Portfolio_Yunlong Zhao

Zhao Yunlong Portfolio for application School of Architecture and Urban Design UCLA

• AWARDS & HONORS • Scholarships • 2018.12 School-level third-class scholarship • 2019.12 School-level third-class scholarship

• Competitions • Team Leader

YUNLONG ZHAO E-mail: zhaoyunlong@g.ucla.edu Tel: 424-369 1530 DOB: Mach 6,1998

• EDUCATION Central South University (CSU), China School of Architecture and art Major: Architecture Degree:Bachelor of Architecture GPA:85/100

• 2019.09

2019 Guyu Cup--National Undergraduate Sustain petition Distance Makes Us Fonder | Shortlist Award & D

• 2019.05

2019 Guyu Cup--National Undergraduate Sustain petition Distance Makes Us Fonder | Shortlist Award & D

• Team Member | Design & Drawing • 2020.07

The 10th National Green Building Design Compe Travel among Flowers | Second Prize Dream Machine | Second Prize Stay in the Sky | Excellence Award

• 2019.12

Country Garden Cup--The First Hunan Green Bu Travel among Flowers | Bronze Award

• 2019.12

Country Garden Cup--The First Hunan Green Bu Travel among Flowers | Bronze Award

• 2019.08

The 5th Zoomlion Cup International Undergradua Competition Be Young and Be Happy | Excellence Award

09/2016-06/2021

University of California, Los Angeles 08/2022-06/2023 School of Architecture and Urban Design Master of Science in Architecture and Urban Design (M.S.AUD)

• Academic

• HOBBIES

• 2019.07

Violin (learned science 2002) Badminton (learned science 2010) Photography Chess Swimming

MILANO/DISCOVERING THROUGH EXPERIEN REPRESENTATION/DESIGN/CONCEPT Team work | Lectures, seminars and presentatio

• 2020.06

Research on the Development Strategy of Stock Villages | Co-Author SHANXI ARCHITECTURE Vol.7, 2020, Page36-

• 2020.06

Provincial Undergraduate Innovation and Entrepr The Construction of Traditional Space Image in M Individual work | Excellent project & Excellent Th

• 2021.03

“Innovation and Entrepreneurship in China” Cent novation and Entrepreneurship Annual Meeting Excellent Paper Award

• LANGUAGES Mandarin (Native) English (Fluent) French (Basic)

• Skills • Visualizatgions:

AutoCAD; Adobe CS(Photoshop/Illustrator/InDesign/After Effects/ Premiere Pro/Acrobat/Media Encoder);V-ray;Lumion

• 3D Modeling:

Sketchup;Rhino/Grasshopper;Unreal Engine5;Revit;Maya;Blender;Houdini

• Other forms of expression;

Hand drawing; Manual model making

• Extracurricular activities • 2021.09

Alumni Liaison Officer of CSU Graduating Class

• 2019.06

Excellent Communist Youth League Member of C

• 2018.12

Putonghua Proficiency Test Level 2 B

• 2018.06

National Computer Rank Examination Level 2 Ce

• INTERNSHIPS • 2020.09-2020.12

China Shipbuilding NDRI Engineering Co., Ltd, Shanghai, China Job title: Assistant Designer

• 2021.1-2021.02

Inner Mongolia Guangsha Jianan Engineering Co., Ltd., Inner Mongolia, China Job title:Assistant Designer

• WORK EXPERIENCE

Digital Technology Award

China Shipbuilding NDRI Engineering Co., Ltd, Shanghai, China Job title: Junior Architect Projects: Conceptual Design of the New Headquarters of China Shipbuilding Corporation • Cultural background and base research, preliminary scheme design, drawing of analysis diagrams

etition

Conceptual Design of Meishan Campus of Sichuan University • Cultural background and base research, preliminary scheme design, drawing of analysis diagrams

uilding Design Competition

Hainan Haikou aviation maintenance project radar tower • Design project plans according to local regulations and employer requirements • Job Matching with Civil Engineers

uilding Design Competition

Design of Jiangnan Shipyard Headquarters Office Building • Façade design, podium design, construction drawing

ate Architectural Design

Design of Changning campus of East China University of Political Science and Law • Assist in scheme design

nable Architectural Design Com-

• 2021.8-2022.7

Digital Technology Award

nable Architectural Design Com-

Comprehensive management room for fishing area in Changning District • Assist in scheme design • Solid model building

NCE ARCHITECTURE WALKS/

ons

k Space in Characteristic Urban

• OTHER ACTIVITIES

-38

• 2018.8-2019.7

reneurship Project Modern Architecture hesis Award

Captain of Badminton Team, School of Architecture and Art, Central South University

• 2018.8

Central South University School Badminton Tournament Quarterfinals

tral South University Student In-

• SELF RATING Extraverted

Observant

Feeling

Prospecting

Preception

of 2021

Central South University

ertificate

Creativity

Leadership

Prologue

[ Conflict & Reconciliation ] In the process of undergraduate study, I realized that architectural design is a collection of contradictions. On the one hand, we create a space for users' satisfaction and express their design ideas. On the other hand, in the process of design, we are restricted by various restrictions. Therefore, in this porfolio, I discuss the relationship between new and old buildings in the process of urban renewal, the needs of different users for space atmosphere, the integration of modern architecture and traditional culture, and the contradictions in social reality. Hope that through the study of these problems, to create a more ideal use of space.

Zhao Yunlong,Bachelor of Architecture School of architecture and art, Central South University TEL:+86 15274844925,Email:401151437@qq.com

Content of [ Between Conflicts ] Academic 01

02

03

Fallen leaves Contradictions between functions - Formal & Informal

The revival of Tongrenli

Page 1-13

Contradictions between buildings - Old & New

Page 14-23

Dancing with shackles

Page 34-41

Contradictions in reality - Social problem & Actual

Professional 02

China State Shipbuilding Corporation Headquarters Design (Bidding Stage)

03

Sichuan University Meishan Campus Design (Bidding Stage)

Page 34-41

05

Other Works

Page 42-43

Vertual production

Page 14-23

01

02

03

The year at UCLA Entertainment Studio Software: Unreal Engine; Stable Diffusion; Rhino;

M4 Studio Software: Unreal Engine; After Effects; C4D; Rhino;

2022.8-2023.04 In this project, we worked on creating a unique worldview and designing products and videos related to it. We will think about a world with or without something. Figure 1 and Figure 2 show a world that is about to be flooded, and people try their best to extract resources before the disaster. Figure 3 and Figure 4 show a world where people cannot fall asleep. People come to the artificial dream center to obtain highquality dreams.

2022.8-2022.10 In this studio, we explored more possibilities for the development of architectural expression. We built a fantasy office 50 years later through the scene, and we put the plants we designed into the VR game for users to experience. We simulate the future development trend of the city through AI. We make our own avatar and interact with the scene in Unreal Engine.

Technical Artist Attempt Software: Unreal Engine; Unity; Visual Studio Code;

Tech Seminar Software: Grasshopper; Rhino; After Effects; C4D; Blender;

2022.12-2023.01 During the winter break, I tried to learn some technical art work. Mainly use unity and unreal engine to write material shader, lighting model and some simple special effects. Learned the basics of graphics.

At the same time, I also tried the built-in plug-ins such as ASE. Understand the calculation methods of several basic lighting models.

2022.8-2022.11 Through the study of the tech seminar, we learned more skills in using software, such as using the grasshopper plug-in to create graphically transformed gifs in Rhino, and to achieve the ideal model effect by adjusting different parameters. At the same time, we also learned some basic film and television compositing skills to modify the video to achieve the desired effect.

04

China State Shipbuilding Corporation Headquarters Design (Bidding Stage)

Type:Commercial projects/ Group work cooperate with: Gaohao Xie, Siwen Xue,Ye Tian,Lei Ma, Runqi Qin Team leader: Yunqi Chen Location:Shanghai, China Year: November 2021

Research(30%),Design(15%),Drawing()25%

General Plan

Volume generation

Historic Preservation Buildings

ยऺ‫ݴ‬ဆ }EFTJHO!!BOBMZTF Ȑ‫ݿ‬үࠫୢȑȉȉ㟚‫୎ݿڏ‬㍍‫ͧٲ‬ј‫حگ‬曣ҥНߟ‫ॳۉڤ‬णी୎

A ਥ叆‫ކ‬ԗ‫ي‬ॐௗȍȍԽ‫ۈ‬ԄҸԶ C

উҞй੼ԧ▲暡ͫЊ‫ڏޏ‬த֝‫ۈ‬

Խ‫ۈ‬ԄҸԶД‫ڏֺ ; ك‬উ‫ޅ‬ѽӯऀОਥ叆‫ކ‬ԗ‫ي‬ॐௗͫ

঩‫ۨڥޣؠ‬ԁ੷۟澞ગઋИପଋ

ҁОத֝‫؛יث‬Ѯչ߹ॹ॑ѫ‫઻ڥ‬ङ▲З୍੽ॶՍ澞ӄ

ͫ‫ߚ▲ۨڥ‬ਘ੼էБङਗ਼ॱ‫ڋ‬ଳͫ

ୂ߿݇Љգஐӧӄ‫ͫૅۅؠ‬П੽ӦӣОҸѨ‫يݹڐ‬ॐԚ

ପ‫ͫࠡםୂۈڪ‬ђ৲‫ر‬Іৱ߄ߑ

չӄୂ঒‫يݏ‬ॐԚДୂӣͺ‫੼كڂ‬Ԙઅৰਖ਼ગ৥Оѧ‫ێ‬

ђԷ՗૚էߌߛȕȍȍӯऀ‫ॱޞ‬

Ԛͧպ⮈澝咰࠯ͨ澞

ٗЏङ୍੽ୌ३䫻ͫ଒▲࠵‫ڠ‬ԗ

॑ѫҸѨਘׂ֪ԧҋы੧ӟҵՍ଒ҵՀ઀ͫி‫ڏֺ ; ځ‬

۱۟߯ԃ澞

উࡶিՃָफࠡࠐ٢‫ࡶ࣪୻ۨڥͫق‬ি‫ٷ‬ёђԧҋख़‫ڐ‬澞 ӄୂ‫ي‬ॐԚП੽੩‫ݎ‬த֝‫ࠡםୂۈ‬ԧҋ୹ԶͫࢠૡЏԇ ‫ڭݎ‬Ճ௅‫بંح‬ঈ஬ࡌ澞

୿‫چؾ‬ଠ‫ؖ‬ҁОѫઑԅਈ҅ऀ澞 A ‫ޞ‬Ұࡊஓ C

‫ࠡ؟‬ӄୂ٢৥૊‫؜ڭݎآ‬澝௤ઁ

Խ‫ۈ‬ԄҸԶԘҋ‫ڈ‬ஓՃ‫خڰ‬Ҧ‫ڱ‬љґऊͫ‫ڠ‬ԗԷ՗ङ֫

՗‫ڏ‬উङ‫ࢸڠ‬㾇֠۟‫ݕ‬ԟॱ୿ս

۱ઓ‫੽୍ۨڥͫڸ‬ङত॔ॱ୿澞‫ޅ‬ѽ‫ݷ‬ଭОࡊஓͫѽ࣫Ȕ‫ݍ‬

‫ݹڐ‬ପଥङҸһѧ‫םێ‬Զॱ୿ͫ

ফࢋ੒ȕङত॔ͫӯऀࡊஓЭ‫ۨڥ‬д‫ࣀמ‬ङԚஜͫ҅Ҹ

‫ۅ‬չਞଠ‫ۅ‬澞

ѨՀ઀ЊӄୂٗҁԚлЉ‫ॹࣞͫ܃ٴ‬঒ࣲ澞

৴叆‫ݧ‬Ԗ‫ى‬ठ஦ͣԼ㔀ԃҷԵͤ ੦ਗ਼‫ڿ‬զ

Ӄ଑ॡܰ‫ى‬ठԙ

ङ‫୿ॱם‬஬ࡌ澞‫ڏޛޏر‬উ଒੧

ҸѨ‫ݹڐ‬Ԛȍȍਥ叆ٗЏՇ‫ي‬Է३

ҷѧ‫ىݚڏ‬ठԙ ҸѨ‫ݹڐ‬Ԛȍȍଭਥٗਫॠޯ

ҁОத֝‫؛יث‬Ѯչ߹ॹ॑ѫ‫઻ڥ‬ङ▲З୍੽ॶՍ澞ӄ

‫ڋ‬ଳͫ

ୂ߿݇Љգஐӧӄ‫ͫૅۅؠ‬П੽ӦӣОҸѨ‫يݹڐ‬ॐԚ

ৱ߄ߑ

չӄୂ঒‫يݏ‬ॐԚДୂӣͺ‫੼كڂ‬Ԙઅৰਖ਼ગ৥Оѧ‫ێ‬

ऀ‫ॱޞ‬

Ԛͧպ⮈澝咰࠯ͨ澞

࠵‫ڠ‬ԗ

ѫઑИ‫ڶ‬Ԛ͹ ॑ѫҸѨਘׂ֪ԧҋы੧ӟҵՍ଒ҵՀ઀ͫி‫ځ‬ ; ֺ‫ڏ‬

֢҅͵

૊‫آ‬૱੧ࡶি ૊

ࢁٗ‫ٵ‬Ֆ

த֝‫ୂۈ‬௅‫كح‬தИй‫ڏ‬উ஽ୂ͹௅‫ح‬ԄҸ ‫ك‬ѹй ‫ͫك‬Ӑঌܼܶ‫ם‬Զѹй ‫ك‬澞

੊‫ࢵؚ‬ ੊ ‫ڭݎ‬Ճ௅‫بંح‬ঈ஬ࡌ澞

ҵׂ֪ӄୂଳ૨ͫ‫ٷ‬फ‫ܙ‬ҵՍ‫ݟ׃ם‬Ыऄࠐ澞

澝௤ઁ

Խ‫ۈ‬ԄҸԶԘҋ‫ڈ‬ஓՃ‫خڰ‬Ҧ‫ڱ‬љґऊͫ‫ڠ‬ԗԷ՗ङ֫

ॱ୿ս

۱ઓ‫੽୍ۨڥͫڸ‬ङত॔ॱ୿澞‫ޅ‬ѽ‫ݷ‬ଭОࡊஓͫѽ࣫Ȕ‫ݍ‬

ॱ୿ͫ

ফࢋ੒ȕङত॔ͫӯऀࡊஓЭ‫ۨڥ‬д‫ࣀמ‬ङԚஜͫ҅Ҹ

த֝‫ୂۈ‬

ӄୂ঒‫ݏ‬Ԛȍȍத֝ՠҁՃՇ‫۫ي‬ऋ

‫ك‬ԄҸԚ澞

৴叆‫ݧ‬Ԗ‫ى‬ठ஦ͣԼ㔀ԃҷԵͤ ੦ਗ਼‫ڿ‬զ

ѨՀ઀ЊӄୂٗҁԚлЉ‫ॹࣞͫ܃ٴ‬঒ࣲ澞

ਥ叆‫ކ‬ԗ‫ي‬ॐԚ͹ ॑ѫҸѨՀ઀ࡶি ॑

َࠫѦ㔴ԙ

ઙ‫ڬܯء‬ԙ

ઘ‫ؚ‬ѫઑࡶি ઘ

ӄୂ‫ڭݎ‬Հ઀ࡶি

ҷѧ‫ىݚڏ‬ठԙ

A ‫ޞ‬Ұࡊஓ C

௅‫ح‬ԄҸ‫ك‬

۪௝ҵ֪ЈЋऀҠ૱ѹͫ‫ݟ‬Ыऄࠐफଇ௅‫ح‬

Ӄ଑ॡܰ‫ى‬ठԙ

উ଒੧

,

ࢁٗ‫ٵ‬Ֆ௅‫كح‬ѹй‫ڏ‬উ஽ୂ ‫ك‬澞 த֝‫ୂۈ‬Ճࢁٗ‫ٵ‬Ֆङ௤‫ك‬௅‫ͫح‬Օ௟૱଒

૊‫آ‬ѫઑࡶি

த֝‫ୂۈ‬

, ԄҸ

ӄୂ‫ي‬ॐԚП੽੩‫ݎ‬த֝‫ࠡםୂۈ‬ԧҋ୹ԶͫࢠૡЏԇ

҅ऀ澞

Ȑ‫ݿ‬үࠫୢȑȉȉ㟚‫୎ݿڏ‬㍍‫ͧٲ‬ј‫حگ‬曣ҥНߟ‫ॳۉڤ‬णी୎

Ӑঌܼܶ‫ם‬Զ

௤‫ك‬௅‫ࡶح‬ি͹

উࡶিՃָफࠡࠐ٢‫ࡶ࣪୻ۨڥͫق‬ি‫ٷ‬ёђԧҋख़‫ڐ‬澞

ਈ஬ࡌЊ֫۱ѽ௠

ҸѨ‫ݹڐ‬Ԛȍȍӹ࡟ॠ‫܉‬Շ‫ي‬

,

‫حگ‬曣ҥ

Иପଋ

ยऺ‫ݴ‬ဆ }EFTJHO!!BOBMZTF ࡗ঎Ӣ߅

‫ݿ‬үࠫୢ

Խ‫ۈ‬ԄҸԶД‫ڏֺ ; ك‬উ‫ޅ‬ѽӯऀОਥ叆‫ކ‬ԗ‫ي‬ॐௗͫ

‫ݿ‬ीେ‫ىڊ‬ठԙ

த֝‫ۈ‬

‫טت‬Ѫ੠ԙ

A ਥ叆‫ކ‬ԗ‫ي‬ॐௗȍȍԽ‫ۈ‬ԄҸԶ C

Һх‫ל‬Ե

ъ۶ղԵ

ѫՃ‫ך‬ԅਈ஬ࡌ

Ӄ଑ॡܰ‫ى‬ठԙ

㔀଑‫ىׂל‬ठԙ

‫טت‬Ѫ੠ԙ

Exploded view of the podium

, ѫઑ ࢁٗ‫ٵ‬Ֆ , ѫઑ த֝‫ୂۈ‬

ͫࢠૡЉգ஬ࡌ ҸѨ‫ݹڐ‬Ԛȍȍਥ叆ٗЏՇ‫ي‬Է३ ӄୂ঒‫ݏ‬ԚȍȍӋս࠶֘੸‫يו‬ॐ

ҷѧ‫ىݚڏ‬ठԙ

ႎጺև߁౒‫ݛ‬ӄยऺ }Dpodfquvbm!Tdifnf!Eftjho!Pg!Uif!Ofx!Ifbervbsufst!Pg!DTTD

, ‫׃ם‬

, ‫׃ם‬

ࢁٗ‫ٵ‬Ֆ

த֝‫ୂۈ‬

ҸѨ‫ݹڐ‬Ԛȍȍଭਥٗਫॠޯ

‫ݿ‬ीେ‫ىڊ‬ठԙ

֢҅͵

‫ݿ‬үࠫୢ

૊‫آ‬૱੧ࡶি ૊

ы੧ࡶি

‫حگ‬曣ҥ

‫טت‬Ѫ੠ԙ

ѫઑИ‫ڶ‬Ԛ͹

Ӄ଑ॡܰ‫ى‬ठԙ

㔀଑‫ىׂל‬ठԙ

‫טت‬Ѫ੠ԙ

Һх‫ל‬Ե

ъ۶ղԵ

֢҅͵

ҸѨ‫ݹڐ‬Ԛȍȍӹ࡟ॠ‫܉‬Շ‫ي‬

ߑԈ૱ࡶি

੊‫ࢵؚ‬

௤‫ك‬ЋऀҠ૱Ԛ

੊‫ࢵؚ‬ ੊ ૊‫آ‬ѫઑࡶি

( , ֪Ј૱‫ڀ‬ ࢁٗ‫ٵ‬Ֆ

ӄୂ‫ڭݎ‬Հ઀ࡶি

dfquvbm!Tdifnf!Eftjho!Pg!Uif!Ofx!Ifbervbsufst!Pg!DTTD

ҷѧ‫ىݚڏ‬ठԙ

॑ѫҸѨՀ઀ࡶি ॑

َࠫѦ㔴ԙ

ਥ叆‫ކ‬ԗ‫ي‬ॐԚ͹

ઙ‫ڬܯء‬ԙ

ઘ‫ؚ‬ѫઑࡶি ઘ

ӄୂ঒‫ݏ‬Ԛȍȍத֝ՠҁՃՇ‫۫ي‬ऋ

ዐࡔ‫ذ‬ոणཷᆶ၌ࠅິႎጺև߁౒‫ݛ‬ӄยऺ }Dpodfquvbm!Tdifnf!Eftjho!Pg!Uif!Ofx!Ifbervbsufst!Pg!DTTD

ӄୂ঒‫ݏ‬ԚȍȍӋս࠶֘੸‫يו‬ॐ

( , ֪Ј૱‫ڀ‬ த֝‫ୂۈ‬

First floor plan

रຍ཮ኽ }UFDIOJDBM!ESBXJOH

▲‫ٵك‬வ֣ ▁‫ٴق‬஄֢

ԗ

ዐࡔ‫ذ‬ոणཷᆶ၌ࠅິႎጺև߁౒‫ݛ‬ӄยऺ }Dpodfquvbm!Tdifnf!Eftjho!Pg!Uif!Ofx!Ifbervbsufst!Pg!DTTD

Six-story floor plan of commercial office building

ยऺ‫ݴ‬ဆ }EFTJHO!!BOBMZTF

ଙүո১࢐ૹ஝

িߚͫॳӟ‫ڏ‬উङ㞱‫ܣ‬澝էЇ

ॹவ֨ৈՠыѽٗ३؆ङӹ‫ݕ‬Јગ৥੊֪Ј‫۔‬ӄ

Offshore platform standard floor plan

ङॺէিߚ઻‫ګ‬௤‫ݼ‬Њ䰹‫ͫپ‬

‫ڐ‬կॶͫ֨ହҲ䈒஧ङգ‫ݕޞ‬௤ପ௎‫ࣤݼ‬澞Їୂ

‫ࡈם‬ङ஬ࡌबԙ୆澞ॺէিߚ

֨ыП੽ંিਸ֠ӄ୊ऀପ௤ङՅୣИॱୖԗ‫צ‬

І㯈௤‫ࠡ׈ك‬Њ娕۰ҁОⴃԚ

ਇ࣬ࣸͫ҅‫؜ڱ‬ӄ‫޾߄ܨ‬Ԇ‫ޢ‬щङ࣪‫׋‬չ‫ܨיث‬

Ї଒੧д‫ڠ‬ԗ澞

߄‫ޗ‬ଷܺङް઀ં୎澞 ‫ڐ‬կ۳ପଋতٙङূୂગઋљହҲં઄Ї‫ۨڥ‬ঠ

Glass curtain wall construction

䵗ङଆࠃͫґચд‫ॹי‬வङষӔ‫ۅ‬澞

ं‫ୂڂ‬է஽ୂଦ࢏Պূͫॳӟ

‫ڏ׋ٲ‬ծ‫ٴ۔‬஄ठ‫ڿ‬

ࣔૅͫ‫ڠ‬લӟ஽ୂં୎‫ڐ‬晅Ф۟澞

ԗЭପଋ৏▲ङॺէিߚ੮ଇ澞

୿ЊЇୂԄҸॱ୿ङ‫ڱ۟ڔڥ‬

ԗङ஻‫گ‬澞

ยऺ‫ݴ‬ဆ ै஄੦ਗ਼

ॉզ঎޻

ଙүո১࢐ૹ஝

敕ୖՃ࣬ࣸ‫׌ٳ‬澞‫ୂڂ‬娕۰‫ق‬

‫ୂۈ‬ԄҸङ६୍Фׂલ澞Љ敕

ॹவગઋ‫ڠ‬લॺէিߚͫॳӟ‫ڏ‬উङ㞱‫ܣ‬澝էЇ ۟ͫ‫ػ‬ҿљ‫ڋ୸ॱޞ‬Иङ୶வ

ॹவ֨ৈՠыѽٗ३؆ङӹ‫ݕ‬Јગ৥੊֪Ј‫۔‬ӄ

ङԈԎ澞६ؔ߄‫پ‬ङॺէিߚ઻‫ګ‬௤‫ݼ‬Њ䰹‫ͫپ‬ ࣫ԃ澞ପଋ࣌࠼‫ذޥڔ‬յ֠࣪

‫ڐ‬կॶͫ֨ହҲ䈒஧ङգ‫ݕޞ‬௤ପ௎‫ࣤݼ‬澞Їୂ

ङ‫ࡁثࢸڠ‬Նٛͫӫଭӟ‫ޛޏ‬ Њ‫ୂۈ‬ԄҸ‫ࡈם୍ٻث‬ङ஬ࡌबԙ୆澞ॺէিߚ

֨ыП੽ંিਸ֠ӄ୊ऀପ௤ङՅୣИॱୖԗ‫צ‬

٫ߛङ৏▲䰹‫رپ‬І㯈௤‫ࠡ׈ك‬Њ娕۰ҁОⴃԚ

ਇ࣬ࣸͫ҅‫؜ڱ‬ӄ‫޾߄ܨ‬Ԇ‫ޢ‬щङ࣪‫׋‬չ‫ܨיث‬

ङ‫ޅ‬ѽ‫ં֨઻ڥ‬઄Ї଒੧д‫ڠ‬ԗ澞

߄‫ޗ‬ଷܺङް઀ં୎澞

ં઄۟Չ澞࣬ࣸ‫׌ٳ‬ө‫ڏ࣫ي‬

ચ઀ްङં઄ѽ௠澞

‫ڐ‬կ۳ପଋতٙङূୂગઋљହҲં઄Ї‫ۨڥ‬ঠ 䵗ङଆࠃͫґચд‫ॹי‬வङষӔ‫ۅ‬澞

‫ڏ׋ٲ‬ծ‫۔‬঑଑

‫׋ٲ‬১࢐ૹ஝ठ‫ڿ‬

ཷᆶ၌ࠅິႎጺև߁౒‫ݛ‬ӄยऺ }Dpodfquvbm!Tdifnf!Eftjho!Pg!Uif!Ofx!Ifbervbsufst!Pg!DTTD

Group headquarters standard floor plan

ยऺ‫ݴ‬ဆ }EFTJHO!!BOBMZTF

ԄҸ‫ࠡ׈‬িߚગઋं‫ୂڂ‬է஽ୂଦ࢏Պূͫॳӟ ஽ୂૹ䥟澝ଥ‫ޢ‬ङࣔૅͫ‫ڠ‬લӟ஽ୂં୎‫ڐ‬晅Ф۟澞

ଙүո১࢐ૹ஝

‫ڋ୸ॱޞ‬ङৈߣՊԗЭପଋ৏▲ङॺէিߚ੮ଇ澞 ॹவ֨ৈՠыѽٗ३؆ङӹ‫ݕ‬Јગ৥੊֪Ј‫۔‬ӄ

߄‫پ‬ङॺէিߚ઻‫ګ‬௤‫ݼ‬Њ䰹‫ͫپ‬

‫ڐ‬կॶͫ֨ହҲ䈒஧ङգ‫ݕޞ‬௤ପ௎‫ࣤݼ‬澞Їୂ

‫ࡈם୍ٻ‬ङ஬ࡌबԙ୆澞ॺէিߚ

֨ыП੽ંিਸ֠ӄ୊ऀପ௤ङՅୣИॱୖԗ‫צ‬

‫رپ‬І㯈௤‫ࠡ׈ك‬Њ娕۰ҁОⴃԚ

ਇ࣬ࣸͫ҅‫؜ڱ‬ӄ‫޾߄ܨ‬Ԇ‫ޢ‬щङ࣪‫׋‬չ‫ܨיث‬

ં઄Ї଒੧д‫ڠ‬ԗ澞

߄‫ޗ‬ଷܺङް઀ં୎澞

љ‫ڍ‬৒ͫЌ‫߄ئ‬Պԗङ஻‫گ‬澞

ॺէিߚͫॳӟ‫ڏ‬উङ㞱‫ܣ‬澝էЇ ं࠴ͫЈୂҸһॱ୿ЊЇୂԄҸॱ୿ङ‫ڱ۟ڔڥ‬

‫ڐ‬կ۳ପଋতٙङূୂગઋљହҲં઄Ї‫ۨڥ‬ঠ 䵗ङଆࠃͫґચд‫ॹי‬வङষӔ‫ۅ‬澞

‫ڏ׋ٲ‬ծ‫ٴ۔‬஄ठ‫ڿ‬

ै஄޶‫ݪ‬ ગઋं‫ୂڂ‬է஽ୂଦ࢏Պূͫॳӟ

ङࣔૅͫ‫ڠ‬લӟ஽ୂં୎‫ڐ‬晅Ф۟澞

ߣՊԗЭପଋ৏▲ङॺէিߚ੮ଇ澞

ॹவ୊ऀीߕ澝Љ敕ୖՃ࣬ࣸ‫׌ٳ‬澞‫ୂڂ‬娕۰‫ق‬

һॱ୿ЊЇୂԄҸॱ୿ङ‫ڱ۟ڔڥ‬

ୂ୊ऀीߕͫ‫ڠ‬લ‫ୂۈ‬ԄҸङ६୍Фׂલ澞Љ敕 ୖॳӟ‫ڏ‬উङ‫ڢ‬ї۟ͫ‫ػ‬ҿљ‫ڋ୸ॱޞ‬Иङ୶வ Љ敕ୖৈߣ߂Ӏ੮࣫ԃ澞ପଋ࣌࠼‫ذޥڔ‬յ֠࣪

߄Պԗङ஻‫گ‬澞

ૼֹՉԖ

‫׋‬Њґ‫ڏܔ‬উ‫ۨڥ‬ङ‫ࡁثࢸڠ‬Նٛͫӫଭӟ‫ޛޏ‬ 壝ՠ澝‫ॱޞ‬с୪ङં઄۟Չ澞࣬ࣸ‫׌ٳ‬ө‫ڏ࣫ي‬ উङପଥ‫ͫۅ‬љґચ઀ްङં઄ѽ௠澞

澝Љ敕ୖՃ࣬ࣸ‫׌ٳ‬澞‫ୂڂ‬娕۰‫ق‬

‫ڏ׋ٲ‬ծ‫۔‬঑଑

ዐࡔ‫ذ‬ոणཷᆶ၌ࠅິႎጺև߁౒‫ݛ‬ӄยऺ }Dpodfquvbm!Tdifnf!Eftjho!Pg!Uif!Ofx!Ifbervbsufst!Pg!DTTD

05

China State Shipbuilding Corporation Headquarters Design (Bidding Stage)

Type:Commercial projects/ Group work cooperate with: Gaohao Xie, Siwen Xue,Ye Tian,Lei Ma, Runqi Qin,Yufeng Zhang, Xiaojing Liu,Qingtao Xu Team leader: Yunqi Chen Location:Meishan, China Year: March 2022

Campus planning: Research(10%),Design(5%),Drawing(15%) Core area design: Research(30%),Design(25%),Drawing(30%)

General Plan ɽːǚʏ

CONCEPTUAL DESIGN

䓽 㳆 ⺇ ⿏ 㠋

61

բҍ‫ۗܪ‬ѳʹ

㏒䄨䑘䑂 㹘㧌㋻䔘㸋䄜㠻㚬䐢䎜⷗㾄䊑ㅭ䁈㤙⭥䑘㧌㋻᷍䇤゙䔊䐹䄋⭥⹌⹓ㅉ䑟㸈⼰᷍䍚㬟㯥⪉⫔䁈⭥㻷⫛ⴈ㗓᷍䇤⮟㕅㯏㈑⭥Ⳟ㬞㬚㾄㣑㋶ヅㅰ㸋㋋㎌᷍䇋䋍㋋ ⳦⿗䇎⭥ⰵ㶃㾯㼔᱄

œҡբҍѳʹ

⿘䁈䊛㦬㸥㔭⫙ 㸋㑬⫓㠧ⷘ⷗䁱䁈㦛㕅ヅ⭥ⴃ㰙⡶㧜᷍㪉䐤㑍㿙⤞⭡ㅌ⡬⪬⪏㑋᷍⤃㏜䇤ⱁ⷗㑍㣦㬚㡅䈌⹌⹓ㅭ䁈㤙㼁㑋㻖᷍㤙⢑䇻㯿㪂㪛』㤙⭥䇓䐫⤖➗᷍⤪䇤㪛㲍⿛ 㠣㎎㆝䁈㪛䈌㯏⭥㉁㏌᱄

83

բҍ‫ۗܪ‬ѳʹ

䐱㾥㧞⼬

բҍ‫ۗܪ‬ѳʹ

ũ๘ƍͳ ʏΒࢰ

⿘Ⰼ㠣⽟㾾㻱㔭⫙

CONCEPTUAL DESIGN

͵ࠕǂ፺

œҡբҍѳʹ

ɍˍЙɁ բҍ‫ۗܪ‬ѳʹ

Ϊ਋

œҡբҍѳʹ ⅈ֜‫܄‬Ɔ

85

̬ƛɁŞ

⿘⥛䁱㪛㲍㔭⫙

㾉㾯㔭⭡

⼬㾥ㅭ䁈㤙䎜㳆⧢㸩䓐䐹᷍⤪䇤゙⼯㼓㾥⭥⤝㈷᷍䅓⪬⤖➗䄓⤪䇤㑬㦬⹅㪉ェ⭥㑺㯏ㅸ㲾᷍㎎㆝㬇㪛䈌⽟㘇⭥㉁㏌᷍㵍㬒䐱䂌㪉䐤⿆Ⱀ㹉㲉᷍䈌⽟㘇㾯⧪ ⰵ䍶⹹㻖 䐱㾥⭛⼮䊅㒕㔭⭹䋓⤪䇤䓵㦜⿛㠣⭥⤖➗㾯㬞᱄ ҁ‫ࢰ܈‬

㯿㪂㪛』㤙䅓䓵㦜⭹㬧䔀㼓㪉䐤䇓䐫⤖➗᷍⤪㦂㚟䍜⭡ゑ㈑⹼㾂㠘㑋㻖䁈㪛䈌㯏㻖⭥㑋㻖ᷜ䁈䊛䈌㯿㪂䐏ヅ䇤㑍㿙⭥ㅂ㪎⤞⭡㑋㻖᷍⤃⪊䊞ⷘ⷗㬳㶃䊬Ⱀ ⧂⭹᷍䄵⪬⫓䋍⡬⪬㑋㻖㣳』䊟⭥㾄䊑⳶㸈᱄

䓽㳆⺇⿏㠋

䓽㳆⺇⿏㠋

œҡբҍѳ

⿘㪛』』㑇㔭⫙

On-campus functional analysis

œҡբҍѳʹ

բҍ‫ۗܪ‬ѳʹ

CONCEPTUAL DESIGN

բҍ‫ۗܪ‬ѳʹ

㾉㾯㔭⭡ㅌ䁈㪛⪴㯿㪂㪛』㤙䐒ㅴ䅞㧌⼬㾥ㅭ䁈㤙᷍䊻䈌䑘⿘⫔Ⱀ㕗⭥ㅜ〄⪇㈷⤠⳦⫔㪉䐤ㅜ㒘⺄⧂᷍⤃㏜䇤䊎䇱⭹㾯ⷀ⥏⤪䇤㣦㻣⼎Ⱅ㬴㼀㦬⧖⳷㒘᱄ ɧμǥኄ

ιȹЙɁ ⥛䁱⪕㾣㠞㲉㤙䈓䄵䊎䇱】㒛㯏㌃㸋ㅻ⮄᷍ㅌ㯏㻖㈷⤠⳦⫔᷍⤃ㆂ⼰⿛㠣᱃㚟䍜⭡᱃㠭⭹⺄⧂⪕䋍䇱㬶䇱⳦᱃㋋⳦䄬㦬⭥㈑⹼㳆䂊᷍䇋䋍㻷⫛㭇㬫⭥㋧ゝ 㔭⹩᱄

ĉNJǂ፺

ҵ҃ϳƆ

иᙽ੉˰

Ǵ̜ˋķ

Ѩ֞

̂ƓęƆ

87

ʁะԽ

Ϊ਋

ᢙν

ιȹЙɁ

་ೄ

ցʁะ‫܄܇ֱܯ‬ɭ

CONCEPTUAL DESIGN

ֿᎾƥɕ

䓽㳆⺇⿏㠋

䓽㳆⺇⿏㠋

84

CONCEPTUAL DESIGN

‫ݛ‬ȡᒛల

Entrance space analysis

PHASE ʠ DESIGN

䔊㵦䈌⭆㳆㪉ェ㠋

122

Ăʿҁǡҡ

ђɆ˭ǎۖԉ

Liturgical Axis Analysis

䔊 㵦 䈌 ⭆ 㳆 㪉 ェ 㠋

123

Ɠ‫׷‬भķҡ

ʁะNJ͔ ԻҔ˭ǎ

Ⰼ㠣㸥⿐᷍㬨㗝㩞⭹䈓㸥⿐⭥䐹䄋䔊⧪⤠⳷᷍⧪

㸋㑬㪉ェ䐹⮄㋝㔨⭥⤠⳷᱄㸳㗨䐹⮄㋝⥍㑬㸜䇻㗝㩞

㬱⭒⭹㯶Ⰼ㠣⹫㈴㧞㯶哕᷍ⰵ䇻㧞㯶哕⭥ 䊛㕅㋶

PHASE ʠ DESIGN

䄜 㠻 ㏒ 䄨 䑂 㼀

ヅⷒ㈷㆙㾱㑬㻷⫛⿐⭥⢎⫐᷍㬚㡅⧪㸋㑬⼬㾥㤙䊛㕅

㈑⹼⭥䐹䄋䔊⧪⤠⳷᱄㪉ェㅌ䊛㕅㉚⽃⳷⤝䇻䁈㭖䊧 ⿘䈌⹌⹓ㅭ䁈㤙䈓⭥㚻㵆䊛䐱᷍䇋䋍⨗㛟㈓᷍⹦䁦⭥ 䁈㻑⳶㸈᱄䈌䊧⿘㶃』㠤⭥㈑⹼⳶㸈㾯⧪㻵䑙ⰵ⡩ ᷍ 䇱㏜䇻㦌㪎㾥⧢㆟䇻䁈⼄䐏䐱᱄

㳆䈞⹾

㧞㯶哕⪌㵔䊛㕅ⷒ㈷ 㾱䎟㔆

㵝㭊⹾

Ⰼ㠣㸥⿐䊑

㻷⫛䊛㕅㋶ヅ⢎⫐ ⺛カ䁈㭖ㅜ㒘䐱㾥

䔊㵦䈌⭆㳆㪉ェ㠋

113

PHASE ʠ DESIGN

Functional zoning

բҍ‫ۗܪ‬ѳʹ

֑ᆤ͂ộœୖ

㾄䊑㚻⤠㯏㻖㪉ェ⨅⳷㋝㔨䊻䐹⫔⽊㯏䊷⼇㻣⭥ⳡ⽊㝦㎵᷍⭹⢎㈗㒘㵉⺞⭹㾯ⷀ⥏㒘㧌⽟㘇᷍⽟㘇㉀⡙䄜Ⰹ⪃㯏⹇㚽᷍㚽⿛ㆃ⭹⢎㈗㒘㣠⫔⭥⨆㯃㑇᷍⽟㘇㚻⤠⽊㯏䊺㵉⺞䐽⢀㯏㻖䑑⤞㝦㧌㶃⤠⼴㤟䐱᷍ 䊻䄜Ⰹ⧭Ⱙ㩰㋪䄵ブ㤂⽊㯏⫙㎕⭥䓵㦜䊷⼇᷍䇱㾈ⳡ䐚㾄䊑㚻⤠ⳃ㪛⽊㎵䊷⼇᱄

Water body design analysis

CONCEPTUAL DESIGN

䓽 㳆 ⺇ ⿏ 㠋

81

ᒛల˭ǎ ᒛల˭ǎ ⭹⢎㈗㒘Ⳟ㼓 㝦㯏Ⳟ㼓

䇓䐫 䇤⺇ 䇓䐫 㲾⺞ 䇤⺇ ⡒⥁ 㲾⺞ ㅌ㯏➗⳷㸋䇓䐫 ➗⳷㸋䇓䐫 䈌㯏 ⡒⥁ 䇓䐫⤖➗⤪䇤⺇ ⤖➗⤪䇤⺇ 㤙㚰 䈌㯏 㼓㯏㘇⭥ㅸ㲾⺞ 㘇⭥ㅸ㲾⺞ 㤙㚰 ⽟㤙⡒⥁⼮⡒⥁ ⡒⥁⼮⡒⥁ 䇤䓵㦜㾯㲍䈌㯏 㦜㾯㲍䈌㯏 㸜䇻䐱㾥⽟㤙㚰 䐱㾥⽟㤙㚰

ᒛల˭ǎ ᒛల˭ǎ

䓽㳆⺇⿏㠋 䓽㳆⺇⿏㠋

82

㾄䊑㪉ェ⢋ⷀ

㪉ェ⧄㯏㸜⢋ⷀ 㾄䊑㪉ェ⢋ⷀ

㪉ェ⧄㯏㸜⢋ⷀ 㾄䊑㪉ェ⢋ⷀ

㪉ェ⧄㯏㸜⢋ⷀ

㪉ェ⧄㯏㸜⢋ⷀ

㾄䊑㪉ェ⢋ⷀ 㾄䊑㪉ェ⢋ⷀ 㪉ェ⧄㯏㸜⢋ⷀ 㪉ェ⧄㯏㸜⢋ⷀ

㾄䊑㪉ェ⢋ⷀ 㾄䊑㪉ェ⢋ⷀ 㪉ェ⧄㯏㸜⢋ⷀ 㪉ェ⧄㯏㸜⢋ⷀ

䇓䐫⤖➗

㪛㲍⤖➗

䇓䐫⤖➗

㪛㲍⤖➗

䇓䐫⤖➗ 䇓䐫⤖➗

㪛㲍⤖➗ 㪛㲍⤖➗

CONCEPTUAL DESIGN

㾄䊑㪉ェ⢋ⷀ

82

䓽㳆⺇⿏㠋

CONCEPTUAL DESIGN CONCEPTUAL DESIGN

82

Gymnasium explosion map

Other Works Physical Model & Rendings https://issuu.com/yunlongzhao/docs/portfolio_of_photorealistic_rendings-5mb

Tongrenli Mansion (Academic)

Changning District Teaching Building

Meishan Academic Center Meishan Campus Library

Aerial View

Perspective

Partial perspective

Interior perspective

Architectural 3D Animation https://issuu.com/yunlongzhao/docs/portfolio_of_anima

Scene Design

Assets Design Model the corresponding assets according to the story background and design the textures.

Inside the parking garage

01 Moving On

World Building: The world before the flood

Type: Acdemic/ Individual Work Instructor: Natasha Sandmeior Year: June 2023 Video Link: https://www.youtube.com/watch?v=8zV7kuRj8bg

Software Moving On documents a lonely and desperate journey.

The background of the story takes place on Earth in 2050. Due to people's over-exploitation of resources, the greenhouse effect h a s i n t e n s i f i e d . T h e re s u l t w a s a n i n e v i t a b l e f l o o d . I n o rd e r t o resist future disasters, people built huge shelters and transported the only remaining resources on the earth to the shelters.

Our hero is the last driver of this transport operation.

We will follow his perspective and experience and feel this abandoned world.

Mining control room

Animation

Animation

Pre-bind the bones and set the animation in blender, and then import the fbx file into the unreal engine. Insert animation by adjusting keyframes in the sequencer.

By setting global variables, the material of the object is changed at a specific time to achieve the effect of animation.

Landscape Design Carry out terrain design through the landscape function that comes with the unreal engine. At the same time, by adjusting the brush and adding specific objects on the ground, the effect of the ground being covered with garbage is efficiently created.

Tire Rotation

Mountain Road

Loading Animation Abandoned City

Character Actions

Countdown animation

Mountain of Garbage

Costume Design Use marvelous designer to design and tailor the bride’s Chinese wedding dress

04 TA Techniques

Assets Design

Build the Scene

Do some prop modeling and give these models textures.

Unpack some Chinese horror game models and apply them to the scene

Character Animation

VR Camera

Pre-bind the bones and set the animation in blender, and then import the fbx file into the unreal engine.

Adjust the camera to VR perspective and add camera shake.Make people feel more real.

Wedding room - a coffin

Guests—Paper Dolls as Burial Gifts

Software

Chinese horror combined with VR technology

This video expresses my more attempts and exploration of unreal engine, material shader and lighting model.

Type: Individual Work Instructor: Myself Year: December 2022 Video Link: https://www.youtube.com/watch?v=42_EfckFnJk&t=105s

I am not satisfied with simply using the perfect material shader made by others, but want to explore the deeper principles behind it myself. I systematically learned the principles of lighting models and material shaders from the code level. Be able to make models that better suit your needs.

Bride-Ghost