A DESIGNERS’ COLLECTIVE
is the pungent fruit of a deep rooted creative relationship between two independent designers; Linda Bos and Runa Egilsdottir.
OUR GOAL
is to create unique concepts and designs for our clients, which bring equal satisfaction to both parties.
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A DESIGNERS COLLECTIVE NOT JUST ANY COLLECTIVE
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OUR WORK SAMPLES A DESIGNERS’ COLLECTIVE PORTFOLIO
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‘Beyond the Medici’ shows masterpieces from the Haukohl Family Collection, probably the most important ensemble of Florentine Baroque art outside of Italy. Before the tour initiated by the MNHA in 2018, the collection assembled over more than 35 years has never been shown in Europe.
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BEYOND THE MEDICI EXHIBITION DESIGN | CLIENT: MNHA MUSÉE NATIONAL D’HISTOIRE ET DE L’ART
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This print is a dedication to the eerie feeling caused by the fear to run out of toilet paper during a lockdown. ‘Covid-19 | THE LAST ROLL, is a limited edition, (50ex) numbered, high-end print. All proceeds went to the association MĂŠdecins du Monde Luxembourg.
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COVID-19 THE LAST ROLL POSTER DESIGN | PERSONAL PROJECT
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EXCELLENT COMMUNICATIONS DESIGN | PACKAGING DESCRIPTION
The main focus of the design is on the main ingredient: the bitter orange. It therefore has a prominent place on the label. The shapes of the other ingredients are reduced to an absolute minimum. The colour palette was carefully chosen to stand out amongst other brands. On top of that, the blue and orange are the colours of the House of Orange-Nassau, a subtle wink to the Luxembourgish origins of the product. Adding a golden hot foil and embossing gives it a luxurious look.
JURY STATEMENT
The boldly executed design shows the bitter orange in a highly abstract, yet clearly recognisable form. A label lavishly finished with gold and embossing technology, which owes part of its high-quality impression to the combination of blue and orange, refers winkingly to the aristocratic Luxembourg house of Orange-Nassau.
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THE B ETTER BITTER PACKAGING DESIGN | CLIENT: BATTOR
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EXCELLENT COMMUNICATIONS DESIGN | PACKAGING JURY STATEMENT
This illustrative design has a young, fresh and charming air about it. Another advantage of it is that for each new product, merely a new character needs to be added – but in a fashion that ensures that the brand remains readily recognisable.
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OURDALLER BEER PACKAGING DESIGN | CLIENT: BRASSERIE SIMON
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A BEER WITH CHARACTER RE-BRANDING | CLIENT: BRASSERIE SIMON
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Hanna BĂŠier mat Hanf
Ourdaller_labels_front_USE_wellen_waissen_karel_hana.indd 4
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15/03/2019 16:24
LUXEMBOURG DESIGN AWARDS WINNER 2017
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MEDIA THÉIK VISUAL CONCEPT & SERIES OF ILLUSTRATIONS CLIENT: RADIO 100,7
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REBRANDING THE CHILDHOOD CANCER FOUNDATION FIGHT LIKE A LION The foundation’s logo existed nearly 30 years. It needed some refreshments. The lion in the Fondatioun’s existing logo is their mascot ‘Poldi’. He evolved a lot ‘outside of the logo’ in the form of cuddly toys and a life size mascot suit, worn to their events. We stripped down Poldi’s friendly face to a bare minimum and merged him with the golden childhood cancer ribbon. We then took the ribbon as an inspiration to create slogans with a handlettering font. The official colour representing children’s cancer is golden. Due to the technical restrictions of using ‘real’ gold, we opted for a warm shade of yellow. The choice of using black as a second colour might not seem like an obvious one for a children related topic, but unfortunately the work of the foundatioun is not always a ‘bed of roses’, so we considered it important to create a strong look, rather than a child-like one. The minimalist and unique approach of the logo is unmistakenly recognizable; it is powerful, but not aggressive. The logo holds all the essential symbols of the Fondatioun Kriibskrank Kanner. Poldi, the mascot: has won the heart of the public and is a known face. • The childhood cancer ribbon: Poldi’s nose represents the support for child cancer victims. • Solidarity: looked upon closely, one can identify in the eyes of Poldi two heads, and the bodies intertwine in one in Poldi’s nose. By introducing the hand-lettering, declined from the logo, it will be easy to create visuals for the client to transmit their message in a simple but strong way.
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FIGHT LIKE A LION LOGO & VISUAL IDENTITY CLIENT: FONDATIOUN KRIIBSKRANK KANNER
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CLINET BRIEFING We are going to renovate the city-owned parking garages in Ville de Luxembourg, one by one. The first parking we will renovate is a rather specific case: Since it has 19 split levels, we fear that people will continue to have difficulties remembering where they parked their car. We would therefor like to add icons to facilitate the navigation (floor numbering + colour). This parking garage is serving people from both the ‘Gare’ and ‘Bonnevoie’ area. We would like the icons to be a reference to these areas. We have 19 ‘famous’ (non religious, non commercial) buildings from the area in mind, but are open to other suggestions. SOLUTION We did research to ‘famous’, remarkable buildings in the area and came to the conclusion that it would be near to impossible to find 19 distinguishable buildings within close proximity. We then broadened our research and came to the conclusion there were a lot more ‘stories’ to be told about places and street names. For instance: The “banana factory” The ‘Banannefabrik’, is today a popular cultural venue. ADDED VALUE The cultural side of the City benefits some attention and the parking user is projected in a fun way into his direct surroundings. The parking Neipperg had in its past a rather dubious reputation. People were rather scared using the parking as it had a rather dark atmosphere and it was easy to get lost. Through the created icons and colour palette, the impression is friendly and it is easier to remember on which floor one is parked at.
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PARKING NEIPPERG 2.0 WAYFINDING | CLIENT: WW+ | VILLE DE LUXEMBOURG
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BANANNEFABRIK RUE DU PUITS
KIOSQUE PLACE DU PARC
PISCINE MUNICIPALE DE BONNEVOIE 47.
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INTERNATIONAL STAMP FAIR VISUAL EVENT IDENTITY | CLIENT: POST LUXEMBOURG
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LUX EXPO TH E BOX 10, CIRCUIT DE LA FOIRE INTERNATIONALE L -134 7 L U X E M B O U R G - K I R C H B E R G
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BUILDING BRIDGES ILLUSTRATION FOR SPECIAL STAMP BLOCK CLIENT: POST LUXEMBOURG / POST NETHERLANDS
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NATIONAL BRANDING EXHIBITION DESIGN Milk & Money présente les identités luxembourgeoises les plus symptomatiques, de par leur évolution, leur positionnement et leur implication dans le patrimoine visuel du pays. L’évolution du logotype, le choix du packaging, les prises de positionnement des décisionnaires,… l’exposition analyse les tendances des composantes visuelles des grandes marques traditionnelles, mais également celles des nouvelles initiatives locales, à travers leur présentation. Comment les identités visuelles se frayent-elles une place par rapport à leur concurrence ? Comment se positionnent-elles dans un contexte national, à un moment clé, où le pays se cherche une image de marque ?
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MILK & MONEY EXHIBITON DESIGN CLIENT: ROTONDES
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TAGEBLATT EDITPRESS VARIOUS ADVERTISEMENT CAMPAIGNS CLIENT: TAGEBLATT | EDITPRESS
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“WIR BRAUCHEN EINE UNABHÄNGIGE PRESSE, DER WIR VERTRAUEN KÖNNEN” F ran ç ois V a l e n t i n y, A r c h i t e k t
PREMIUM INHALT* JETZT KOSTENLOS TESTEN *Auf tageblatt.lu, in unserer App und als E-Paper
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“ENGAGIERTER JOURNALISMUS SOLL AUF MISSSTÄNDE HINWEISEN”
“FAKTEN STATT FAKE NEWS, WIR BRAUCHEN DIE WAHRHEIT” Ro x an e Ur ban y, St u d e n t in
A i n h o a A ch u t e g u i , Generaldirektorin von neimënster PREMIUM INHALT* JETZT KOSTENLOS TESTEN
PREMIUM INHALT* JETZT KOSTENLOS TESTEN
*Auf tageblatt.lu, in unserer App und als E-Paper
*Auf tageblatt.lu, in unserer App und als E-Paper
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“SIE BRAUCHEN GEGENWIND UM SICH EINE MEINUNG ZU BILDEN”
“UNTERSTÜTZEN SIE UNABHÄNGIGES DENKEN” Tan ja Laho da, I n g e n ie u r in
M aî tr e Gas ton V og e l , R e ch ts anw al t PREMIUM INHALT* JETZT KOSTENLOS TESTEN *Auf tageblatt.lu, in unserer App und als E-Paper
PREMIUM INHALT* JETZT KOSTENLOS TESTEN *Auf tageblatt.lu, in unserer App und als E-Paper
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BATTOR - THE BETTER BITTER | BRASSERIE SIMON | CASINO - FORUM D’ART CONTEMPORAIN | CHINA CULTURAL CENTER IN LUXEMBOURG | CFL | ESCHER BiBBS | ESCHER BIBLIOTHÉIK | FONDATIOUN KRIIBSKRANK KANNER | KLIBER | MNHA - MUSÉE NATIONAL D’HISTOIRE ET D’ART | PANELUX | PETITCARRÉE ARCHITECTES | POST LUXEMBOURG | POST NL | RADIO 100,7 | ROTONDES | SEABISCUIT | SERVICE JEUNESSE ESCH | TAGEBLATT - EDITPRESS | VILLE D’ECHTERNACH | VILLE DE LUXEMBOURG | WW+ ARCHITEKTUR
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OUR CLIENTS WE LOVE EACH AND EVERYONE OF THEM
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2020 GERMAN DESIGN AWARDS WINNER | EXCELLENT COMMUNICATIONS DESIGN PACKAGING BATTOR, THE BETTER BITTER WINNER | EXCELLENT COMMUNICATIONS DESIGN APPS KLIBER JOB APP 2018 GERMAN DESIGN AWARDS WINNER | EXCELLENT COMMUNICATIONS DESIGN PACKAGING OURDALLER BEERS, BRASSERIE SIMON 2017 LUXEMBOURG DESIGN AWARDS SILVER AWARD | ILLUSTRATION MEDIATHÉIK, RADIO 100,7 2015 LUXEMBOURG DESIGN AWARDS SILVER AWARD | ILLUSTRATION CHRISTMAS STAMPS, POST LUXEMBOURG
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OUR AWARDS YEBB, WE GOT SOME OF ‘EM
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info@designers.lu | (+352) 621 662 967 / 621 753 333 | www.designers.lu
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