Portfolio of Yixuan Zhang 2018-2023 for Application

TRANSLATION

Portfolio of Yixuan Zhang TYP

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Email: yixuankmu@outlook.com Application Number: 23160575

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INVERSION

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Selected Works 2018-2023 Major in Architecture For application to UCL MArch Architectural Design

YIXUAN ZHANG

CONTENTS

Tel: +86 182-1343-0759 Email: yixuankmu@outlook.com

EDUCATION

2018.09-2023.06

Kunming University of Science and Technology (KUST) Bachelor of Architecture | Major: Architecture GPA: 3.56/4.00; 87.03/100 | Ranking: 8/63

Deconstruction: Reinventing the Future Individual work 2022.03-2022.06

2023 2020 2019

COMPETITION 2021.07 Yuanye Cup Award International Competition for College Students Third-class Prize; Team Leader Project: Homing -- The Urbanized Residential Community of Landless Farmers under the Village Cluster 2022 TEAM ZERO Award International Architectural Design Competition for College Students Team Leader | Project: Bridge -- Window of World

2022.08

2022 ASIAN DESIGN AWARD 2022.07 Team Leader | Project: Feeding the City - The Spring Tree Excellent Award of Urban Design Group; Team Leader | Project: Reduce and Simplify —— New Social Vision 2022 China Human Settlements Design Academic Year Award 2022.07 Team Leader | Project: Thread the Needle, Break the Siege -- Urban design based on an urban village perspective

RESEARCH Mapping Research of Longmen Grottoes, Xishan District, Kunming Mapping and preserving the surviving cliff carvings through site survey and analysis

2020.01

Mapping Research of Earthen Palm Houses in Podie Village, Yuxi City 2021.04 Researching the earthen palm houses’ spatial form and characteristics through field visits, mapping, and modeling Surveying and Mapping of Traditional Yi Villages in Leju Village, Kunming 2021.09 Exploring the direction for the protection and development of Yi villages through mapping and analysis

PROFESSIONAL EXPERIENCE

Jiangsu Meicheng Architectural & Planning and Design Institute Co.,LTD.

01-05

A new vision of society in the metaphor of the aeroplane

AWARD Yunnan Provincial Outstanding Graduates of the Class of 2023 KUST Top-class Scholarship (Top 1%) & KUST Third-class Scholarship KUST Third-class Scholarship & KUST Class Construction Contribution Award

01

2022.11-2023.02

Jiangba Complex Project, Hongze District | Pre-analysis and concept design Haitang Court Community, Huai'an City | Concept design and deepening of sales centre Expansion project of experimental primary school, Huai'an City | Floor plan drawing

Year 4, Secend Semester

02 Axis Regeneration

06-11

Nanyang City Cultural "Index" Museum Individual work 2023.03-2023.05

Year 5, Secend Semester

03 Reuse the Lake Chapel —San Giovanni in Val di Lago

12-18

A chapel renovation echoing the new town Individual work 2021.11-2022.01

Year 4, First Semester

04 Continuing Haiyan Village

19-23

Haiyan Village Fishing Culture Museum Individual work 2021.03-2021.04

Year 3, Secend Semester

05 HUMAN // MACHINE

24-28

Collective Unconscious Architecture based on Analytical Psychology group work

2022.07-2022.09

ACTIVITY

Year 4, Secend Semester

KUST Alumni Liaison 2023 2021 Debater of KUST Top Ten Classes Debating Yunnan Province Advanced Class and the Second Place of KUST Top Ten Classes 2019-now Class Deputy Monitor 2018 Third Place in Himalaya "New Voice Live" Campus Audio Anchor Competition 2018 Second Prize in KUST Golden Autumn Dance Competition 2018 Second Prize and Best Screenwriter of KUST Campus Psychodrama Competition

06 Other Works Individual & Group work 2020.01-2021.09

29

01 Deconstruction: Reinventing the Future A new vision of society in the metaphor of the aeroplane

Individual work Tutor：JIAN.YANG 124301293@qq.com Academic work Time：2022.03-2022.06 Year 4, Secend Semester

Herbert A Simon used the watchmaker's parable to demonstrate the relationship between complex systems and hierarchical structures. Complex systems inevitably give rise to hierarchical structures, which in turn contribute to the stability of the system.

In modern society, which is a sophisticated machine, the complex division of labour also gives rise to social stratification and the formation of different class relations. At the same time, social networks dominated by kinship and affinity with colleagues and inlaws have been entrenched, reinforcing the solidification of social classes.

The project uses the metaphor of an air crash to destroy the existing social structure and to imagine a parallel social system in the rebirth and recovery of a new community.

Using deconstruction as a tool, the project uses a playful perspective to advocate a rational state with initial conditions, equal opportunities and people surviving by virtue of their own talents and abilities, reflecting and looking at today's social relations from an ironic and critical perspective.

1

SOCIAL ARCHITRCTURE

TOTALITARIAN SYSTEM

HERBERT A. SIMON WATCHMAKER'S PARABLE

Category production

Uniform production

Variable

Efficient

Inefficient

Solidified

hierarchical structures

class relations

Social Class Entrenchment

Higher class better social wealth

A plane crash connects three people in different classes.

Attraction creates Monopoly

Class influences Values

METAPHORICAL RELATIONSHIPS CHOOSE YOUR CHARACTER AND START THE NEXT PART OF THE STORY Leadership

Endurance

Creativity

Perceptivity

Learning

Oil magnate over 100 million in assets

Dedicated Socially exhausted Company mid-levels

Undereducated Bnderprivileged porters Bottom of the ladder

Adaptability

Capability Map

2

Working & Retained Lost & destroyed Percentage of survivors Percentage of deaths

economy class business class first class cockpit

engine

living

HEAD

BODY

WINGS

Regime system

Living Systems

TAIL

Production System

Safeguard System

residence

Seating Deconstruction

First Class

Business Class

Economy Class

After the crash, all the original order and structure disintegrated.

The scattered pieces of seats became the main source of shelter, and people began to collect pieces from different areas to rebuild them into the original housing units.

As people's existence stabilised and the space inside the cabin became unsuitable for use, people began to deconstruct the material of the aircraft body to build accommodation outside.

3

SOCIAL PRODUCTION SYSTEM

PRODUCTION AREA

RECREATION AREA

RESIDENCE AREA

The production unit is deconstructed using the engine profile as a mother to form the production area in the new society.

People are concentrated in production units to carry out the scientific research and work which required by society

SOCIAL EDUCATIONAL SYSTEM

New society favours an egalitarian and talent-driven model of teaching, similar to the Sun City, where people learn along the walls and eventually echo the monuments

The Walls of Atlantis <illustrated guide to utopia>

MONUMENTS

4

SOCIAL RECREATION SYSTEM

SOCIAL RESIDENCEAL SYSTEM

The recreation system is translated from the original cabin. Carries the life, entertainment and cultural dissemination of the new city

1. Players will be given a 10*10 grid at birth

20

ye

ars

40

60

3. The grid will continue to change and expand and fade in colour as we age

ars

ye

2. As abilities increase, players can gain access to a greater number of grids, but the limit is 10

ye

ars

80

ars

ye

4. After a player dies, all the grids they own are reclaimed and new grids will grow back

5. Players grow spontaneously in the grid, forming the beginnings of a residential community

5

02 Axis Regeneration

Nanyang City Cultural Index Museum

Individual work Tutor：HUI. ZHAI 452790291@qq.com

Location：Nan Yang, He Nan, China

Academic work

Time：2023.03-2023.05 Year 5, Secend Semester

For more than two thousand years, Nanyang has been developing around the ancient inner city of Wan, maintaining a corresponding inheritance relationship from the Han Dynasty to the present day. With the continuous iteration of the city, the ancient Wancheng has fully integrated traditional Chinese ideas of propriety, adapting to the local conditions and the river, forming a colourful urban layout and vein.

Historically, the status of commerce and trade centre brought about the tolerance and diversity of Nanyang's culture, but due to its decentralised layout, there has been a lack of an overarching space to guide the rapid development of the city at the present time. At the same time, the decline of transport status in recent times has also caused Nanyang to suffer from chaotic and lagging development.

Project attempts to build a cultural index museum to resolve the conflict between Nanyang City’s rich historical assets and the present dilapidated state, with systematic axis planning and renewal of the ancient city. To maintain the long-lasting ancient city construction rituals, the project combined the original ancient city hall axis of the site and chose to invert the whole museum underground. The design combines the city veins and cultural layers of Nanyang that have been buried and iterated continuously, extracts the city plane texture of four typical dynasties from ancient to modern times and transforms it into the spatial form of the building, incorporating the typical architectural elements of these four periods.

Using avant-garde architectural space and language, this project seeks to awaken the memory of its lost cultural lineage, searching for a symbiotic path of preservation and development.

6

CONTEXTUAL CONDITIONS OF THE SITE

CONCEPT SYSTEM

Nanyang's position as a trade and transport hub has resulted in a rich culture, which in turn has led to a free mix of architectural forms and styles. Throughout the long period of war, Nanyang City has been iterated, forming a "cultural layer" that has preserved the unique urban fabric while leaving many problems in the highly urbanised present.

Cultural Index Museum Historical Scenic Spot

HISTORICAL ANALYSIS

Major urban roads ‘Bai’ River Buildings (Against Tradition) Buildings (Conformity to Tradition)

7

DESIGN LOGIC

· LIVING SQUARE Deconstruction and Reorganisation of Residence Type Units

Traditional Residence (Brick)

Communal Housing (concrete frame)

Self-built House A (Brick-concrete)

Self-built House B (Brick-concrete)

· EXHIBITION SPACE HAN Dynasty

TANG&SONG

MING&QING

MODERN

Four typical residential building forms within the site were selected and elements extracted from them.

Continuation of Residential Floor Plan Types Mixed Commercial/Residential Buildings

Residential Buildings (modern)

(clusters) (single units) (clusters) (single units)

Translation of four periods of inner city plans into architectural space.

Residential Buildings (traditional)

The general layout is planned according to the architectural texture of the neighbouring residential buildings so that the community square is integrated into the original site.

(clusters) (single units) Zhang Zhongjing Temple

Tang Dynasty Government Office

Prince's residence

"New Century" Complex

Selection of typical architectural forms and extraction of elements from the four periods in Nanyang.

8

-8.550 metres floor plan

MASTER PLAN

0

8

16

32M

1 Index Hall Lobby 2 Information Desk 3 Modern Hall Lobby 4 Gallery of Specific Cultures 5 Contemporary Overview Trail 6 Leisure space in the exhibition halls 7 Contemporary Culture Screening Room 8 Leisure Podium 9 Ming&Qing Pavilion Ante-Chamber 10 Ming&Qing Pavilion Overview Walkway 11 Temporary Cultural Exhibition Area 12 Handicraft Experience 13 Special Cultural Exhibition Hall 14 Anteroom of Tang&Song Pavilion 15 Tang&Song Cultural Exhibition Hall 16 Tang&Song Exhibition Trail 17 Anteroom of Han Culture Pavilion 18 Han Culture Exhibition Hall 19 Han Culture Overview Walkway 20 Meditation Space 21 Han Culture Temporary Exhibition Area 22 Chinese Culture Screening Room 23 Meditation Tower 24 Evacuation stairs 25 Bathroom 26 Cultural Seminar Room 27 Archives 28 Cultural Studies Office 29 Museum Office 30 Curator's Room 31 Meeting Room 32 Small Lecture Theatre 33 Green Square 34 Life Square 35 Amphitheatre

-12.600 metres floor plan

-2.500 metres floor plan 9

MODERN PAVILION EXHIBITION HALL

INDEX · MODERN

MING & QING PAVILION EXHIBITION HALL

INDEX · LOBBY

INDEX·TANGSONG

MEDITATION TOWER

INDEX · MINGQING

HAN CULTURE PAVILION EXHIBITION HALL

INDEX · HAN

Visiting Route

10

Life Square Site

Index Museum Site Building height issues

Building type issues

ANALYSIS OF BUILDING DEMOLITION AND ALTERATION

Life Square Site

Index Museum Site

RANGE OF VERTICAL CONSTRAINTS ON BUILDING CONSTRUCTION

Free area Controlled construction area Non-buildable area Buildable range

SECTION 11

03 Reuse the Lake Chapel —San Giovanni in Val di Lago A chapel renovation echoing the new town Individual work Tutor：YI.YANG 120129918@qq.com Location：San Lorenzo Nuovo, Viterbo, Italy Academic work Time：2021.11-2022.01 Year 4, First Semester

The Via Francigena bear the weight of Historical Details and Religious Culture as an ancient road and pilgrimage route running from Canterbury to Rome. After the road been designated Major Cultural Route of the Council of Europe, The Lake Chapel of San Giovanni along the Via Francigena is expected to gain its glory again.

As a symbol and totem of the abandoned city, the chapel carries the memory of the history of the city and its inhabitants of San Lorenzo Novo. The reconstruction of the project should be endowed with historical memory and human temperature.Therefore, the overall design of the building echoes the texture of the new city to reflect the inheritance, and Upside-down Map-base Relationship of the City implies thinking about the relationship between people and religion in our new era.Under Religious life’s Secularization, the church is not only a spiritual sustenance, but also a window of culture and a witness of history, which is endowed with more possibilities.

12

ITALY

LAZIO

0

800

1600

3200M

VITERBO Religious area (Political and Religious buildings) Religious living area (early planning buildings) Residential area (new buildings)

History Analysis malaria

earthquake

strategic importance incite the ongoing struggle between Lords and Church.

Village Founded in AD 770

City ceded ​​ to Church

City ceded to Papal State

City ceded ​​ to Church again

poverty

abandon home

city develops freely without planning rules

new town was built an octagonal square formed the prototype of the new town

major pilgrimage route to Rome from the north.

Via Francigena formed legend of Saint Appearing and Asking for a boy church built

new city established religious activities transfer church structure decayed. roof demolished

plans to reuse Italy and rebuild pilgrimage routes church plans to converted

13

Architectural Language: Religious Symbols Incorporated in Architecture

EPISTEME

Religion affects life

Produce

Theocracy

Restrict

Common people

Imprison

New towns develop away from religion

Religious Flex Penetration

Religion Influences Linked Cities

Independent architectural language

Religious Symbols Incorporated in Architecture

Build

ACIENT

Force

Religious Secularization

Monarch Form

Dominant

City

Produce

Clear religious symbols Architecture

Country

Religion

Religion

City construction revolves around religion

Cities under religion

Religious Architecture

Religion influences architectural expression

Cross voids hidden in between gaps which merge at specific angles

Formal: Upside-down Map-base Relationship of the City Thinking imprisonment

Passive oppressed Religious power decline

Religion divorced from life

Integrate (art and architecture )

Transform

Rubin Negative Space

The bottom of the figure forms different spaces Inspiration release

Religious life’s Secularization

Build

Religion in Cities

New religious architecture in the context of modern design

Urban Planning Drawings

SPIRITUAL

Figure: building Bottom: public space

Figure: public space Bottom: building

Underground part

Aboveground part

Figure: original church Bottom: farmland

MODERN

Integrate

Subjective faith

Human rights awake

PHYSICAL

Through inversion of bottom of the picture, the city and the church are connected, the church and the city face each other in ancient and modern times to form a connection

Function: Epitome of Urban Functional Architecture

Church Renovation Program Religious Symbols Incorporated in Architecture Religious Life’s Secularization

Religious City under New Relationship

Upside-down Map-base Relationship of the City

Church Renovation Design

Epitome of Urban Functional Architecture The project is based on the relationship with the city and religion from the three aspects of architecture: language, form and function, in order to carry out the renovation design of the churchl.

Religious area Religious living area Residential area

City function division

Simplified function division

Building functions division

The function of the church implicits the function of the city 14

North Elevation

West Elevation

5

4

1

2

3

key perspective

1 old church(classical concert hall) 2 auditorium 3 visitor hall 4 church restaurant 5 accommodation area

pilgrimage path visitor path auxiliary path

0

5

10

20M

The new part revolves around the old church, and the main body of the church stands in the center, highlighting the status of the core

±0.000

Key perspective 1F

-1.500

1F ±0.000 1F ±0.000

2F

1F 1F

1F

Master plan

M

15

First Floor Plan

6 6

16

±0.000

6

5

6 A

A

6 ±0.000 1

6

-0.150

6 3 -1.500

7

+0.150

0

9

5

10

20M

8 ±0.000

5

9

14

-1.450

-1.450

-2.250

2

-3.000

10

13 11

13 12

9

1 old church (classical concert hall)

4

2 auditorium 3 meditation room 4 religious restaurant

-1.800

5 visitor hall

-1.500

-2.100

6 guest room 7 public living room

-1.500

8 outdoor market 9 toliet 10 food processing room 11 decontamination room 12 dressing room 13 pantry 14 cold room

Ground floor plan

15 linen room

0

7

14

28M

16

A roof detail A B C D

N O

E Q P

M L K

F

J

G H I R

A Cement mortar protective layer 1:2.5 30mm B Double layer SBS waterproofmembrane C 1:3 Cement mortar to find slope 1~2% >20mm D concrete floor 100mm E steel deck F Structural steel frame

B light slit detail A vegetation B growing substrate C filter sheet D gravel 8/16 100-200mm E enkadrain 20mm F Styrofoam 140mm G waterproof liquid applied membrane 3mm H beton 480mm I sandwashed glass 15mm J galvanized steel K double glazing heated glass 4-12-2/4 L galvanized steel frame

G keel P screw rod H Multilayer board 12mm Q expansion screw R Self-tapping I wood veneer screws fixed keel J angle S old wall K T-head bolt L nut M halfen serrated washer N shim O bracket

S

I A B

J K

C D

L

E F G

H

A-A Section A

B

0

3

6

12M

17

18

04 Continuing Haiyan Village Haiyan Village Fishing Culture Museum

Individual work Tutor：YI.YANG 120129918@qq.com Location：Kunming, Yunnan, China Academic work Time：2021.03-2021.04 Year 3, Secend Semester

As the largest freshwater lake in Yunnan Province, Dianchi has nurtured countless civilisations. Relying on its unique natural advantages, the village of Haiyan, located on the eastern shore of Dianchi, has developed over the centuries into a unique Yunnan residential landscape and fishing culture.

Rapid urban development has eroded much of the original tradition and culture, and a large number of ancient villages have died out. Faced with the problems of industrial transformation, population loss and cultural extinction, Haiyan Village, known as the last ancient fishing village in Dianchi, is facing unprecedented challenges.

The project attempts to find a balance between the ancient and the modern, the old and the new, and heritage and development. On the basis of conforming to the overall village texture and preserving a large number of the original traditional dwellings on the site, the project uses transcreation to translate the 'fishing action' into architectural language, and at the same time immerse the fishing village culture through the flow of the arms during fishing. The result is a living museum that integrates exhibition, cultural heritage and villagers' lives.

19

Traditional Cultural

Dianchi Ecosystem

ProtectionPolicy Enacted

Architectural Culture

Han Chinese Cultural Architecture

Climatic conditions Precipitation and Environment

Waterborne Transport

Land Transport

Fishing Ban

Ecology Natural Resources

Wetlands Resources

Aquatic Resources

High Water Level in Dianchi

Old pier completed

Ecosystem stability

Accelerated Fishing

Returning Farmland to Wetlands

Ecosystem disruption

Ecosystem restoration

Qing Dynasty

Yuan Dynasty High risk factor

Survival Methods

Han migration

Basis of Survival

Farming

Fishing Culture

Decline of Primary Industry

Lake Opening Season

Tourism Development

Fishing

Rich but Cheap

Farming Culture

Fertile but limited

Food Culture Intangible Cultural Heritage Framework in ‘Haiyan’ Village

Ecological Axis Commercial Axis

Stall Economy Solve Project

Transformation of Cultural Industries

5

1

Ecological axis

2

Commercial axis

3

Agricultural axis

4

Attractions: Sunset Pier

5

Urbanized places

Agricultural Axis

1

2

3 Traditional Buildings Historic and Heritage Buildings Harmonised with Traditional Buildings

4

Conflict with Traditional Buildings Arable land and Wetlands Site Selected

The project site is located on the eastern shore of Dianchi Pond, the village retains relatively complete traditional Yunnan residential architecture and cultural heritage, while the village is adjacent to the ecological axis of Dianchi Pond wetland, with a good natural and cultural landscape

20

MOVEMENT TRANSLATION: Throwing Fishing Net

Fishing Culture

Food Culture

New Roof

Translated Roof Roof Structure

Old Roof

Right Arm

Old Building Roof

Left Arm

First Floor

Tour Flow

Ground Floor

3

Basement One

Preserved: Old rammed earth wall Addition: New concrete wall Visiting Streamline

21

9 10

DN

5.700 DN

1 Foyer 2 Exhibithion hall 1： Fishing Culture overview 3 Screening Room 4 Display spcae 5 Stage 6 Exhibition Hall 2：Fishnet 7 Workshop: Preparation Experience 8 Meditation Room 12 Lobby 13 Catering stalls 14 Exhibition Hall 4： Pea flour making 16 Dining & Leisure Space 17 Creative Shop 20 Lounge space 22 Tea Room 23 'YIKEYIN' residence 24 Visitor Service Counter 25 Ticket office 26 Storage room 27 Office 28 Curator's Office 30 Toilet

28

28 27 27 27

24 26

17

Top Floor Plan (with Roof Plan) UP 20

-0.300

20

19

16 15.3

UP

13

27 13

27

27

26

15

-0.450

13

DN

18 21

15.1

14

±0.000

15.2 11

30

30

DN

3.300

UP

DN

31 DN

-0.300 12

13

DN

3.150 20

3.300

DN

21

3.300

DN

29 21

UP

UP

-0.150

Second Floor Plan

8

0

4

7.5

15

30M UP

22

7

-3.900

-0.750

UP

4 31

6

-0.450

-0.300

-1.050

23

4 UP

-0.300

DN

Ground Floor Plan

5

1

2

UP -0.150

±0.000

30 25

DN 3

-0.150

UP

First Floor Plan 0

6

12

24M

-4.200

4 Display space: fishing boats 9 Viewing platform 10 Roof terrace 11 Exhibition Hall 3： Food Culture overview 15 Exhibition Hall 5：Old Sauce Fish 15.1 Storeroom 15.2 Production room 15.3 Tasting Room 18 Temporary exhibition hall & villagers' activity space 19 Reporting Room 20 Lounge space 21 Villagers' activity space 26 Storage room 27 Office 29 Meeting Room 30 Toilet 31 Heritage Restoration Room

22

galvanized steel sheet asphalt roofing structural plywood t=9mm styrofoam t=30mm roofing board t=12mm

beam: 120mm x 300mm

rafter: 38mm x 140mm φ455mm

column base

A

0 A

1

2

4M

SECTION 23

05 HUMAN // MACHINE Collective Unconscious Architecture based on Analytical Psychology Group work with RUOXUE.HUANG XINYI.GONG Tutor：CHUNYUAN.SHA shachunyuan@sina.com Duration: Concept 33% <Design of 'Human Part'(100%)> Model 50% <Model of 'Human Part'(100%)> Academic work Time：2022.07-2022.09 Year 4, Secend Semester

Self disciplining occurs due to the rationality and systematic ordering during human society developments. Meanwhile, digital revolutions allows artificial intelligent to self-renewing themselves even to certain levels of disorders. Ironically, these role-shifting tend to happen spontaneous but with a cautionary note.

As a metaphor, architecture invariably attach the values of the times, especially the collective unconscious of the society, one of the theory proposed by Jung, which deemed that reside in the multitude, but cannot realized.

With Jung’s collective unconsciousness as the model prototype, the design employs intelligent and entropy increase as the framework, by means of architectural typology, through two lines of the evolution of human and machine under the four industrial revolutions to disclose the changes of spatial form reflected by unconsciousness with the development of technology, finally formed the collective unconscious architecture, and issuing a warning to future relationship of human and machine.

24

THEORY FRAMEWORK

HISTORY OF HUMAN // ROBOT

ARCHITERAL FRAMWORK

Black line: Human Blue line: Robot

Key-connections &Distance

3-Dimensinal Structure

FOUR STAGES OF HUMAN // ROBOT Stage 1

Steam&Electricty // Orderly Stage 3

Simulacrum //Omnic Crisis

Stage 2

Finale Electricty //Conway&Swarm Stage 4

Heterogenesis

25

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26

STAGE3 HUMAN // ROBOT

New to Hall n Memo : bas rial e Mac

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Hum

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MULTI-SECTIONS

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full

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27

galvanized steel sheet asphalt roofing structural plywood t=9mm styrofoam t=30mm roofing board t=12mm

28

Other Works

Mapping and Research of Leju Village, Xishan District, Kunming 2021.08-2021.09

Furniture Production: Double Side Folding Chair 2020.12-2021.01

first floor plan of traditional house

construction of beam nodes

models of residential renovation

Beam frame

Floor slabs

Rafters and tiles

Models: Residential Design 2020.09-2021.01 Yuanye Cup Award International Competition for College Students, Third-class Prize

rammed earth construction node model

Survey hand drawing

External walls

Interior walls

Ceilings

Heritage Conservation Surveys at Longmen Grottoes, Xishan District, Kunming 2020.01-2020.03

23 29

THANK YOU Email: yixuankmu@outlook.com Application Number: 23160575