice on the street, fallen leaves ect” or “movies, music, and paintings” or “abstract doodle designs”. If you are looking to bring something new and different to the table- but don’t know exactly how to design it to still look like art- Ariel is your match made in tattoo Heaven. Best way to make an appointment: Email Ariel @book.arielisgood@gmail.com See more on Instagram: @arielisgood ALIGN 57
Photo credit: Josie Hinke
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A TRIBUTE TO 70’S FASHION WRITTEN BY GABI RAAB The 1970s: feathered hair, high rise jeans, and a stoner’s personal awakening. Despite these significant elements, this decade had a huge impact on the fashion industry that changed the future of women’s fashion forever. This was the first decade in which women started experimenting with men’s fashion. They started saying f*** gender norms and made jeans, pantsuits, rocker tees, and denim jackets staple pieces in their wardrobe. Joan Jett was probably the most influential female rocker of the 1970s. She implemented a carefree attitude, that women before her time were not supposed to have. During this decade, many feminist movements were started, and these feelings of empowerment transferred into the clothes they wore. Fashion started to become a way of sharing a message without even having to speak. This was also a time when women began to dress less conservatively. Short skirts and halter tops became the new norm for the everyday woman. The 1970s were so influential that TV shows were created to pay tribute to the reckless lifestyle of this time. That 70s Show is the most well-known of these creations, with fans still showing love for the 90s sitcom to this day. Joan Jett’s style is emulated through Donna Pinciatti, who channels a casual “rocker chic” style. She essentially dresses like a more toned down version of Joan Jett. She is often seen wearing band tees, and high waisted, boot cut jeans. Laurie Foreman, another character from the show, mimics Farrah Fawcett’s style. From her feathered hair, to the bell bottom jeans, this character pays perfect tribute to the 70s icon. To this day, 70s style still finds a way to wiggle into fashion trends decades later. Whether it’s high rise jeans, clog wedges, or floral print, 70s inspired pieces have found a way into several modern day trends. I admire this decade so much because of its empowered women, carefree lifestyle, and rebellious music. To pay tribute to the 1970s and to show how these fashion trends inspire young people even today, I asked a few members of Align to work with me on this piece and come up with their own 70s inspired outfits. Hopefully this piece will inspire you to find your own reckless and individual, inner 70s self.
Photo credit: Joshua Nowlen Webb
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NUDIE COHN Written by Maleena Saadeh There’s no doubt about it — Americana fashion has been making a huge comeback recently and western wear is more prevalent on the shelves today than it has been for quite some time. Like every other trend, western wear has been in and out of circulation since the days of “The Electric Horseman”, but is indeed on it’s way back up. Fringed sleeves and chain stitching have been in the spotlight before and if you’re thinking ofvincorporating these charming looks into your summer wardrobe, you first have to pay your respects to the man who immortalized them, Nudie Cohn. Jimmy Page of super-group Led Zeppelin, Roger McGuinn of the Byrds, Bob Dylan, and even Elvis Presley all took a trip down to Lankershim Boulevard in North Hollywood to get themselves fitted for a Nudie Suit. Born in 1902 in Kiev, Russia, with the name Nuta Kotlyarenko, a fateful spelling mix up at Ellis Island’s immigration desk would give 11 year old Nuta a new name and a new American identity; he was now and forever, Nudie Cohn. Nudie’s is the shining example of a rags to riches tale. He grew up poor in the garment district of New York saw a life for himself in the movies and the music industry, but Hollywood was a far off place for an immigrant tailor. In 1934, he and his wife Bobbie opened up a lingerie shop called ‘Nudie’s for Ladies’ where they sold spaghetti straps to showgirls to make a living for themselves. Nudie loved western films, but he always thought there was something missing from the heart throb cowboys who would take the stage, that something was rhinestones. Combining the intricate detailing and showy embroidery of traditional Russian dance wear with the slick button ups his herdsman heroes would sport on TV, Nudie’s signature style was born. Nudie’s Hollywood dream would finally begin to come true when he and his wife moved to the San
“He always thought there was something missing from the heartthrob cowboys.”
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Fernando Valley just outside of Hollywood to run a tailoring business out of their garage. His flashy rhinestone cowboy look had found the perfect home of Hollywood to reside in, now he just needed a country star brave enough to be the face that would glitter and gleam in it. That face he had been waiting for was Roy Rogers, and he walked right into his shop in 53’ and requested a suit so flashy that the kid in the nosebleeds be able to see him shine when he took the stage. Nudie more than delivered and had each piece of fringe absolutely littered with rhinestones and the rest is history. The Nudie suit became a staple in the country scene and in 1969, Gram Parsons and the Flying Burrito Brothers adopted the suits for their iconic album cover The Gilded Palace of Sin which let rock artists in on the fact that these suits were all therage. Cohn’s customer base grew almost instantaneously to include legends such as Joplin and Jagger and by the time 1970 came to a close, he’d find himself on the cover of RollingStone. Cohn would customize his suits for each artist centering them around elaborate bibs, fringe, and rhinestones as well as a little something personal to the wearer. Nudie pulled out all the stops. For example, one of his most famous suits is Parsons’ on the Gilded Palace of Sin cover which included marijuana leaves, barbiturates, naked ladies, California poppies and a big red cross on the back that any listener of the album knows encompassed exactly what it holds inside. He only ever turned down one personalized suit in his lifetime and that suit was pitched by none other than Keith Richards who wanted to sport a Nudie original covered in rhinestone penises in the classic troublemaker vein of the Stones. Nudie provided the world with his last stitch at the age of 81 when he passed away in 1984. Although his shop closed in 1994, what he made lives on and current fashion is a tell tale sign of current designers paying homage to the iconic looks created at Nudie’s Rodeo Tailor.
LIVING WITH AN EXTROVERT AS AN INTROVERT Written by Emma Gersho
When I wake up, it’s usually about 9 or 10am. I hit the snooze button multitudinous times before I hop out of bed to make my morning oat milk latte. And I don’t have a specific justification for waking up at that hour. I don’t have a job or a Zoom class I need to get to… I do it because I want to. But wait we’re in shelter in place... why should I get up early if it’s not necessary? Have I resulted to being a senile old lady or am I just insane for making such an arbitrary choice? There’s a reason for it: my alone time. Yes, from the moment I roll out of bed till the clock strikes noon is the time that is most vital to me. My morning latte, my breakfast, and my possible run are my best parts of my day. However, my all time favorite part of the mornings is spending time with myself. Having no choice but to stay at home, and I don’t crave social interaction as much as other people do. Take my roommate Hayley for example. Not only is Hayley my roommate and one of best friends, but she is also my quarantine buddy. We have been living together since this whole thing unraveled. In addition, she is the most extraverted person I know. She feeds off social interaction, and if she doesn’t have it, it’s as if her oxygen supply has declined. Meanwhile, I feed off being alone. Because Hayley doesn’t wake up until noon or one o’clock, I strive to wake up a few hours earlier each day. It allows me to be more in tune with myself. Being by myself allows me to reflect and challenge myself. If I’m in a negative mood or if I’m feeling sad, this allows me the time to take care of myself. As someone who struggles with depression and anxiety, self care is uber important to me. This also allows me to socialize with Hayley later and have a more enjoyable experience. It also makes our time together extra special. In addition, things like doing homework or working out I actually prefer to do on my own, as my only competition and motivation is myself. If I have Hayley or another person there, I might be more tempted to slack off. From Hayley’s perspective, it’s easy to see why she might be more adamant about being with people 24/7. She too struggles with anxiety and depression, and in order to combat those things (especially elevated with circumstances of the virus), she needs to socialize. For her, there are a lot more things to do with others then by herself. She thrives off the personalities and energies of other people. This is why quarantine has been rather extra difficult for her. So we both balance. She Facetimes or Houseparties her friends when I wanna be by myself. And when I feel energized, I craft with her or watch a movie and chill with her for a few hours. Quarantining with her showed me that you don’t have to give up who you are just because we’re in the midst of a pandemic. You just have to compromise and work with one another. The fact that Hayley has been one of my best friends for years helps a lot, considering we know each other like the back of our hands. Nevertheless, we know it’s still a learning curve, especially during a global pandemic. ALIGN 61
SELF
Written by Lainey Toole Illustrated by Kaeleigh James
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FCARE FINDING WHAT FITS HAIRCARE Finding the right products that work for you entails endless trials. It’s especially challenging when you’re looking for natural, vegan, and cruelty-free products. Luckily, I have tested many- and I mean many- beauty and skincare products to see if they really work. For reference, I have acne-prone skin and thin hair. The process of rearranging my everyday routine was no easy feat, so I’m here to share the results that have left me feeling as confident as I ever.
Mill Creek Botanical’s Biotin Shampoo & Conditioner
SKINCARE
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Youth to the People’s Superfood Cleanser and Youth to the People’s Adaptogen Deep Moisture Cream These two products are the brand’s bestsellers for a reason. I received both of these as a free sample with a Sephora order. I discovered that the brand is vegan, cruelty-free, sustainable, and recyclable, so I tossed my Cerave cleanser and moisturizer aside. The cleanser doesn’t leave skin tight and dry. It just cleans what needs to be cleaned. It also smells quite nice without having a fragrance in the ingredients list. The moisturizer immediately reduced the redness and discoloration around my eyes and nose. It also suits both sensitive and dry skin types.
I have thin hair. To combat this, I have been bouncing around from hair product to hair product to see if I can give my hair a little more body. I finally landed on this duo a while ago at a natural grocer. The brand is vegan, crueltyfree, and paraben-free. I haven’t been using it for too long, but my hair feels thicker and softer than it did before.
Elf’s Clear Eyebrow & Eyelash Mascara This product has been on my go-to list for years. I use it on my eyebrows after lightly filling them in with a pencil. It keeps the hairs in place. It lasts all day without fault and it’s only $3. Milk Makeup’s Kush High Volume Mascara-Regular I am continuously on the search for a new mascara that truly keeps my lashes curled. My lashes are stick-straight. Too many times have I applied a new mascara and watched the curl leave my lashes as soon as the product is applied. With this mascara, I didn’t experience this. It holds a curl fairly well while simultaneously conditioning lashes with plant-derived oils. It’s a breeze to remove as well.
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CHEERS TO TWENTY-ONE WRITTEN BY GILLIAN ARTHUR I don’t think any of us imagined life to be what it is right now. Perhaps there was a chance some kind of pandemic would happen in our lifetime but if you asked me a year ago it would happen within 12 months, I would’ve answered with an emphatic ‘no way’. Even weeks leading up to spring break I didn’t think our lives would seemingly come to a halt, nor would my 21st birthday be kiboshed to this extent. I’ll spare you the details of this incredibly long story, but the gist of it is that I turned 21 the day after St. Patrick’s day. A couple days before this, my parents and I drove down to San Diego to meet up with my boyfriend and family from Arizona. When we all got there, settled in to our rental, life seemed to be going fine in San Diego and before we knew it, it was the day before St. Patrick’s day. More news came out about COVID-19 and the governor closed all restaurants and nonessential businesses. All hope for a 21st birthday/St. Paddy’s day midnight celebration was gone and it was nothing but a memory. It’s hard to be mad at the situation when you know it’s saving lives but a part of me felt saddened that an event so ‘special’ wouldn’t play out the way I wanted. It’s not like going out to a bar on my 21st was that big of a deal but the act of going out with friends and family was certainly something I looked forward to. Change is difficult to accept, negative change is even harder. I know for a lot of people turning 21 right now it’s hard not to feel sour when you’ve been waiting so long to celebrate an important milestone. To all those spring and summer babies turning 21 in quarantine, you’re not alone and you still have ways to make this day special. At the time I thought my 21st wouldn’t be memorable. I had to drive home from California, a nearly 17 hour drive, leave my boyfriend behind and wonder when I’d get to see him, or any of my family again. But waking up at 7AM just to buy a can of beer and show my ID as a 21st right of passage is one of my most cherished memories. Walking in the rain, holding my boyfriend’s hand, taking in the salty marine layer and laughing at the ridiculousness of what we were doing is something I’ll never forget. I hope for all of you experiencing the same thing, you find solace in the little things. Despite what you think, they’ll surprise you. I think for me, the disappointment wasn’t even a matter of not being able to drink with friends and family, it was missing out on a much anticipated moment and knowing that moment couldn’t be changed. That’s definitely something we can all relate to right now whether you’re a graduating senior, a junior with an internship, a student with a study abroad, or a freshman missing out on your last term of your first year of college. But if there’s anything I’ve learned, and anything I want to pass on to you, it’s to cherish the little moments. Appreciate things for the way they are no matter how short they fall of your expectations because the little moments can be just as special as the big ones, if not more.
“You’re not alone and you still have ways to make this day special.”
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AN INTERVIEW THROUGH LETTERS Written by Emerson Brady Creating meaningful art in isolation has proven to be more difficult than one would think. Ruby Beech understands the pressures to create art in a world where time feels non-existent. Ruby is an artist based out of Portland, Oregon. She currently attends the Pacific Northwest College of Art where she studies illustration. Her work is inspired by themes of childhood nostalgia, nature, and whimsy. You can find more of her work on her Instagram @rubabyart.
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ARTIST IN ISOL ATION
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Distance is hard, really hard. But it will only make your relationship stronger, and when you see each other after the long wait, it will be the best feeling in the world.�
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with love, with love, Written by Sophie Ackerman This is Bryan. We have been dating for little over a year and part of that has been long distance! I met Bryan last year during his final term of study abroad in America, and with 5,160 miles between Oregon and France, we have become the experts in virtual dating. The sudden quarantine has made dating and connecting with loved ones especially difficult. I have some fun and creative ideas to make dating just as special during the quarantine! 1. Fancy Dinner This one is a given, prop your phone in front of a stack of books or boxes of macaroni and Skype that special someone! Even if you’re just eating a bowl of cereal, soup, or a PB&J, make sure both of you are dressed your best for a romantic virtual date night! This one can be a little difficult with a time difference so I chose to have cheese for breakfast, and I was not upset about it. Bryan and I chose to dine on our signature meal, bread, cheese, a little charcuterie (most likely some packaged pepperoni because I am in a quarantine), and a glass of wine… or two. 2. Cooking together Along the lines of food, step up your fancy dinner by following a recipe together! Or make it a competition! Who can plate their dish better? Finish it faster? Or maybe even do a DIY “Chopped” competition and take three ingredients you both have and try to make something gourmet with it! 3. Virtual Museum Visit Due to quarantine, many famous museums all over the world have created virtual galleries and art accessible to the public. I am very fond of the typical, “day at the museum.” Museums are best on rainy days or lazy Sunday afternoons; curl up in bed or dress-up in your best art critic attire and take a tour of one of the many brilliant collections of masterpieces available to you digitally! You and your partner can get lost in the Louvre or discover the six floors of the National Museum of Modern and Contemporary Art in Korea. And the best part? This is an inspiring and enlightening activity to share with someone special. 4. Virtual Work Out I know this suggestion sounds boring, at least for me it does, but working out can surprisingly be fun! I am someone who does not like to work out and rarely steps foot in a gym, but I am very competitive and regularly active. The best way to stay motivated and active is to exercise with your partner. I love to walk, but the uphill climb and sweltering heat of my typical hike is grueling to do alone, this is why I call Bryan every time I walk! I have also found that doing challenges together can be a great way to make exercise entertaining at home! Hiit routine workouts and monthly schedules are a great way to stay organized and motivated and doing this together is even more exciting!
5. Virtual Movie Night This date night can never be the wrong choice. Pick a show or a movie and just binge-watch together. Skype or use Netflix party and talk as much or as little as you want during your favorite picture. Make movie lists, try to watch everything on your watchlist together. Share your favorite movies from childhood or movies that have impacted you most in your life. Finish every season of your favorite TV show together! This activity is simple and enjoyable for everyone, and by sharing films the experience becomes even more personal. This has always been Bryan and I’s go-to date. Most of the time I fell asleep halfway through the film, sacrilege for a film student… I know. 6. Virtual Dance Party Show off your best moves for that special someone with a virtual dance party! Create the perfect dancing playlist together! Maybe stick to one genre of music? Or try and learn a new dance together! Whatever you do just make sure to dance your hearts out! 7. Playlists Music is one of my favorite ways to stay connected with someone, it is personal and a song can hold a lot of meaning for an individual. Bryan and I frequently exchange playlists for each other; every time we part ways for our countries, we always send each other a playlist full of reminders and memories for the long journey home. If you have extra time on your hands, make a playlist for someone! Create a different playlist for a specific day: rainy days, long flights, or a playlist for that pang of nostalgia to remind someone of all the memories you have together and the many more to come. 8. Care Packages & Letters I believe this is the most charming long-distance activity. A care package is very special, it’s basically just a big hug in a box. I like to fill a little cardboard box with typical American treats, cards, and photos when I send my care package abroad. A care package is a perfect little surprise for someone and you can put anything in it! An old sweatshirt for your partner, polaroids, prints of your favorites memories, junk food, or some handmade gifts! Along the same lines, a handwritten letter has a special charm when you receive one in the mail. Write a love poem or just spill your heart out like you’re writing a letter to your long lost lover during the 19th century.
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HOW
TO:
HAVE
FUN
AT
HOME
Photo Credit: Kaeleigh James
Written by Lizbeth Ibarra Gonzalez
SIMPLE TREATS SELF-CARE
Stuck at home? Here are some fun activities you can do at home with your family or alone. Most of these activities are relatively simple and inexpensive. Tag us on Instagram if you recreate any of these and tell us what you think!
NO-BAKE CHOCOLATE OATMEAL COOKIES
FASHION TIP Invest in a steamer! Steaming your clothes makes yourself look more put together. A steamer is typically easier to use and less time consuming than an iron. Steaming clothes before hanging it up in your closet can save you time in the future when you are running late and want to look put together for whatever the occasion might be.
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Ingredients 2 cups sugar 2 Tablespoons cocoa 1 cube margarine ½ cup milk 2 Tablespoons peanut butter 1 teaspoon vanilla 3 cups oats Instructions In a medium to large pan mix sugar, cocoa, margarine and milk. Bring those ingredients to a boil and then let boil for 1 minute. Remove pan from heat and quickly add peanut butter and vanilla. Slowly add oats while stirring. Once mixed, drop spoonful sized amounts onto parchment paper and let harden. Once cooled enjoy no bake cookies!
Want to feel your face pulsate? Use the Aztec Secret Indian Healing Clay Facial Treatment sold at Target, Walmart, as well as other retailers. It is more intense than your regular face mask, and if done right can make your face feel tight with a pulling sensation. Afterwards, you see the difference in pores and oil on your face as it deep cleans all the dirt from your face.
WORKOUTS You don’t need a gym when you can do at home workouts. POPSUGAR Fitness on YouTube provides the fun and excitement that you need at home. Often with celebrity trainers doing fun workouts with little to no equipment needed.
FASHION DIY
Written by Taite Stull
Growing up in Eugene, I think I have seen more people wearing tie dye than suits and ties. What I haven’t seen as much of is Bleach Dyed shirts, and I thought it would be the perfect activity to learn during quarantine. I hope that from reading this you will find the same inspiration I did, and learn from the mistakes I made in making your own original designs on whatever cotton clothing you choose to use. For the sake of this article, I used t-shirts, which you can get 2 for 9 dollars at Hirons if you are worried about messing up the first time. Materials 1 100% Cotton T Shirt (Black, and Purple Preferred) 2 Pieces of Cardboard, 1 to put inside the shirt, the other to cut your designs into 1 Spray Bottle 1 Bottle of Bleach 1 Boxcutter/Sharp Edge 1 roll of Duct Tape Process I started out first by sketching out the design on my cardboard, considering this was my first time. I just did a simple cloud design and lettering below.
I recommend using a boxcutter to cut out your designs onto the makeshift stencil, in my case, I used a swiss army knife. Once you have cut out your design, cut another piece of cardboard and put it inside the shirt entirely to make sure that bleach does not bleed through.
think 10-15 would be much better as I used around that much. The bleach takes a couple minutes to take effect so try to take a couple sprays, wait a minute or two and repeat until satisfied. Once you are done spraying, let dry for around 5 minutes and then put in the washing machine with a mild detergent.
Slide your shirt underneath the stencil and line up to where you want them on the shirt. To make sure the design was stable, I duct taped the shirt to the cardboard to make sure that the stencil did not move and smudge the design.
My design got a little blotchy near the lettering but I was able to salvage the black t-shirt by outlining the letters with a black sharpie.
The mixture of bleach to water that I used was around 50/50 which doesn’t have to be exact and also be sure to use this in a well ventilated area!
What you should do that I didn’t If you are making a design with letters, it’s important to space them out so the bleach doesn’t turn it blobby as it did for me with the purple shirts. Painters tape would also be a great idea if you are making a blockier design. Less is more in the case of bleach so don’t go overboard. Use a boxcutter for a more precise outline. As you can see by the picture of how my purple shirt turned out, the amount of bleach you spray is very important and I believe for the purple shirt I used around 20-25 drops. In hindsight I ALIGN 73
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