Duqman_ Journal Draft 02

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HEPHAESTUS

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ARC30003-Architectural Communication 2
Studio leader: Nadia Anam

Media Duqman (103944392)

Published by Swinburne University of Technology, School of Design, 2023. Printed in Melbourne by Your name.

All rights reserved.

No part of this publication may be reproduced or transmitted in any form or by means, electronic or mechanical, including photography, recording or any other information storage and retrieval system, without prior permission in writing from Swinburne University of Technology.

Declaration of Originality

Unless specifically referenced in the bibliography, the mark and all other material in this book is the original creation of the author.

Copyright Agreement

I agree for Swinburne University to use my project in this book for noncommercial purposes including: promoting the activities of the university or students: internal educational or administrative purposes: entry into appropriate awards, competitions papers; use in research papers or conference presentations as student examples of co-design projects and other related non-commercial activities: as an example for future students on line and face to face and in lectures. In some situations, this may involve repurposing the work to meet the requirement of Swinburne’s use.

I agree to grant to Swinburne a worldwide, non-exclusive, irrevocable and freeof-fee license to use this project produced in ARC30003 in any way for noncommercial purposes.

Signed Your name Date 26 / 03 / 2023

ii iii Contents Part A: Ideation 1 Introduction 2 Scenario 3 Allegory 4 References 5 Story Timline 9 Weekly question 10 Experimentation 11 Experiment 01 11 Experiment 02 13 Final experiment 15 Part B: Design 17 Situating the Design 21 Attaching the Design 22 Part C: Communication 23 Part D: Conclusions 27

Part A: Ideation

Introduction

About Me

I graduated in 2021 with an advanced diploma in building design. This is my second and this is my last year of studying Bachelor of architecture. The most thing I like about architecture is that there are no limits and always learning new things. Designing sustainable buildings contributes greatly to society in controlling climate change and global warming.

Education

• Graduated from Certificate IIV Accounting & Bookkeeping

• Graduated from Advanced Diploma of Architecture

• Last year of Bachelor of Architecture

What do I need to learn?

• Improve my graphic design skills

• Get better understanding of how the mechanical system works

• Improve the my drawings highraky

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Scenario

The Greek god Hephaestus, also known as Vulcan, was the god of fire, metalworking, and crafts. Hephaestus was an excellent example of how beauty and bad looks can be combined since he had both negative and positive physical attributes.

All Greek mythologies had strong bodies and attractive faces. Born on Mount Olympus with a deformity, he was physically unattractive and was born with bulging eyes, bulging ears, a scarred face, and twisted and scarred limbs. His mother refused to accept him because he was physically unattractive. As a result of these physical characteristics, he was often mocked and ridiculed by other gods.

Furthermore, Hephaestus was known for his exceptional artistic ability and intelligence. Known as the god of metalwork, he was the most skilled blacksmith among the gods. Due to his ability to design powerful and movable machines, he has been highly regarded throughout history.

Despite his physical appearance, Hephaestus was highly respected for his skills and intelligence. He was able to overcome his physical limitations and use his talents to create beautiful and valuable objects that were highly sought after. In this way, he showed that beauty and talent can come from unexpected places, and that true value lies in one’s abilities and character rather than in one’s appearance.

Allegory

Hephaestus’s story teaches us to recognize and evaluate people based on their abilities and character, rather than just their appearance, and to embrace our differences to achieve success. The story of Hephaestus teaches us a valuable lesson about the true worth of a person. Despite his physical deformity, Hephaestus was highly respected for his skill and intelligence, proving that appearance is not the measure of a person’s value. His success in overcoming adversity and using his talents is commendable, as he was able to create beautiful and valuable items despite being banished among other gods. Hephaestus’s story highlights the importance of embracing differences and using our unique abilities to succeed. Instead of trying to blend in with the other gods, he embraced his unique abilities and used them to his advantage.

References:

Greek Stories about Hephaestus-The Revenge of Hephaestus on Hera. (2019). Greek-Gods.info. https://www.greek-gods. info/greek-gods/hephaestus/myths/hephaestus-revenge/

Hephaestus in Greek Mythology. (2019). Greek Legends and Myths. https://www.greeklegendsandmyths.com/ hephaestus.html

GreekMythology.com. (2018, March 13). Hephaestus - Greek Mythology. Greekmythology.com; GreekMythology.com. https://www.greekmythology.com/Olympians/Hephaestus/hephaestus.html

The Editors of Encyclopedia Britannica. (2018). Hephaestus Definition & Mythology. In Encyclopædia Britannica. https:// www.britannica.com/topic/Hephaestus

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References

Duqman, M. (2023). Bad looks baby, MidJourney generated image, [keywords: Mount Olympus place, mother giving birth and refusing and pushing the child because he is bad looking and unattractive, the child is on the ground and crying, high detailed]

Duqman, M. (2023). Mother’s refusal, MidJourney generated image, [keywords: full body picture, Greek mythology, refused, woman pushing child, attractive faces and body, mocked, ridiculed, people don’t like him and turn away from him]

Duqman, M. (2023). God of fire, MidJourney generated image, [keywords: Hephaestus_Greek_ mythology_the_god_of_fire_hammer_automat]

Duqman, M. (2023). A strong and intelligent man, MidJourney generated image, [keywords: full body picture, Greek mythology, refuse, unloved from his mother, attractive faces and body, mocked, ridiculed]

Duqman, M. (2023). A rejected and hated man, MidJourney generated image, [keywords: Hephaestus sad and frustrated, other geek gods in the back laying and refusing him, full body]

Duqman, M. (2023). Hephaestus face with scares, MidJourney generated image, [keywords: Hephaestus, twisted and scarred, beauty, bad looking, exceptional craftsmanship, physically unattractive, twisted and scarred]

Duqman, M. (2023). The sad side of Hephaestus, MidJourney generated image, [keywords: Hephaestus_god_of_fire_ physically_weak_or_lame_intelligen]

Duqman, M. (2023). Hephaestus face with many scars, MidJourney generated image, [keywords: person, long hair, deformities and scars, face with twisted and scarred, bad looking, forsaken, intelligent, physically unattractive]

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By researching pictures of Hephaestus allergy. As a result of my research on Google, I gained a better understanding of the characters and how the story was filmed by the artists, which helped me create the Midjorney images and write the code.

Feuerbach, A. (1875). Academy of Fine Arts Vienna [Review of Academy of Fine Arts Vienna].

van Dyck, A. (1632). Thetis Receiving the Weapons of Achilles from Hephaestus [Review of Thetis Receiving the Weapons of Achilles from Hephaestus].

Schuch,

Velázquez, D. (1660). The Forge of Vulcan (C. QUARTERMAIN, Ed.) [Review of The Forge of Vulcan].

Mayor, A. (2017). The World’s First Robot: Talos (H. Tucker, Ed.) [Review of The World’s First Robot: Talos].

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Madeleine. (2019). Greek God of Fire [Hephaestus Greek God of Fire]. W. (1918). In the Forge of Vulcan [Review of In the Forge of Vulcan]. Paul Rubens., P. (1635). Vulcan Presenting the Arms of Achilles to Thetis [Review of Vulcan Presenting the Arms of Achilles to Thetis].

Story Timline Weekly questions

Architecture is undoubtedly a form of visual art, and like any form of art, good architecture should effectively tell a story. Every building has a unique history that may influence how people perceive how they can live. There are many ways to communicate the story in architecture which is through materials, aesthetics and context and these could convey the meaning and ideas of each building’s hidden story. However, some buildings are purely functional and follow the “form follow function” and their design is driven solely by practical considerations.

AI as a language model cannot replace the human role (architect). Architects will play a critical role in the design process, providing creative input and critical thinking. However, it is a tool to help architects to focus on creativity, exploring more design and construction options, and high-level tasks to design sustainable and innovative buildings by providing analysis of building performance, design assistance, customization, automation and other collaboration tools

How do you think AI will change your architectural design process?

AI is expected to make a big difference in the architecture design process by providing architects with a high range of resources and tools that could help them work more efficiently and create more innovative and sustainable buildings. Also, AI could help architects to explore new design options and increase building performance. These assistants would lead to a more simplest design process and more sustainable and environmentally friendly buildings.

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Experimentation

Experiment 01

Through this experiment, we aimed to learn the bone system and how the basic connection works. We used rod and crank mechanism in this experiment and learn the circular motion

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During this experiment, I was translating Hephaestus’ story, which demonstrates how beauty and ugliness interact with each other.

Furthermore, the aim was to understand how the gear wheel system works and the direction of movement.

Due to the corona design and dimensions, they were not rounding correctly, and the system did not work properly.

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02
Experiment

Final experiment

Compression symbolizes ugliness which is represented by the crumpled paper

Expansion symbolising the beauty of a flat and clean paper, while creases symbolise the ugliness and rejection of the past.

My bone system is a wheel system, which represents the complexity of Hephaestus’ allegory as well as his ugly side. In contrast to the bone system, the skin system represents the beauty and intelligence of Hephaestus as well as how these two systems affect each other.

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Part B: Design

precedent study

Al Bahr Towers, located in Abu Dhabi, UAE, is known for its unique and dynamic façade system that responds to the local climate and provides shading to the buildings. The façade system is inspired by traditional Arabian mashrabiya and comprises over 2,000 lightweight composite elements arranged in hexagonal modules. Each module contains several mashrabiya-style screens that can be opened and closed independently, allowing occupants to adjust the amount of light and ventilation entering the building. The screens are controlled by a computerized system that adjusts their angle and position in response to changes in the weather, optimizing shading and minimizing solar heat gain. The hexagonal modules create a dynamic and visually striking honeycomb-like pattern that gives the towers a unique identity. The façade system of Al Bahr Towers is not only functional but also aesthetically pleasing, demonstrating the potential of innovative, sustainable design in creating functional and visually stunning buildings.

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Part B: Design

The system has been thoughtfully designed to automatically respond to the presence of solar light. The unique facade of the structure has been conceptualized as an origami-inspired design that possesses the incredible property of being able to close down when sensors detect the incidence of solar light.

The origami structure is not only visually appealing but also serves a practical purpose in shielding the interior of the building from the harsh effects of solar radiation. The responsive mechanism of the facade ensures that the interior remains cool and comfortable, even during the hottest hours of the day.

The link of this system to the story of Hephaestus is by highlights the idea of transforming something that may appear unattractive or imperfect into something beautiful and functional.

In the myth of Hephaestus, he was considered an unattractive god with a limp, which led to his exclusion from social events among the gods. However, despite his physical imperfections, he was highly skilled in metalworking and engineering and was able to create beautiful and functional objects that the other gods highly valued.

Similarly, the origami-inspired design of the facade may not appear conventionally beautiful at first glance, yet it possesses a unique and functional property that allows it to react and respond to changing environmental conditions. This innovative approach provides a sustainable solution for maintaining a comfortable indoor environment and showcases the beauty of integrating function and design.

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Part B: Design

During the initial phase of testing (V1), I explored various movements and folding techniques for the facade system (skin system). I investigated how the number of corners within a particular degree of force could impact the height of each fold. Based on my observations, I discovered that the folds with four and three corners (V1.1-V1.4) were the most effective. When multiple corners closed together, these folds provided complete shaded areas, resulting in a fully functional and aesthetically pleasing system.

In V2.1 the frame has been designed to hold the structure of the facade system and to connect the facade to the existing wall system. However, it has higher material waste.

In V2.2, the frame has been repealed to reduce the material west however the system was not storage enough to open and close the facade system.

In V 2.3, more holes were added to the weel to create more flexible movement

In V2.4, the corners were reduced (to three corners) to test the skin system and how to maximize the shading of the building and at the same time reduce the material waste

In V2.5 the number of corners was maximized to five corners to test how the facade system will work together and the result was having a facade that not closing properly which mean not a fully shaded area.

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Part B: Design

Prototyping Attaching the Design

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