On why I make bromoils

Page 1


On why I bromoilsmake Tony Cearns

A personal reflection

A straight photograph is … too precise, too honest, too mechanical to carry the weight of human feeling.

stroke a small rebellion against silver

Like charcoal on rough tooth, each stroke a small rebellion against silver precision.

Contingency and chemistry – an argument between ink and water.
Not knowing what lies ahead. The matrix leads; I follow.

Layer after layer, archaeological excavations in reverse.

Ah, the blacks, dark as dark can be.

Soaking and drying, soaking and drying … soak…

Like braille, a topography sculpted in hard and soft gelatin.

Edges that bleed into their borders, ornamentation.

Etching the surface with a blade; imagined detail.

Each unto itself. No possibility of repetition.

Hours pass. Often days. Accumulating

layer upon layer, like memories over a self-studied lifetime.

Thanks for looking in!

Best wishes, Tony.

If you would like to chat, I’m on substack.

My handle: @tonycearnsphotography

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