This project related the deconstruction present on graphic design with Quentin Tarantino's movies esthetic. To make this relation possible were discussed the effectiveness of this graphic design's strand by using the typography as image, its way of expression and representation and features like: illegibility, appropriation, subjectivity and non-linearity. Served as reference, besides movies by Quentin Tarantino, works of Wolfgang Weingart, Neville Brody, of Émigré magazine, School of Crambrook and David Carson. The proposal resulted as an experimental typographic magazine which shows the effectiveness of deconstruction inside graphic design as a legitimately way of representation and expression by typography, breaking with the formalism present in modernism and giving the receiver different ways of interpretation of the graphic parts.
