Khairunnisa Adibah | Textile Design Portfolio by Adibah Azlan

TEXTILE PORTFOLIO

Textile Design Portfolio

BY KHAIRUNNISA ADIBAH COMPILATION OF SELECTED WORKS 2017/2021

ABOUT ME

Adibah Azlan You don’t think your way to creative work. You work your way to creative thinking.

TEXTILE PORTFOLIO | 2021

ABOUT ME

Hi, my name is Khairunnisa Adibah Binti Khairul Azlan. Just call me Dibah! I was born on April 2, 1998, the second child of six siblings. The institution where I study now is Universiti Teknologi Mara (UiTM) Shah Alam for my degree in Art and Design in Textiles. This is the last semester for my degree, out of six semesters. For my diploma, I studied at Universiti Teknologi Mara (UiTM) Machang Kelantan in Art and Design in Textiles as well. Throughout my studies from diploma to degree, I experienced various experiences and challenges. I really do love the Textile industry. In my opinion is the field where storytelling can be applied in the most unique and creative way.

Adibah Azlan TEXTILE PORTFOLIO | 2021

ABOUT ME

A person’s skills are assessed through the experiences he or she goes through.

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INDEX

Artish: Josef Frank

16 17

12 Past 1 3Year Intership

Salon Beauty Center

Final Look Product

23 24

26 38 39

Electives Subject

KAKEE BATIK Company

Degree & Diploma

55 56 -

10 Other Electives 11

Monochromatic Design & Final Design

Color Palette

Final Product

Subject Matter: Coronavirus

08 Project Base 0On9 Design

Subject Matter Drawing

Corporate Identity

Experience

Color Refferences

0Cv2 Logo0& 3 Brand 0Intro4 Artish Rafferences 05

01 -

0Profile1

About Me

Artwork Drawing

CCOo nN t e nTt s E N T S

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Khairunnisa Adibah

Textile Designer

I am a textile designer with experience handling all aspects of design and product development. I am seeking a new role which leverages my skill set.

KHAIRUNNISA ADIBAH BINTI KHAIRUL AZLAN April 2, 1998 Female

Educational Training

Professional Skills Batik Lukis Tie and Dye Textile Digital Printing Corporate Identity Design Computer Skills Fashion Illustration Trend Forecasting Textile Design Technical Design Adobe Photoshop Microsoft Office Adobe Illustrator Adobe In Design

UiTM Shah Alam Bachelor of Arts and Design Textile Attended from 2019 to Aug 2021 CGPA 3.81 UiTM Machang Diploma Arts and Design Textile Attended from 2016 to Jan 2019 Graduated cum laude with GPA of 3.43 Awardee, Excellence in Arts & Design SMK Bandar Sungai Buaya PMR and SPM PMR 1A 5B SPM 2A 3C 2B 1D

UiTM Graduate

Work Experience Internship Textile Designer KAKEE Batik May 2020 to Aug 2020 Develops and executes designs in line with brand identity and business strategy Do the 'Batik canting' master pieces.

AMNA Engineering 2018 to 2020 Freelance Designer Making logo and design layout Making the business card, sticker design

Language Malay English

Awards & Citations Online Joint Short Course Telkom University (2021) as a presenter on Sustainable Fashion.

How to reach me: 03-60211 839 019- 329 6125 Bandar Sungai Buaya, Rawang, Selangor, Malaysia deebatextile@gmail.com

References MRS. SITI HERNIDA MOHD SOM +(60) 17 848 3731 MR. JUNAIDI AWANG +(60) 17 960 9221

COMPANY IDEANTITY

Identity CORPORATE IDENTITY

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LOGO & CORPORATE

ADIBAH AZLAN TEXTILE DESIGN

100%

ADIBAH AZLAN TEXTILE DESIGN

20%

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LOGO & CORPORATE DETAIL

FONTS TYPES:

T E X T I L E D E S I G N : Overpass Thin ADIBAH AZLAN

: Gilda Display : Great Vibes

ADIBAH AZLAN TEXTILE DESIGN C :100%

C :37%

C :0%

M :100%

M :47%

M :0%

Y :100%

Y :15%

Y :0%

K :100%

K :95%

K :5%

I use wavy writing in the making of my logo because it shows my identity and also my product which is Batik. For color selection, I chose three colors, Black, White and Dried Tobacco. It's simple and looks interesting at first glance.

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CORPORATE BUSSINES CARD

FRONT

BACK

DESIGN 1

FRONT

BACK

DESIGN 2

FRONT

BACK

DESIGN 3

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CORPORATE POSTCARD

Postcard ENJOY YOUR MOMENT AND DONT FORGET SENT ME POSTCARD

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CORPORATE POSTCARD

Label

ADIBAH AZLAN

ADIBAH AZLAN TEXTILE DESIGN

PRICE SIZE

CODE

MADE IN MALAYSIA

ADIBAH AZLAN

TEXTILE DESIGN

ADIBAH AZLAN

TEXTILE DESIGN

DETAIL

FRONT

deebatextile@gmail.com

ADIBAH AZLAN

TEXTILE DESIGN

BACK

ADIBAH AZLAN TEXTILE DESIGN

MAD

E IN MALAYSIA

FRONT

Wrapping Paper

ADIBAH AZLAN

TEXTILE DESIGN

PRICE SIZE

CODE

DETAIL

ate

xtile@gmail

.co

BACK

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FINAL YEAR PROJECT

Covid- 19 P REVENTIONOF METASTASIZE

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SUBJECT MATTER

Coronavirus

To spread and develop awareness about Corona Virus in many places through textile design. Coronavirus disease (COVID-19) is an infectious disease caused by a newly discovered coronavirus. Most people who fall sick with COVID-19 will experience mild to moderate symptoms and recover without special treatment. Using case studies beauty center that occur during coronavirus disease, we showed that awareness of the corona virus in public places through textile design is very convenient for public awareness. We show that self -care and the care of the surroundings need to be taken care of in the best possible way so as not to be the cause of an ongoing chain.

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SUBJECT MATTER

COVID-Microbes 19 CORONAVIRUS (ORTHOCORONAVIRINAE) Type

: VIRUS

Realm

: Riboviria

Family

: Coronaviridae (Orthocoronavirinae)

Class

: Pisoniviricetes (related RNA viruses)

Genera

: Alphacoronavirus Betacoronavirus Gammacoronavirus Deltacoronavirus

Color

: Red: spike proteins (S) Grey: lipid bilayer envelope (L) Yellow: envelope proteins (E) Orange: membrane proteins (M)

Size

: Average diameters of 80 to 120 nm.

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SUBJECT MATTER

Coronaviruses

Tyrrell who first observed and studied human coronaviruses. The word was first used in print in 1968 by an informal group of virologists in the journal Nature to designate the new family of viruses.

Coronaviruses are often found in bats, cats and camels. Sometimes these viruses then spread to different animal species. The viruses may change (mutate) as they transfer to other species. Eventually, the virus can jump from animal species and begins to infect humans. In the case of COVID-19, the first people infected China

are

thought

roughly

spherical

size is highly variable with average diameters of 80

The name was coined by June Almeida and David

Wuhan,

large,

particles with unique surface projections. Their

Derived from Latin corona "Crown" or "Wreath"

are

have

contracted the virus at a food market that sold

to 120 nm. Extreme sizes from 50 to 200 nm in diameter. They are enclosed with a number of protein molecules. The lipid bilayer envelope, membrane proteins, and nucleocapsid protect the virus when it is outside the host cell. The viral envelope is made up of a lipid bilayer in which the membrane (M), envelope (E) and spike (S) structural proteins are anchored. The molar ratio of E:S:M in the lipid bilayer is approximately 1:20:300. The virus that causes COVID-19 is mainly transmitted through droplets generated when an infected person coughs, sneezes, or exhales. These droplets are too heavy to hang in the air, and quickly fall on floors or surfaces. You can be infected by breathing in the virus if you

meat, fish and live animals but they are still

are within close proximity of someone who has

investigating.

COVID-19, or by touching a contaminated surface and then your eyes, nose or mouth.

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SUBJECT MATTER

WORLDWIDE

Total Cases

Recovered

Deaths

180,476,742 165,176,937 3,909,650 MALAYSIA

Total Cases

716,847

Recovered

650,964

Deaths

4,721

The number of people infected changes daily. As of this writing (24/6/2021), more than 180,476,742 people in the world have been infected. Over 3,909,650 people have died. Some 192 countries and territories on all continents (except Antarctica) have now reported cases of COVID-19. TEXTILE PORTFOLIO | 2021

ARTIST REFERENCE

JOSEF FRANK Architect, Artist, and Designer JOSEF FRANK HAS MADE A DEEP IMPRESSION IN SWEDISH HISTORY OF FORM. HE FLED THE DAWNING OF ANTI-SEMITISM FOR SWEDEN AND SVENSKT TENN

Early Vienna modernism. The art work so values on comfort, coziness and richness of color. Colors and shapes of nature, that one could breathe and feel freedom. He design inspired by renaissance, neo-Classicism, Biedermeier and Viennese Modernism. SWEDISH MODERN design using more to bold contrasts, both in terms of materials, colors and patterns. Shape of nature in almost imperceptible repetition. Floral pattern, stylized using own idea. Curved edges mush important to making the design . Using dizzyingly colorful, vibrant design, delightful make people like until now. Align design movement of the time, develop an identifiable style. He resisted limitations and models to making his own design.

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ARTWORK REFERENCE

JOSEF FRANK

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COLOR REFERENCES

“ONCE YOU HAVE TASTED THE TASTE OF SKY, YOU WILL FOREVER LOOK UP.” – LEONARDO DA VINCI

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COLOR REFERENCE

SPRING SKY Usually warm greens, yellows, orangey reds, very peachy pinks and every shade of light brown from tan to palest beige.

SUMMER SKY Their best colors are mid pinks, lots of blues from denim to sky and the beautiful bluegreys.

AUTUMN SKY

Spectacular Sky

The beauty of the fall colors and mixture of red, purple, orange and yellow.

WINTER SKY High contrast, bold and bright, in their colouring,

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DRAWING ARTWORK

The drawings produced are through references that have been made to Coronavirus motifs. Each painting will be used as a motif to be included in the design.

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DRAWING ARTWORK

Each of these paintings uses different media and techniques. Including dry and wet media are also used for the production of various paintings. The media used are pencil, color pencil, pen, maker, mix media, soft pastel, charcoal, and water color. Each media used will get different results, from there you can see the creative skills and processing.

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MONOCHROMATIC DESIGN

The design idea making from using the artist reference artwork. This design is using motif from idea development from Covid-19 and contemporaries with Covid-19.

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FINAL DESIGN

Selection of pattern designs that have been screened by the lecturer. The best designs selected as the final product. These are the six final pattern designs that follow the theme of microbes.

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PROJECT BASE ON To spread and develop awareness about Coronavirus in many places through textile design. We do this to enable users to get good service despite being hit by covid-19 pandemic. It informs the theoretical understanding among the public of this theory clearly so that equally can be avoided in terms of the use of textiles. This theory has ignored and reduced the attraction of people to visit because scare of the Covid-19. We asked the extent of care to prevent infection. In addition, we also asked how about the self-care you desire, whether crowded or having comfort by making an appointment. Using case studies of beauty centers that occur during coronavirus disease, we showed that awareness of the coronavirus in public places through textile design is very convenient for public awareness.

Salon Beauty Center We show that self-care and the care of the surroundings need to be taken care of in the best possible way so as not to be the cause of an ongoing chain. We also show that textile design makes an innovative contribution and influences the policy of attracting many people. The significance of this study is that it informs our theoretical understanding of beauty center management and care for public use by introducing a focus on textile design, and informs the understanding of awareness of Coronavirus in the public.

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FINAL PROJECT

Project 2

PROJECT ONE

Length Fabric ILLUSTRATION

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PROJECT ONE

Batik LENGTH FABRIC

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PROJECT TWO

Salon Curtain Divider ILLUSTRATION

SIDE VIEW

FRONT VIEW

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PROJECT TWO

Digital Printing SALON CURTAIN DIVIDER

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PROJECT THREE

Cape Salon ILLUSTRATION

SIDE VIEW

FRONT VIEW

SURFACE VIEW

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PROJECT THREE

Digital Printing CAPE SALON

The neckline is fixed with a retractable Velcro to fit any neck size without any discomfort.

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PROJECT THREE

Cap Bonnet ILLUSTRATION

SIDE VIEW BACK VIEW

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Digital Printing

PROJECT THREE

CAP BONNET

Soft material: made from quality satin and polyester, which is lightweight and skin-friendly, it has smooth texture, very comfortable to wear in all seasons.

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PROJECT FOUR

FRONT VIEW

Hybrid Face Mask

INSIDE VIEW

ILLUSTRATION

FRONT VIEW

BACK VIEW

SIDE VIEW

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PROJECT FOUR

Digital Printing HYBRID FACE MASK

Tightly woven fabric outer layer equipped with the innovative antimicrobial technology to prevent contamination by germs and microbes on the fabric surface.

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PROJECT FOUR

BUCKLE VIEW

Hairdresser Tool Belt ILLUSTRATION

FRONT VIEW

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PROJECT FOUR

Digital Printing HAIRDRESSER TOOL BELT

This is a simulation scissors pouch, can provide a maximum capacity for storing essentials and salon tools.

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ELECTIVES SUBJECT

Design

OTHER ELECTIVES SUBJECT

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ELECTIVE SUBJECT

TXD 619: Sampling and Coasting

TXD 661: Fashion and Interior

Make a pattern design, make a calculation of sales cos and gross profit.

Make a pattern layout on clothes and also on furniture and make a wallpaper pattern design.

TXD 654: Textile Display

TXD 412: Image Manipulation

To explore a variety of beautiful, unique and highly creative art display using the concept and interpret the importance of visual display in highlighting textile products.

Create different patterns and layouts using the given concept.

TXD 619: SAMPLING COASTING

Txd 619 SCARF & SHAWL (SAMPLING AND COASTING)

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TXD 619: SAMPLING COASTING

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FINAL LOOK

S CARF D e co r a t i v e S ty le

MATERIAL: Italian Satin MEASUREMENT Long Shawl : 1.8 metre x 0.7 metre Square Scarf : 43 inch x 43 inch

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FINAL LOOK

S HA WL H AW Mi x E le me nt MATERIAL: Diamond Satin MEASUREMENT Long Shawl : 1.8 metre x 0.7 metre Square Scarf : 43 inch x 43 inch

TXD 661:

Txd

FASHION &

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FASHION & INTERIOR

661

Bedroom

INTERIOR

Living Room Creating design simulation for interior decoration.

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TXD 654

Txd 654 TEXTILE DISPLAY

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TEXTILE DISPLAY

Using mannequin for the display to keep fresh and real mood for salon theme.

There are various displays that can be highlighted in the salon.

Using attractive lighting can also set the mood for customers.

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TXD 412

Txd 412 CAD : IMAGE MANIPULATION

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IMAGE MANIPULATION

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INTERSHIP 2019

Intership KAKEE BATIK SSM002457629-M

YUS FAIZAL ABDUL RAHIM SOLE PROPRIETORSHIP, 100% BUMIPUTRA NO. C13-1, JALAN REEF 1/2 REEF BUSINESS CENTER 48000 RAWANG SELANGOR DARUL EHSAN. NO. MOBILE: 011-3562 5943

EMAIL KAKEEBATIK@GMAIL.COM FACEBOOK: KAKEE BATIK INSTAGRAM: @KAKEEBATIK TEXTILE PORTFOLIO | 2021

INTERSHIP PROGRAM

This picture was taken while we were following the 'Batik' Program with Tuanku Permaisuri Agong at the National Craft Institute (IKN). This program is held to show how the production of 'Batik Cop' and also the techniques used. TEXTILE PORTFOLIO | 2021

INTERSHIP 2019

"LOVE IS LIKE A BATIK CREATED FROM MANY EMOTIONAL COLORS, IT IS A FABRIC WHOSE PATTERN AND BRIGHTNESS MAY VARY" By Diane Ackerman

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INTERSHIP 2019

These are some of the results of my 'Batik' making during my internship at Kakee Batik. Each production of 'Batik' was taught by Encik Yus Faizal and also my friends when I did my internship there.

SOURCE FACEBOOK KAKEE BATIK

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INTERSHIP 2019

SOURCE FACEBOOK KAKEE BATIK

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PAST AWARDS

Diploma, Achievements, Awards DEGREE SEMESTER 3-4 & DIPLOMA FINAL YEAR

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DEGREE: SEMESTER 3 & 4

Degree

SEMESTER PROJECT

The production of shawls uses the shibori technique that he taught by Dr. Rusmawati Ghazali. Very attractive end result, worth the frivolous manufacture.

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DIPLOMA FINAL YEAR

Diploma Show FINAL YEAR DIPLOMA

2019

The production of these 3 final products consists of 'Batik', weaving and silk screen printing with the theme of tile, mosaic and wood flooring.

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DIPLOMA FINAL YEAR

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Diploma

DIPLOMA SEMESTER 2-3

PROJECT BY SEMESTER

The production of this project is guided by the concept that has been given. Guided by the concept has earned income for 3 types of products, weaving, printing and Batik.

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BY KHAIRUNNISA ADIBAH COMPILATION OF SELECTED WORKS 2017/2021