THE TRAVELLER B E I NG T H E R E NA I S S A NC E G E N T L E M A N W H I L ST T R AV E L L I NG
I S SU E N 째 0 1 SPR I NG / SUM M E R 2 0 1 6
F i g u re 1 ( A l on 2 0 1 4 )
F i g u re 2 ( Me n In Su it s 2 0 1 2 )
F i g u re 3 ( B e d Stu 2 0 1 4 )
T h e Tr ave l l e r
T he Tr ave l l e r i s sp ont an e ou s . He i s l o ok i ng for e x p e r i e n c e s t h at w i l l i nspi re, e du c ate an d su r pr i s e. Tr ave l i s f re e d om ; it g ive s you t h e abi l it y to s e e an d a ch i e ve e ve r y t h i ng you d e s i re. It i s for t he i n d iv i du a l w h o i s s e e k i ng ch ange ; ch ange i n on e’s b e h av i ou r, s itu at i on , me nt a l st ate or l i fe st y l e. It w i l l rou n d you a s a p e rs on an d g ive you a w i d e r p e rsp e c t ive on l i fe.
R e n ai ss an c e G e nt l e m an h a s cho s e n a word to re pre s e nt t h i s i ssu e. ‘Fe r nwe h’, t h i s word or i g i n ate d f rom G e r m any an d me ans t he i r re s i st i bl e, i n c u r abl e d e s i re to t r ave l. T h e opp o s ite to h om e s i ck , it i s w he n a p e rs on i s c r av i ng to v i s it s ome w he re he h a s n e ve r v i s ite d b e fore.
F i g u re 4 ( R i s e )
“ Tr ave l l i n g you n g i s i mp or t a nt , it s h ap e s you r wor l d v i e w. Wh e n you tr ave l you n g , you re a l i s e w h o you a re a n d w h at you b e l i e ve i n” ( St r ut ne r 2 0 1 3 )
“ Tr ave l i s f at a l to pre ju d i c e , bi got y, a n d n a r row - m i n d e d n e ss , a n d m a ny of ou r p e op l e n e e d it s ore l y on t h e s e a c c ou nt s . Bro a d , w h o l e s a l e , c h a r it a b l e v i e ws of m e n a n d t h i n g s c a n n ot b e a c qu i re d by ve ge t ati n g i n on e l itt l e c or n e r of t h e e a r t h a l l on e’s l i fe ti m e” ( Mark Tw ai n )
It i s e ss e nt i a l t h at t h e R e n ai ss an c e G e nt l e m an i s we l l rou n d e d an d k n ow l e d ge abl e ab out ot h e rs .
Tr ave l i s t he route for me e t i ng d i f fe re nt c u ltu re s an d d i f fe re nt m i n d s e t s . It i s w he n you d i s c ove r t h i ng s you n e ve r k n e w e x i ste d.
T h i s i ssu e c ont ai ns t h e b e st t r ave l d e st i n at i ons . Wh e t h e r it’s i nte r r ai l i ng i n Eu rop e or e x pl or i ng t h e re st of t h e pl an e t , it w i l l g ive h i nt s an d e ss e nt i a l t ip s ab out t h e t r ave l l i ng l i fe st y l e.
F i g u re 6 ( Mc Ew an 2 0 1 5 )
C OF F E E IT
WILL
IS
A GIVE
MOT I VATOR . YOU
THE
MOT I VAT ION TO G E T U P A N D SU C C E E D
W H E R EV E R
YOU
ARE.
“As long as there’s coffe e i n t h e wor l d , h ow b a d c ou l d t h i n g s b e ? ” ( C a ss an d r a C l are )
F i g u re 7 ( Mo d e r n G e nt l e m an )
F i g u re 8 ( Im age H D )
INTER RAILING Top p l a c e s on t h e a f ford a b l e tr a i n j ou r n e y
F i g u re 9 ( Mot i on Ph oto g r aphy )
03
F i g u re 1 0 ( B o s n i a and He r z e gov i n a 2 0 1 4 )
F i g u re 1 1 ( Gr and B a z a ar 2 0 1 0 )
St ay i n g C l a ssi c a l . . . Being
a
Renaissance
Gentlemen
whilst
travelling means being stylish, thoughtful and intellectual. So, with this in mind...
If someone needs your seat, no matter how heavy your backpack is, always give it up. A gentleman will always put others before himself.
Style and comfort need to be carefully considered. Whilst travelling you must always look like a Renaissance Gentleman. Trainers are a key style item whilst roaming the streets. They are great for providing style and comfort.
Moisturiser and a shaver are small enough to take anywhere, staying well groomed is quick and easy and the perfect way to stay looking like a classical Renaissance Gentleman.
F i g u re 1 2 ( DT Ne w s 2 0 1 4 )
F i g u re 1 3 ( Pau l i no 2 0 1 5 )
F i g u re 1 4 ( Pau l i n o 2 0 1 5 )
B e t h e b e st d re ss e d , but n e ve r ove r d re ss e d .
F i g u re 1 5 ( Ma x i m i l i ano Pat an e )
WHEREVER YOU ARE OR WHEREVER YOU ARE GOING, YOU SHOULD BE EDUCATED ABOUT THE WORLD. YOU NEED TO KNOW
WHAT
IS
HAPPENING
AND
WHERE. THIS WILL HELP YOU ENGAGE IN CONVERSATION AND SUBJECTS WITH NEW PEOPLE.
Ne wsp ap e r s w i l l ke e p you up d ate d a n d e du c ate d
F i g u re 1 6 ( Mc Ew an 2 0 1 5 )
F i g u re 1 7 ( B e a ch e s i n G OA )
GLOBAL A lte r n ati ve d e sti n ati on s a n d n e w ex p e r i e n c e s ex p a n d e ve r y a sp e c t of you r hu m a n it y
F i g u re 1 8 ( Yang s hu o C h i n a )
F i g u re 1 9 ( T h e Ph i l ippi ne s 2 0 1 4 )
04
F i g u re 2 0 ( Worl d of Wan d e rlu st 2 0 1 4 )
F i g u re 2 1 ( Z i el a sko 2 0 1 5 )
St y l e i s a l l a b out attitu d e a n d h ow you c a r r y you r s e l f
L e a r n a l a n g u a ge “A d i f fe re nt l a n g u a ge i s a d i f fe re nt ve r si on of l i fe� ( Fe d e r i c o Fe l l i n i )
F i g u re 2 2 ( D ai ly Mai l 2 0 1 2 )
F i g u re 2 3 ( D ai ly Mai l 2 0 1 2 )
“Ju st l e a r n i n g to t h i n k i n a n ot h e r l a n g u a ge a l l ows you to s e e you r ow n c u ltu re i n a b e tte r v i e w p oi nt” ( G ate s Mc f a d d e n )
LEARN A FEW WORDS BEFORE YOU GO ANYWHERE. TO BE A RENAISSANCE GENTLEMAN, YOU MUST BE RESPECTFUL, RESPECT GOES A LONG WAY. EVERYONE WILL HAVE MORE RESPECT FOR YOU IF YOU MAKE AN ATTEMPT TO PARTICIPATE IN THEIR LIFESTYLE.
Su n g l a ss e s , s o you c a n a l w ays l o o k st y l i s h , e ve n i f you d on’t fe e l it
F i g u re 2 4 ( Ste w ar t 2 0 1 4 )
F i g u re 2 5 ( Me ns St y l e 2 0 1 4 )
THE LOOK Ke e p it si mp l e , c l a ssi c a n d a f ford a b l e
F i g u re 2 6 ( Jame s As o s St y l i st 2 0 1 4 )
05
F i g u re 2 7 ( Mc Ew an 2 0 1 5 )
F i g u re 2 8 ( Mc Ew an 2 0 1 5 )
The Traveller range is sold in a variety of plain options. All the colours range from different shades of black and grey. Colours that suit anything and everything, great for re-using when there isn’t much baggage space! There is one patterned style, which can be mixed and matched into any multi-pack. The fabric is a lightweight cotton blend, perfect for comfort and movement. They are sold as a 3 pack for £15. Head online and tick which options you would like, whether it be one patterned and plain, or all plain black, the choice is yours!
F i g u re 2 9 ( Mc Ew an 2 0 1 5 )
F i g u re 3 0 ( Shu lt z 2 0 1 4 )
THE HAIRSTYLE St ay st y l i s h h owe ve r l on g you’ ve b e e n tr ave l l i n g
F i g u re 2 9 ( Shu lt z 2 0 1 4 )
F i g u re 3 1 ( Ma l c ston e 2 0 1 4 )
06
F i g u re 3 2 ( S att l e r 2 0 1 4 )
F i g u re 3 3 ( Jone s 2 0 1 4 )
TA K E A C A M E R A . T H E M E MOR I E S T HAT YOU A R E C R E AT I NG W I L L BE U N F ORG E T TA BL E , LO OK I NG BAC K AT PHOTO S W I L L R E I N V IG OR AT E A S S O C IAT ION S A N D F E E L I NG S YOU HA D W I T H T HAT MOM E N T .
“PHOTO G R A PH Y TA K E S A N I N STA N T O U T OF T I M E , A LT E R I NG L I F E B Y HOL DI NG I T ST I L L” ( L ange 1 9 5 0 )
F i g u re 3 4 ( D el on )
F i g u re 3 5 ( R i s e )
F i g u re 3 6 ( Mar i nel aye r 2 0 1 4 )
F i g u re 3 7 ( B ou rd e ron 2 0 1 2 )
“ Tr ave l l i n g d o e sn’t h ave to b e ex p e n si ve a n d you c a n’t ex p e c t to h ave mu c h of a p e r sp e c ti ve a b out t h e wor l d i f you c on f i n e you r s e l f to t h e l i m it s of you r h om e tow n” ( D an i el Wa l l e n )
Re fe re n c e s
A l l t he ar t i cl e s i n t h i s m ag a z i n e h ave b e e n w r itte n an d c re ate d by Abi g ai l Mc Ew an , 2 0 1 5 .
Q u ote s Us e d •
Stut ne r, S . , 2 0 1 3 . 3 0 pl a c e s you mu st v i s it b e fore you’re 3 0 [ on l i ne ] Av ai l abl e at : http : / / w w w. hu f f i ng tonp o st . c om / 2 0 1 3 / 1 0 / 0 9 / 3 0 b e fore - 3 0 _ n _ 4 0 5 9 2 7 9 . ht m l [ Ac c e ss e d on 6 / 0 5 / 1 5 ]
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Tw ai n , M . Famou s Tr ave l Q u ote [ on l i n e ] Av ai l abl e at : http : / / w w w. go o d re a d s . c om / qu ote s / 1 7 1 6 - t r ave l - i s - f at a l - to - pre ju d i c e bi got r y - and - n ar row - m i n d e d n e ss - an d - m any [ Ac c e ss e d on 6 / 0 5 / 1 5 ]
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C l are, C . C of fe e Q u ote [ on l i n e ] G o o d R e a d s . Av ai l abl e at : http : / / w w w. go o d re a d s . c om / qu ote s / 2 2 9 0 1 5 - a s - l ong - a s - t h e re - w a s c of fe e - i n - t h e - worl d - h ow [ Ac c e ss e d on 3 / 0 5 / 1 5 ]
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Mc Fa d d e n , G . L ang u age Q u ote s [ on l i n e ] Av ai l abl e at : http : / / w w w. br ai nyqu ote. c om / qu ote s / qu ote s / g / g ate s m c f a d 1 7 6 5 8 7 . ht m l [ Ac c e ss e d on 7 / 0 5 / 1 5 ]
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Fel l i n i, F. Mu st L e ar n a L ang u age [ on l i n e ] Av ai l abl e at : http : / / w w w. k now l e d ge - mu st . c om / l ang u age _ mu st / w hy _ l e ar n _ l ang u age s . ht m l [ Ac c e ss e d on 7 / 0 5 / 1 5 ]
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L ange, D. , 1 9 5 0 . Ph oto g r aphy qu ote [ on l i n e ] Av ai l abl e at : http : / / w w w. br ai nyqu ote. c om / qu ote s / qu ote s / d / d orot h e a l a 1 4 1 1 6 3 . ht m l [ Ac c e ss e d on 7 / 0 5 / 1 5 ]
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Wa l l e n , D. 1 0 T h i ng s You C an D o To B e A G e nt l e m an [ on l i n e ] Av ai l abl e at : http : / / w w w. l i feh a ck . org / ar t i cl e s / c om mu n i c at i on / 1 0 t h i ng s - you - c an - to d ay - ge nt l e m an . ht m l [ Ac c e ss e d on 3 / 0 5 / 1 5 ]
Im a ge s •
Front c ove r – Me ns St y l e, 2 0 1 4 . Me ns St y l e Bl o g [ d i g it a l i m age ¬ ] Av ai l abl e at : http : / / m e nst y l e 1 . c om / p age / 2 [ Ac c e ss e d on 6/05/15]
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F i g u re 1 . A l on 2 0 1 4 . Home, h ome w h e re I w ante d to go [ d i g it a l i m age ] Av ai l abl e at : http : / / org an i c te ch h ou s e mu s i c . tu mbl r. c om [ Ac c e ss e d on 6 / 0 5 / 1 5 ]
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F i g u re 2 . Me n In Su it s , 2 0 1 2 . I L ove Me n In Su it s [ d i g it a l i m age ] Av ai l abl e at : http : / / i l ove m e n i nsu it s . tu mbl r. c om / p age / 2 [ Ac c e ss e d on 3 / 0 5 / 1 5 ]
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F i g u re 3 . B e d Stu 2 0 1 4 . Aut h e nt i c S o c i e t y [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. aut h e nt i c s a ck s o c i e t y. c om / b e d - stu - oh ar a ol ive - g re e n - b ag / [ Ac c e ss e d on 3 / 0 5 / 1 5 ]
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F i g u re 4 . R i s e, C . Tr ave l l i ng w it h L ang ly [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. l ang ly. c o / p age s / c ol e - r i s e [ Ac c e ss e d on 3 / 0 5 / 1 5 ]
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F i g u re 5 . Mc Ew an , 2 0 1 5 . Tr ave l l i ng E ss e nt i a l s [ ow n i m age ]
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F i g u re 6 . Mc Ew an , 2 0 1 5 . Tr ave l l i ng w it h h ol d a l l [ ow n i m age ]
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F i g u re 7 . Mo d e r n G e nt l e m an . Man d r i n k i ng c of fe e [ d i g it a l i m age ]
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F i g u re 8 . Im age H D. E l P u e nte [ d i g it a l i m age ] Av ai l abl e at : http : / / i m age ne s h d. org / foto s - h d / [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 9 . Mot i on Photo g r aphy, 2 0 1 4 . Tr ai n [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. l ove it s omu ch . c om / c ol l e c t i ons / n atu re u r b an [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 1 0 . B o s n i a and He r z e gov i n a , 2 0 1 4 . 1 0 re a s ons to go to B o s n i a [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. worl d of w and e rlu st . c om / 1 0 - re a s ons - v i s it - b o s n i a - h e r z e gov i n a / [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 1 1 . Gr and B a z a ar, 2 0 1 0 . Tu r ke y [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. t re ke ar t h . c om / g a l l e r y / Mi d d l e _ E a st / Tu rke y / Mar m ar a / Ist anbu l / Ist anbu l / ph oto 1 2 5 0 5 3 8 . ht m [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 1 2 . DT Ne w s , 2 0 1 4 . B e st Ma ke Up for me n [ d i g it a l i m age ] Av ai l abl e at : http : / / dt . bh / me ns - p e r fe c t - m a ke up - k it / [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 1 3 . Pau l i no, G . , 2 0 1 5 . Man c a su a l i n d re ss i ng gow n [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. t h e ge nt l e m anbl o g ge r. c om / 2 0 1 5 / 0 4 / 0 7 0 5 am / # . V Up e - c 6 z L d k [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 1 4 . Pau l i no, G . , 2 0 1 5 . C l o s e up d re ss i ng gow n [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. t h e ge nt l e m anbl o g ge r. c om / 2 0 1 5 / 0 4 / 0 7 0 5 am / # . V Up e - c 6 z L d k [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 1 5 . Ma x i m i l i an o Pat an e [ d i g it a l i m age ] Av ai l abl e at : http : / / iw i s hto c ont i nu e. tu mbl r. c om / p o st / 8 4 1 2 0 2 9 0 8 4 3 / e a s y goi ng f utu re - m a x i m i l i an o - p at ane [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 1 6 . Mc Ew an , A . , 2 0 1 5 . Ne w sp ap e r an d ot h e r e ss e nt i a l s [ ow n i m age ]
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F i g u re 1 7 . B e a ch e s i n G OA [ d i g it a l i m age ] Av ai l abl e at : http s : / / w w w. tu mbl r. c om / s e arch / b e a ch e s - i n - G o a [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 1 8 . Yang shu o C h i n a [ d i g it a l i m age ] Av ai l abl e at : http s : / / w w w. tu mbl r. c om / s e arch / y ang s hu o % 2 0 ch i n a [ Ac c e ss e d on 4/05/15]
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F i g u re 1 9 . T h e Ph i l ipp e ans , 2 0 1 4 . Tr ave l l i ng Pi c tu re s [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. worl d of w and e rlu st . c om / 1 5 - b e st t r avel - d e st i n at i ons - i n - 2 0 1 5 / [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 2 0 . Wor l d of Wan d e r lu st , 2 0 1 4 . Tr ave l l i ng Pi c tu re s [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. worl d of w and e rlu st . c om / 1 5 b e st - t r avel - d e st i n at i ons - i n - 2 0 1 5 / [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 2 1 . Z i e l a s ko, A . , 2 0 1 5 . G e nt l e m an i n Nott i ng Hi l l [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. t h e ge nt l e m anbl o g ge r. c om / 2 0 1 5 / 0 4 / bl o ss oms / # . V Upmj 8 6 z L d k [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 2 2 . D ai ly Mai l, 2 0 1 2 . L on d on O ly mpi c F l ag s [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. d ai ly m ai l. c o. u k / ne w s / ar t i cl e - 2 1 5 9 7 8 6 / L on d on - 2 0 1 2 - O ly mpi c s - L on d ons - R e ge nt s - St re e t - b e d e cke d - n at i on a l - c ol ou rs . ht m l [ Ac c e ss e d on 8 / 0 5 / 1 5 ]
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F i g u re 2 3 . D ai ly Mai l, 2 0 1 2 . L on d on O ly mpi c F l ag s L ow Vi e w [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. d ai ly m ai l. c o. u k / n e w s / ar t i cl e - 2 1 5 9 7 8 6 / L on d on - 2 0 1 2 - O ly mpi c s - L on d ons - R e ge nt s - St re e t - b e d e cke d - n at i on a l - c ol ou rs . ht m l [ Ac c e ss e d on 8 / 0 5 / 1 5 ]
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F i g u re 2 4 . Ste w ar t , T. , 2 0 1 4 . C o at an d Su ng l a ss e s C ompl e t i on [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. m e ns f a s h i on m ag a z i n e. c om / c o at - c ompl e t i on [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 2 5 . Me ns St y l e, 2 0 1 4 . Si mpl e L o ok [ d i g it a l i m age ] Av ai l abl e at : http : / / m e nst y l e 1 . c om [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 2 6 . Jame s As o s St y l i st , 2 0 1 4 . St re e t St y l e [ d i g it a l i m age ] Av ai l abl e at : http : / / t h e u lt r a l i n x . c om / 2 0 1 4 / 0 3 / r and om i nspi r at i on - 1 2 7 - arch ite c tu re - c ars - st y l e - ge ar /
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F i g u re 2 7 . Mc Ew an , A . , 2 0 1 5 . T h e Tr ave l l e r u nd e r we ar r ange [ ow n i m age ]
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F i g u re 2 8 . Mc Ew an , A . , 2 0 1 5 . D i f fe re nt C ol ou r O pt i ons [ ow n i m age ]
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F i g u re 2 9 . Mc Ew an , A . , 2 0 1 5 . Patte re n e d O pt i ons [ ow n i m age ]
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F i g u re 3 0 . Shu lt z , R . , 2 0 1 4 . T h e B e st Man Bu ns [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. bu z z fe e d. c om / r ut hy an ne y / 2 1 - m an - bu ns t h at - w i l l - r u i n - you - for- s h or t - h ai re d - g u - 1 1 8 s 9 [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 3 1 . Ma l c ston e, 2 0 1 4 . Me ns g ro om i ng [ d i g it a l i m age ] Av ai l abl e at : http : / / s e re n a d e of ane cl e c t i cl ove rs m i r age. tu mbl r. c om / p o st / 1 0 2 0 0 8 3 1 5 5 7 8 / m a l c ston e - l l oyd - x - m a l c - stone - g ro om i ng - x - h e l e n [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 3 2 . S att l e r, A . , 2 0 1 4 . Maj e st i c Man by a l a ke [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. bu z z fe e d. c om / r ut hy an ne y / 2 1 - m an bu ns - t h at - w i l l - r u i n - you - for- s h or t - h ai re d - g u - 1 1 8 s 9 ? su b = 3 4 9 6 4 8 5 _ 4 1 4 8 4 1 9 [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 3 3 . Jon e s , K . , 2 0 1 4 . Hai rst y l e s on p oi nt [ d i g it a l i m age ] Av ai l abl e at : http : / / h ai rst y l e onp oi nt . c om / i nt ro du c i ng - m an - bu n h ai rst y l e - me n - ge t - 2 0 1 5 / [ Ac c e ss e d on 4 / 0 5 / 1 5 ]
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F i g u re 3 4 . D e l on , A . Ph oto g r aph e rs w i l l stop at not h i ng to t a ke a go o d ph oto [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. e ar t hp or m . c om / c r a z y - ph oto g r aph e rs / [ Ac c e ss e d on 3 / 0 5 / 1 5 ]
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F i g u re 3 5 . R i s e, C . Ph oto g r aphy w it h a L ang ly [ d i g it a l i m age ] Av ai l abl e at : http : / / w w w. l ang ly. c o / p age s / c ol e - r i s e [ Ac c e ss e d on 3/05/15]
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F i g u re 3 6 . Mar i n e l aye r, 2 0 1 4 . Me ns we ar Fa s h i on B ag [ d i g it a l i m age ] Av ai l abl e at : http : / / l i g ht - s h ot . tu mbl r. c om / p o st / 7 4 6 6 4 9 8 2 8 2 7 / m ar i n e l aye r [ Ac c e ss e d on 5 / 0 5 / 1 5 ]
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F i g u re 3 7 . B ou rd e ron , H . , 2 0 1 2 . Man w a l k i ng aw ay [ d i g it a l i m age ] Av ai l abl e at : http s : / / 5 0 0 px . c om / ph oto / 6 9 4 6 9 4 7 / - by - he r ve b ou rd e ron [ Ac c e ss e d on 5 / 0 5 / 1 5 ]