Figure 5.22 Comparison of painting with color chosen from standard color picker.
the preview shows diffe ent stops—and how the colors differ from my original pick. If I were to paint with the first method, the paint would be apparent at diffe ent exposure levels. The bottom line with painting HDRIs for high-end use (Figure 5.23) is to keep tracking the diffe ent exposures. Slide around often and make sure the changes you make work for other exposures. Another trick you can use to keep track of all the expoFigure 5.23 sures is to open the document in several windows and have RAW and HDR go hand in hand. them at diffe ent exposures and magnifications. To do so, go to Window > Arrange > New Window for filename to open simultaneous views. Set the exposure preview slider for each window to a diffe ent setting and, if applicable, change the magnification. Changes done on one will be updated to all the others.
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5. Going RAW