Seven Days, August 29, 2012

Page 21

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Art. Hop. rallied to save their 180-year-old general store. And the stone-soup lesson is an apt ethos for Fable Farm, which provides weekly shares to some 100 members. While the labor of agriculture may be unglamorous, there’s a bit of enchantment, too, about this group: Among these new but devoted farmers are actors, writers, and musicians. Their collective artistic talent far surpasses simply tilling the soil. As we are about to find out. Suppers finished, the crowd settles into chairs and onto blanketed hay bales facing the stage. Lights come up, and the show begins. Sea Marks is a two-character play in which a poetic Irish fisherman named Colm Primrose — though ardent of speech and emotion, still a virgin — spots a woman at a wedding and eventually musters the courage to write her. Timothea Stiles, who works for a publishing company in Liverpool, receives Colm’s letters first with bemusement and then with eagerness. Mind you, this is decades before email, Skype and Match.com. (Sea Marks premiered in 1971 and is ostensibly set in the preceding decade, but the primitive conditions on Colm’s remote Irish island are timelessly gothic. Let’s just say there is no whiff of the swinging ’60s here.) The slow courtship is conveyed as Colm (Andrew white) and Timothea (emily Fleischer) read each other’s letters aloud. Their growing intimacy on paper finally entices Colm to Liverpool to get to know his ladylove more personally, including in bed; his nervous-virgin scene is one of the funniest in the play. Timothea, enamored of Colm’s evocative writing, persuades her employer to publish his letters as “sonnets from

the sea” — a surprise that enrages rather than pleases their author. At first, anyway. McKay’s sweet love story inevitably turns bittersweet, and, though its ending is predictable, the sweep of romance is Mention this ad the stuff of apparently endless appeal. & receive The roles are rich and fraught with your entire purchase fragile passion, but the two young actors Valid August 22nd to Sep 4th bring their characters to life with seemOffer can not be combined ing ease — even on opening night. Tall with any other discounts and scruffily handsome, White in particular completely inhabits his rougharound-the-edges Jacob and Kristin Albee poet-fisherman, beJacobAlbee.com . 802-540-0401 Lake & College St. on the Burlington Waterfront coming “more Irish” 41 Maple Street, Burlington, VT OPEN 7DAYS as the play wears on. Other Hours BY APPOINTMENT ONLY 863-2345 x2 • PJCVT.ORG His dialogue bursts forth as if he had penned the lines himastonishing jewelry • sumptuous clothing • luxurious accessories 8/28/128v-Peace&Justice082212.indd 9:31 AM 1 8/21/12 2:20 PM self. Fleischer gives a8V-JacobAlbee082912.indd 1 subtler performance, as befits Timothea’s more reserved personality (which is less developed by the playwright). Petite, pretty and darkhaired, Fleischer generally eschews the vocal cadences of McKay’s Welsh lass, but this choice is probably wise. It certainly is no problem for an audience mon-fri 10-7, sat 10-6,sun 12-5 • 658-4050 • 115 college st, burlington of fellow Americans. After all, even on a rustic set in 8h-Marilrn's082912.indd 1 8/27/12 3:29 PM Barnard, Vt., the language of love, loneliness and longing is universal. As if on cue, an evening chill has crept in, draping itself over actors and audience alike. Filled with stone soup and the puissance of human drama, all disperse into the night under a bright half-moon. m

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SEVEN DAYS STATE OF THE ARTS 21

Sea Marks, written by Gardner McKay, directed by Marc Clopton, produced by Matt Bogosian. Fable Farm, Barnard. Saturdays, September 8 and 15, at 6 p.m.; Sundays, September 9 and 16, at 4 p.m. (Recommended for ages 12+.) $25 includes farm supper. fabletheatre.com

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