ZHUOYUN CHEN BFA 2020 PRATT INSTITUTE

ZHUOYUN CHEN +1 7187530896 zyunchen026@gmail.com

P R O J E C T II P R O J E C T III P R O J E C T IV P R O J E C T V P R O J E C T VI

P R O J E C T IV

P R O J E C T I

See Unseen

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P R O J E C T V

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Chair / public sculpture / culture

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P R O J E C T VI

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Other works

C O N T E N T

P R O J E C T I

Teenagers' Library

P R O J E C T II

Urban Dwelling

P R O J E C T III

Working Place

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P R O J E C T I P R O J E C T II P R O J E C T III P R O J E C T IV P R O J E C T V P R O J E C T VI

01

TEENAGERS’ LIBRARY (2018)

This project re-envision an existing branch of the New York Public Library to respond to contemporary issues of the library typology in its cultural setting, with specific emphasis on use by a teen-aged demographic.

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The design concept focus on create an hormory and warm community for teenagers and kids to play and communicate. The space is seperated as two levels and layouted radiatively. There are more public activities will occur in first floor. The pool in the n 12 age 4t rs h S (2 center of first floor is the main t, N 018 ew ) Ha program that designed for users rl Yor k, N em Public Library Y 100 27 to read book, watch movie and communicate.

The concept “Carve and Lift“ is the design language of the interior space, which improves the space more dynamic. The variation from sites’ original materials (oak wood) to new material (concrete and glass) is also exposed and showed by this language.

CARVE AHD LIFT

(Process Plan)

Concept Collage 1

Here is the model of concept "Carve and Lift".

2

Here is the Drawing of concept "Carve and Lift"

1

3

Process Model

3

Here is the process model designed based on the concept "Carve and Lift". The Carve idea comes from the middle reading pool which is design for the social place toward the teens. And "Lift" indicate the second floor space includeing storage area decend from ceiling.

On the right side, the reading room is designed as several stairs.

Teens can enjoy their reading and writing time in the seperate rooms. Also on left side is the book shelves. On the second floor which people can arrive by elevator, is the librarian's office and computer desk. Under that is the vedio room.

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FINAL DRAWING

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Reading area

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Reading area

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Movie Pool Storage

Stair

Restroom

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Plan Floor 1 (Render)

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Reception

Stair

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Reading area

1/16"= 1"-0'

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Office

Digital Media room

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Restroom re (lo ading bb a y) rea

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Plan Floor 2 (Render)

1/16"= 1"-0'

Lobby

Private reading space

Private space with storage

office

AVAILABLE SQUARE FOOTAGE

3262SF

PROPOSED PROGRAM (QUANTIFTED) ACTIVITY

AREA

Public reading area

1500SF

Communication area

500 SF

COMMENTS Curve Book shelfs (2) 1 x 5 Cloakroom

(included in public reading area) Personal Computer Table

60SF

(included in public reading area) Private reading room

(3) 60SF

Video room

400 SF

Librarian’s Office:

150 SF

Cafeteria:

110 SF

3” x 5 Tables

TOTAL PROPOSED SQUARE FOOTAGE

2710 SF

TOTAL UNCHANGED SQUARE FOOTAGE

540 SF

(Restroom, Stair and Elevator)

FINAL DRAWING AND PHYSICAL MODEL Final Model

Short Section

1/4”=1’-0”

Private reading space (natural lighting only)

Floor Plan (F1)

1/4”=1’-0”

Short Section

Short Section (Render)

LongPlan Section Plan Floor Floor (F1) 1

Long Section

Floor Plan (F2)

Plan Floor 2

Floor Plan (F2)

Digital Media Room (night time)

1/4”=1’-0”

1/16"= 1"-0'

the view from digital media room

1/4”=1’-0” 1/4”=1’-0”

Short Section (Render)

1/16"= 1"-0'

Short Section (Render)

1/16"= 1"-0'

1/4”=1’-0”

1/4”=1’-0”

1/4”=1’-0”

Long Section (Render)

1/16"= 1"-0'

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P R O J E C T I

In the family the grandmother is the caretaker of the 5 year old girl during the day when both parents are at work. The father works on Wall Street and the mother works as a robotic automation engineer. The daughter plays soccer and takes dance classes, and as a family they often go to church with the Grandmother.

Concept Model

The parents in this family love collecting wines.

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P R O J E C T II

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P R O J E C T III

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P R O J E C T V

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1 ACOUSTIC AND VISUAL PRIVACY OF BOUNDARIES

Public space and private space interlock with each—the design focus on creating a highlyconnected but independent relationship of them. The public area located on the basement and ground floor (nearby entrance )shows the warmth and hospitality of clients. But the private spaces located on both the second floor B and the deep side of the ground floor provide a EDRO OM +B secrete moment of clients to have a breath.

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(2018)

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CIRCULATION VISITOR CLIENT

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MASSING MODEL - PUBLIC SPACE

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PUBLIC PRIVATE PRIVATE -PUBLIC

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The design for the urban dwelling will explore adaptive strategies (temporal and spatial) within a dwelling unit, between people and their environment, and how these are shaped by personal behavior and habits, cultural norms, and physical abilities and projected evolving needs of the occupants. This project designs a contemporary urban residence for a family who usually are busy within their work during the weekday but enjoy to have a relaxing time with family and friends during the weekend. The clients are wine lovers and collectors. This project creates a warm, comfortable, and free atmosphere to release clients from the stress of work and help them to focus on time with their family and friends.

DR OO

CONCEPT DIAGRAM

Site

02

231

Analy sis

P R O J E C T VI

LEV EL

PUBLIC

PRIVATE

EN CH T I K VIEW :

E WIN O ST

RA GE

BASEMENT CELLAR + KITCHEN+ LIVING ROOM + TELIVISION + CLIMBING WALL

The WALL OF WINE BOTTLES locates nearby the facade of the building. The idea of design this bottles is to increase the visual privacy of boundary. Besides, the Fluorescent paint on bottles’ surface can bring an dreamlike atmosphere to help client enjoy their

VIEW: GROUND FLOOR

relaxing time.

LONGITUDINAL SECTION A - A’

A

VIEW: SECOND FLOOR CORRIDOR Material Architecture

Kitchen

Wine Storage

Grandmother's Bedroom

GrandWine mother's Storage Bathroom (Guest Also)

VIEW: SECOND FLOOR CORRIDOR

Parents' Bedroom

Master Bathroom

Living Space

Climbing wall Kids’s play area

Living Space Grandaughter's Bedroom VIEW: SECOND FLOOR MASTER RESTROOM 19:00PM

Material Furniture

WALL OF WINE BOTTLES

Cellar Floor Plan

Ground Floor Plan

A’

Second Floor Plan

VIEW: SECOND FLOOR MASTER RESTROOM 9:00AM

Kitchen

Living Space

Wine Storage

Climbing wall Kids’s play area

Second Floor Plan

Grandmother's Bedroom

Grand- Wine mother's Storage Bathroom (Guest Also)

Living Space

Ground Floor Plan

Parents' Bedroom

Master Bathroom

Grandaughter's Bedroom

Cellar Floor Plan

TRANSVERS SECTION B - B’

PERSPECTIVE DRAWING

B

B’

VIEW: SECOND FLOOR GRANDDAUGHTER BEDROOM

TRANSVERS SECTION C - C’ VIEW: SECOND FLOOR MASTER BATHROOM

VIEW: SECOND FLOOR MASTER BEDROOM

C

C’

The perspective of the whole house show the design of the space's layout, meanwhile, it also show how the materials and furnitures work in this house. The choice of material and furniture attempt to create a relaxed atmosphere which provide a warm and harmony family enviornment to these people who want to have a rest in their home.

The design of furniture also consider the collection of the client. The wine cooler occupy nearly 30% space of the whole building. The main stoarge place of wine (in cellar and ground floor) help the owner to collect as much as they want. At the same time,it also help client and visistor to see the wine everywhere.

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P R O J E C T I P R O J E C T II P R O J E C T III P R O J E C T IV P R O J E C T V

03

Work Place CONTINUITY

Office space for United Nations Division for Inclusive Social Development (2018) 500 Park Tower New York, NY 10022

A workspace designed for UnitedNations Division for Inclusive Social Development on the nine floors of the Pepsi-Cola building . The idea of this project is to build a harmous and efficient atmosphere to the crew. LIVING , WORKING and EDUCATION are three main activities occured in this space. After the threshold study, concept overlapping is utilized to develop the relationship between space. In the final model, the concept of CONTINUITY becomes the ultimate and the main idea. The idea of CONTINUITY wants to offer a harmonious and efficient atmosphere to the crew. The overlapping of the public program provides a more efficient space. The curve movement happens inside provides a peaceful atmosphere.

Drawings of concept model

Privacy / Exposure & Begin / End

There are three construction models, each one indicates the spacial relationship of threshold in future design. Each concept model shows two sorts of spacial relationships.The middel one is the final proposal. Based on this model, a concept "OVERLAP" is developed in the future design.

FLOOR PLAN

Based on the research into the client and their program, I find the communication is an essential character of their workspace.

After the threshold study, concept overlapping is utilized to develop the relationship between space.

In the final model, the concept of CONTINUITY becomes the ultimate and the main idea. The idea of CONTINUITY wants to offer a harmonious and efficient

Floor Plan

3/32"= 1"-0'

atmosphere to the crew. The overlapping of the public program provides a more efficient space. The curve movement happens inside provides a peaceful atmosphere.

Long Section

3/32"= 1"-0'

MATERIAL AND LIGHTING

Floor Plan (material rendering )

3/64"= 1"-0'

Reflected Ceiling Plan

3/64"= 1"-0'

Material

Program floor plan

3/64"= 1"-0'

Main Architecture material is wihte concrete with glass fiber inside

MODEL A

B Floor

Elevation A

Elevation B

PERSPECTIVE COLLAGE

VIEW : RECEPTION DESK

VIEW: OPEN OFFICE 2

WORKSHOP WITHOUT PERFORMANCE

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P R O J E C T I P R O J E C T II P R O J E C T III P R O J E C T IV P R O J E C T V w Ne Y, WA 557 BROAD

P R O J E C T VI

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Circulation

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The layout of The influence project will bring to the neighborhood

SEE UNSEEN SILHOUETTE

THEATER (2020) In contemporary society, the rapid pace of city life forces people to label others by their appearance, social status, and cultural background, rather than spending time exploring their differences and similarities. This thesis intends to examine whether space can assist in breaking down the walls of misunderstanding by establishing the empathy of the honor to be the same / the honor to be a human being.

“It is imperative to always remember, being a humanbeing is an honor because we rise from greatness.”

--- George Tillman Jr. “The Hate U Give” (Film)

WORKSHOP WITH PERFORMANCE ON

PEOPLE WILL GATHER IN THE CENTRAL PART OF SPACE (WORKSHOP AND THEATER HALL). THE DIAGRAM BELOW SHOW HOW USERS’ CIRCULATION CHANGE FROM SEPERATED STATE TO A INTERACTIVE STATE. AND THE SHAPE “X” THIS CIRCULATION FORMED BECOME THE BASIC LAYOUT OF THEATER HALL DESIGN.

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CIRCULATION (CONCEPT)

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1

2

3

4

5

WORKSHOP LIGHTING CONDITION DIAGRAM

WORKSHOP

THEATER HALL MASSING DIAGRAM (CONCEPT)

This project

SEE UNSEEN proposes to engage people in cerebral communication without the

where users cannot rely on vision to recognize others’ appearance and identity, is proposed. A

S

Shadow Puppets and shadowgraphy games perform provides opportunities for user interaction thro

exchange between performers and the visitor roles occurs at this moment. Located at 557 Broadw

SoHo neighborhood of Manhattan, which is well-known for its various shopping ranges from tre VISITOR STAFF

and international chain stores, the site is able to accommodate an enormous number of visitors fr

The building’s secondary entrance located on Mercer St becomes the main entryway to represen

LOUNGE RESTROOM

RESTROOM

1

GROUND FLOOR 1/16”=1’-0”

STAIR FOR

OFFICE

2

STAGE

RESTROOM

BACKSTAGE

MERCER ST.

BROADWAY AVE.

WORKSHOP

SECOND FLOOR 1/16”=1’-0”

BAR

WORKSHOP DIY AREA

STAGE

EXHIBITION AREA SMALL STAGE FOR VISITORS

LOUNGE

RESTROOM

CHECK IN

CLOTHES STORAGE

3

THIRD FLOOR PLAN 1/16”=1’-0”

e interference of labeling. A space,

SILHOUETTE THEATER

LOBBY

ENTRANCE

STUDIO

RECEPTION

N

KITCHEN

where

ough the silhouette’s perception. An

way, in a famous tourist attraction

endy upscale boutiques to national

rom different cultural backgrounds.

nt the other side of understanding.

4

LONGITUDINAL SECTION A 1/16”=1’-0”

TIME BEFORE SHOW START

THEATER II LIGHTING SHADOW MATERIAL

SECTION

DIFFERENT LIGHTING LOCATION

DIFFERENT LIGHTING SOURCES’ TYPE

DIFFERENT LIGHTING SOURCES’ LOCATION

Translucent Glass

Translucent Glass Cotton Scrim Fabric Spot light (Left)

Translucent Glass Cotton Scrim Fabric Spot light (Left) Lineral Lighting (15’ height )

Translucent Glass Cotton Scrim Fabric Spot light (Left) Lineral Lighting (30’ height )

Translucent Glass Cotton Scrim Fabric Spot light (Left) Lineral Lighting (15’ height )

Translucent Glass Cotton Scrim Fabric Spot light (Left) Lineral Lighting (15’ height )

Translucent Glass Cotton Scrim Fabric Spot light (Left) Lineral Lighting (15’ height )

TIME WHEN SHOW IS PERFORMING

Translucent Glass Lineral Lighting (Left)

TIME WHEN SHOW END

D

C

B

A

TRANSVERS SECTION B

TRANSVERS SECTION C

TRANSVERS SECTION D

Translucent Glass Cotton Scrim Fabric Lineral Lighting (both)

VIEW

VIEW

VIEW

BOUNDARY SPACE & USERS’ RELATIONSHIP about SIHOUETTE PERCEVING and BOUNDARY ‘S TRANSPARENCY

LEVEL 1 BOUNDARY Boundary in Reception

WAVED MIRROR PANEL

LEVEL 2 BOUNDARY Boundary in Lobby /Lounge

WAVED MIRROR PANEL

LEVEL 3 BOUNDARY Boundary in Theater / Workshop

CHANGE OF MIRROR PANELS’ ANGLE

LEVEL 2 BOUNDARY AT 8:00 AM LOUNGE IN THIRD FLOOR

LEVEL 2 BOUNDARY AT 13:00 PM LOUNGE IN THIRD FLOOR

LEVEL 3 BOUNDARY

SPACE with level 2 boundary

Transparent Glass Cotton Scrim Fabric

SPACE with level 1 boundary

Fog Glass Cotton Scrim Fabric

USER’S ACTIVITIES

PERFORMERS STAFFS VISITORS

ENTER

PERFORMERS alternate role (not literal meaning)

STAFFS VISITORS SIHOUETTE SIHOUETTE

Design idea of lighting and material

SIHOUETTE

alternate role (not literal meaning)

SIHOUETTE’S VISIBILITY SIHOUETTE BOUNDARY’TRANSPARENCY LEVEL 1 BOUNDARY opacitie boundary LEVEL 2 BOUNDARY opacitie - alter- translucent boundary LEVEL 3 BOUNDARY transparent boundary STAFFS IN HERE INDICATES box office clerks,stage managers, baggage masters,electrician, choreographers,contuctors,directors technicians who are behind the scenes and will be seen by visitors

SHADOW THEATER

SPACE with level 3 boundary

PROGRAM

LOBBY

LEVEL 2 BOUNDARY AT 22:00 PM When Theater Close LOUNGE IN THIRD FLOOR

SECOND FLOOR

GROUND FLOOR SECTION VIEW

SECTION VIEW

3000sqft 3000 sqft 400 sqft 800 sqft DESK 160 sqft

SECTION VIEW

PLAN VIEW

PLAN VIEW STUDIO FOYER SERVERY BAR LOUNGE INFORMATION

THIRD FLOOR

THEATER HALL FOYER SERVERY BAR LOUNGE INFORMATION

6000 sqft 3000 sqft 400 sqft 800 sqft DESK 160 sqft

PLAN VIEW THEATER HALL 3000 sqft CONTROL ROOM 150 sqft WORKSHOP 1400 sqft RESTROOM 80X2 sqft STORAGE 160 sqft INFORMATION DESK 160 sqft

O

P R O J E C T I

The spirit about keeping fighting is advocated through this chair’s material-- CONCRETE. It is a CHAIR with 12 FEET Diameter. The height of each step is 18”. Some of step can be used as book storage. The WORDS which comes from the famous sentences of Julia’s Poet are used as MOVABLE DECORATION of this chair. Both the words “INDEPENDENCE“ AND “UNITY“on the top of chair will rotate on the rail slowly.

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(The

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

INTERACTOIN

 



to

“El M ar y Tu”

(C







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ne A th co li ne at ll e in ct ss cl io ) ud n es of “R 31 io p o Gr em an s de pu b de li s Lo he iz d a” by an To d rr “A em lm oz os as t E Da di wn ti .” on

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INTERACTOIN INTERACTOIN

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It is a CHAIR / PUBLIC SPCULPTURE design for a bookstore locates in 215 MOORE ST. COMMUNITY SITE 215 MOORE ST. BUSHWICK BROOKLYN .NY. 11206 (2019) My client BUSHWICK GENERATOR want to utilze the space in front of their new hostle. The space I use is 152’ x 100’ x 34’ . Due to the dense population of New Puerto Rican in Bushwick and also the abundant tourist sources in surrounding area.

The bookstore is designed for advocating the PUERTO RICO ‘s profound history and multiple culture PUERTO background to BUSHWICK area for reinforcing culture’s recognization and a suitable RICO space for cultural communication. And this CHAIR symplify the essence and spirit of this store PUERTO RICO which isPUERTO the EMBRANCE RICO and the COMBINATION from two sides ( people who are familar with Puerto Rico and idividuals who leak the knowlege about Puerto Rico). The inspiration of PUERTO RICO CHAIR is from a Puerto Rican Poet, Activist, Julia de Burgos (February 17, 1914 July 6, 1953) INTERACTOIN who fighted for Puerto Rican independence through her whole life.

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https://www.youtube.com/watch?v=KmL4zF33XLM

The town was first founded by Europeans during the Dutch colonization of the Americas in the 17th century.

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2019 Puerto Rican Day Parade Bushwick Brooklyn, NY 2019 Puerto Rican Day Parade https://www.youtube.com/watch?v=KmL4zF33XLM Bushwick Brooklyn, NY

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(2019)

SOCIAL ACTIVITIES

“Poema e n Veinte Suc c o r s ” ( Poem in Twenty

Bush-wick is a working-class neighborhood in the northern part of the New York City borough of Brooklyn. It is bounded by the neighborhood of Ridge wood, Queens, to the northeast; Williamsburg to the northwest; East New York and the cemeteries of Highland Park to the southeast; Brownsville to the south; and Bedford-Stuyvesant to the southwest.

ID E A

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HISTORY

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OF

ZHUOYUNCHEN PROFESSOR JACK TRAVIS

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INT-401-02 Social Activities?

Social Activities?

FALL 2019

F R E E D O

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PRATT INSTITUTE

DEPARTMENT OF INTERIOR DESIGN

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Chair / public sculpture Puerto Rico YORK BUSHWICK GENERATOR Multi-Media / culture MEMORAL Conceptural Chair ulture ART Design forCOMMUNITY COMMUNITY Bushwick COMMUNITY Generator COMMUNITY COMMUNITY Memorias

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useum” INTERACTOIN

P R O J E C T VI

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P R O J E C T V

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y G avi ota ” ( Hig h S ea and Sea gul l)

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e most bea utiful poem s

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P R O J E C T IV

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IN

P R O J E C T III

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Sea a nd Yo u)

ACTIVIST

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P R O J E C T II

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12’

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Activist : her claims NATIONLISM - UNITY of races and ethinicities representation of nationlism independence

RECOGNITION of culture and nation

freedom

HARMONY

recognition

Integration BALANCE

Tension

Industries

HEAVY HISTORY

Street art

Immigrates

MULTI-CULTURE

FEELING OF Integration

Graffiti Free independence PASSION

COMBINATION

GROUND FLOOR PLAN

CONCEPT MODEL COMBINATION BASIC RELATIONSHIP OF MODEL

+

My concept model shows the essential consideration of my chair. The idea is named COMBINATION, which indicates the combination of two different cultures. The intention of COMBINATION tends to create a harmonious atmosphere and bring mutual benefits to each other. The two cultures not only can assist each other.

Meanwhile, they will progress when they combine. The shadow shows a reflection of their combination. Besides, the vogue picture tends to exhibit a trace of culture's movement (inmigration).

=

EMBRACE OF 2 DIFFERENT SIDES

The chair is set on the center of th bookstore .

The goal is to use this sculpture to gather people and to express idea of “COMBINATION“ in an obvious way.

DETAIL 9/4"=1'-0"

3

Pratt Studio 200 Willoughby

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11'-10 "

L

Brooklyn NY 112

PLAN 3 4 "=1'-0"

1

1" 20'-04

12'-9"

1" 2

P R O J E C T I

HINGED SCREW 4'-2"

P R O J E C T II

Pratt Studio

718-753-0896

200 Willoughby Ave

zchen44@pratt.edu

3

Brooklyn NY 11205

CONCRETE ON STEEL DECK

1" 8'-04

ELASTOMERIC SPRAY FIRESTOP 1" 2

3 LAYERS

P R O J E C T V

4

2 " STEEL HANDRAIL

DETAIL 1"=1'-0"

3

2

3" CLIP STEEL CLIP ANGLE

2

DRAWING BY

-41 " 2

SPACER SLEERE DRAWING BY

ZHUOYUN CHEN

PROJECT NAME

1 RATED PARTITION

STAIR DETAILS

3/4 " = 1'-0"

5 Document number

PROJECT NAME

STEEL CLIP ANGLE

1 RATED PARTITION

ANCHOR TO SLAB

SECTION 3 4"=1'-0"

Document number

07

A-107.00

DETAIL 9/4"=1'-0"

3/4 " = 1'-0"

1 of 1

04

A-104.00

ANCHOR TO SLAB

SECTION 3 4"=1'-0"

SMITH FARM BAR 191 SMITH STREET BROOKLYN, NEW YORK

PARTITION DETAILS

1 " = 1'-0"

2

PROJECT NAME

STEEL CLIP ANGLE

STEEL ANGLE SUPPORTS

5"

2"

2"

1

2"WIDE

CONCRETE TILE

CONCRETE TILE

B

10/10/2019

CONCRETE BLOCK

PROJECT 3" CLIPNAME STEEL CLIP ANGLE

5"

Other Works

ZHUOYUN 3 CHEN

STEEL ANGLE SUPPORTS

3

2 HOUR PARTITION TO STEEL DECK

ASSIGNMENT 02

STEEL STRINGER

1'-1"

STEEL TRACK

CONCRETE BLOCK

GYPSUM BOARD

STEEL STRINGER

3 HOUR PARTITION TO STEEL DECK DETAIL 1"=1'-0"

GYPSUM BOARD

DRAWING BY

GLASS FIBER INSULATION

SPACER SLEERE

BUTTON FITTING

CONCRETE BLOCK

SMITH FARM BAR 191 SMITH STREET BROOKLYN, NEW YORK

3 LAYERS 58" STEEL STUD

3 2"WIDE

ASSIGNMENT 02

BUTTON FITTING

DETAIL 9/4"=1'-0"

GLASS GUARDRAIL

10/10/2019

PROJECT NAME

1'-1"

1" 8

2’-6“

FIRE SHIELD GMB 1" 2

DETAIL 9/4"=1'-0"

5

1 of 1

LEGEND

KITCHEN 1

5" 20'-108

3'

1'-4"

2'-11"

11"

3'-8"

1 DOOR REFRIGERATOR WITH PREP TOP

SUSPENDED MIRROR TILE CEILING

KITCHEN EQUIPMENT SCHEDULE

TWO BOWL STAINLESS-STEELSINK

SUSPENDED CONCRETE TILE CEILING

8 BURNER RANGE WITH OVEN

SWITCHING DIAGRAM

8'-43 4"

EXIT SIGN - ARROW INDICATES DIRECTION ROUND RECESSED DOWNRIGHT

ZHUOYUN CHEN

3 DOOR REFRIGERATOR

ROUND PENDANT LIGHT

SPRINKLER HEAD IN SUSPENDED CEILING

Brooklyn NY 11205

1" 15'-62

15'-5"

35'-31"

ALIGN FINISHES LEVEL CHANGE

MEZZANINE STAIRCASE

DINING AREA 3

6'

PLAN

ALIGN

STAINLESS-STEEL WALL PANELsteel 2'x1'

3

1

TWO BOWL STAINLESS-STEELSINK

KRAUS

4'-5"

10"

1'-6"

12"

0'-6"

1

3 DOOR REFRIGERATOR

Empura

E-KB81R 81"

1

SOLID GALVANIZED STEEL SHELVING

ULINE

H-7477

6

1

STAINLESS STEEL RANGE HOOD

PROLINE

ProV42WC.430

09/26/2019

STAINLESS-STEEL CABINET

DOUBLE-SIDE GLASS PARTITION

STAIN-STEEL CABINET

ELEVATION 1 2"=1'-0"

STAINLESS-STEEL CABINET

ASSIGNMENT 02

STAINLESS-STEEL w/ SHELF CLIPS CONCRETE WALL PARTITION

PROJECT NAME

SOLID GALVANIZED STEEL SHELVING

3 DOOR REFRIGERATOR

/

2

Classic Vintage Glass Pendant Hood & Brass Decorative Cord, Large , DIA.9”

Pottery Barn

/

3

ADJUSTABLE SPOTLIGHT 7.5'' H x 6'' W x 4'' D

Kinzey

/

PROJECT NAME

6'

MODEL NUMBER

5'-3"

Philips

DOUBLE-SIDE GLASS PARTITION

5 DRAWING BY

2"

ZHUOYUN CHEN STAINLESS-STEEL SHOE

LAMINATE CONCRETE COUNTER TOP 3/2”

POLISHED CONCRETE COUNTER TOP

STAINLESS-STEEL FRAME 1/2”X 40” 1/2"

3/2" 2"

PROJECT NAME

STAINLESS-STEEL FRAME 1/2”X2”

STEEL SUPPORT STRUCTURE RCP UP LEVEL

3 16

" = 1'-0"

10/10/2019

SMITH FARM BAR 191 SMITH STREET BROOKLYN, NEW YORK

ELEVATION 1 2"=1'-0"

4

6"

2

STAINLESS-STEEL DOOR

LIGHTING FIXTURE SCHEDULE MANUFACTURER

SOLID GALVANIZED STEEL SHELVING

2"

ELEVATION 1 2"=1'-0"

ZHUOYUN CHEN

EQUIPMENT CATEGORY

zchen44@pratt.edu

4”CONCRETE COUNTER TOP

REFRIGERATOR

DRAWING BY

5/6 in. LED 65W Downlight (Equivalent Dimmable Smart Wi-Fi Wiz Connected Recessed)

718-753-0896

200 Willoughby Ave Brooklyn NY 11205

STAINLESS-STEEL CLIP

STAINLESS STEEL RANGE HOOD

SMITH FARM BAR 191 SMITH STREET BROOKLYN, NEW YORK

1

ZHUOYUN CHEN

Pratt Studio

2'

PLASTER WALL WITH WHITE MATTE PAINT FINISH

EXHAUST DUCK

LAMINATE COUNTER TOP

3

ITEM

KBU32

4 5

STAINLESS-STEEL SHELF WITH CLEAN GLASS COVER

2'-0"

STAINLESS-STEEL SHELF

3"

UP LEVEL RPC

PRG486GDH

4'-6"

PROJECT NAME

3 16 "=1'-0"

THERMADOR

1

1 2"=1'-0"

8"

ASSIGNMENT 02

2

8 BURNER RANGE WITH OVEN

1

2

KITCHEN 4

1

1"

2

NORTH ARROW

RESTROOM 6

AUC27R

2

4"

ENTRANCE 1

MODEL NUMBER

CURVED GLASS PARTITION

1" 7'-52

DINING AREA 5

RECEPTION 2

ARCTIC AIR

MANUFACTURER

6'

1" 15'-62

8'-2"

1

EQUIPMENT CATEGORY

1" 2

SHEET NOTE TAG

36” ONE DOOR REFRIGERATOR WITH PREP TOP

S

LIGHT FIXTURE SWITCH REVISION

1" 89'-112

SOLID GALVANIZED STEEL SHELVING

1

3" 4

F

E

D

zchen44@pratt.edu

Qty

1

4"

C

718-753-0896

200 Willoughby Ave

3 2"

B

Pratt Studio

0'-1"

A

ROUND RECESSED WALL-WASH

ITEM

1'-11"

DOOR NUMBER NEW SUSPENDED GYP.BD.CEILING

6'-8"

06

CONCRETE BLOCK

1" 8'-04

FLEXIBLE SEALANT

zchen44@pratt.edu

PROJECT NAME

2 " STEEL HANDRAIL

ASSIGNMENT 02

P R O J E C T VI

718-753-0896

200 Willoughby Ave

GLASS GUARDRAIL

STEEL TRACK

5 8"

DETAIL 9/4"=1'-0" HINGED SCREW

4

2’-6“

MINERAL WOOL INSULATION

P R O J E C T IV

Pratt Studio Brooklyn NY 11205

PLAN 3 4 "=1'-0"

-41 " 2

P R O J E C T III

ZHUOYUN CHEN

DETAIL 9/4"=1'-0"

11'-10 "

1

1" 8

ZHUOYUN CHEN

KITCHEN

Document number

06

A-106.01 2 of 2

ELEVATION 1 2"=1'-0"

3

DETAIL 3/2"=1'-0"

6

DETAIL 3/2"=1'-0"

7

1 2

" = 1'-0"

Document number

08

A-108.00 1 of 1

THANK YOU ZHUOYUN CHEN +1 7187530896 zyunchen026@gmail.com