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Projective Ecologies

Page 9

ecology as a model of the world and the agency of design in the shaping of that world. In addition to its status as model, ecology has come to be an equally effective metaphor for a range of intellectual and disciplinary pursuits. References in this volume to the work of Gregory Bateson, Giorgio Agamben, and FĂŠlix Guattari, to name but a few, illustrate the fecundity of ecological thinking. This metaphorical understanding of ecology has been particularly significant for its subsequent absorption into the discourse around design. While landscape architecture and urban planning have historically tended to view ecology as a kind of applied natural science, architecture and the arts have received ecology as a metaphor imported from the social sciences, the humanities, and philosophy. The Projective Ecologies project aspires to articulate and integrate those diverse disciplinary antecedents within the discourses of design. It does so by invoking a third reading of ecology as medium. Projective Ecologies proposes a synthetic understanding of ecology as a medium of thought, exchange, and representation. Reed and Lister invite readers to embrace the breadth of that medium and to project an equally broad range of alternative and better futures through design. __________________________________________________________ __________________________________________________________ __________________________________________________________ __________________________________________________________ __________________________________________________________ __________________________________________________________ __________________________________________________________ __________________________________________________________ __________________________


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Projective Ecologies by Actar Publishers - Issuu