ABOUT ME 2020
MOUNTAIN OF LIGHT VISITOR CENTER
04
07
2019
HERITAGE RESE ARCH HUB
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11
2018
FROM -TO
K AEC SPOR T HALL
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15
2018
ACADEMIC
PAGES
PROJEC TS
HIS TORIC JEDDAH RE VIVAL PROJEC T
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2020
As a matter of fact, I firmly contend that architecture expresses art. Architecture cannot be defined by rules; rather, it should be a deeply philosophical undertaking. First and foremost, architects are bound to be masters of a wide range of knowledge, meticulous, and thought-provoking minds. Furthermore, architecture is more than just a structure; it also reflects civilization, spirit, and image. This is my path - going beyond mere logic and intellect.
CONTENTS
I’m an architect; graduated in Spring 2020. My commitment to captivating and intriguing projects never wavers. My deepest ambition in life is that everyone can dwell in a state of heavenly bliss and eminence, and I am convinced that architecture can be instrumental in this direction.
PORTFOLIO
M Y NAME IS SHAHAD M AL- NEMI
SYMBOL S
PROFESSIONAL NEIGH BOURHOOD COMMUNIT Y
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21
PAGES
PROJEC TS
JABAL ABU MAK HROUQ
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23
MWAWARD
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IT’S TIME TO SK I
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2021
2020
FROM -TO
2020
SYMBOL S
MOUN TAIN OF LIGH T VISI TOR CEN T ER LO C AT I O N/ MECC A , SAUD I AR AB IA B Y/ SH A H A D A L NEMI
This sacred site is situated about 4 kilometers northeast of Masjid al-Haram, regarded as one of the most venerated Islamic shrines on the globe. According to ancient tradition, the mountain’s name refers to the prophecy lights that glowed on its top. In the cave of Hira in (the Mountain of Light) where the Qur’an was revealed, the call to Islam began. This is the first place on earth on which the Secretary of Heaven and Secretary of Earth met to convey the eternal message of God. Mount of Light has thus been classified as one of the most uphill sites in the area due to its difficulty for visitors to climb. Even though the risk of falls is a concern for climbers, it has not prevented them from climbing the mountain. To make it a destination for Muslims, it must be developed and improved.
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The project contains several zones geared towards two target groups: daily users and visitors. In the second group, the visitor will be scouting three points of observation, from which they can view the city from various perspectives. They will have two choices of routes: the initial path will conduct them internally, then externally, and return as they continue their journey to the cave, and once they climb to the cave’s top, they can opt for the second route so, it will be a unique exploration.
THE PATH ((SHOW US THE STRAIGHT PATH, THE PATH OF THOSE WHOM THOU zHAST FAVOURED; NOT (THE PATH) OF THOSE WHO EARN THINE ANGER NOR OF THOSE WHO ASTRAY)) AL-FÂTIHAH The Qur’an was revealed by Allah to guide the people out of darkness and show them the way to the light. God’s promise is explicitly described in the Qur’an, indicating that man’s entry into Paradise is connected to his pursuit and effort in this life. The implication of these verses is that work is a reason for man’s entry into Paradise and that entry is a consequence of man’s work. T HE END OF T HE JOURNE Y 3
When they reach the cave where the Prophet meditated, they will be facing the direction in which Muslims pray (Qibla).
T HE MIDDLE OF T HE JOURNE Y T HE BEGINNING OF T HE JOURNE Y 2
During the journey, pilgrims can see a panoramic view of Makkah city. This is an interesting visual experience to see Makkah from different perspectives.
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At the start of their journey, pilgrims will see the path that leads to Hira Cave at the top, and they will also witness the pilgrims currently ascending the mountain.
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To the Light
platform After they go through the bridge to inside, they will perform a special show with visual graphics to illustrate the displays. They will be raised to the second level by stairs, there will be a platform where the visitors can interact visually with those walking along the path. On the way out, they will pass by a theater before descending into the cave.
Roof
From the Dark
Bridge
Starting from the inside, this journey will take you into the darkness—mimicking the emotions from the prophecy—before reaching the place where light enters, then walking outside on the roof, and then returning through a bridge.
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HERI TAGE RE SE ARCH HUB LO C AT I O N/ JEDDAH, SAUD I AR AB IA B Y/ SH A H A D A L NEMI
Jeddah city offers a rare glimpse into living history. A wide range of cultural and architectural traditions can be found in Jeddah, ranging from the iconic downtown area to diverse scenery. The heritage hub draws inspiration from the most popular cultural movement in the Southeast, called Quit Art, which was abstracted from. The building was designed to consume energy in a way that closely blends with other fields, such as mechanical, environmental, and interior design, building system conception, all of which are optimized to work together in the most efficient, planned manner possible.
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middle mass
First step into the building is to find an atrium that offers a feel of the light from the skylight, as well as a sightline connection with those on the upper floors. The sloping middle mass catches the wind from the point of highest inclination and carries it back out across. On the first floor, the most active areas are located in the north of the building, utilizing the light and using glass in the most exposed areas, looking out onto a blended landscape.
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A section wall on the south has been constructed in a dynamic manner so that you will be kept warm and dry in the winter and cool and dry in the summer via the wall that supports the building. It will be composed of aluminum sheets, and inside it will be a solar panel that will assist in the operation, which could be either manual or mechanized, and the green roof will use recycled water which will be connected to an irrigation system. aluminum sheets
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grid shell This shot illustrates the hierarchy in the scene and how the void is beneficial in dealing with slop, and how it is applied in conjunction with a grid shell system for providing wide spans for movement. Accessible ramps can not only serve as a practical means to connect people to the 2nd floor space, but they can also serve as an accessible recreation spot for the community to socialize and unwind.
Accessible ramps
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K AEC SPOR T HALL LO C AT I O N/ K AEC , SAUD I AR AB IA B Y/ SH A H A D A L NEMI
Within the 2030 vision for the Kingdom, vibrant and dynamic societies are key demands of developed communities. Competitive performances in sports activities are of public interest, especially to the people living in the extended borders of Jeddah City. In this respect, design of Multi Sports Hall with a capacity of 2500 spectators in King Abdallah Economic City will enable local residents as well as sports leagues from all over the Kingdom to practice and compete in integrated sports. I identify the facilities and retail areas needed to create an environment where tournaments and championships can be held, as well as training and gymnastics. A number of technical aspects related to utilities and services, structural systems as well as environmental aspects were considered.
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Gride shell
space turss
space frame
precast concrete stand precast concrete frame Floor
Interior wall
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There are four main components of the structure of the buildi n g : a fou n d a t i o n , beam, column and enclosure. For the stability and economy of wide-span, it consists of a space frame, ring beam, and sheathing. Additionally for the arena stage, a precast concrete stand will be integrated with a precast concrete frame to accommodate the seats.
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HIS TORIC JEDDAH RE VIVAL PROJEC T LO C AT I O N/ O LD J EDDAH, SAUD I AR AB IA B Y/ SH A H A D A L NEMI
Old Jeddah, or downtown Jeddah, is a historical center of Jeddah that was an important trading port that fostered cross-cultural exchange among Middle Eastern traders. A Historic Jeddah Development is being considered to transform the region into a model for economic growth, cultural festivals, and investor interest. The revitalization of Historic Jeddah is based on its historic monuments, fostering a culture of an active society, artists, and a creative economy, as it will be an exemplary development.
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Mashrabiyais The old houses in Jeddah are built on a structure similar to modern buildings, despite the difference in capability. Essentially, it is created by erecting two opposite walls and filling the void between them with stones and mud. The Mashrabiyais are used for several reasons, most notably privacy and reducing loads on the building.
The basic equation showing the influence of Egyptian style on the traditional architecture of jeddah
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The development will make old Jeddah the heart of the region, as a major meeting point for people, commerce, and culture
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PROFE SSIONAL NEIGHBOURHOOD COMMUNI T Y CEN T ER LO C AT I O N/ JEDDAH, SAUD I AR AB IA B Y/ T HREE MEMBER S A ND M YSEL F
A community center is a building that provides different services to the members of its local community. It serves these members of different needs and ages by expanding their opportunities to indulge in various social, educational and entertainment activities. It also facilitates the process of bringing the community together and have them socialize and connect with one another. The design was inspired from the historical buildings of the kingdom’s western coastal region. In which, courtyards had a strong presence in various building types, mainly for the purpose of ventilation and providing natural daylight to the surrounding interior rooms. These rooms were often square or rectangular in shape and were opened towards the courtyard. The roofs were mainly flat and not round, since rainfalls occur less often and it also lessens the surface area subjected to the solar radiation.
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2ND PL ACE WINNER
JABAL ABU MAK HROUQ LO C AT I O N/ R IYADH, SAUD I AR AB IA B Y/ SI X MEMBER S A ND M YSEL F
My contribution to this competition is to build the design concept and develop the connection bridges and narrow it down to the connection between the urban space rather than the architectural plan and most of what’s been presented so far.
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M WAWARD LO C AT I O N/ DAMMAM , SAUD I AR AB IA B Y/ T HREE MEMBER S A ND M YSEL F
The design of Kayan Almajd was inspired by the celebrated emblem of Saudi Arabia which is known as Two Swords & the Palm Tree. It is one of the main pictures that come to mind when thinking of a representative symbol of the kingdom that is close to the people’s hearts & minds. The meaning behind the symbol of inspired the design of. Wherein the two swords represent the protection of the palm tree that is in between them and the palm tree symbolizes the assets of the kingdom, which are defined as its people, history, heritage and resources. Therefore, the symbol is indicating that there is no prosperity without the justice system.
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I T ’S T IME TO SKI- PER SON A L LO C AT I O N/ - - B Y/ ME
I believe that errands and trails are an excellent way to expand my imagination and create my own uniqueness; in this case, the building was blended with nature and the ski slope was created
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sS
SHAHAD ALNA AMI