Mark Campbell directs the MPhil in Media Practices at the AA School. He completed his PhD and MA as a Fulbright Scholar at Princeton University. Currently a visiting professor of architecture at Southeast University, Nanjing, he has taught at the Cooper Union, Princeton and Auckland University. Previously managing editor of Grey Room and the Cooper Union Archive, he is most recently the author of Paradise Lost (AA Publications). Pier Vittorio Aureli is an architect and educator. His research and projects focus on the relationship between architectural form, political theory and urban history. He is Louis Kahn Visiting Professor at the School of
Architecture at Yale University and the author of The Possibility of an Absolute Architecture (2011) and The Project of Autonomy: Politics and Architecture Within and Against Architecture (2008). He is co-founder of Dogma, an architectural studio focused on the project of the city.
Polly Braden is a documentary photographer who explores the relationship between everyday life, work, leisure and economics. She works on long-term, self-initiated projects and commissions for international publications. Her work has been widely published and exhibited.
Yoni Bentovim is an award-winning documentary filmmaker and a graduate of the London Film School. He has directed a number of films – from short dramas to broadcast television documentaries – and has collaborated on projects with figures such as Abbas Kiarostami, Ashvin Kumar and Etgar Keret.
Mark Cousins directs History and Theory Studies at the AA School. He was educated at Oxford and the Warburg Institute. Previously visiting professor at Columbia University, he is now guest professor at Southeast University in Nanjing, China.
Still from La Jetée, Chris Marker, 1962
Reuben de Lautour is a composer, sound artist and musician. He composes and
teaches at Istanbul Technical University’s Centre for Advanced Studies in Music, where he founded the programme in sonic arts. Eva Stenram identifies as a photographic archaeologist, sifting through past and present artefacts, interacting with and reinterpreting the imagery she encounters. Her work has been widely exhibited and published. Laura Tunbridge is associate professor of music at St Catherine’s College, Oxford. Dditor of the Journal of the Royal Musical Association, she is also completing a book on early recordings, radio and sound film.