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Donor Impact Report | 2025/2026 Season

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IMPACT REPORT

ACADEMY OF VOCAL ARTS

German diction work on Capriccio was a highlight this season. The Resident Artists’ dedication and refinement led to confident, communicative performances.”

2025/2026 SEASON

Preparing a monumental opera such as Verdi’s Falstaff throws every singer into an immense vortex of learning and a comprehensive artistic process. Sitting in the orchestra pit on opening night and seeing our young artists deliver from just a few feet away confirms all the efforts and excitement that go into this kind of endeavor and firmly continues the AVA legacy.”

4th Year mezzo-soprano Alla Yarosh as Clairon in Capriccio. Photo Credit: Morgan Horell
– Danielle Orlando, Master Vocal Coach
– Amanda Johnson, Instructor in German

LETTER FROM THE DEAN

Five years ago, I came to AVA after spending over a decade working in the professional opera world. I knew that AVA embodied a level of artistry found in few, if any, other educational institutions. This truly unique, tuition-free training gives our Resident Artists the time and space to focus on their musicianship, actor training, and entrepreneurship, skills they will need for successful careers.

I often describe the training here as Olympic-level preparation. Our singers work every day with a team of faculty who listen closely and refine their technique from multiple perspectives. That sustained attention fosters a healthy, long-lasting technique that will serve them throughout their careers.

This winter, I had the unique experience of engaging with that training from a different perspective as the stage director for Capriccio. The excitement I felt from the Resident Artists as they discovered and developed their characters was truly palpable. Over my time here, I have seen each artist grow from year to year. It is one of the great joys of being at AVA. This time, I was witnessing that growth up close, and it was awe-inspiring.

It is because of you and your generosity that this work is possible. Your support makes a meaningful difference in the lives of these young artists. Because of you, we offer these singers the keys to an extraordinary education, one that leads to remarkable careers.

Thank you for all that you do!

BEHIND THE CURTAIN: TRAINING + DAILY LIFE

SETTING THE SCENE

What distinguishes AVA’s training is the opportunity to perform fully staged operas.

Performance is where the hours of training come to life. On stage, Resident Artists sustain roles across multiple performances and work alongside renowned guest conductors and directors. Each production moves at a professional pace. Rehearsals, staging, orchestra sessions, costumes, and performances unfold under the same expectations artists will encounter in their careers. This immersion is what makes the experience formative. Singers build and strengthen the connection between technique and expression that opera demands with each production. By the time Resident Artists leave AVA, they carry a deeper trust in their voice, experience performing, strengthened preparation skills, and a foundation for a lifelong opera career.

“Being surrounded by coaches, each offering a different perspective, has helped me build a voice that can persist and an artistry that continues to grow.”

- Maiya Williams, 1st Year mezzo-soprano

A DAY IN THE LIFE OF A RESIDENT ARTIST:

Beautiful Sheriff, 2nd Year soprano — January 2026 schedule

10 am – 11 am: Daily Vocal Warm-up and Practice Time

11 am – 12pm: German Language Class with Amanda Johnston

12 pm – 1 pm: Italian Diction of Giulietta with Ennio Brugnolo

1 pm – 1:45 pm: Lunch Break 1:45 pm – 2:30 pm: Vocal Coaching for Giulietta with Danielle Orlando

2:30 pm – 3 pm: Practice Time

3 pm – 4 pm: Vocal Coaching for Giulietta with Richard Raub

4 pm – 5 pm: Practice Time

Set renderings for Le nozze di Figaro and Capriccio designed by AVA’s Resident Scenic Designer Cameron Anderson.
Costume designs for Il Capuleti e i Montecchi and Falstaff by AVA’s Resident Costume Designer, Kim Welborn

RESIDENT ARTIST ACCOMPLISHMENTS

RISING STARS: COMPETITION HIGHLIGHTS

ANNA THOMPSON, 1st Year soprano

The Metropolitan Opera Laffont Competition – Winner

Dallas Opera National Vocal Competition – Third Place

George and Nora London Foundation Competition – Winner

2025 Sullivan Award – Winner

2025 Mario Lanza Institute Scholarship – Third Place

Gerda Lissner Foundation’s 2026 International Vocal Competition – Top Prize Winner

KATHERINE DOBBS, 2nd Year mezzo-soprano

The Metropolitan Opera Laffont Competition –Winner (Philadelphia District), Third Place (MidAtlantic Region)

JULIANNA SMITH, 2nd Year mezzo-soprano

The Metropolitan Opera Laffont Competition –Winner (Maryland District), Winner (Mid-Atlantic Region), Semi-Finalist (National)

Annapolis Opera Vocal Competition –Encouragement Award

MAIYA WILLIAMS, 1st Year mezzo-soprano

The Metropolitan Opera Laffont Competition –Encouragement Award (Philadelphia District)

George and Nora London Foundation Competition –Encouragement Award

ALLA YAROSH, 4th Year mezzo-soprano

The Metropolitan Opera Laffont Competition – Winner (Philadelphia District), Second Place (Mid-Atlantic Region)

Giargiari Bel Canto Competition – First Place and Audience Choice

2025 Mario Lanza Institute Scholarship – First Place

JOSHUA BERG, 3rd Year tenor

The Metropolitan Opera Laffont Competition –Winner (Maryland District)

MATTHEW SINK, 1st Year tenor

Opera Birmingham Vocal Competition – Second Place

George and Nora London Foundation Competition –Encouragement Award

JACOB HANES, 2nd Year baritone

2025 Mario Lanza Institute Scholarship – Second Place

GEOFFREY SCHMELZER, 3rd Year baritone

Giargiari Bel Canto Competition – Third Place

NAN WANG, 3rd Year bass-baritone

Giargiari Bel Canto Competition – Second Place

CUMHUR GÖRGÜN, 4th Year bass

Luciano Pavarotti Opera Naples International Vocal Competition – First Place

MIOpera Competition – First Place

RAÚL MORALES VELAZCO, 2nd Year bass

American Institute of Musical Studies Meistersinger Competition – First Place

SUMMER SPOTLIGHT: RESIDENT ARTISTS AT WORK INTERNATIONAL PROGRAMS:

Funded by AVA’s Ken and Diane Ahl Italian Studies Fund

Jasmine Ismail, 1st Year soprano - Language International Italian Studies Program in Como, Italy

Daniela Machado, 2nd Year soprano - Centro Linguistico Italiano Dante Alighieri

Jacob Hanes, 2nd Year baritone - La Lingua Vita Language School in Todi, Italy

Julianna Smith, 2nd Year mezzo-sopranoUniversität Wien Sprachenzentrum

Joshua Berg, 3rd Year tenor - Salzburger Festspiele

Geoffrey Schmelzer, 3rd Year baritone - Classic

Lyric Arts France Program

NATIONAL PERFORMANCES + YOUNG ARTIST PROGRAMS:

Wolf Trap Opera Filene Artist

Cumhur Görgün, 4th Year bass

Merola Opera Program

Katherine Dobbs, 2nd Year mezzo-soprano

Cole McIlquham, 2nd Year tenor

Raúl Morales Velazco, 2nd Year bass

Matthew Sink, 1st Year tenor

Anna Thompson, 1st Year soprano

Des Moines Metro Opera Apprentice Artist Program

Daniela Machado, 2nd Year soprano

Opera Neo

Julianna Smith, 2nd Year mezzo-soprano

Santa Fe Opera Apprentice Program for Singers

Joshua Klein, 2nd Year baritone

Sergio Mandujano, 1st Year tenor

Opera Saratoga Young Artists Program

Maiya Williams, 1st Year mezzo-soprano

The Princeton Festival

Jacob Hanes, 2nd Year baritone

Nan Wang, 3rd Year bass-baritone

Opera North Resident Artist Program

Veronica Richer, 3rd Year soprano

Luke Housner Summer Opera Workshop

Ryan Wornall, 1st Year bass

Dolora Zajick’s Institute for Young Dramatic Voices

Ryan Wornall, 1st Year bass

Music Academy of the West

Geoffrey Schmelzer, 3rd Year baritone

Maiya Williams, 1st Year mezzo-soprano

Dawson Franzino, 1st Year mezzo-soprano

YOU MAKE AVA HAPPEN

100% tuition-free training

$100,000 supports one Resident Artist for one year

60

HUNDREDS of hours of individualized coaching per artist % %

50 annual budget comes from you of donors deepened their support this year

Your generosity fuels the training and career-changing opportunities that define the Resident Artist experience.

AVA BOARD OF DIRECTORS

Harold F. (Rick) Pitcairn II

Chairman of the Board

Susan E. Kane

Vice Chair & Treasurer

Neal W. Krouse

Vice Chair & Secretary

B.A. (Mackie) MacLean, Jr. Chairman Emeritus

Dr. Diane Cole Ahl

R. Randolph Apgar

Barbara Donnelly Bentivoglio

Judith Broudy

Alice Chase

Kristin Davidson

Dr. Julie Fairman

Lily Ferry

Scott Hickman

I. Gail Howard

Eric L. Hume, MD

Dr. Richard B. Kent

Rochelle Magarick

Dr. Douglas J. Manion

Marlene F. Milner

Latonia Moore (AVA ’04)

Stephen Parahus

Merle Raab

Suzanne Root, Esq.

Dr. Ruth Ryave

Corey Smith

Walter M. Strine Jr., Esq.

Kha Trinh

Richard L. Troxell II (AVA ’92)

Maria G. Vogiatzi, M.D.

Gordon Wase, Esq.

EMERITUS

Dr. Romeo Abella

Kay Bossone

Peter G. Gould

Martha R. Hurt

Joseph W. McGuire, Esq.

Francis J. Palamara*

P. Jeffrey Warden*

Charlotte H. Watts

*In memoriam

LEADERSHIP

Scott Guzielek

President and Artistic Director

Christofer Macatsoris

Jeannine B. Cowles Music Director Emeritus

STAFF

Administration

Dr. Josh Miller

Dean

José Meléndez

Assistant to the Music Director and Librarian

Kris Sell

Administrative Associate

Finance

Constantina (Dina) Christou, CPA

Chief Financial Officer

Eileen Cella

Director of Finance and Business Operations

Amalia Wilson Bookkeeper

Development

Emily Bernard

Development Manager

Chaz T. Martin

Development Events Manager

Monti Cerabino

Advancement Operations

Coordinator and Board Liaison

Marketing

Bill Buddendorf

Director of Patron Engagement and Opera Outreach

Andrew Rohe

Marketing and Public Relations Manager

Production and Facilities

Troy Martin-O’Shia

Production and Facilities Manager

Kel Fleming

Production Stage Manager and Assistant Production Manager

V Hope Costume Shop Supervisor

FACULTY

Voice Instructors

Bill Schuman

Luis Ledesma

Wendy Bryn Harmer

Master Vocal Coaches

David Antony Lofton

Danielle Orlando

Richard A. Raub

Luke Housner

Vocal Coaches

Michael Lewis Matthieu Cognet

Pianists

José Meléndez

Elise Auerbach

Ting Ting Wong

Gabriel Rebolla

Sarah Thune

Assistant Conductor

Robert Kahn

Class Instructors

Ennio Brugnolo

Instructor in Italian

Beth Clayton CMHC MM

Mental Wellness Coach

David Cognetti, M.D.

Chair of the Department of Otolaryngology

– Jefferson University

Charles Conwell

Instructor in Stage Combat

Paul Curran

Instructor in Acting

Amanda Johnston

Instructor in German

Nicole Layseca

Instructor in French

Lisa Lovelace

Instructor in Stage Movement and Dance

Dr. Josh Miller

Professional Development Faculty

Bob Rowland

Instructor in Opera History

Dr. Robert Thayer Sataloff

Instructor in Vocal Health

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Donor Impact Report | 2025/2026 Season by Academy of Vocal Arts - Issuu