the machine, as well as the interpretative shifts brought about by digital culture and the very process of digitisation. Christine Eyene is an art historian, critic and curator. She is a Guild Research Fellow in Contemporary Art at the University of Central Lancashire, Preston, where she collaborates on Making Histories Visible, an interdisciplinary visual arts research project based at UCLan’s Centre for Contemporary Art, led by Professor Lubaina Himid. She is also a doctoral student at Birkbeck, University of London, with Professor Annie E. Coombes, and is writing a thesis on South African photographer George Hallett in relation to African literature. Eyene’s areas of research and curatorial practice range from contemporary African and Diaspora arts, Black British arts, and gendered art discourses, to non-object-based art practices notably sound art. Other interests include: urban cultures, music, design and socially-engaged initiatives. Her recent exhibitions include Resonances: Second Movement (Espace Croix-Baragnon, Toulouse, 2016); Murder Machine (Ormston House, Limerick, 2016); All Of Us Have A Sense Of Rhythm (David Roberts Art Foundation, London, 2015); Embodied Spaces (Framer Framed, Amsterdam, 2015); Residual: Traces of the Black Body (New Art Exchange, Nottingham, 2015); La Parole aux Femmes (Fondation Blachère, Apt, 2014); Reflections on the Self – Five African Women Photographers (Hayward Touring exhibition, Southbank Centre, London and UK, 2011-2013). www.eyonart.org
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