Trickling of Light Vishakha Soni PID20399
The BIG Re-Think
Interior Techniques in Interior Design Practices
ID 4010 | Level 4 | PG Program
Master of Interior Design Monsoon 2020 | Faculty of Design CEPT University
ID 4010 | Level 4 | PG Program
Trickling of Light
The BIG Re-Think
Interior Techniques in Interior Design Practices Master of Interior Design Monsoon 2020 | Faculty of Design CEPT University
Content
0. About Studio Understanding of interior techniques
1. Objectory
Clutch Pencil
2. Factory
Design Domas magazine stand
3. Developing the Argument
Understanding of interior techniques Through case study of various projects like historical era, standardize and individual identity projects
4. Ideating Role 1 of Interior Design Photo montages of historical era Site- Ruins
5. Ideating Role 2 of Interior Design
Plan and section though standardized project Site- Safal Profitaire
6. Ideating Role 3 of Interior Design
Isometric or axonometric through individual identity project
The BIG Re-Think Interior Techniques in Interior Design Practices Master Tutor: Prof. Kireet Patel Studio Tutors: Rishav Jain and Aparajita Basu Assistants: Shail Sheth and Paramdeep Singh Dayani
Brief Outline: The intention of this studio is to develop a multitude of notions, approaches, positions and arguments with reference to interior techniques and its implications on the interior design practice. Here interior technique is defined as “A method, tool and medium that modifies, alters, conceals, exposes an interior element, thus transforming the transformable quality of the space.” The studio offers an opportunity to develop a design position in different contexts by questioning preconceived notions of interior design. It emphasizes the relationship between Interior techniques and its expression, identity and design outcome. The first four weeks are part of the common foundation program, where students from all streams work together to develop common skills and abilities. The later part of the studio is largely divided into two modules: the first module builds an argument on interior techniques through existing projects and the second module intends to develop a systematic approach to the application of the argument in three different contexts. It is an opportunity to develop an individual design position for disparate sites keeping the program constant.
Learning Outcomes: After completing this studio unit, the student will be able to: • Ability to develop a systematic argument/position/ approach on the interdependence between interior techniques and practice. • Ability to translate/represent the design argument/ position/approach through 3- dimensional and material based outcomes. • Ability to organize and evaluate the programmatic and pragmatic potential of derived design position. • Ability to build a design vocabulary and test it through the selected context (site/program).
(As per the studio proposal*)
Week 01-02 | FD PG Common Exercises
Objectory Process: Regular usage for designer is clutch pencil. Which is essential tool for drawing, doodling or ideating any ideas. The Concept of this exercise was to learn accuracy, tolerance and precision through any object. It also aims to develop a methodology to identify, list, and analyses objects by dismantling its parts and components. The final deliverable demonstrates precision by way of observing and representing. The study of tolerance is achieved through identifying the assembly of parts, materials, and accuracy by way of orthographic and exploded axonometric/isometric drawings. Identify and list materials with their specifications used in each part and its components. Analyze the relationships between shapes, sizes, proportion, geometry, and assembly of parts and components with technical orthographic drawings such as plans, sections & elevations.
Kit of parts of clutch pencil to understand the junction of every component. How each part of getting use. Role of every parts are different from each of them. There are various ways to hold clutch pencil.
Plan and section
Understanding each part through sketches
Plan, section, top and bottom of clutch pencil. To understand the proportion of each parts and how they are functioning.
Section of lower part of pencil Sleeve Thickness is 1mm Shaft
How lead is coming out Lead Dispenser ring Spring
Rubber Spring Dispenser
Lead Lead thickness is vary from 0.3 0.5, 0.7, 0.9mm
Spring cap Shaft
Isometric view of penci Disassembly on Vertical axis
Cone provides a pointed opening where lead rods can be ejected for writing Dispenser ring
Spring
Rubber for grip The rubber-gripping is a holding device used to hold the Mechanical Pencil between the thumb, index finger and middle finger while writing or drawing
Spring cap
Lead rod outlet The lead rod outlet is made of hi-impact plastic, coated with a silver chrome finish, and is connected to a white plastic fitting inside the cone cap
Shaft It is the shaft where, lead can stay
Pocket clam holder To grip on shirt Lead rod ejector be removing this part, lead is insert in Eraser cap It protect eraser, and the shaft. it the point where we push it and lead came out for writing or drawing Lead 0.7mm lead
Sleeve It is made up of hi-impact plastic with various diameters for different purpose
Removable eraser
Level 4 Studio | Monsoon 2020 FD PG, CEPT University
Vishakha soni | pid20399
When we press the bottom part of pencil cap, then here spring gets shrinks and dispenser gets open and from that lead come out. Dispenser holds the pencil lead
Week 03-04 | FD PG Common Exercises
Factory Process: To design Domas magazine stand. We as possibly to design on ground, on wall or suspend from ceiling. We have choosed suspended from ceiling. The concept was planning of making. Give shape and dimension to the given materials for appropriate usage. Identify and use appropriate fixing hardware and accessories. Develop awareness about the inputs of the Design process in the ‘making’. Manipulate and apply the act of assembly as a predominant function of the design process.
PROCESS JOURNAL
Factory
Factory
Level 4 Studio | Monsoon 2020 FD PG, CEPT University
Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383 Level 4 Studio | Monsoon 2020 FD PG, CEPT University
First we derive form from hexagonal shape. The take it to further. These are iterations of forms.
Vani Janga,
INDIVIDUAL IDEAS (3)
Factory
Level 4 Studio | Monsoon 2020 FD PG, CEPT University
Vani Janga | PID20389
ITERATION- ONE COMPONENTS
OBJECT
Factory
FORM DEVELOPMENT
ORTHOGRAPHIC DRAWINGS
750mm Steel rod bent
620
20x20x160 mm Wooden member L-angle 560mm
310 160
28
520mm Metal rod 10mm dia
480
241
4
25
20
20
20x20 mm Wooden member length varying from 180mm to 120mm
241
20x750x520 mm Wooden member 28
20x20x310 mm Wooden member
FEEDBACK: - Component 2 is heavy. - Resolve the suspension. Level 4 Studio | Monsoon 2020 FD PG, CEPT University
SIDE ELEVATION
25
20
20
4
453
PLAN
L-angle 560mm
FRONT ELEVATION
SCALE 1:10 ALL DIMENSHIONS IN MM
Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383
ITERATION- TWO
Factory 594
40x40x40 mm Wooden member
554
M.S. Steel sheet strips - 5mm wide Twisted by 360 deg, Slit edges into half
29
560
480
204
0
40
40
470
400x40x40mm Wooden Member
170x600mm Perforated M.S. Sheet (Folded at 20mm on each side at 90 deg)
40 25
0 17
0
48
40
341
0
17
400x40x40mm Wooden Member 308x40x40mm Wooden Member
385
PLAN
SIDE ELEVATION
480x40x40mm Wooden Member 560x50mm M.S. Steel Sheet folded into half at 90 deg.
FEEDBACK: - The object might have the tendency to swing side-ways. - The wooden member braced to the ceiling is too small to carry the entire load.
FRONT ELEVATION
SCALE 1:10 ALL DIMENSHIONS IN MM
Level 4 Studio | Monsoon 2020 FD PG, CEPT University
Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383
ITERATION- TWO (A)
Factory
594
40X40X40 mm Wooden member
94
601
1240
M.S. Steel sheet strips - 5mm wide Twisted by 360 deg, Slit edges into half
FEEDBACK: - Stabilise the suspension. 40
25x600mm M.S. Sheet
40
400x40x40mm Wooden Member
560
480
29
0
308x40x40mm Wooden Member
544
0
17
170x600mm Perforated M.S. Sheet (Folded at 20mm on each side at 90 deg)
40
480x40x40mm Wooden Member 0
0
Level 4 Studio | Monsoon 2020 FD PG, CEPT University
17
48
385
40 25
SCALE 1:10 ALL DIMENSHIONS IN MM
PLAN
SIDE ELEVATION
560x50mm M.S. Steel Sheet folded into half at 90 deg.
FRONT ELEVATION
Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383
ITERATION- WORKSHOP DRAWINGS
1515
12
560
ITERATION- THREE
Factory 40X40X300 mm Wooden member
369
370
368 mm long L-angle
40x40x35mm Wooden member
275
276
Metal rod bent into C shape at both ends at 90 deg. 40x40x35mm Wooden member
257
25x600mm M.S. Sheet
608
400x40x40mm Wooden Member
165
308x40x40mm Wooden Member
368
40
170x600mm Perforated M.S. Sheet (Folded at 20mm on each side at 90 deg)
0
122
480x40x40mm Wooden Member
48
560x50mm M.S. Steel Sheet folded into half at 90 deg.
40
562
Level 4 Studio | Monsoon 2020 WORKSHOP FDITERATIONPG, CEPT University
Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383
DRAWINGS 1
Factory
5
347
40
R
5
40
300
290 35
R5
2
40
51 35
51
60
25
13
40
25
40
13
7
50 265
40 35 40 50
35
40
40
35
40
35
Level 4 Studio | Monsoon 2020 FD PG, CEPT University
40 35
25 255 51 35
25
5
51
40
347
SCALE 1:5 ALL DIMENSHIONS IN MM
13
600
60
60
5
R
5
8 347
40
40
6
11
219
30
299
25
6
4
25
25
350
35
40
3
40
6
25
50
35
40
40 35 40 50
30 11 Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383
ITERATION- WORKSHOP DRAWINGS
Factory 9
400
37
159 40
204
183
180
37
10
40
40
308
40
193
40
308 40 16 15
10
15
40 40
440
12 12
11
SCALE 1:5 ALL DIMENSHIONS IN MM
1515
Level 4 Studio | Monsoon 2020 FD PG, CEPT University
Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383
ITERATION- WORKSHOP DRAWINGS - WOOD
Factory 400 9
37
204
560159
40
9
183
10
37
180
40
14 308
10
40
11
10
40
10
193
40
14
40
308
SCALE 1:5 ALL DIMENSHIONS IN MM Level 4 Studio | Monsoon 2020 FD PG, CEPT University
16 15
10
15
40 40
440
12 12
40
11
1515 Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383
560
ITERATION- WORKSHOP DRAWINGS - METAL
265
7
8
5
255
5
25
7
Factory
8 12
600
13
219
11
299
30
25
1515
30 11
560
170
20
12
1:20 600
350
Level 4 Studio | Monsoon 2020 FD PG, CEPT University
SEQUENCE OF ASSEMBLY OF JUNCTION
25
SCALE 1:5 ALL DIMENSHIONS IN MM
50
13 6
6
13
Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383
Factory
SCALE 1:20 ALL DIMENSHIONS IN MM Level 4 Studio | Monsoon 2020 FD PG, CEPT University
Assembly of parts
Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383
ITERATION- THREE
Factory 40X40X300 mm Wooden member
655
370
368 mm long L-angle
910
40x40x35mm Wooden member
1076
Metal rod bent into C shape at both ends at 90 deg.
25x600mm M.S. Sheet 400x40x40mm Wooden Member
0
29
308x40x40mm Wooden Member
560
480
40
259
40
40x40x35mm Wooden member
40
339
0
17
170x600mm Perforated M.S. Sheet (Folded at 20mm on each side at 90 deg) 480x40x40mm Wooden Member
94
0
48
JUNCTION A
17
560x50mm M.S. Steel Sheet folded into half at 90 deg.
0
SIDE ELEVATION
40
PLAN
25
385
FRONT ELEVATION SCALE 1:10 ALL DIMENSHIONS IN MM
Level 4 Studio | Monsoon 2020 FD PG, CEPT University
Individual concept Design Variation
Vani Janga, Vishakha Soni, Uttara Haridas | PID20389, PID20399, PID20383
Factory
Details
Level 4 Studio | Monsoon 2020
FD PG, design CEPT University Initial variation Individual design
Vishakha pid20399
Week 05 | FD PG Module 01
Developing the Argument Brief: The concept of this exercise was understanding of what is an Interior technique by examining various built projects of different a)Historical /era centered project, b) standardized mass customized project and c) individual identity-driven projects. The titration of selecting was based on the ‘role of interior designer’ across a multitude of projects. It was in matrix formate with their methods of interior techniques like modify, alter, conceal, expose, volume, light, interaction, etc. These methods can be identified in interior elements, medium, material and articulation in the whole or part of the project. After understanding all projects, Light seem to play major role in interior design. That transform space from bright to dull, solid to transparent. That also create drama in the space. Light reflect on the interior elements and that also enhance it and that element changes interior space experience. Filtration of light through punctures or and module that perceive various experience to the user. Light also connect outside and interior spaces.
VILLA 63 | INDIVIDUAL IDENTITY Alters
Interaction
Exposes
Modifies
Volume Alters
Visual
Aamir and Hameeda Inside- outside
Tools Arrangement niture
Medium of
Material
fur-
Combination of various colors and wood elements.
Wood, glass and concrete
Fabrics of chair and sofa. Reflection of mirror
Connecting various elements with
Rawness of concrete and wood.
Defining the space.
By creating a space one step up.
Wood, glass cement artifacts, plants, water body leveling.
Method Free plan arrangement for flexibility
Space
Giving effect of openness and original and connected to nature.
Texture
Aamir and Hameeda Leveling
To enhance the character of the space.
FALLING WATER| INDIVIDUAL IDENTITY Alters
Interaction
Exposes
Modifies
Rawness Visual experience of material gets alter
Color
Space experience modifies when light fall into the area of interior
Three different materials are getting interact.
Various materials, colors are applied with proportion in interior. Fire place is exposed with red color object.
Light fall on the object; it changes their original color and create shadow.
Elements Arrangement of furniture elements create inWhen Ceiling light and teraction of this way. natural light through window fall in the interior space, then rough finish flooring create il-
Frank Lloyd Wright Pennsylvania
FALLING WATER| INDIVIDUAL IDENTITY Tools Flooring stone
Medium Two colors medium were used a light ochre for the concrete and Cherokee red for the steel.
Material Wood, glass,stone
Method Organic interior
Rawness
Environment paint
Sofa cover, Rug, ottoman fabric color
Connecting the interior space.
Wood, glass cement, stone, fabrics
Color
Elements
Frank Lloyd Wright Pennsylvania
Define space created by cluster of furnitur.
SORO VILLAGE PUB | HISTORICAL PROJECT Alters
Rawness
Conceals
Exposes
Modifies
Material identity is expose.
Inner wall painted with light white color finish and painted with graphics
Outer wall Instead of painting wall keep it original.
Structure All structure details are expose. Ac duct, electric pipes, roof structure.
Ex 1 | Developing an Argument
Design expose the roof structure to keep it vintage and original sense.
Space
interior Lights alter by outside trees and pattern on glass. That gives imaginative visual experience of the same space.
Different materials are used, but there is balance in the space.
RAYA SHANKHWALKER ARCHITECTS 2015 Vishakha soni | PID20399
The Big Re-Think | Monsoon 2020 FD PG, CEPT University
SORO VILLAGE PUB | HISTORICAL Tools
Medium
Material
Method
Flooring and wall are tools for interaction.
The whole planning of the space has rawness of old construction.
Brick, Mangalore tiles are used for roof structure, ac duct and for electricity electrical pipe are used.
Kept original experience and modify arrangements of furniture.
Brick, open Metal structure sections are used for roof.
Nut bolting and welding the roof structure
Combination of all material quality in one space.
Merging all elements and balancing the space.
Rawness
Brick wall and metal roof structure interaction in interior space.
Ex 1 | Developing an Argument
Structure
Dividing the interior and outdoor space with and outside seating.
Visual interaction and direction in interior space.
Space
RAYA SHANKHWALKER ARCHITECTS 2015 Vishakha soni| PID20399
The Big Re-Think | Monsoon 2020 FD PG, CEPT University
THE LIGHTING OFFICE| STANDARDIZED Volume
Line
Conceals
Exposes
Modifies
Horizontal Line guide us and make a room wider
Vertical Line permit conceal experience of the space from outside.
The glass expose the inner space. That gives openness
Vertical Line gives illusion of taller room
Light From window natural lights are coming and they is a glass so it gives original lights. Here, wooden element is not touching the ground and there is a glass, so it giving floating effect.
Glass and wood strips joineries are conceal.
Pattern
Furniture has horizontal pattern so it going with the flow of space and leading to the other space.
ABM Architects Ar. Alfaze Miller Mumbai 2018
Ceiling has horizontal pattern strips which is created by the use a repetitive design.
Vishakha soni| PID20399
THE LIGHTING OFFICE| STANDARDIZED Tools
Medium
Furniture is guiding the space.
Material
Method
Wooden laminate and carpet are used as materials.
They have worked with line as an element, applying horizontal line we pursue wider room.
Line
Furniture is guiding the space.
The space of office is long and narrow. So designer uses glass material that gives openness in the area and by giving full window we can peruse maximum natural light so it gives experience of large space.
They have used natural share of wood so it is giving lightness to the space.
Combination of glass and wooden element; that is fixed to ceiling and didn’t connect to the floor that gives us light.
Partition wall and glass
Light is creating pattern on floor.
Lines on wooden laminate and design on carpet
Applying vertical lines for partition, we get the illusion of large room. It is like playing with perspective.
Light
Pattern
ABM Architects Ar. Alfaze Miller Mumbai 2018 Vishakha soni| PID20399
ARTISTIC ABODE| INDIVIDUAL IDENTITY Alters
Interaction
Inside
Exposes
Modifies
Outside
Space Mirror reflect the lights so it gets various quality of space and it keeps altering the space experience. Mirror also gives wider perspective of the house.
Texture
Leveling
There are various texture on a house and it has different quality, as any lights fall on it that creates drama in the space.
There is a variation in height in all elements. By giving level, it define the space. and giving us a direction.
Glass is the mediator of two space interior and green area. we peruse the outside in experience.
All material finishes are expose they are in raw form. That give natural experience. Arrangement of all module be modify, because it’s loose furniture. So, according to occasion it changes and also give comfort.
Light and shadow of the object is the interaction between human and object. It’s a visual experience of the space.
Various height we would get different experience of the space. Various field of vision.
Shabnam Gupta Mumbai 2015 Vishakha soni| PID20399
ARTISTIC ABODE| INDIVIDUAL IDENTITY Tools
Medium
Arrangement of furniture
Combination of various colors and wood elements.
Wood, glass and concrete
Material
Fabrics of chair and sofa. Reflection of mirror
Connecting various elements with
Rawness of concrete and wood.
Defining the space.
By creating a space one step up.
Wood, glass cement artifacts, plants, water body leveling.
Method Free plan arrangement for flexibility
Space
Giving effect of openness and original and connected to nature.
Texture
Leveling
Shabnam Gupta Mumbai 2015 Vishakha soni| PID20399
To enhance the character of the space.
Ideating Roles of an Interior Designer
Week 06-07 | FD PG Module 02
Ideating Role 1 of Interior Designer Brief: Historical practices through a Ruin site was selected for translate the argument , transform the space through interior techniques. The Experience of space Organization and space planning Details of elements, junctions. Argument- Filtering of light could enhance interior spacethus it transform interior space. After developing the argument, translated into Ruins site. We required to exhibites artist Leonardo Da Vinci’s Dream machines. The site has it is own identity. That has some rawness in the space. So by doing interior innervation in the space. the identity of space should be there. Keeping that in mind all spaces are designed through photo-montages. Filtration of light could achieve through various approaches like giving modulation of heights. Adding layers of elements on the surfaces. Creating narrow spaces to wider spaces. That changes the experience of the space.
Week 08-10 | FD PG Module 02
Ideating Role 2 of Interior Designer Brief: (Write the brief according to your understanding)
Circulation on site Defy circulation of whole site
Circulation on site Define circulation of whole site
Text / Write up: Text / Write up:
Section Section
Section
Section
Plan 8th Floor Plan 8th Floor
8th floor
Plan 8th Floor
7th floor
Plan 7th Floor Plan 7th Floor
Plan 7th Floor
Two floors are selected for interior intervention. Circulation in defy way. The circulation of selected area for intervention. That
are giving various
approaches to reach on one space. Circulation in section is showing connection between two floors.
Defy/ 1:100 / Drawing details etc. Defy/ 1:100 / Drawing details etc. Vishakha Soni | PID20399
The Big Re Think| Level 4 Studio | Monsoon 2020 | FD PG, CEPT Univers
Vishakha Soni | PID20399 Defy/ 1:100 / Drawing details etc.
The Big Re Think| Level 4 Studio | Monsoon 2020 | FD PG, CEPT Univers
Section
Circulation in define way Section
Plan 8th Floor
Plan 8th Floor
8th floor
Text / Write up:
Plan 7th Floor
7th floor
Plan 7th Floor
Section
Section
Define/ 1:100 / Drawing details etc. Vishakha Soni | PID20399
The BIG Re-think | Level 4 Studio | Monsoon 2020 | FD PG, C
Define/ 1:100 / Drawing details etc. Vishakha Soni | PID20399
The BIG Re-think | Level 4 Studio | Monsoon 2020 | FD PG, C
8th floor
7th floor
Section AA’
The area is divided according the bream grid. grid. Vertical wall are uses for interior intervention. These wall are giving direction to user to mover further. There are also creating curiosity to user. There is a core space in the centre of the space. It has double height. That is giving different view of exhibits.
Section BB’
UP
DOWN
B
A
A'
B
8 th floor
B
DOWN
A
Section AA’
Section BB’
B'
7th floor
A'
Project 2
Architect: Ludwig Mies van der Rohe Characteristics: Skin and bone structure of building Less is more God is in Details Famous for Rectilinear form The wall as object, it functions as an independent element in self-complete form, Flowing space Material : Stone, Marble, Onyx, Glass
Column Detail
B'
Entrance
Part of Plan and Elevation
A
A'
Projec VISHAKHA SONI | PID20399Section AA’
The Big Re-Think | Level 4 Studio | Monsoon 2020 | FD PG CEPT University
Inspiration were taken by Master architect Ludwig Mies Van Dohe. Understanding the idea of vertical wall. How there are used in space. What is the role of it. According to that Interior intervention was taken space. When does wall not become a wall. Taking that further all wall are designed according to geometry of selected part.
VISHAKHA SONI | PID20399
The Big Re-Think | Level 4 Studio | Monsoon 2020 | FD PG CEPT Unive
UP
DOWN
B'
Entrance
A'
B
A
8 th floor
Exit
UP
7th floor
Section AA’
Section CC’
Section BB’
North and south site was selected to interior intervention. So to translated light into the space mirror was used to reflect light in the space. Wooden pergolas were used to create various height modulation in the space. Ramp was created from entry, as we move further to the space, it we are reaching at certain height and from that there will be different experience of exhibits.
re
ures nts�.
Key site plan and Digram
N
N
Light is filtering through vertical and horizontal
Modulation of height to get new
louvres with different punctures
experience of exhibits
er he
s Site divided into two with reference to duct
Dividing further with grids
ct
next cal
Arranging walls according to grids
t
Core space is double height
rior Design Practices
Spaces are getting nerrow to wider
Tutors: Prof. Kireet Patel, Rishav Jain and Aparajita Teaching Associate: Shail Sheth and Paramdeep Singh
Circulation in the space according to master
B
architect understanding.
Entrance Reception
A'
2650
B
B
3000
950
A
Exit
A'
B
A
B
Two floor Plan
Exit
A'
B
A
B
8 th floor
Entrance Reception
A'
7th floor
B
2650
3000
950
A
25 mm thick plywood board screw with C - channel
C- Channel screw to ground with anchor fastener Screw fixed with plywood Anchor fastener
Ground base
150x1000mm Plyboard rested on 25x25 mm joist 25x25 mm joist screwed with plywood box with 25x25 angular cleat 25 mm thick plywood
Plywood box
25x25 angular cleat screw with 25 mm thick plywood 5mm C- channel screw to ground with anchor fastener
5 mm thick Perforated metal sheet screwed with 25mm thick plywood 25 mm thick plywood 5mm C- channel screw to ground with anchor fastener Ground base Concrete beam
Anchor fastener
5mm thick Metal plate 100x300mm 25mm thick plywood
Week 11-14 | FD PG Module 02
Ideating Role 3 of Interior Designer Brief: The concept of this exercise was to initially design an interior without site. My argument related with light. So, combing light and modulation of height spaces are created. For that major spaces is divided in three different levels to have experience of space from various heights and angles. Further spaces are divided with three various walls that include sense of solidity, semi transparent and frame work. That give various visual connection and that also guide user to move further. The whole circulation idea is to have defy. Three types of wall with solidity, perforation and frame structured wall are used. There aslo give visual connection to the users. These wall also has sense of filtration. Artist Leonardo Da Vinci’s dream machines are places on various levels to perceive different approach. From entrance all spaces are being narrow to wide. All walls are intersecting with different vanishing points. All vertical wall are dividing spaces and all horizontal base are creating spaces.
Creating levels and vertical louvres create drama in the space
X
X
X X
2X
X
X
X X
2X
X
X X
X
X
Spaces is divided in like x and 2x form they worked with 3d form and create space.
X
2X
X
2X X
X
X
Various types of surface are overlapped together and created patten on floor. Layering of all materials.
Space divided in th parts with various heights. Three modules are places in different areas to get perceiv space in different angle
Three various types of walls with solid, punctured and frame structure
hree
e
ve
Arranging all three modules and walls space is designed. center space is a core part which is covered from all sides
Circulation of all levels
C Chanel fix with screw on ground
C- Chane l Base
Two Structure of partition wall intersection junction Cut I- Beam in angle and weld with it
Structure of partition wall Metal stud frame with C- Chanel 150x75mm and I - Beam 150x75mm Pieces of 50 Plywood sheet screwed with metal stud fame Laminated sheet fix on top of it
Joinery of C- Chanel and I - beam welding from two sides
S.HS. with I beam joinery for frame structure screwing with plywood
S.HS. with I beam joinery for frame structure to support levels S.H.S.
I- Beam
Sectional Perspective - Three different identitiy walls seeing here. They all are diving space and horizontal base are creating space in that space. small Space with in space. Perforation in the roof get natural light in. roof is also modulating heights. wall are having punctures to move another space. All exhibits are seeing from different levels.