What are we wasting? We can be the solution.

WHAT ARE WE WASTING? WE CAN BE THE SOLUTION.

by Zijue Wei of Group 30 Interior and Spatial Design Year 2 Unit 6

Waste Rebels Zijue Wei Olivia Hilton Folasade Lawal Jinyu Li Alisha Giles Yingheng Zhang Issac Prandy Rahat Ali

By Zijue Wei

Timeline & Contents Research into climate change individually

Zijue Wei Olivia Hilton Folasade Lawal

• Unit brief and lecture • First meet with group members

Explore on 3D posters Design exhibition set-ups

Research different art forms and styles First tutorial: First meet tutors and introduce to groupmates

Third tutorial and group meeting online: • Decide target audience, group name and slogan • Decide exhibition set-ups

Second tutorial and group meeting online: Choose our theme and styles

Jinyu Li Alisha Giles

Keep on poster designs

Fourth tutorial and group meeting online: • Add one more poster series • Make waste shift poster • Group presentation

Work on new poster series

Work on 4 posters about impacts of waste

Final online meeting: Decide the details for exhibition

Exhibition preparation

Exhibition

Work on digital submission

Experiment 2D posters

Yingheng Zhang

Work on exhibition set-up and micro model

Design logo

Issac Prandy Rahat Ali

Week 1 - Introduce/Discover/Define

Week 2 - Introduce/Discover/Develop

Week 3 - Define/Develop

Week 4 - Develop

Week 5 - Develop/Deliver

Week 5 - Exhibit

31st Oct - 6th Nov

7th Nov - 13th Nov

14th Nov - 20th Nov

21st Nov - 27th Nov

28th Nov - 4th Dec

5th Nov - 11th Dec

The group members represented by these colours are coorperating.

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The group members are working individually.

Body texts:

What we were doing well?

What made us do well?

What we were not doing enough?

How can we improve?

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Zijue Wei

Evaluator Critic Bringing 3D concepts into the design Communicating new ideas with group members Making reflection on current progress

Folasade Lawal

Organizer Initiator Organize group meetings Bringing up new ideas Creating 2D posters

Olivia Hilton

Notetaker Coordinator Summarizing meetings and tutorials Creating 2d posters Coordinating ideas

Jinyu Li

Compromiser Creating 2D posters Creating exhibition set-up Bringing 3D concepts into the design

Alisha Giles

Yingheng Zhang

Issac Prandy

Rahat Ali

Compromiser Creating 2D posters

?

By Zijue Wei

Compromiser Creating 2D posters

?

In the poster project, we suggested that we need to be the solution to waste issues that are jeopardizing our earth.

In our posters, we told people that our earth is not in the worst situation, and humans can still have a better environment and a more hopeful future if we take actions to reduce waste, both before and after the waste is produced.

As a group, our collaboration was not smooth at the beginning but ended up with a satisfying result. We conquered a variety of technical and interpersonal problems. We are relieved that we did reach a good end, and we gained useful skills and knowledge that will help us out of difficulties in the future.

Collective creative response to the question: “What are we wasting?”

The collage poster represents the whole process of our group working on this project. It is an important turning point for us, to first start collaborating and understanding each other.

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Illustrations by Folasade Lawal

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By Zijue Wei

WEEK 1 - Introduce/Discover/Define Zijue Wei Olivia Hilton Folasade Lawal

After meeting each other at the Design Museum, we started our investigations in various fields of environmental protection.

First group meeting: • Task for the first week: Look for information about climate change from different angles, such as existing problems, actions that have been taken, climate data, etc.

Unit brief • Lecture about climate crisis and a variety of art forms responding to climate issues Visiting the Design Museum

Sea level rise / Overconsumption / Excessive waste Waste disposal Waste acumulation / Sustainable development / Human health

Jinyu Li

Stubble burning / Landfill / Ocean pollution

Alisha Giles

Recycling plastic

Yingheng Zhang

Global warming / Natural disasters

Issac Prandy Rahat Ali

Reflection: Lack of communication and understanding

In the first week, we did not talk about our opinions on the climate crisis and knew nothing about other people’s interests.

We should establish effective communication before we started. By getting to know each other about their academic curiosities, personal interests, and thoughts about the unit themes, we could have a clearer direction of research.

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Week 1 contents from group padlet

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By Zijue Wei Researching: climate crisis

Researching: climate crisis

Waste is expanding its territory and competing with humans for more space. Waste pollution gives humans diseases, insanitation, and a dusky sky. They are slowly killing us physically and mentally, and humans have to spend more and more money and human resources to defend against them.

All products can be overconsumed, but they can all be traced back to the same origins: overestimated purchasing power and inflating desire.

Excessive Waste

Overconsumption In the close circle of production-purchasing-disposal, overconsumption affects both the two phases before and after it. The more people buy, the more production is encouraged, and more trash is left over. Overconsumption not only takes valuable resources from the earth, but also leaves tons of unused waste for her.

“We are arguably living in the waste age,” says Justin McGuirk, the London museum”s chief curator, who has spent the last three years rifling through rubbish with co-curator Gemma Curtin to put together this timely show. “The production of waste is absolutely central to our way of life, a fundamental part of how the global economy operates. We wanted to show how design is deeply complicit in the waste problem – and also best placed to address it.”

(Wainwright, 2021)

“ABSOLUTE petty post, but I feel like every influencer that I follow/ed would share their ‘hauls’ from Amazon, Target, their grocery store hauls, and just random clothes/ shopping sprees....Like yea, you need groceries to eat, blah blah blah, but also like.... howwww do they shop so much?? And then you never see that item again? Or they just get stuff ‘because I couldn’t resist, it was just so cute’???” by @u/samberchamp on Reddit “When you don’t have these religious structures, which are guiding you and defining who you ought to be, what ends up happening is people still seek meaning,” Stephanie Alice Baker, a senior lecturer in sociology at the City University of London, told Mashable in a previous article. “You still need somebody to give them this sense of purpose. And so this is where you often find a lot of celebrities or influencers filling this void.” (Silva, 2022)

“This shocking rise in plastic litter incidents suggests that plaastic is a growing threat to animals. Every year, the RSPCA deals with increasing numbers of mammals, birds and reptiles that have become entangled or affected in some way by discarded plastic. From seals with deep infected wounds caused by plastic frisbees cutting into their necks, to swans and geese trapped in fishing line or netting, plastic is clearly having an increasing impact on animal welfare. Our latest data sadly reflects the wider litter crisis taking place right now across the globe and action is urgently needed. It’s up to every one of us to do our bit in the war against litter.” (Ravenhall, 2019)

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Primary research on rubbish on roads

By Zijue Wei

Relation between household energy footprint and household income 5 Questions To Ask Yourself Before You Buy: 1. Do you really need it or are you just buying it because it’s on sale?

2. Can you get it for less?

3. Can you afford it?

4. Is it an impulse buy?

5. Can you get it for free?

(Morgan, n.d.)

Research into impacts of plastic waste

By Folasade Lawal

Wardrobe Crisis

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By Zijue Wei Researching: climate crisis

Circular economy To build the circular economy, we need support from both consumers and corporations. We must identify the stages in industrial processes where we can intervene to reduce waste and excessive resource consumption.

“A circular economy is an economic model designed to minimize resource input, as well as waste and emission production. Circular economy aims to reach the maximum efficiency in the use of finite resources, the gradual transition to renewable resources, and recovery of the materials and products at the end of their useful life. Moreover, it targets to rebuild all available types of capital, including financial, human, social, and natural. Essentially, a circular economy describes a regenerative economic system.” (CFI Team, 2022)

Waste paper turns into recycled paper

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Industrial process of a product

By Zijue Wei

“The circular economy, when designed in a thoughtful and inclusive manner, has the potential to protect the environment, improve economics, and elevate social justice. Sustainability from its foundation requires social equity. How we extract, use, and dispose of our resources can affect already vulnerable communities disproportionately.” (EPA, 2022)

Circular Economy diagram by United States Environmental Protection Agency

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By Zijue Wei

WEEK 2 - Introduce/Discover/Develop Zijue Wei Olivia Hilton Folasade Lawal

Continuing our research into excessive waste and further study about different art forms we could use for our group project.

Discuss future plans: • Following the theme of waste, look for previous works done by artists, scientists, entrepreneurs...including art, technologies and business strategies • Make creative responses based on the research we have done Ice breaking: Introduce ourselves to the group and the tutor with a short presentation • Make a presentation about our personalities, preferences, previous works and interests

Previous works

Creative responses

Recyclable architectures / Charity shops / Sell electricity back

Energy bank / Activity centre plan / Activism posters

Sustainable brands / Art pieces made of waste

Collages made of waste / Activism posters

Illustrations

Activism posters

Jinyu Li

Sculptures made of waste masks

Alisha Giles

Recycling waste

Yingheng Zhang

Activism posters Activism posters

Issac Prandy Rahat Ali

Reflection: Great diversity

Our group members have very diverse ways of seeing things, and this had made our perspectives broad and inclusive. We could learn from others’ viewpoints and incorporate them into our own knowledge.

Reflection: Lack of communication

Since last week, we had not talked much about what we were working on. Even though there were online meetings about our progress, we only talked about what we did without really understanding our purposes in this unit. We just looked at the work and gave bland comments, and never thought of how we could relate our work to others’. Without realizing that we are a group working together, any useful progress cannot be made.

We must try to understand other people’s ideas and work, and be willing to question and be questioned ourselves. In-depth communication helps us understand our ideas better, and others can also give helpful opinions to improve them.

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By Zijue Wei Researching: previous actions

What did human do to reduce waste?

The poster expresses the idea of standing together for our earth in a simple and emotional form, that makes this poster invigorative.

There is an intriguing way of combining 3D spaces into the 2D plane while emphasizing the slogan ZERO WASTE.

Illustrations

Actions

Buildings

In summary, there are three main themes within environmental protection posters: •Impacts •Actions •Benefits These key words convey the messages of environmental care most efficiently.

Web page of Good on You House Rehabilitation by BAST

By Pietro Soldi

By Fridtjof Kirste

A positive attitude is emphasized in this poster. By showing the good results of nurturing, eco-friendly behavior is encouraged.

The metaphor of the gun creates a strong idea and a powerful emotion in this poster.

Web page about selling back electricity

By Ryan James

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By Daniel Lievano

Some associations and corporations are contributing to environmental protection. For example, the website “Good on You” provides information about fashion brands, such as whether they are sustainable. Some electricity companies allow people to sell electricity back to them, and tax breaks are available to owners of environmentally friendly homes.

FRAC Dunkerque by Lacaton & Vassal Architects are also exploring more possibilities of sustainable buildings. Some designers use waste as the construction material, and some design buildings that can be recycled easily. There are also architectures that can transform waste into energy.

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By Zijue Wei Creating: first series concepts/creative response

What can our group do to reduce waste?

By Folasade Lawal

By Olivia Hilton

When discussing the consequences of waste, we first came up with the idea of a poster series to show the variety of impacts caused by waste. By getting to know the bad results of waste, people can be aware of what they are wasting and encouraged to reflect on their past behaviours.

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By Alisha Giles

By Zijue Wei

By Zijue Wei

The poster about transforming waste into benefits talks about an action that motivates people to recycle by showing and giving them those benefits, such as children’s education and money savings. The poster can also be an advertisement for a certain activity or association, that helps bring about these benefits.

By Jinyu Li We also investigated the methods for dealing with specialized waste, such as facial masks as medical waste. However, medical waste can only be handled by professionals, and it is dangerous to be recycled by individuals. This reminded us of what we should be careful about when giving ideas about environmental protection, especially in fields we are not familiar with.

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By Zijue Wei

WEEK 3 - Define/Develop

Looking for target audiences and backgrounds for our posters. Starting to visualize the poster in different ways.

Continue to research in different fields individually

Zijue Wei Olivia Hilton Folasade Lawal Jinyu Li

Second tutorial: • Discuss the thumbnails we did • Choose the theme and art form for our final outcome: activism posters responding to waste issue Group online meeting: • Discuss sketches of posters • Comment on each others’ works and give suggestions: combining text with drawings, collage, etc.

Combine theme of waste with 3D concepts and interior design Conceptualise exhibition plans • Use Triangle Space as the base of the design: triangular layout of posters/embedding posters in walls • Use a representative public space as the base of the design: organic shaped pavillion/cafe

Develop posters: • Think of different aspects of waste issue: about mental health, fashion, oceans, etc。 • Design drawings on posters • Experiment with different fonts: sans serif family, hand written, etc。

Alisha Giles Yingheng Zhang Issac Prandy Rahat Ali

Reflection: Proactivity

We were all developing our ideas and designs on our own this week, so we had a lot to share with the rest of the group. All the different approaches helped with conceptualizing our creative responses.

Reflection: Unreasonbale work division

However, our work division was not fair. Some group members who talked less were excluded from the discussion, and sometimes the ideas they gave were ignored. When making plans for the week after, these members were not considered part of the plan and had to work alone. If they continued working on their ideas without any feedback or comments from groupmates, their ideas would develop in a subjective and arbitrary way, which would not help with our collaboration.

In a discussion, what we can do is encouraging others to talk and trying to get most group members involved in the communication. We need to resolve any disagreements or confusions in the group in time.

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By Zijue Wei Researching: society responses

Who is our target audience?

What age bracket do you fall into?

Where in UK do you live?

Are you interested in learning more about ‘Waste Conscious’?

We chose to design posters for the younger generations in London after this survey, as they are willing and energetic to know more about waste consciousness. Posters, as our final selection of art form, can easily be spread in the physical world and on the Internet.

When conducting the survey, we did our best to collect as many responses as possible from different areas, age groups, and industries. However, the results we got were still limited, since the diagrams show that most subjects are in the age range of 18–24, which is not reasonable or reliable for a social survey.

To make the result more reliable, we could try more ways of spreading the survey. For example, QR codes for the website can be distributed to collect responses from the general public.

12-17 years old

North East

Yes

18-24 years old

North West

No

25-34 years old

Yorkshire and the Humber

35-44 years old

East Midlands

45-54 years old

West Midlands

55-64 years old

East of England

65-74 years old

London

Waste: Is waste to blame for the spike in climate change?

1. What age bracket do you fall into? o o o o o o o

12-17 years old.

18-24 years old.

25-34 years old.

35-44 years old.

45-54 years old.

55-64 years old.

65-74 years old.

2. Where in the UK do you live? o o o o o o o o o

North East North West Yorkshire and the Humber East Midlands West Midlands East of England London South East South West

3. Are you aware of the impact waste is having on climate change? (Disposal of waste, consumerism, product packaging etc.)

4. Are you aware of the impact fashion brands are having on the waste production within the UK? o Yes o No

5. Are there any actions that you would be willing to take to reduce your waste? If so what would these be?

6. How do you think it could be made easier to be more waste conscious in everyday life?

7. What does 'Waste Conscious' mean to you? o Being considerate to how I shop, by reducing the purchases I make and selecting products with less packaging. o Selecting brands that are more economical and sustainable. o Knowing more about the brands that I use.

8. Are you interested in learning more about how to be 'Waste Conscious'? o Yes o No

9. Do you think that there is a bigger focus on the consumer being the problem in relation to climate change rather than the corporations?

o Yes. The Consumers are blamed. o The impact waste has on climate change is created both from consumers and corporations. o No. The consumers aren't blamed enough.

10. When visiting an organisation (café, fast-food chain etc) do you carefully dispose of your waste using the recycling bins provided? o o o o

Yes. All the time.

Sometimes. If i'm not in a rush.

No. They are confusing.

No.

Our questionnaire

South East South West

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By Zijue Wei Creating: first series thumbnails

What do we tell people about waste impacts?

By Folasade Lawal

By Folasade Lawal

By Olivia Hilton

• Impact of waste • Mental health • Visual impact

• Impacts of waste • Plastic waste • Pollution

• Reflective thinking • Interaction with audiences

We assigned the work of designing posters to illustration and graphic design students. After illustrators finished the drawings on posters, they passed the drawings to the graphic designer who started experimenting with different fonts. Sometimes our graphic designers passed drawings back again, to see whether the text can be incorporated into the drawings. This mode of operation continued until we were working on final outcomes.

We found it an efficient way, since everyone can focus on the field that they are most familiar with and good at, and everyone can contribute to the same outcomes.

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By Zijue Wei

By Yingheng Zhang

By Yingheng Zhang

• Solutions of waste • Waste disposal • Recycling

• Impacts of waste • Ocean pollution • Animal protection

• Impact of waste • Ocean pollution • Animal protection

Also, we could learn from others’ strong points to offset our own weaknesses. Through discussing font selections, I learned about different types of fonts and how we can use them, which I was ignorant about before. It provided me with new ideas about graphic design.

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By Zijue Wei Creating: 3D poster experimentations

How to show contrasts in our posters?

Creating: 3D space experimentations

Where do people see our posters?

For activism posters, it is extremely important for them to be seen.

Consequently, we thought of different ways to exhibit them.

3D poster design - Front view

by Zijue Wei

3D poster design - Perspective view

by Zijue Wei The other design of the 3D poster was inspired by the view-borrowing technique, aimed at showing contrast when interacting with audiences. As audiences walk by, they see different parts of the poster, and the difference between our environment before and after taking action could be noticed.

The design of contrasts was not discussed at the early stage but was picked up again afterwards. There were many factors that made it ignored: lack of communication, unvisualized plans, etc. Therefore, the group did not understand it, and we took a roundabout route on the path towards the final design.

I realized that to communicate efficiently, especially when talking about something visual, it would be better to sketch it first.

It will make our ideas more direct and understandable.

Since our posters were still in thumbnail sketches, the exhibition arrangements were too advanced.

However, we were doing this because of an abnormal work distribution. When others are working on posters, the group members who specialize in 3D works had nothing to do, and that was why we spent our time on exhibition set-ups.

In each stage, we should try our best to make sure everyone participates and focuses on their strong fields instead of only distributing tasks to a minority of members.

A space reminds people of nature with mountain shaped roof

By Jingyu Li

Triangular layout enabling audiences see posters from all directions

By Zijue Wei

View borrowing technique in Suzhou Gardens

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By Zijue Wei

WEEK 4 - Develop Zijue Wei Olivia Hilton Folasade Lawal

Continuing to refine poster designs. Choosing backgrounds and settings for posters in real situations.

Third tutorial: • Finally decide of target audiences, group name and slogan: the group name is Waste Rebels, making posters for young people in London • Review posters and making final selections Group discussion: • Decide on exhibition set-up: projection on plastic bags instead of conventional printed posters • Plan to rent equipments for exhibition: projector, laptop, wires, etc.

Work on model plan for the cafe: • Summarize similarities in public spaces • Plan movements of customers • Build digital model

Finalise posters • Experiment with different layouts, tones and fonts • Refine details

Jinyu Li Alisha Giles

Work on digital submission

Yingheng Zhang

Design logo (not finished till the end of the unit)

Issac Prandy Rahat Ali

Reflection: Good coorperation

Since last week, we had tried to solve the problems with work division so that we could all start to work in smaller groups. Each group had a clear goal, and we could engage in our own work.

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Reflection: Problems with online communication

One of the biggest obstacles to our cooperation was online communication. When passing our work to another, we had to send our files through group chat or Padlet, and we did not usually get responses immediately. This made it difficult to work continuously because our different schedules always got in the way. I believe more offline work will relieve us from this situation.

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By Zijue Wei Creating: first series composition experimentations

How do we tell people about waste impacts?

Four themes were selected for the first series of posters: • Reflecting on ourselves • Mental health • Overconsumption • Ocean pollution Four members took part in these posters, each working on one poster, with help on fonts from our graphic designer. The outcomes showed our diversity and offered different viewpoints on the waste problem.

However, the drawings and colours were chosen without any discussion or suggestions from group members, and sometimes disagreements were not mentioned.

The progress made at each stage should be shared with others to get responses and comments from them, and we could know the direction of improvements.

All posters by Olivia Hilton, Folasade Lawal, Yingheng Zhang

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By Zijue Wei Creating: setting up posters

How do we exhibit for the public?

After finishing the first series of posters, we kept going with exhibition set-ups. Combining the two designs from last week, we set up a representative public space—a cafe. In this space, we tried to find the best position for posters in both interior and exterior spaces and planned a micro-model for the exhibition in the final week.

In the process of model making, we insisted on avoiding waste. We used recyclable foam board and did not use glue or tape.

Cafe plan and movement analysis

By Zijue Wei, Jinyu Li

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Digital model made with SketchUp

By Zijue Wei

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By Zijue Wei

WEEK 5 - Develop/Deliver Further communicate with tutor and groupmates about the problems within the group Give the idea of new series

Finalise micro model Design the second series of posters

Zijue Wei Olivia Hilton Folasade Lawal Jinyu Li

Fourth tutorial: • Reflect on previous works, and talk about issues happened in our collaboration Waste shift poster workshop: • Make one collage poster together, and discuss future directions

Finalise first series of posters Final online meeting: Check details of posters and exhibition

Exhibition preparations: • Rent equipments • Set up screen • Prepare slide show

Alisha Giles Yingheng Zhang Issac Prandy Rahat Ali

Reflection: Effective communication

We changed a lot this week. We were able to resolve most issues among us by talking about problems that we struggled with in previous stages, raising and clarifying new ideas. There were improvements in our communication skills as well, since we all started to listen carefully to others’ opinions and respect each other. I strongly believe that this is the right way to work on a team.

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Reflection: Leftover problems

There were still some issues that were too late to refine or resolve at this late stage in the unit’s development. For example, it was too late to refine the topics we chose for the first series. If we can reflect at each stage, we can solve problems faster and avoid leaving them until the last minute.

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By Zijue Wei Reflecting: collaborative experience

How did we become a team?

Many issues took place among us in the previous weeks. We made some decisions without any communication, ignored some group members’ ideas, and our work went off the theme. There were disagreements and dissatisfaction. At that moment, I realized the problems were gradually posing a threat to our collaboration. I talked with some other group members and our tutor, and we agreed that we needed to change.

After discussion with the whole group, we decided to have a group workshop to create a collage poster, and we needed to think back at the question we gave at the early stage of this unit:

What are you wasting‭?‬

By reflecting on this question, we found that it was not enough just to mention the impacts of waste—we had to inform people that there are ways to change and that we can have a better future if we take actions. Responding to the question, “What are you wasting?” we found the answer:

We can be the solution‭.‬ We decided to add one more series of posters in response to the previous ones we made. The new series would be about the solutions to the impacts of waste we discussed. These posters could show a strong contrast with the former ones, and tell people what to do to help.

By doing the group workshop this time, we made the most important step in this unit. This was the first time we really worked together in person, and when making this poster, we had in-depth communication about our theme, our concept, and our designs. Finally, there was agreement in our group about what we were doing and what we should be doing.

34 Waste shift poster

Photo records of group workshop

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By Zijue Wei Creating: second series conceptualization

Creating: colour palette

What can we do to reduce waste?

What kind of feeling are we giving with colours?

“They can be viewed as objects, or things, for example, cellphones, leafy greens, and plastic straws. Their journeys can be followed from ‘birth’ to afterlife. And they are waste streams , containing items of value (gold and metals, recyclable plastic, compost), and risk (mercury and dioxin, contaminated foodstuffs).” (O’Neill, 2019) As the general public, we still have many ways to reduce waste. We can prevent waste before it is produced and treat existing waste properly.

Corresponding to the first series of posters, the new series is mainly about: • Maintaining a clean and nice environment • Avoiding overconsumption by careful thinking • Preventing rubbish from going into oceans

By Jinyu Li

We learnt from the mistake in colour selection of the first series of posters.

When choosing colours for the new series, we thought carefully and discussed fully the impressions of different colour sets.

We finally chose the couple consisting of green and blue. Dirty green represents what we were not doing enough to protect the environment. Then light blue is for the second series, bringing in a bright and positive feeling towards waste solutions and subconsciously motivating people to adopt these habits.

The way we discuss has changed completely since the group workshop, by starting to share our progress and work in the group chat so that we could get responses immediately. We all knew what others were doing, and the feeling made us more aware of being on a team.

Colour swatch

By Folasade Lawal

By Zijue Wei

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By Zijue Wei Creating: second series composition experimentations

What do we tell people about waste solutions?

All posters by Zijue Wei, Jinyu Li

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By Zijue Wei Creating: finishing cafe micro-model

Where are our posters in public spaces?

While working on this micro-model of the cafe, we thought carefully about how images may affect audiences in a busy environment and how to make a representative space that covers most situations. For example in this model, we thought about different modes on communication among cafe customers and staffs, and the movements of people in the space. And we shared these knowledges with other group members who had never been working on a spatial project before. I believe these knowledge will inspire them in the future, when they produce 3D works or visualized art forms aim at general public.

After photographing this model, it was deconstructed and collected in a plastic bag.

Throughout this unit, we insisted on avoiding waste production. We created digital posters and communicated online. When we had to use paper or any materials, we collected the waste we produced, and they were also kept in plastic bags for our exhibition.

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Interior set-up of the cafe micro-model

By Zijue Wei, Jinyu Li

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By Zijue Wei Presenting: setting up projection for exhibition

What did we do with the waste our group produced?

All the posters were done, and it was time to begin our exhibition set-up. As we collected waste from this unit, our first idea was to project posters onto these plastic bags to give an idea about transforming our lifestyle to reduce waste. We put plastic bags filled with waste on the wall to form a white screen for projection.

Nevertheless, the plan went wrong when setting up in the exhibition space. We did not experiment with the projection screen beforehand, without realizing that the projection could not show on these plastic bags until one day before the exhibition.

We had to change our plan to projecting posters on the wall with plastic bags next to them.

Experimenting beforehand is extremely important when trying something we have never done before. It will give us enough time to change our plan and make sure we do not drop the ball at the final moment.

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Plastic bag texture

By Zijue Wei, Jinyu Li

Plastic bag screen

By Zijue Wei, Jinyu Li

Making the projection screen In the photo: Jinyu Li

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By Zijue Wei

WEEK 6 - Exhibit

Setting up the projection and taking part in the exhibition.

Zijue Wei Olivia Hilton Folasade Lawal

Exhibition: • Set up equipments • Visit exhibition • Collect works and equipments after exhibition

Jinyu Li Alisha Giles Yingheng Zhang Issac Prandy Rahat Ali

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Exhibition photographs at Triangle Space

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By Zijue Wei Presenting: selecting posters for exhibition

What would you see at the exhibition?

Final poster selections for exhibition

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By Zijue Wei Presenting: finishing digital submission

What would you see on our Instagram?

Digital submission plan 48

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By Zijue Wei

24.90% 24.72%

Reflecting: group statistics-overall

How much did we engage in this project?

86.28% of the work was done by only 3 members, which is not ideal for a team. Meanwhile, 4 members did less than 5% of the work. We got our satisfying results thanks to extra work done by a few active members.

Weighting method: (2*padlet uploading times+WhatsApp speaking times)/ total e.g. (2*132+297)/2253=24.90% More accurate data is shown on page 52.

36.66%

The statistic results does not fully represent our contribution in this unit, but can be considered a reference. There is some data that I was unable to access or remember, such as attendence and accurate time of communication. Only most representative data were selected to make this diagram.

6.97% 2.97%

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1.46% 0.04% 2.26%

Group padlet and group chat record

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By Zijue Wei Reflecting: group statistics-detailed

How much time did we spend online and offline?

How much did we do?

How many times did we talk in WhatsApp group chat?

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How many times did we upload on padlet?

During the unit, not everyone participated. Some people gave many ideas on all different aspects, and some people were too shy to talk.

We made the most progress during tutorial and workshop times.

When we met each other in person, we could put ourselves into the discussion and exchange ideas directly. But in online meetings, we were simply sharing our progress without further analysis and dissection of ideas, and we just stayed where we were.

What I found useful was communication between two or three group members to clarify and evaluate ideas before presenting them to the entire group. When more than one person understands us, it not only encourages us to speak more but also leads to fewer misunderstandings.

The group workshop to make the waste shift poster helped us out. It reminded us that we have to make progress together to become a team. “...it is critical that all involved entities work interdependently and contribute sufficiently towards reaching their joint aims.” (Wendy L. Bedwell, 2012) When a group is working on the same thing especially offline, we have a clear goal and truly participate. In this situation, we make progress more likely.

Zijue Wei

297 times

132 times

Olivia Hilton

353 times

102 times

Folasade Lawal

518 times

154 times

Jinyu Li

63 times

47 times

Alisha Giles

45 times

11 times

Yingheng Zhang

15 times

9 times

Online

Around 4.5 hours

Issac Prandy

1 times

0 times

Offline (tutorials)

Around 10 hours

Rahat Ali

51 times

0 times

Offline (workshops)

Around 6 hours

53

By Zijue Wei Reflecting: summarizing collaborative experience

How was our collaborative experience?

We had misunderstandings and estrangements over the last six weeks. But luckily, we made through it thanks to the serious communications and endeavour of our groupmates.

It was a memorable experience that continues to remind me of how we can solve interpersonal problems and communicate effectively. What I understood most deeply in this unit is that we have to speak and listen so we can solve problems rather than letting them go, and making them grow into bigger disagreements without a sound.

Meanwhile, despite the fact that we were not doing enough, we can still analyze the collaborative experience further and extract some helpful points for our future study.

54

Us doing group workshop in week 5 Photo taken by Olivia Hilton From left to right: Zijue Wei, Yingheng Zhang, Jinyu Li, Folasade Lawal

55

By Zijue Wei Reflecting: self reflection

Reflecting: self reflection

What did I learn from this experience?

What will help with the collaboration next time?

Collaboration skills: Communicating more effectively with visualized diagrams or sketches:

In the design field, in particular, sometimes it is hard to explain an idea verbally. It will help a lot if we can do some sketches or models about a concept, which makes our concepts more understandable and direct.

More listening and speaking:

“We posit that collaboration cannot be one-sided. Rather, it requires active, mutual engagement in the collaborative process at some level from all involved parties (e.g., Longoria, 2005; Tucker, 1991).” (Wendy L. Bedwell, 2012) Collaboration is established on mutual understanding.

By giving our own ideas and listening to others’ ideas, we understand each other better, and it is also easier to gather information around and produce better outcomes.

Supporting and encouraging each other:

When a group member is unconfident with their ideas or too shy to speak, what we can do to help is encourage them to talk or assist them in presenting their ideas in front of the group. This will help to maintain strong bonds among group members and boost the speaker’s confidence.

56

Techniques and design knowledge: Graphic design skills:

• How to identify and use different fonts? e.g. sans serif and serif • How to embed different textures on a plane?

• How to lay out text on a 2D plane?

Online working:

• How to share files online? e.g. Teams sharing, Onedrive and Padlet • How to organize an online meeting?

Questioning and being questioned:

When we do not understand someone’s idea, be brave and ask.

Misunderstandings will be less likely to happen if we can all clarify our ideas. Meanwhile, we must get ready to be questioned, since we may make mistakes without realizing or not explain our thoughts clearly. It is a good chance to get familiar with groupmates as well.

Working together, offline if possible:

“Where before, we could use physical spaces to encourage collaboration, such as breakout areas and dedicated meeting rooms, we need to be a little more creative in how we ring fence space for collaborative planning and thinking. Think about creating a dedicated brainstorm channel, away from other communication spaces for this purpose.” (Kohler, 2020) Online working is extremely different from offline working. When having an online meeting, people do not always show their faces, and it is hard to know their reactions.

Working face-to-face on the same assignment will help a lot. We communicate while working, and we can reach a consensus about what we should do sooner.

More chatting in leisure time:

A group working together does not have to work together exclusively.

“Probably one of the first things you should do after introducing yourselves is to go somewhere where you can talk to one another in a relaxed way. Go and have coffee or a meal together. Talk about things other than work. It’s all part of creating a ‘social infrastructure’, a network of human relationships that will ‘underpin’ your project work.” (Levin, 2004) Even though the group is coorperating, it is not just about working but also knowing the personalities of each member. We can talk to and cope with our group members better, if we have a basic understanding of their characteristics.

57

ϲ EŽǀ

ϴ EŽǀ

/ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ 'ƌŽƵƉ ƚƵƚŽƌŝĂů

/^ Ks Z t < ϳ EŽǀ

ϭϲ EŽǀ ϭϳ EŽǀ

ϭϴ EŽǀ ϭϵ EŽǀ ϮϬ EŽǀ

s >KW t < Ϯϭ EŽǀ ϮϮ EŽǀ

tĞĞŬ Ϯ

ϵ EŽǀ ϭϬ EŽǀ

ϭϭ EŽǀ

'ƌŽƵƉ ŽŶůŝŶĞ ŵĞĞƚŝŶŐ

ϭϮ EŽǀ

/ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ

ϭϯ EŽǀ

&/E t < tĞĞŬ ϯ ϭϰ EŽǀ

58

>ĞĐƚƵƌĞƐ /ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ

Ϯϯ EŽǀ Ϯϰ EŽǀ

Ϯϱ EŽǀ Ϯϲ EŽǀ Ϯϳ EŽǀ

>/s Z t < Ϯϴ EŽǀ

/ŶƚƌŽĚƵĐŝŶŐ ŽƵƌƐĞůǀĞƐ ƚŽ ŐƌŽƵƉ ŵĞŵďĞƌƐ ǁŝƚŚ Ă ƉƌĞƐĞŶƚĂƚŝŽŶ ĂŶĚ ĚŝƐĐƵƐƐŝŶŐ ƚŚĞ ƚŚĞŵĞ ĨŽƌ ŽƵƌ ƉƌŽũĞĐƚ͘ ĞĐŝĚŝŶŐ ƚŽ ůŽŽŬ ĨŽƌ ĐƌĞĂƚŝǀĞ ƌĞƐƉŽŶƐĞƐ ĚŽŶĞ ďLJ ĂƌƚŝƐƚƐ ĨƌŽŵ ŽƵƌ ŽǁŶ ŝŶĚƵƐƚƌLJ͘ ^ƚĂƌƚŝŶŐ ǁŝƚŚ ŽƵƌ ŽǁŶ ĐƌĞĂƚŝǀĞ ƌĞƐƉŽŶƐĞƐ͕ ŵĂŬŝŶŐ ĚƌĂǁŝŶŐƐ ĂŶĚ ŵŽĚĞůƐ ƚŚĂƚ ĚĞŵŽŶƐƚƌĂƚĞ ŽƵƌ ŝĚĞĂ ƚŽǁĂƌĚƐ ǁĂƐƚĞ͘

>ŽŽŬŝŶŐ ĨŽƌ ĞdžĂŵƉůĞƐ ƉĞŽƉůĞ ŚĂǀĞ ĚŽŶĞ ĨƌŽŵ ĚŝĨĨĞƌĞŶƚ ŝŶĚƵƐƚƌŝĞƐ͕ ƐƵĐŚ ĂƐ ŽŶĞƐ ĚŽŶĞ ďLJ ŐƌĂƉŚŝĐ ĚĞƐŝŐŶĞƌƐ͕ ĂƌĐŚŝƚĞĐƚƐ͕ ĂŶĚ ĞŶƚƌĞƉƌĞŶĞƵƌƐ͘ ŝƐĐƵƐƐŝŶŐ ƚŚĞ ŝĚĞĂƐ ĂŶĚ ƐŬĞƚĐŚĞƐ ǁĞ ŚĂǀĞ ĚŽŶĞ ĂŶĚ ƚĂůŬŝŶŐ ĂďŽƵƚ ĨƵƌƚŚĞƌ ĚĞǀĞůŽƉŵĞŶƚƐ ŶĞĞĚĞĚ͘

Ϯϵ EŽǀ

ϯϬ EŽǀ ϭ ĞĐ

>ĞĐƚƵƌĞƐ /ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ

/ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ 'ƌŽƵƉ ŽŶůŝŶĞ ŵĞĞƚŝŶŐ

/ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ 'ƌŽƵƉ ƚƵƚŽƌŝĂů ĂŶĚ ǁŽƌŬƐŚŽƉ

>ĞĐƚƵƌĞ /ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ 'ƌŽƵƉ ŽŶůŝŶĞ ŵĞĞƚŝŶŐ /ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ

/ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ 'ƌŽƵƉ ƚƵƚŽƌŝĂů ĂŶĚ ǁŽƌŬƐŚŽƉ

tĞĞŬ ϱ

Ϯ ĞĐ /ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ

ƌĞƐĞĂƌĐŚ 'ƌŽƵƉ ƚƵƚŽƌŝĂů

tĞĞŬ ϰ

'ƌŽƵƉ ŽŶůŝŶĞ ŵĞĞƚŝŶŐ

/ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ /ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ƌĞƐĞĂƌĐŚ 'ƌŽƵƉ ĨŝŶĂů ŽŶůŝŶĞ ŵĞĞƚŝŶŐ

ŝƐĐƵƐƐŝŶŐ ƚŚƵŵďŶĂŝůƐ ǁĞ ŚĂǀĞ ĚŽŶĞ ƐŽ ĨĂƌ ĂŶĚ ĚĞǀĞůŽƉ ĨƵƌƚŚĞƌ͘

^ƚĂƌƚŝŶŐ ǁŝƚŚ ƚŚĞ ĚĞƐŝŐŶ ŽĨ ƚŚĞ ĞdžŚŝďŝƚŝŽŶ ƐƉĂĐĞ͕ ŚĞůƉŝŶŐ ƚŽ ĚŝƐƉůĂLJ ƚŚĞ ƉŽƐƚĞƌƐ ďĞƚƚĞƌ͘ ^ƚĂƌƚŝŶŐ ǁŝƚŚ ƚŚĞ ƚǁŽ ŝĚĞĂƐ͗ ďĂƐĞ ŽƵƌ ĞdžŚŝďŝƚŝŽŶ ŝŶ dƌŝĂŶŐůĞ ^ƉĂĐĞ ĂŶĚ Ă ĐĂĨĞ͕ ǁŚŝĐŚ ƌĞƉƌĞƐĞŶƚƐ ƚŚĞ ƉƵďůŝĐ ƐƉĂĐĞƐ ŝŶ ƚŚĞ ĐŝƚLJ͘

Starting draw the floor plan about “cafe” and ƚŚŝŶŬ ŽĨ ƐŽŵĞ ĚŝĨĨĞƌĞŶƚ ŝĚĞĂƐ ĂďŽƵƚ ƚŚĞ ůĂLJŽƵƚ͘

ϯ ĞĐ

ϰ ĞĐ

y,/ /d t < ϱ ĞĐ ϲ ĞĐ

tĞĞŬ ϲ

DĂŬŝŶŐ ƉƌĞƐĞŶƚĂƚŝŽŶ ĂďŽƵƚ ƚŚĞ ŽƵƚĐŽŵĞƐ ƐŽ ĨĂƌ ĂŶĚ ĐůĂƌŝĨLJŝŶŐ ǁŚĂƚ ŝƐ ƚŚĞ ŵĂŝŶ ŝĚĞĂ ŝŶ ŽƵƌ ĚĞƐŝŐŶ͕ ǁŚŽ ŝƐ ŽƵƌ ƉŽƚĞŶƚŝĂů ĂƵĚŝĞŶĐĞƐ ĂŶĚ ĐŚŽŽƐŝŶŐ ŽƵƌ ŐƌŽƵƉ ŶĂŵĞ ĂŶĚ ƐůŽŐĂŶƐ͘ ĞĐŝĚĞĚ ƚŚĞ ǁĂLJ ŽĨ ƉƌĞƐĞŶƚŝŶŐ ŽƵƌ ƉŽƐƚĞƌƐ ŝŶ ĞdžŚŝďŝƚŝŽŶ͗ ƉƌŽũĞĐƚŝŶŐ ŽŶ ƉůĂƐƚŝĐ ďĂŐƐ ŽŶ ƚŚĞ ǁĂůů͕ ŵĂŬŝŶŐ Ă ƐůŝĚĞ ƐŚŽǁ Žƌ ŽŶůLJ ŽŶĞ ƐůŝĚĞ͘

By Zijue Wei

ϳ ĞĐ ϴ ĞĐ ϵ ĞĐ ϭϬ ĞĐ ϭϭ ĞĐ

tŽƌŬƐŚŽƉ

ŽŶĞ ƐůŝĚĞ ŝĚĞĂ ŝŶƚŽ ƚŚĞ ƐůŝĚĞ ƐŚŽǁ͕ ǁŚŝĐŚ ĐŽŶƚĂŝŶƐ Ϯ ĐŽƌƌĞƐƉŽŶĚŝŶŐ ƉŽƐƚĞƌƐ ŝŶ ĞĂĐŚ ƐůŝĚĞ͘ &ŝŶŝƐŚŝŶŐ ŵŽĚĞů ŵĂŬŝŶŐ͕ ĂŶĚ ƌĞƵƐŝŶŐ ƚŚĞ ǁĂƐƚĞ ƉƌŽĚƵĐĞĚ ĚƵƌŝŶŐ ŽƵƌ ĚĞƐŝŐŶŝŶŐ ƉƌŽĐĞƐƐ͕ ƚƵƌŶŝŶŐ ƚŚĞŵ ŝŶƚŽ ƚŚĞ ĐĂŶǀĂƐ ŽĨ ƉƌŽũĞĐƚŝŽŶ͘ &ŝŶŝƐŚŝŶŐ ƚŚĞ ƐůŝĚĞƐ ĨŽƌ ĞdžŚŝďŝƚŝŽŶ͕ ĂĚĚŝŶŐ ĂŶŝŵĂƚŝŽŶƐ ĂŶĚ ůŽŽƉ͘

^ĞƚƚŝŶŐ ƵƉ ĞdžŚŝďŝƚŝŽŶ ƐƉĂĐĞ ^ĞƚƚŝŶŐ ƵƉ ĞdžŚŝďŝƚŝŽŶ ƐƉĂĐĞ ^ĞƚƚŝŶŐ ƵƉ ĞdžŚŝďŝƚŝŽŶ ƐƉĂĐĞ džŚŝďŝƚŝŽŶ džŚŝďŝƚŝŽŶ

ŚŽŽƐŝŶŐ ƚŚĞ ƉůĂĐĞ ƚŽ ƐĞƚ ƵƉ ŽƵƌ ƉŽƐƚĞƌƐ ĂŶĚ ƉƌŽũĞĐƚŽƌƐ͘

DĂŬŝŶŐ ǁĂƐƚĞ ƐŚŝĨƚ ƉŽƐƚĞƌƐ ŝŶ Ă ŐƌŽƵƉ ĂŶĚ ŵĂĚĞ ƚŚĞ ĚĞĐŝƐŝŽŶ ŽĨ ŝŶĐƌĞĂƐŝŶŐ ƚŚĞ ŶƵŵďĞƌ ŽĨ ƉŽƐƚĞƌƐ ĨƌŽŵ ϰ ƚŽ ϴ͘ dŚĞ ϰ ŶĞǁ ƉŽƐƚĞƌƐ ǁŝůů ďĞ ĂďŽƵƚ ƚŚĞ ƐŽůƵƚŝŽŶ ƚŽ ƚŚĞ ǁĂƐƚĞ ƉƌŽďůĞŵƐ ŵĞŶƚŝŽŶĞĚ ŝŶ ƚŚĞ ϰ ĞdžŝƐƚŝŶŐ ƉŽƐƚĞƌƐ͘ ŽŝŶŐ ƉƌĞƐĞŶƚĂƚŝŽŶ ĨŽƌ ŽƚŚĞƌ ŐƌŽƵƉƐ ĂŶĚ ŐĞƚƚŝŶŐ ĨĞĞĚďĂĐŬ͘ ^ƚĂƌƚŝŶŐ ǁŝƚŚ ƐŽůƵƚŝŽŶ ƉŽƐƚĞƌƐ͘ ^ƚĂƚŝŶŐ ǁŝƚŚ ƐŽůƵƚŝŽŶ ƉŽƐƚĞƌƐ͕ ƚŽ ďĞĐŽŵĞ ƚŚĞ ƐĞĐŽŶĚ ƐĞƌŝĞƐ ŽĨ ƚŚĞ ƚŚĞŵĞ͘

Shared timeline file

By Zijue Wei, Jinyu Li, Folasade Lawal This timeline file was filled out by group members to indicate what we did in each stage of the unit. This timeline is for reference.

ŚŽŽƐŝŶŐ ƚŚĞ ƉŽƐƚĞƌƐ ĨŽƌ ƚŚĞ ĨŝŶĂů ĞdžŚŝďŝƚŝŽŶ ĨƌŽŵ ƚŚĞ ƉƌŽĐĞƐƐ͘ <ĞĞƉŝŶŐ ƚŚĞ ŝĚĞĂ ŽĨ ƉƌŽũĞĐƚŝŽŶ͕ ďƵƚ ĐŚĂŶŐĞĚ ƚŚĞ

ϭϱ EŽǀ

Using some website to learn about some climate problem. These problems affect people's activities and the earth. And make the mind map to mention idea.

ůƵĞ͗ ŝũƵĞ tĞŝ 'ƌĞĞŶ͗ &ŽůĂƐĂĚĞ >ĂǁĂů KƌĂŶŐĞ͗ :ŝŶLJƵ >ŝ

/EdZK h t < ϯϭ KĐƚ ϭ͘ hŶŝƚ ďƌŝĞĨ &ŝƌƐƚ ŵĞĞƚŝŶŐ ǁŝƚŚ ŐƌŽƵƉ ŵĞŵďĞƌƐ͕ ŐĞƚƚŝŶŐ ƚŽ Ϯ͘ >ĞĐƚƵƌĞ ŬŶŽǁ ĞĂĐŚ ŽƚŚĞƌ ĂŶĚ ĚĞĐŝĚŝŶŐ ǁŚĂƚ ƐŚŽƵůĚ ďĞ ϯ͘ DĞĞƚŝŶŐ ŐƌŽƵƉ ĚŽŶĞ ŝŶ ƚŚĞ ŶĞdžƚ ƐƚĞƉ͘ tĞ ĚĞĐŝĚĞĚ ƚŽ ĚŽ ƐŽŵĞ ŵĞŵďĞƌƐ ƌĞƐĞĂƌĐŚ ŝŶĚŝǀŝĚƵĂůůLJ͘ ϰ͘ sŝƐŝƚŝŶŐ ĞƐŝŐŶ ůƐŽ͕ ƚŚĞ ǁŽƌŬƐ ŝŶ ƚŚĞ ĞƐŝŐŶ DƵƐĞƵŵ ĂƌĞ ǀĞƌLJ DƵƐĞƵŵ ŝŶƐƉŝƌŝŶŐ͕ ƚŚĞLJ ŐĂǀĞ Ă ůŽƚ ŽĨ ŝĚĞĂƐ ĂďŽƵƚ ĐŽŶǀĞLJŝŶŐ ŵĞƐƐĂŐĞƐ ĂŶĚ ĨƵůĨŝůůŝŶŐ ŶĞĞĚƐ ďLJ ŵĂŬŝŶŐ ƉƌŽƉĞƌ ĚĞƐŝŐŶƐ͘ ϭ EŽǀ /ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ^ƚĂƌƚŝŶŐ ƌĞƐĞĂƌĐŚ ŝŶĚŝǀŝĚƵĂůůLJ ďĂƐĞĚ ŽŶ ƚŚĞ ƌĞƐĞĂƌĐŚ ǀĂƌŝŽƵƐ ĂƐƉĞĐƚƐ ƌĞůĂƚŝŶŐ ƚŽ ŽƵƌ ŵĂũŽƌ ĂŶĚ ǁŚĂƚ ǁĞ ĂƌĞ ŝŶƚĞƌĞƐƚĞĚ ŝŶ͘ Ϯ EŽǀ >ĞĐƚƵƌĞƐ

ϯ EŽǀ /ŶƚĞƌĐƵůƚƵƌĂů ƵŝůĚŝŶŐ > 'K͕ ďƵŝůĚŝŶŐ ƌĞůĂƚŝŽŶƐŚŝƉƐ ǁŝƚŚ ŐƌŽƵƉ ŽŵŵƵŶŝĐĂƚŝŽŶ ŵĂƚĞƐ͕ ĂŶĚ ĐŽŵŵƵŶŝĐĂƚŝŶŐ ŝĚĞĂƐ͘ tĞĞŬ ϭ tŽƌŬƐŚŽƉ ϰ EŽǀ /ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ ZĞƐĞĂƌĐŚŝŶŐ ĂŶĚ ŵŝŶĚ ŵĂƉƉŝŶŐ ƚŽƉŝĐ ŽĨ ǁĂƐƚĞ͘ ƌĞƐĞĂƌĐŚ ͘Ő͕͘ ǁĞďƐŝƚĞƐ͕ ĂƌĐƚŝĐůĞƐ ĂŶĚ ǀŝĚĞŽƐ ŽŶ ƐŽĐŝĂů ĂŶĚ ĞŶǀŝƌŽŶŵĞŶƚĂů ŝŵƉĂĐƚ ŽĨ ǁĂƐƚĞ͕ ǁĂƐƚĞ ĂŐĞ͕ ŶĂƚƵƌĞ ĂŶĚ ŵĞŶƚĂů ŚĞĂůƚŚ͘ ĞƚĐ ϱ EŽǀ /ŶĚŝǀŝĚƵĂů ƐƚƵĚLJ ĂŶĚ >ŽŽŬŝŶŐ ŝŶƚŽ ƚŚĞ ƉƌŽĚƵĐƚŝŽŶ ƉƌŽĐĞƐƐ ŝŶ ŵŽƐƚ ƌĞƐĞĂƌĐŚ ŝŶĚƵƐƚƌŝĞƐ ĂŶĚ ĐŽŶƐƵŵƉƚŝŽŶ ŝŶ ƐŽĐŝĞƚLJ ĂŶĚ ŐŝǀŝŶŐ ŵLJ ŝĚĞĂ ĂďŽƵƚ ŽƵƌ ƚŚĞŵĞ͘

However not all members participated in this file, so I also referred to our padlet and groupchat for more working records.

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