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The Medium (director: Gian-Carlo Menotti), Italia/ EE. UU., 1951, 177(BD); Metro-Goldwyn-Mayer Inc., 24, 182(Bl); Metropolis (director: Fritz Lang), Alemania, 1926, 223(BD); cortesia The Metropolitan Museum of Art, Nueva York, 30(1) (The Cloisters CoUections Purchase), 40(A) (donaci6n de M. Knoedler and Co., 1918), 119(BI), 184(AD) (donaci6n de William Church Osborn, 1949), 231 (Fletcher Fund, 1956); Modern Times, Charles Chaplin, United Artists Corporation Ltd., 113(BD); The Pierpont Morgan Library, Nueva York, 73, 20l(BD); Madre Juana de los Angeles Film Polski, 1960, © Contemporary Films Ltd., 168; Mt. Wilson and Palomar Observatories, 23, 103(D); Prof. Erwin W. MiiUer, Pennsylvania State University, 22(BD); Musee de Cluny, Paris, 225; Musee Conde, Chantilly, 1ll(MD), 184(BI), 226; Musee Ensor, Osten de, 296(B); Musee Etrusque du Vatican, 114(BD); Musee Fenaille a Rodez, Aveyron, 233(BC); Musee Guimet, Paris, 97(A), 24l(Bl); Musee Gustave Moreau, Paris, 179(BD); Musee de !'Homme, Paris, 234(AC), 236(BI); Musee du Louvre, Paris, 103(1), 1ll(AI), 112(BD), 146(AD), 154, 184(BD), 223(BI), 276(B); Musee du Petit Palais, Paris, 241(AI); Musee de Bordeaux, 120(BD); Museo Nazionale, Napoles, 124(BD); Museo del Prado, Madrid, 75; The Museum of Navaho Ceremonial Art Inc., Nuevo Mejico, 7l(AI), 114(BI), 214(BD); Museum fiir Volkerkunde, Basle, 127(1); Museum fiir Volkerkunde, Berlin, 177(BC), 300. Nasjonalgalleriet, Oslo, 87(BI); The National Gallery of Canada, 47(AD); National Gallery, Londres, 83, 122, 288; Musco Nacional, Atenas, 76; The National Museum, Copenhague, 242(AD); © National Periodical Publications Inc., Nueva York, lll(BC); National Portrait Gallery, Londres, 190(A), 207(BI); Dr. Nee! and Univ. of Chicago Press, Human Heredity, Neel and Schull, © 1954, 3l(B); Max Niehans Verlag, Zurich, 108(BI); Newsweek, 307; The New York Times, 134(BI); Nigeria Magazine, 43; The Nun's Story (directQr: Fred Zinnemann), EE. UU., 1957-59, 134(AI); Ny Carlsberg Glyptotek, Copenhague, 113(BC). Musco Olimpico, Atenas, 185(BC); On the Bowery (director: Lionel Rogosin), EE. UU., 1955, 62; Open Air Museum for Sculpture, Middelheim, Amberes, 266(MD); Conde D. Alfonso Orombelli; Milan, 256(MI); © Daniel O'Shea, 189(Bl). Museo de Palermo, 144(AI); Paris Match, 270; Passion de Jeanne d'Arc (director: Carl Dreyer), Francia, 1928, 91(BI); Paul Popper, 25(BI), 28(BI), 42(BD), 111(BI), 13A(MI), 152, 200(AI), 210(BI), 236(BC); Pepsi-Cola Company, 50( AI); Planet News, 32, 169(BD); Le Point Cardinal, Paris, 233(BD); P. & D. Orient Lines, 151; cortesia H. M. Postmaster-General, 25(BD); colecci6n privada, Londres, 203(BI); colecci6n privada, Nueva York, 256(BI); Punch, 33(I); Putnam and Co. Ltd., Londres, 1927, con autorizaci6n, de The Mind and Face of Bolshevism, de Fulopp-Muller, 107(BD); G P. Putnam's Sons, Nueva York, 1953, y Spring Books Ltd., Londres, de A Pictorial History of the Silent Screen, de Daniel Blum, 123. Radio Times Hulton Picture Library, 194(BMI), 195(BD), 220(BD), 222(BC); Raphe, 153(Izis). 165(BI); Rathbone Books Ltd., 194(AMI); Realites, 212(BI); Ringier-B1lderdienst AG., 218(BD); Routledge and Kegan Paul Ltd., Londres, 1951, The Bollingen Series XIX, 2.• ed. Nueva York, 1961, y Eugen Diederichs Verlag, Dusseldorf, 1951, e) I Ching or Book of Changes, 291(BI); cortesfa Miss Ariane Rump, 201(AD). Salvat Editores S. A., 275(BI); Sandoz Ltd., Basilea, 259(B); Scala, 77, 118, 144(BI), 155(BD); Slavko, 187(BD); The Son of the Sheik (director: George Fitzmaurice), EE. UU., 1926, 195(BI); Soprintendenza aile Antichita delle Province di Napoli, 266(BD); © S.P.A.D.E.M., Paris, 1964,
320
147, 167, 247(B), 252(BD), 263(AI); Staatliche Museen, Berlin-Dahlem, 144(BD); Staat Luzern, 189(BC); Staatsgemaldesammlungen, Munich, 1ll(AD); Stadelsches Kunstinstitut, Francfort, 185(AD); Swedish National Travel Association, 80(BD), 111(AC), 286(BI). Tarzan and his Mate (director: Cedric Gibbons), EE. UU., 1934, 194(AI); Tate Gallery, Londres, 72(D), 187(BI), 249(BI), 264(BD), 27l(BD); They Came to a City, J. B. Priestley (director: Basil Dearden), Gran Bretafia, 1944, 279(AD); © 1935 James Thurber © 1963 Helen Thurber, de Thurber's Carnival (orig. pub!. en The New Yorker), 78(BD); © James Thurber 1933, 33(D); Titanic (director: Herbert Setpin), Alemania, 1943, 121(BD); Topix, Londres, 59(BI), 200(AD); temple de Toshodaiji, Jap6n 175(BI); Trianon Press, Jura, Francia, del facsimil de los Songs of lnnocense and of Experience, de Blake. 219(AI). Uni-Dia-Verlag, 19; USAF Academy, 129(BC); U. S. Coast and Geodetic Survey, 100(A). Museo del Vaticano, 127(AD); Verlag Hans Huber, 27; Verlag Kurt Desch, Munich, 79(BD); Victoria and Albert Museum, Londres, 48(B), 109(A)(BI), 115(BI), 136, 163, 174(BD). 198(AD), 203(MI)(BD), 206(MI); Volkswagen Ltd., 36. Colecci6n del Walker Art Center, Minneapolis, 260(BI); Weiner Library, © Auschwitz Museum, Polonia, 94(BD); cortesia Wellcome Trust, 69, 246(AI), 286(BD); Wide World, 117(BD); Gahan Wilson, 49(BI); Worcester Art Museum, Mass. EE. UU., 85(AI); Wuthering Heights (director: William Wyler), EE. UU., 1939, 190(A). Yale Unive~;sity Art Gallery, colecci6n James Jackson Jarves, 180(AI). Zentralbibliothek, Zurich, 249(BD); © Sra. Hans Zinsser, de G. F. Kunz, The Magic of Jewels and Charms, 207(MI); Zentralbibliothek, Zurich, 248(AD).
Fot6grafos: Ansel Adams, 208(BI); Alinari, 46; David G. Allen, Bird Photographs Inc., 68(A); Douglas Allen, 222(MI). Werner Bischof, 22(BI), 238(AD)(BD), 269; Joachim B\auel, 261(B); Leonardo Bonzi, 135(BI): Edouard Boubat, 2121BI); Mike Busselle, 28(BD), 93(BI), collages 12l(BI)(BD), 135(BD), 180(AD), 18l(B), 183( AD) (BD), montajes 190(A), 207(AI), 212(BD). 219(BD); Brune\, 239(AD). Robert Capa, 194(AMD), 198(B); Cartier-Bresson, 34, 172(A); Chuzeville, 276(B); Franco Cianetti, 264(BI); Prof. E. f. Cole, 258fBD): J. B. Collins, 35(MI)(MC); Ralph Crane, 117rBI). N. Elswing, 242(AD). John Freeman, 105, 107(BI), 17l(AD), 195(AI), 197(AI), 259(MD), 281, 298'BI). Ewing Galloway, 82(BI); Marcel Gautherot, 213; Georg Gerster, 109(BD); Roger Guillemot, 89. Ernst Haas, 146(BD); Leon Herschtritt, 84; Hinz, Bas ilea, 127(1), 219CBC), 255. Isaac, 35(BI). William Klein, 85(BI). Lavaud, 97(A), 159, 241(BI): Louise Leiris, 261(BI); Dr. lvar Lissner, 149(BD); Sandra Lousada at Whitecross Studio, 175(BD): Kurt y Margot Lubinsky, 149(BI). Roger Mayne, 164(BD): Don McCuJlin, 287; St. Anthony Messenger, 143(B); Meyer, 29: John Moore, 72(0), 252(BI). Jack Nisherg, 256(AD). Michael Peto, 164(Bl); Axel Poignant, 95, 128. 130, 131, 204(MD). Allen C. Reed. 74. 214(A). Sabat, 65(BD); Prof. Roger Sauter, 24 3(BI): Kees Scherer, 35(BD); Emil Schulthess. 20l(AC); Carroll Se~hers, 98(AD); Brian Shuel, 55(BD), 129(BD): David Swann, 21, 48(B), 53(BI), 54(M), 66, 109(A)<BI), llOIBI), 115(A)(BI), 133, 136, 155(A), 163, 174(BD), 187(BI), 188(BI), 190(BI), 198(AD), 203(BD)(MI), 206(Ml), 264(BD), 302, 303. Felix Trombe, 234{AC). Villani & Figli Fri., 80'BI). Y6shio Watanabe, 232(B); Hans Peter Widmer, 305.