S U B J E C T I N D E X 577 New Museum of Contemporary Art, New York, New York, 278 New Orleans Contemporary Arts Center, Louisiana, 197 New School of Music of Paris, Paris, France, 216, 297 New York Times (newspaper), 258 niches, light, shade, and shadow, 358–59 Niteroi Contemporary Art Museum, Niteroi, Brazil, 255 Nomikos residence, Berkeley, California, 146 non-axial lines, orthographic and paraline drawing, 194 non-grid formats, presentation formats, 381 nonoverlapping shadows, light, shade, and shadow, 354 nonvertical x-axis drawings, composite drawings, 393 nonvertical z-axis oblique, orthographic and paraline drawing, 189 orthographic and paraline drawing, 204 plan obliques, orthographic and paraline drawing, 202–3 stepped plan, orthographic and paraline drawing, 205 north arrows, orthogonal terminology, 148 Northeast Asia Trade Tower, Songdo IBD, Incheon, Korea, 236 Nuragic and Contemporary Art Museum, Cagliari, Italy, 365, 367 Oakland Museum, California, 320 object/picture-plane relationship, linear perspective drawing, office method, 278–79 oblique drawings single-view, 176 up view, orthographic and paraline drawing, 189 oblique projection, orthographic and paraline drawing, 174 obliques drawings axonometrics drawings compared, orthographic and paraline drawing, 178 isometric drawings compared, orthographic and paraline drawing, 179 oblique vanishing points (linear perspective drawing), 280–83 left side, 282 right side, 283 oculus, conceptual sketching, 76 Oculus, Michelangelo, Petersdom, Vatican City, 250 office buildings, digital-manual designdrawing interface, 118–19 office (common) method multiple vanishing points, linear perspective drawing, 276–77
one-point plan/elevation, linear perspective drawing, 256–57 two-point interior, linear perspective drawing, 276–77 Old Town Granary Motel, Irvine, California, 344 Oles, Paul Stevenson, 226 one-and-a-half-panel presentation format, 428–30 One Broadway Plaza, Santa Ana, California, 306 One Jackson Square, New York, New York, 325 one-panel presentation format, 402–5, 409, 416 one-point grid diagonal vanishing point, 259–60 setup, linear perspective drawing, 258one-point perspective from above, linear perspective drawing, 248–49 from below, linear perspective drawing, 250–51 linear perspective drawing, 242 simplified, linear perspective drawing, 268–71 station-point movement, linear perspective drawing, 267 two-point perspective and, linear perspective drawing, 244–45 one-point plan/elevation, linear perspective drawing, office method, 256–57 one-point plan grid, exterior, 264–65 one-point plan perspective views, 262–63 online portfolio, portfolio building, 465–71 Optic House, Bennington, Nebraska, 350, 364 Orcines Cultural Center, Orcines, France, 88–89 order, chaos and, drawing exercises (level two), 527–28 Organic Expansion, Chicago, Illinois, 391 organization and layout, portfolio, 461–62 orientation variable, pictorial effect, linear perspective drawing, 237 orthogonal terminology, 133–59 building section, 139 composite sections, 154–55 design section, cuts and light studies, 150 doors, 159 elevation, 138 elevation views and plan types, 141 floorscape indications/floor plan alignment, 147 north arrows/graphic scales, 148 orthographic views, 137 overview, 133–35 plan, 138 planes of projection, 136
plan wall indications, 146 reflected ceiling plan, 143 roof plan, 142 section, 138 sectional elevation, 151 labeling, 152–53 section types, 140 site plan, 149 stairways, 156–57 windows, 158 orthographic and paraline drawing, 161–223 axes addition, 195 axial and non-axial lines, 194 axonometric circle applications, 193 axonometrics and obliques compared, 178 block visualization sketches, 169–71 drawing types compared, 175 dual-axes and tri-axes angles, 199 elevation obliques, 206–7 elevation obliques compared, 180–81 expanded axonometric drawing and diagram, 219 expanded plan oblique, 213 expanded plan oblique and axonometric drawings, 216–17 expanded plan oblique/dimetric, 214 expanded view, 211 expanding view variations, 218 exploded interior elevation oblique, 215 exploded isometric, 212 exploded perspective/axonometric up views, 220 exploded view, 210 frontal elevation oblique, 182–83 isometric circles, 190 isometric drawing applications of, 185 construction of, 184 isometrics and obliques compared, 179 multioblique combinations, 208–9 multi-view and single-view drawings, 176–77 nonvertical z-axis, 204 nonvertical z-axis stepped plan, 205 oblique up view, elevation oblique, and nonvertical z-axis oblique, 189 overview, 161–63 paraline circles, 191 plan oblique construction of, 188 interiors revealed, 187 measurements, 186 plan oblique applications, 192 plan obliques, 196–98, 200–203 incremental growth, 200–201 nonvertical z-axis, 202–3