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Transcending Boundaries

Transcending Boundaries Zewei Feng Selected work from 2019-2021

The concept of transcending boundaries was raised by Professor Biao Xiang in University of Oxford in his book with same name. At this moment, we are all living in the times that everything is being developed rapidly. We are pushed to face and adapt the tremendously growing era in a passive manner that we have no time to spare for break and introspection. Technology brings us forward, but it also sets up voids that isolate our community. We take these given conveniences for granted but forgot how we come to this state. While we respect the trend that the times is progressing in a complicated but inevitable mode, conscious adjustment is necessary to keep this whole entity from moving too fast to lose its balance. Through architectural studies, we could replace the isolative vacuum with a resilient membrane that could always grow along with the development of the culture and society. As an architect, I want to become the moderator in our society to study and comprehend the rhythm of the times, attempting to promote and maintain the healthy organic ecology between humanity, nature, and communities.

Table of Content

1. House to the future

4.Flowing Storage

Excavate and evoke the developing value of modern precedent through architectural projection, juxtaposition, and superposition.

Updating the Risd material library to reactivate its potential as campus educational resource

2.The Formicary

5.Roots from Seeds

A Chinese Restaurant that accommodates Chinese immigrant employees

DIY cafe that brings the West End community closer

3.Nature at Ease

6. Escape within the city

Making use of a historic mill site to accommadate an affordable housing community program

Urban secret garden hidden in the shell of classical greek-style bank

7. Other Works

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The study of Monsanto house derives from three major subjects: its cooperative motives, chronological evolution, and the temporal scope borders. Based on these attributes, a series of questions were raised: How did the purpose of time raised from cooperative institution achieve its form? How did the positioning confine its potential within a finite time span? How to break through its age boundary and make the conceptual and physical remainings of Monsanto house continuously live as an inspirational resource?

House to the Future INTAR-23ST-02 Time & Motion Screen Technology and the Reproduction of Modern Architectural Heritage Composer: Zewei Feng Instructor: Eduardo Duarte Duration: 8 Weeks Site: Monsanto House of the Future, Disneyland LA

Monsanto house was built in the 1950s as an attraction site in Disneyland in Anaheim, CA. The project was built as a concept, a prototype, cooperated by three institutions: the Monsanto company, Disney Imagineering, and MIT. It is a project with high contemporality, where plastic material was just invented after WWII. The great potentials this newborn material reveals triggered considerable expectation and enthusiasm at that time. Under such an attitude, the Monsanto house was designed to demonstrate the versatility of modern plastics as a house of the future.

Systematic deconstruction

20th century 1964 1968 21 century

Chronological Revolution

However, an avant-garde concept often possesses strong duality. The Monsanto house was born in a temporal historical context to uncover the possible future, while it is enslaved to its circumscribed contextuality, which doomed its final deconstruction. The project is designated to investigate principles of architectural reproduction in the context of cinematic techniques of montage, superimposition, and juxtaposition based on comprehensive research of this historical heritage site. Then based on the achievement above, the project will be led to the final phase, where I Invest how a virtual reproduction becomes projected onto an architectural screen. How a reproduction is more than a projection and more than the original version? 3

Dynamic and organic growing potential endowed by materiality

Cooperative Design

The new House of the future in Disney

Remained concrete base after demolition

Lego joint brand model of Monsanto house

The souvenir eidtion model of Monsanto house

The fantasy created by Disneyland The plastic materiality in objective reality The attributions associated with Monsanto house 4


The development of the concept and the traces of the historical context of the Monsanto house were elaborated by this architectural journey. The journey experience is presented in a form of a dream. It starts where one enters the house from its original entrance and gradually experiences the transformation of the interior structure. The path was split into two when it comes to the central vertical axis where it connects the existing house to its chronological past and the future. Finally when one comes out of the Monsanto from the parallel paths, one would realize the whole construction has already evolved into its new form where the historical sediment, the Monsanto house itself, as well as the futural envisioning were presented simultaneously as a closely-merged integral

The Cinematic Narratives

Future More Advanced Plastic

1.Enter (dream starts)

1 The superposition_Invasion of the future 2.Split

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Present Glass-reinforced Plastic

From hierarchical center to chronological axis The gathering of public functions marks the hierarchical center of the house. Through replacing the original bathroom space with a vertical stair circulation, it connects the relative present to the symbolized past and future from the top and bottom

Past Petroleum

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The growth of the fungus penetrates the original roof structure of the Monsanto house. Such overlapping relationships could be read as the invasion of the future to the present. While humans constantly searching for evolutionary approaches aiming to solve temporal problems, we are already exposed to the rough void that was taken away as the cost of technological and social development.

3.Transform

3.Transform

4.Down to the past

4.Up to the future

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5.Merge (dream ends)

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Rigid Modularity Casting from the rigid grid system of original Monsanto House

5. 4.

1 Living room

3. 2. 1.

2 Parents' bedroom

3 Kitchen & Bathroom

4 Children's bedroom

5 Eating place Organic Modularity Casting from assemblage of individual balloon

From rigid modular system to growing fungus 1

Sowing

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Variation

More Organic Merging Casting from the more organic waffle stuctures derived from digital fabrication

Juxtapositon & Superposition Superpositon of different layer in a chronological order, showing the gradual development of the system

Born from the rigid modularity, the fungus cluster of more organic modules respond to the call of more varied and personalized demand, adapting its scale and dimension to great varieties and constantly expanding into the larger assemblage. 7

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Breeding

Cinematic Projection In the end, the cluster of growing modules becomes the medium of exhibition. Through architectural projection, visitors enter this organic space and experience the chronological development of the concept and be able to rediscover the value and significance of plastics and the modular system as a prescient architectural practice. 8


The Formicary Intro to Interior Studies III: The roof over our heads: Housing design for social change Composer: Zewei Feng Instructor: Janet Stegman, Markus Berger Duration: 8 Weeks Site: PPAC garage, Providence.

From the early 20th century to the 1950s, Providence was once home to at least two Chinatowns, they were doomed either by man-made calamity or unban expansion in mid 20th century. Today there are still sporadic Chinese or Asian restaurants sparsely spread out the downtown area and up to the hill as the remaining nubs of the previous Chinese community. The proposed theme is to develop a mixed-used accommodation for local Chinese restaurant workers while serving as a Chinese restaurant. The main goal is to set up a base for the nomads to settle down and re-grow their networks from these remaining roots embedded underground, re-building the interconnection between isolated individuals or groups. Meanwhile, the project creates an opportunity to rethink the industry orientation of Chinese restaurants under this special pandemic period. How they are deeply trapped in the current dilemma? What essential problems were exposed due to the chance of pandemic? Through this project, I attempted to work on the direction of the potential future development of this industry. What form it should take in the future to remain as the fundamental element that Chinese immigrants rely on to take roots in the foreign land? How do they stand out with their new face while closely inheriting the precious culture? 9

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Context Analysis

Adjacency

System development

Modular planning Typologies

Modular planning Reference

Program envisioning

Original

Dual Spatial Narratives

Public Terrace

The program accommodates a dual spatial experience regarding the distinct identities of restaurant workers and customers. Based on the unique value and significance that Chinese restaurant and immigration culture hold for different groups, the program system transforms accordingly to fit both of them in one integrity. The ultimate goal is to build up cohesion that comes from a sense of group identity within the Chinese immigrant community. On the other hand, it enhances the comprehension of the vernaculars of the immigration group, fostering the merging of the boundary.

Roof Garden

Private Room

Restaurant

Customers Column Grids

Ramp Belly

Intersection

Customers

Residents Restaurant Belly

Unit Cluster

Play Room Ramp Ramp & Peripheral Overlapping

Entrance Entrance Kitchen

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Free Plan

Outcome

Residents 12


Ramp Belly

Restaurant Belly

Unit Cluster Sample

Sediment of History

The ramp locates at the back facade of the restaurant, shuttling through the original column structure. This rough and mottled spatial texture becomes the reflection of the arduous and long-lasting history of Chinese immigration. Wandering along the ramp, It traces back to either shining or heavy memory of the history, evoking the bond to the roots. Therefore, the place becomes the combination of circulation, gallery, and public terrace, marking the core concept of the program. 13

Porosity

Spatial Penetration Beyond the two primary open atriums that enrich the dual narratives for residents and customers, multiple glass prisms are penetrating differently through the oblate geometry of the whole structure. They aim to introduce sunlight down to different levels of the building. Along with the central belly, they together constitute the porous property of the space and make it a real formicary. 14


Nature At Ease

Working with NeighborWorks Blackstone River Valley, the project aimed to construct a community of about a hundred units to fulfill the LMIH requirement of North Smithfield while preserving the historical structure of Andrew Mills. Regarding the isolated suburban context and plentiful surrounding greens, I refer to the traditional image of Peach Garden in ancient Chinese folklore, aiming to create a village isolated from the urban fabric. People here can live a self-sufficient life and enjoy tranquility and peacefulness when they are out of work. In addition, for the overall program, Haruki Murakami's novel Kafka on the Shore becomes the primary inspirational source. Referring to the regular and healthy life schedule of the protagonist, I inserted the according to amenities in order to orient a relatively harmonious and meditating life pace fitting into this tranquil nature, providing an enclosed realm that accommodates and rest people.

Industrial

Natrual

N Planning Program Retailing & Groceries Office Building

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Water tower

Clearing

Car Track

Garden & Pool

146A Branch River

Pedestrian Route

Parking

Greens

Flood line

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Composer: Zewei Feng Instructor: Elizabeth Debs Duration: 6 weeks Site: Andrews Mill, 765 Great Rd, North Smithfield

Units & Public Amenities

Original Mapping

Units, Parking and Circulation

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Preservation & Structural Change

Entry point

Considering the oblate interior of the mill building, the units are all placed along its peripheral in order to have at least one side that can receive natural light. For the center part, I accommodate a fitness center, an interior swimming pool that does not necessarily need side natural light.

Public circulation Private circulation Private circulation

Public vs Privacy in Planning and Interior Saw-tooth Pattern

Preserved Structure

From a macroscopic view, community planning is divided into two sections, with one serving especially for residents and one opening to the public. In between them are the buffering natural greens.

South eastern facade

South western facade

Before Library

Cafe

Pool & Fitness Center

After

Units

The mill can be accessed through five entrances. With the public community amenities mostly concentrated within the mill building, the multiple entry points enable enough accessibility for residents and guest groups. Meanwhile, the division of vertical layers of circulation guarantees privacy for residents who live in the mill. 17

Private Zone for residents

Buffer Zone

of natural greens

Public Zone

open to public

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Relation to Saw Tooth

Circulation

Enhanced Pattern

The iconic saw-tooth pattern of the mill building is not only preserved but projected and repeated to the units' facade. This move is to rethink the significance of this typical mill feature to the historical mill heritage. On the other hand, the zig-zag facade adapt the orientation of the units to ensure every single apartment could receive an appropriate amount of natural light

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Precedent

Referring to the project built by NL Architect and STUDYO in Frankfurt, the modular units endows flexibility in house type. The malpositioned terrace follows the landscape while the zig-zag pattern grants privacy for each unit. 3b2b_A

3b2b_B

2b2b_A

2b2b_B

4b2b

1b1b

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Other Works:

Zewei Feng Digital Representation & Visual Narrative 2020.3-2020.5 Deploying a square housing precendent to a living community composed of 100 units

BFA in Interior Studies: Adaptive Reuse | 4-year program Department of Interior Architecture

Rhode Island School of Design

Providence, US, 02903 TEL: (+1) 614-530-6024 Email: zfeng@risd.edu

Cyberpunk & Katakana 2020-2021 A series of conceptual cyborg weapons or toolkits developed from the inspiration of form of Katakana

Human Factor_Sodoku livings 2020.10-2020.12 An square modular housing with all the wall panels movable and replacable according to user preference

Acknowledgement The Completion of this portfolio owes to all my instructors for their valuable criticism and comment on my works. Without them, it will be far less than the level of satisfaction. I sincerely appreciate all the effort that my instructors as well as colleagues put to assist me achieving all these works.

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