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With Photoshop's Gamut Waming active, you can add a Hue/
Saturation adjustment layer and reduce the saturation while watching its effect on the RGB image's colors. Here I have begun to drag the overall or Master saturation to the left and this has reduced the out-of-gamut areas. The Edit drop-down box also lets you adjust individual colors, which may be useful if you are working with a split-toned picture. Alternatively, use a Selective Color adjustment layer.
Select: IIOut Of Gamut Fuzziness:
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o Invert
Source Space
I I Profile:
Pro Photo RCB
Destination Space Profile:
r
IU.S. Web Coated (SWOP) v2
Conversion Options
1 Ivl IRelative Colormetric[....1
Engine: Adobe (ACE) Iment:
0Use Black Point Compensation
Selection Preview: I Quick mask
... U
0Use Dither
I....].
You can also target specific image areas with the color adjustments.
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The adjusted colors will not usually be as sparkling as in the
Flatten Image
IJ
For more control, choose Edit>
Convert to Profile. This also lets
original AdobeRGB or ProPhotoRGB
you review the settings that will be
to Select> Color Range and pick Out Of
image, but you should be able to adjust
applied. Generally one chooses Adobe
Gamut. When you add an adjustment
a toned black and white so that the
(ACE) as the Engine and Relative
layer, it is automatically masked.
colors are acceptable and can be
Colorimetric as the Intent. Black Point
Before adding the adjustment layer, go
reproduced on the CMYK press. Once
Compensation should also be ticked so
you are satisfied with the soft proof,
Photoshop matches the output black to
Image> Mode> CMYK is the quick
the image's black. Allow Photoshop to
way to make the CMYK version and
flatten the image, make sure your
applies Photoshop's current settings to
copyright and content details are in the
the picture.
file, and save it as a standard TI FF.
CMYK OUTPUT 175