Fu,yudi portfolio 2018

FFu YYu DD D E S I G N P O R T F O L I O 2 0 1

EDUCATION 2013 - 2018

INDIANA UNIVERSITY BLOOMINGTON

Bachelor of Science of Interior Design | 2013 - 2018

fuyudi@indiana.edu

Major in Interior Design & Minor in Music Study GPA: 3.77 | MAJOR GPA: 3.93

+1 812 361 4869 05/2016

Blo omington, IN 47401

OVERSEAS STUDY PROGRAM

Interior Design Summer Program | Barcelona, Spain | Summer 2016 Courses through IUB with IAAC. Studied intensive furniture design course and survey of the Art, Architecture and Design, explored design through the filter of Barcelona.

EXPERIENCE 09/2017 - 05/2018

INTERIOR DESIGN INTERNSHIP

RPS Interior Office| Bloomington, IN Assisted the designers in completing projects; Helped with FF&E selection; Worked with reps; Coordinated installations; Surveyed sites and took field measurements; Organized the material library.

SKILLS

01/2017 - 05/2018

Second-year Design Studio & 3D Modeling Software | SOAD, IUB

Digital Adobe CS6 InDesign Adobe CS6 Illustrator Adobe CS6 Photoshop

Tutored and helped students with their design issues as well as understanding of AutoCAD,

Revit Architecture and Rhinoceros 5; Critiqued students’ assignments and design projects.

04/2017 - 07/2017

Translated articles from the ArchDaily website, minimum of 1000 words per week.

Finished articles were published in ArchDaily China website.

06/2016 - 08/2016

ARCHITECTURE INTERNSHIP

United Create Architects | Chongqing, China Worked closely with other designers, researched and did pre-design for an urban design competition in Chongqing, China which earned the second prize. Produced digital renderings through Lumion software.

Rendering Autodesk Showcase Autodesk SketchBook Lumion

ARCHDAILY CHINA INTERNSHIP

ArchDaily China | China (remote)

Modeling AutoCAD 2017 Revit 2017 Rhinoceros 5 Grasshopper SketchUp

UNDERGRADUATE TEACHING ASSISTANT

05/2015 - 02/2016

ASSISTANT DESIGNER

With Designer Jiangmei Wu | Bloomington, IN Assisted with digital fabrication, paper lighting design and “Ruga Interior Skin” installation

Office Microsoft Office Suite Hand Drawing/Rendering Physical Modeling

YUDI FU RESUME

AWARDS

Languages Chinese English

04/2017

SCHOLARSHIP

La Verda Graham ROOD Scholarship & Ruth Mary GRISWOLD Scholarship for Interior Design Department (outstanding academic achievement)

2016 - 2017

HONOR SOCIETY

Department of Apparel Merchandising and Interior Design Honor Society

01

The Wave

02

The Commons

03

Woolery Mill

04

Secret Society

05

House for Ceramist

06

Mercat del Born

- Workplace Renovation (On-going) - Brad’s Building Renovation

- Factory Restoration

- Historic Building Preservation

- Residential + Workshop + Garden

- Monument Design

07 The Dialogue

- Biological Adaptations in Public Art

08 D3 Lamp

09

- Product Design

Design Thinking

- Issue to Solution

10 Documentation

11

Related Skills

CONTENTS

- Construction Documentation Set

- Graphic Design - Hand Renderings

Year: Spring 2018 Location: Bloomington, Indiana Tutor: Lucas Brown Scope: Group Skill Set: Rhinoceros, Revit

Adobe Photoshop

Client: IUB, Kelley School of Business Project: Renovation of Hodge Hall 7th Floor Office Location: Hodge Hall,

1309 East 10th St, Bloomington, IN

The Wave is a workplace interior design project for faculties at the Kelley School of Business. The design intends to create a collaborative space that is comfortable, conversational, fun and efficient. The space serves three types of use which maximize opportunities of interacting with colleagues.

The Wave

In this design, I developed the contour model through Rhino and used this idea to form spaces and to lead circulation; besides, I generated diagrams and solar stud. Other team members dedicated on furniture and finishing selections, furniture layout, tonal study and hand rendering.

Rhino Model: Yudi Fu Hand Rendering: Jonathon Hill Furniture Selection: Jordan Weiss Furniture Layout: Shaylee Stigleman

The Wave 1/5

3/25/2018 11:20

1/8" =

Project number Project Number Date Issue Date Drawn by Author Checked by Checker Scale

A10

SHOWCASE

Project Name

WORK TIME

Upon entering space, the curvature of the first wall draws the user into the space by creating curiosity.

Limited sightlines encourage movement through the entry to experience additional spaces within.

HIDDEN PERSPECTIVE

www.autodesk.com/revit

Owner

BREAKAWAY

Unnamed

Yudi Fu Portfolio 2018

Lower ceilings lead the circulation path through the space; Some areas provide more focused and private spaces for the individual

DROPS

Higher ceiling indicates a main area within the space.

It encourages gathering for larger groups and collaboration with comfort and in casual settings.

WAVES UP The Wave 2/5

Yudi Fu Portfolio 2018

SUN LIGHT IN THE SPACE TONAL STUDY

SPRING/FALL (MARCH/SEPT.)

SUMMER (JUNE)

WINTER (DECEMBER)

9 AM

12 PM

SHADOWS

LIGHTS

Diagrams on the left represent how sun light effect the space differently in four seasons. It shows the amount of sunlight shines into the space in the morning, at noon, and in the afternoon.

3 PM

The tonal study above showed the range of light and shadow in the space all year round, which lead our decisions for the spatial planning.

The Wave 3/5

Yudi Fu Portfolio 2018

1

2

3D VIEW NORTHEAST

SECTION 1

SECTION 2

3D VIEW SOUTHWEST The Wave 4/5

Yudi Fu Portfolio 2018

SHOWCASE CONFERENCE ROOM The Wave 5/5

Year: Fall 2017 Location: Columbus, IN Tutor: Louis Joyner Scope: Individual Skill Set: Rhino, Revit,

Photoshop, InDesign

Client: The Arts Council in Columbus Project: Renovation of the Brad’s Building Location: the Washington street. and 6th street

in downtown Columbus, Indiana The Commons helped the Arts Council in Columbus, IN to renovate its Brad’s Building, with its financial dilemma and losing connection with locals. The intent of this project aimed to create a “new community” in the building for adults and for arts to thrive with people. The Commons introduced various functions to this place, including a gym, a grand gallery, a café/bar, a 24-hour convenience store and an Airbnb.

This multi-function space brought convenience living and working in downtown, accentuated the art and design culture of Columbus, closely interacted with the vivid downtown atmosphere, and created a space that reveals the cultural diversity of Columbus, though inclusiveness of the local community.

T he

C ommons

The Commons is a place for people to gather around, to entertain, to interact with the building and other people, in an artistic atmosphere.

WEST FAÇADE

(REAR STREET) The Commons

1/4

SITE CONDITION

SITE ISSUE

- an active and vivid downtown

- the inconvenience of downtown, far from groceries, gyms

- full of arts, design and architecture

- missing a space for adults to gather after work

- the importance of Washington st. and 4th st.

- weather effects interactions with outdoor installations - lack of places for hosting travelers or visiting artists

with the most activities and designs

SPATIAL PLANNING

Basement Fusion of Gym and Gallery

SITE ANALYSIS Exhibit Columbus

Gym

mon Com e Zon

our 24-h e r Sto

e Caf

First Floor Grocery, Cafe Entrance on both sides

Public Arts

Brad's Building Business Zone

r

/ Ba

nb

Airb

Restaurants

Architecture

RESULT

- gym / 24-hour convenient store

- enhance the convenience of downtown

- a combination of a gym and an grand indoor gallery

- infuse arts and designs in people’s daily activity

- Airbnb provides a communual space for travelers

- improve interactions among locals and travelers

- circulation guides people to interact with the building 08

Grand Atrium with “Floating Island”

nd Gra llery Ga

SOLUTION Must see Arts

Second Floor AirBnb with Atrium

with arts and within each other

Activity Intensity The Commons

2/4

DN

DN

AIRBNB

Original model

Pushed back the main entrance

Zigzag shaped skylight

Extended the rear side

Shape kept on all floors

OPEN

2ND FLOOR 1

Second floor 1" = 10'-0"

DN

No.

Owner Basement:

1st floor:

Upper floors:

Gallery + Gym

Cafe + Convenient Store

Airbnb + Floating Mezzanine

www.autodesk.com/revit

Project Name

Description

Date

3. Second Floor Project number Date Drawn by Checked by

DN

Project Number Issue Date Author Checker

A 1.3 Scale 1" = 10'-0"

12/18/2017 AM 12/20/2017 12:24:55 1:56:24 PM

DOWN

DN

FLOATING MEZZANINE UP

ENTRANCE

UP

No.

Owner www.autodesk.com/revit

Description

Date

Project number Date Drawn by Checked by

Project Name DN

Front and Back Entrances

ENTRANCE

Unnamed Project Number Issue Date Author Checker

WALK A 2.2 UP CAFE

Scale 1" = 10'-0"

1:04:42 AM 12/18/2017 1:07:50

DN

STORE

CAFE &BAR

Main Interior Circulations

Seperate access for the 2nd floor OPEN UP

1ST FLOOR First floor 1" = 10'-0"

Owner www.autodesk.com/revit

Gallery Space: - Multiple approaches for installations

GYM

UP UP

No.

Description

Date

2. First Floor Project number Date Drawn by Checked by

Project Name UP UP

Performing Arts:

Project Number Issue Date Author Checker

A 1.2 Scale 1" = 10'-0"

12/20/2017 12:00:53 12/18/2017 2:21:06 PM AM

1

180o viewing angles

- Unique experience interacting with arts from

GRAND GALLERY

different angles, distance and levels

BASEMENT The Commons Basement Basement

3/4

3D SECTION

(NORTH) The Commons

4/4

Year: Fall 2016 Location: Bloomington, Indiana Tutor: Jee Yea Kim Scope: Group Skill Set: Revit, Auto CAD, Adobe Photoshop, Rhino

Woolery Crossing is a restoration project for Woolery Limestone Mill. It is a place where all old and new things fusing together, aimed to eat, shop, live and stay as one. Utilizing the “crossing” motif into elements of landscaping, materials, structure, and design will contribute to the overall feeling and atmosphere for the space.

The location of the Woolery Crossing enables the area to be a crossroads between locals and travelers. The new structure will enhance the original, embracing the history of the building and the surrounding space. All of these elements will come together to create an inclusive atmosphere for people gathering around to eat, shop, live and stay.

W oolery C rossing

In this project, residential and commercial areas were required, but the hotel part was based on our team research. I designed multiple models for the new structure which can represent the idea of “crossing”. Also, I did the space planning based on required functions; as well as generated final renders.

Woolery Mill

1/4

Yudi Fu Portfolio 2018

HOTELS Hotels/Inns

5. Most hotels are located in the northern city near the highway or consentrated in downtown.

However, no hotels or inns are close to the south side of town. The nearest hotel is 3 miles away from the southern highway entrance.

Thus, our team decided to make the third type of use as a hotel.

ORIG

I NA L

NE W C RO S S

S I TE

OLD

4. Many restaurants and cafes or

FACILITIES Mall

groceries are far away from Woolery Mill (south of Bloomington), gathered in the downtown or around the campus.

C RO S S

Cafe/Restaurants

LEADS

C I RC U L

AT I O N

C U T S FO R ENTR ANCE

3. Bloomington is a diverse

LOCALS

community with many neighborhoods scattered in the city.

Residential Areas

2. Total population in Bloomington

AREAS

reached 80,405, as of 2010 census. 44.5% were between the ages of 18 and 24, 23% were from 25 to 44 (target age as young professionals).

DE D U C

T VO L U M

E

NE W EN T RA N C

E

Schools Downtown Highway

1. Location:

2910 W Tapp Rd Bloomington IN, 47403

SITE ANALYSIS Bloomington, IN

Woolery Mill is located on the second entrance of I-69 States Highway

Woolery Mill

Woolery Mill

2/4

Yudi Fu Portfolio 2018

Original Columns & Trusses

New Columns & Trusses

3rd Floor Plan

2nd Floor Plan

1st Floor Plan

Crossing

Residential

Hotel

Commercial

Woolery Mill

3/4

Yudi Fu Portfolio 2018

RECLAIMED LIMESTONE

CERAMIC TILES

3D SECTION

RUSTED STEEL

CROSSING

EXPOSED BRICK BAMBOO

WATER

CROSSED BAMBOO FABRIC

UPPER FLOOR SKYLIGHT Woolery Mill

4/4

Year: Spring 2016 Location: Edinburgh, Indiana Tutor: Louis Joyner, Kennon Smith Scope: Individual Skill Set: Revit, Auto CAD, Adobe Photoshop

This project deals with the building as a Historic Preservation project, in that the important “character defining” elements of the building are to be preserved; however, other elements is allowed to get altered with care, and other things can be removed entirely.

The project contains two parts, the first half focuses on the “secret club” idea, as the use of the original building.

The new look meant to be a music industry company which dedicating itself on local music business and live venue. The second part is to design a commercial restaurant on the top floor of this building, with a rooftop dining;

S ecret S ociety

Secret Society 1/4

Yudi Fu Portfolio 2018 www.autodesk.com/revit

Consultant Address Address Phone Fax e-mail

ELEVATOR

BAR

DN

PRIVATE DINING

Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail Consultant Address Address Phone Fax e-mail

SKYLIGHT

Consultant Address Address Phone Fax e-mail

PUBLIC DINING DN

PUBLIC DINING No.

Description

Date

SKYLIGHT DN DOWN

DOWN

ROOFTOP PLAN

2ND FLOOR PLAN Owner Project Name Roof Plan

Roof 2 1/4" = 1'-0"

Project Number Issue Date Author Checker

Project number Date Drawn by

HEIGHT EXTENSION

ORIGINAL MODEL

Checked by

A5 Scale

3RD FLOOR PLAN

PUBLIC vs. PRIVATE

1/4" = 1'-0"

12/22/2017 11:42:57 PM

1

1ST FLOOR PLAN

ENTRANCE + ROOFTOP

2:30 PM

6:00 PM

11:00 AM

7:00 AM

CIRCULATIONS

SOLAR STUDY + CUTAIN WALL SYSTEM

Secret Society 2/4

Yudi Fu Portfolio 2018

MUSIC INDUSTRY Ballroom with Skylight

Sunken Lounge with Open Ceiling Lounge Vertical Circulation Front Entrance

1st & 2nd FLOOR DIAGRAM

Common Space with Open Ceiling

Vertical common space Elevator & staircase

Entrance

Sunken lounge

Open ceiling

Ballroom Secret Society 3/4

Yudi Fu Portfolio 2018

RESTAURANT

Skylight to the Ballroom Vertical Circulation Sunken Area Rooftop Dining Restaurant

ROOFTOP DIAGRAM Vertical common space Elevator & staircase Roof Rooftop Dining

WATER ON BRICKS

LIGHTS & SHADOWS

GRASS

Restaurant

Skylight Secret Society 4/4

Year: Fall 2015 Location: Bloomington, Indiana Tutor: Louis Joyner, Jiangmei Wu Scope: Individual Skill Set: Revit, Auto CAD, Adobe Photoshop, Illustrator

House for Ceramist is a residential design project with a workshop and a garden. This project requires using “Organizing Systems” and “Design Principles” to understand spatial relationships, to coordinate positive spaces like spaces in use, and negative spaces such as circulation path, wall openings, etc.

House for Ceramist

The goal is to clarify different functions of spaces, though not separating each area from the whole. By using “Organizing Systems” and “Design Principles”, the site is divided into two parts for residence and work space by a zigzag circulation to the inner garden.

Two buildings are accessible through the main circulation path, and are connected on the second floor with a balcony as the transition area. The use of concrete for linear walls and curtain systems for curvilinear walls and wall openings creates contrasts for this house.

STUDIO BALCONY

House for Ceramist

1/4

Yudi Fu Portfolio 2018

SITE CONDITION

N

N 1. ORIGINAL SITE

2. CURRENT CONDITION

3. SITE RESTRICTIONS

4. CREATING SPACES

The site is located in a dense urban environment with one side connect to a street and other sides bounded by high walls and a view in southwest corner.

The garden at the southeast corner of the site is depressed 3 feet. The shape of garden is changible, but the tree must remain at the same place.

Area to be built Sunken garden

The structure needs to touch the street edge and the two side walls of the property. It must be multi-level and include some double-height space.

Separated building for different functions. Connected garden with the street. Pushed south side wall for better sunlight.

POLAR GRID SYSTEM

FIRST FLOOR

SECOND FLOOR

SITE & GARDEN

Using polar grid as orgnizing principle to guide spaces.

The grid system is spaced every 2 or 4 feet.

Residential Gallery + Studio Exterior Circulation

Breaking the Rule Gallery + Studio

Garden Water Feature

ORGANIZING PRINCIPLES

N

House for Ceramist

2/4

Yudi Fu Portfolio 2018

Gallery Garage

Gallery

Bridge

Bathroom 0’

Kiln Bathroom

Living Room Studio Parlor Room

Dining Area

Bedroom 2 Library

-3’

Kitchen

Bathroom

Balcony Bathroom

Balcony Bedroom 1

Sunken Garden

FIRST FLOOR PLAN

SECOND FLOOR PLAN

House for Ceramist

3/4

Yudi Fu Portfolio 2018

Residential

Entrance

Sunken Garden

Gallery+Studio

3D VIEW

GARDEN + POND

House for Ceramist

4/4

Year: Summer 2016 Location: Barcelona, Spain Tutor: Jon Racek Scope: Group Skill Set: Revit, Auto CAD,

Adobe Photoshop, Rhino

Location: Plaça Comercial, 12, Barcelona, Spain, 08003 This project asks students to create a landscape design for an assigned neighborhood in Barcelona, Spain. The design, without any limitation, must represent characteristics of and interact with the neighborhood.

Students need to analyze one or more issues that currently affect the local and surrounding; then try to solve the problem with the design.

M ercat D el B orne

History: Mercat del Born stands an important position on Catalonian History. In 1714, it used to be at the border of the military citadel by King Philip V’s troop, connecting with the El Born. In 18711921, it became the largest wholesale market in Barcelona. At present, the building functions as a historical site, which becomes the symbol of El Born.

Mercat del Born 1/4

Yudi Fu Portfolio 2018

THE BORN BARCELONA

Pedestrains

Vehicles

SITE ANALYSIS In front of the Mercat del Born, the plaza keeps patterns of the pavement the same as the original layout of the medieval town. The building sits on the route from the ancient Roman city, through the Passeig del Born to the El Born. Due to historical facts and the location, Mercat del Born represents the history and the memory of El Born and Catalonian city, as well as the war of the Spanish Succession.

EL BORN CC

CURRENT ISSUES The remained layout of old city on the pavement intents to link the history and to evoke people’s respect and sympathy to the history. However, the pavement is not distinguishable; and thousands of people do not notice it while walking on it.

The plaza is shared by pedestrians and vehicles together, but without a clear boundary for people and cars. The circulation becomes chaotic and dangerous during the peak time of a day. Also, without any seats, people only can sit on the ground when needed. The plaza is highly lack of function and not as monumental as it tended to be.

Dense Area

PLAZA

PASSAGE

Sparse Area

Tourist 2

Office Worker

Resident

Tourist 1

FOUR EXPERIENCECS FOR FOUR GROUPS OF PEOPLE CIRCULATION

CIRCULATION

CIRCULATION

CIRCULATION

DENSITY CHANGES

DENSITY CHANGES

DENSITY CHANGES

DENSITY CHANGES

SPEED

SPEED

SPEED

SPEED

Mercat del Born 2/4

Yudi Fu Portfolio 2018

GOAL

Parts of the ancient Roman city was remained inside of El Born CC

CREATING PATH

Accentuate the importance of this plaza.

METHODS Utilize patterns on pavements & original layouts of Roman city.

RESOLUTION 1. Value of the site Simple shapes protect existing layout, and remind people about its history and existence.

2. Mitigation for circulations Layouts created a pattern for circulation and a boundary for vehicles

After installation Main path Circulation of people Street for vehicles

3. Improvement on usage Various heights allowed people to sit (or to step) on. It increases interactions between the space and people.

SEATS & TEXTS

Original site

DIFFERENT HEIGHTS

After installation Mercat del Born 3/4

Yudi Fu Portfolio 2018

PURPOSE OF TEXTS Texts shows events and short stories of the 1714 war.

It allows travellers to know more about history of Barcelona and Catalonia.

ORDER OF TEXTS Texts would be randomly placed in different parts.

People would explore this area more that increases the circulation and the use of the space rather than the space only being a memorial.

BRONZE - Bronze brings warmth to the site.

- It allows people to interact with the design.

- It represents heaviness of the history.

- It creates patina over time, which reminds people of time and history of 1714.

Mercat del Born 4/4

Year: Spring 2018 Location: Bloomington, Indiana Tutor: Lucas Brown Scope: Individual Skill Set: Rhinoceros, Grasshopper

Adobe Photoshop, Illustrator

The Dialogue is a project focusing on Biological Adaptations in Public Art within 12’ x 4’ x 12’ dimensions.

Firstly, students researched biological forms, patterns and structures, as well as digital fabrications. Locating at IU Bloomington campus near music school and residential hall, my design intended to welcome students to interact with the space and to enjoy the lighting effect created by the sun and the model. Openings on the model highlighted certain areas on the exterior wall of music school; and the form of this design reflected with the surrounding environment.

The Dialogue

Modeling with Grasshopper, I studied the sun path diagram, how the sun would impact the lighting effect, and made changes on design in order to enhance the user experience by introducing more shading area in summer while more sunlight during the winter.

THE DIALOG WITH SUNRISE

The Dialogue 1/8

Yudi Fu Portfolio 2018

BIOLOGICAL RESEARCH

PATTERN STUDY

DIGITAL FABRICATION RESEARCH

IMG _ 5750 © Ngai On C _ WALL © MatsysDesign; Materials: papers

C _ WALL © MatsysDesign; Materials: papers

IMG _ 5762 © Ngai On

During the biological research process, the relationship between polyps and coenosarc inspired me and became my main focus on adapting this relationship to digital fabrication. Individual polyps are closed with others and connected by coenosarc, the form that shows an organic and web-like pattern.

By tracing shapes of coral and polyps, it created a pattern with irregular voids. It leads me to start researching digital fabrication methods with folding techniques which contain organic shapes and openings to create lighting effects.

From the digital fabrication research, I studied the C _ WALL

by Matsys Design. The C _ WALL used paper as material, generated cutting panels in Grasshopper. It adapted techniques by folding edges of individual pieces and attach edges together to form the shape. The voids on the design created interesting lighting effects.

The Dialogue 2/8

Yudi Fu Portfolio 2018

DESIRED VIEW

SITE CONDITION

MUSIC SCHO`OL

WELLS QUAD 1

RECITAL HALL 3RD STREET

NORTH

Satellite Image from Google Maps

Imagae 1 from Google Maps, Southeast View

DESIRED VIEW

The chosen site locates between Memorial Hall and Merrill Hall (Jacobs School of Music) by the 3rd street. It is an island surrounded by a circle drive with two trees at the north and south side and leaving a large empty space in between. It also has direct solar exposures to south east, south and west.

The site is accessible in all directions. However, people come across this island mainly from 4 sides (see SITE CONDITION) for shortcuts to other directions. My design concept intends to create a installation not only would provide lighting effect for the site, but also to welcome students from surroundings to interact with the design and enjoy this place.

Due to trees on site, another design intention is to create a form that would respond to the surrounding environment. It could enhance the visual experience of the design.

The Dialogue 3/8

Yudi Fu Portfolio 2018

ITERATION 1

ITERATION 2

Circulation Path

Model

Gathering Area

Desired Spaces

This design idea has an “S” shape, with an opening at the center part.

People can either walk through the design or stand on each side by the curved “wall”.

The second model is similar to an arch, with the south end more enclosed served as a gathering area, while the north side more open. People can walk underneath the arch for more interaction with the design.

ITERATION 3

This iteration separates the circulation and gathering area, with an opening on the long side as a “gate”. The top of the design has a distorted form, from an arch-like lower area to an overhang at the highest point. The organic form would correspond with the surrounding environment.

The Dialogue 4/8

Yudi Fu Portfolio 2018

PRELIMINARY DESIGN - ITERATIONS

Overhang for shades and shadows

Model Generation I

Hexagon Panel Grid

Triangular Panel Grid

Organic Paneling Method

MODEL DEVELOPMENT - FABRICATIONS

Added overhang to avoid rain and direct sunlight

Model Generation II

Triangular Panel Grid

Rectangular Panel Grid

Fabrication Method

The Dialogue 5/8

Yudi Fu Portfolio 2018

FINAL MODEL

Rectagular openings with offsets by different rows provide plenty of sunlight and avoid visual clusters comparing to other fabrication methods.

TOP VIEW

SIDE VIEW

FRONT VIEW

12'-0" 7'-4" 5'-6"

3'-10" 13'-0"

The Dialogue 6/8

Yudi Fu Portfolio 2018

SOLAR STUDY - SUNPATH DIAGRAM

Sunlight in WINTER

Sunlight in WINTER

Shadow in SUMMER Shadow in SUMMER

JUNE 21 1PM

JUNE 21 5PM

DEC. 21 1PM

DEC. 21 5PM

Overhanging for Gathering Area Overhanging for Path Opening

JUNE 21 & DECEMBER 21 The Dialogue 7/8

Yudi Fu Portfolio 2018 2017

FRAMING THE VIEW

VIEWING THE SKY The Dialogue 8/8 6/8

Year: Fall 2017 Location: Bloomington, Indiana Scope: Individual/Self project Skill Set: Rhino, Laser cutting,

Photoshop

This lamp design, based on the shape of Dodecahedron, was a self-motivated project.

With its radio pattern, lights created interesting effects on walls and other surfaces and provided ambient lighting for the space.

D 3 L amp

D3 Lamp

1/4

Yudi Fu Portfolio 2018

o

.6 116

HINGE DESIGN Hinge was inspired from mortise and tenon joint originally in ancient Chinese woodworking.

The small piece was cut with a 116.6o to match the angle between two pieces of Dodecahedron.

HINGE ITERATIONS Due to the difficulty of installation, hinges were improved from original to other two shapes

1

Pros: created very strong model Cons: very difficult to install due to the stable shape of Dodecahedron

2

Based on the original hinge shape, Hinge-2 made larger opening on one side, keeping a little of motise part for piece to slide in.

Pros: kept the stability of the model, improved installation process

3

With largest opening on one side, keeping a little of mortise part for piece to slide in.

Pros: very easy to install, perfect for holding objects Cons: restricted in use, only work for the bottom piece

D3 Lamp

2/4

Yudi Fu Portfolio 2018

JOINTS UPGRADE To improve the installation experience and to provide a more stable structure, two separate pieces were combined by sharing one edge. The edge was a series of dashed lines which created wider openings after laser cutting. Because the elasticity of material, it created tension for the edge, and made it possible to be folded to desired angles.

D3 Lamp

3/4

Yudi Fu Portfolio 2018

MOUNTING METHOD FRONT

MOUNTING METHOD TOP

D3 Lamp

4/4

Year: Spring 2017 Location: Bloomington, IN Tutor: Jon Racek

EMPATHIZE

Scope: Group (with business and

design students) Skill Set: Design Thinking process,

Interview, Photoshop

NE

TES T

I DEF

Client: Bloomingfoods Co-op Design Thinking: We applied “Design Thinking� as our methodology for solving issues from our client.

The goal of Design Thinking aimed to collaborate with people from various backgrounds, to UNDERSTAND ISSUES and REAL NEEDS OF CLIENTS and to provide HUMAN-CENTERED RESOLUTIONS. The process covered 5 phases: empathizing users, defining problems, generating ideas, prototyping and testing.

PE TY

T hinking

TO

D esign

We intended to help address this through a solution that would distinguish Bloomingfoods from the arising competition among other markets, for retaining current customers and attracting new ones. The resolution needed to be both practical and easy to operate.

O PR

Background: Bloomingfoods succeeded greatly as a communityowned business but has recently began to struggle.

E T A E ID

The scope of the project was to redesign one specific experience or a process at Bloomingfoods that affects most current shoppers or potential ones.

Design Thinking 1/3

Yudi Fu Portfolio 2018

01 EMPATHIZE OBSERVING Through observations in Bloomingfoods, we gained a deeper personal understanding of issues which Bloomingfoods involved.

By empathizing with customers, we synthesized two personas :

“Phil” and “Samantha”.

Infographics were used for showing our design processes. It made the information much easier to receive and to understand for clients and other people.

JOURNEY MAP Journey Map represented the time persona spent in the market, with their behavior and emotional changes during that time.

BACKGROUND OF PHIL

PHIL'S JOURNEY MAP IN BLOOMINGFOODS

BACKGROUND OF SAMANTHA

SAMANTHA'S JOURNEY MAP Design Thinking 2/5

Yudi Fu Portfolio 2018

02 DEFINE

03 IDEATE

ANALYZE OBSERVATION

BRAINSTORMING

Our team analyzed “Phil” and “Samantha”.

“HMW” – “How Might We” was a brainstorming phase in design thinking. It showed a boarder range of directions how we could improve user’s experience in Bloomingfoods.

“POV” – “Points of Views” shows our understanding of their needs from analyzing their behaviors and emotions in the market.

By comparing both personas, “Samantha” became our target.

It started with group members generating our own ideas. Then we organized them in seven categories.

1

Improve shopping experience

2

Increase basket size

3

Enhance interior layout

4

Advertise missions of market

5

Focus on local product

6

Reach out to community

7

Interaction between employees and customers

3

2

4

1

5

6

7

Design Thinking 3/5

Yudi Fu Portfolio 2018

04 PROTOTYPE 1. MISSION

2. SAMPLE BARS

Using presentation boards to tell the story behind Bloomingfoods the involvement within the community and the history of its co-op; how Bloomingfoods is different from big-name stores like Kroger; how shopping here is contributing back to the community.

Sampling featured products of the week with printed or digital information, such as ingredients, manufacturers, etc.

Design Thinking 4/5

Yudi Fu Portfolio 2018

3. PRODUCT INFO

4. PRICE JUSTIFICATION

Tablet based slideshows attached to shelving tells the story of the product located on that shelf. It communicates with customers easily and ensures their awareness toward local products.

We want to get the message out that Bloomingfoods is not that much more expensive than other grocery stores.

When it is, the color sticker justifies the difference in pricing by showing customers what their money is going towards (community, local farmers, etc)

GREEN: gives 10% back to community

Brown: gives 15% back to community

MAIN PAGE

MAP OF LOCALS

INFO PAGE

RECIPE PAGE

Purple: gives 20% back to community

Design Thinking 5/5

Year: Fall 2016 Location: Bloomington, IN Tutor: Jon Racek Scope: Individual Skill Set: Revit, Microsoft Excel

This class covers the necessary skills of architectural documentation.

The project asks students to create a set of accurate and clear architectural documentation that include drawings and specifications of an assigned building All drawing sheets were produced through Revit Architecture.

This set of contractual documentation contains basic floorplans, elevations, and sections.

Additionally, it includes foundation and framing plan, millwork specialty drawings, schedules for rooms, doors and windows, as well as stair drawings.

CONSTRUCTION DOCUMENTATION

Sheet List Sheet Number A0.1 S1.1 A1.1 A2.1 A3.1 A3.2 A4.1 A4.2 A5.1 A6.1 A7.1 A8.1 A8.2

Sheet Name Cover Foundation and Framing Plan Floor Plans Sections Interior Elevations Interior Elevations Exterior Elevations Exterior Elevations Furniture Installation Plan Stairs Millwork Door and Window Schedules Room Finish Schedule

INTERIORS GENERAL NOTES

ABBREVIATIONS

Interior dimensioning is from the inteiror wall finish to the facing wall interior wall finish

CB CL CLT CPT CT CTB DW PT RB REF ST STB WC WD

Dotted line indicates elements hidden or overhead

ceramic base center line ceiling tile carpet ceramic tile cemaric tile base dish washer paint rubber base refrigerator stone stone base wall covering wood

SYMBOLS North arrow

Wood Floor

Ceramic tile base

Construction Documentation 1/2

Yudi Fu Portfolio 2018

2 1 31' - 3"

A2.1

A2.1

5' - 8"

Roof 20' - 0"

3' - 0"

FOOTER WIDTH 3' - 0" TYP

Roof 20' - 0"

A

A

A 3

1st Floor 0' - 0"

14' - 0"

1st Floor 0' - 0"

Yudi Fu 309 S. Union St Bloomington, IN 47401 812-361-4869 fuyudi@indiana.edu

14' - 6"

2nd Floor 10' - 0"

2nd Floor 10' - 0"

9

Elevation Bathroom1 - a 1/4" = 1'-0"

10

Elevation Bathroom1 - b 1/4" = 1'-0"

11

Elevation Bathroom1 - c 1/4" = 1'-0"

Yudi Fu 309 S. Union St Bloomington, IN 47401 812-361-4869 fuyudi@indiana.edu

2 x 10 PRESSURE TREATED

6' - 0"

28' - 3 1/2"

1

31' - 3"

10' - 11" 2' - 2"

2' - 2" 5"

6' - 8"

6' - 8"

5' - 8"

7

CONCRETE FOUNDATION WALL

1st Floor 0' - 0" B.O. Foundation -2' - 8"

1

Yudi Fu 309 S. Union St Bloomington, IN 47401 812-361-4869 fuyudi@indiana.edu

C

5/8" / 1'-0"

4' - 0"

13' - 9 1/2"

A4.2

1

1

REINFORCING REBAR

11' - 3 1/2"

4' - 1 1/2"

A4.2

GROUD SLOPES AWAY FROM WALL AT 5%

1st Floor 0' - 0"

Elevation Kitchen - a 1/4" = 1'-0"

2

CONCRETE FOOTING 36" x 12"

2

A2.1

S1.1

1st Floor 0' - 0"

Elevation Kitchen - b 1/4" = 1'-0"

1

A2.1

Roof 20' - 0"

Roof 20' - 0"

A

7' - 7"

2

B.O. Foundation 1/4" = 1'-0"

1

A

Foundation Section 1" = 1'-0" 5

1st Floor 0' - 0"

6

Patio2 UP

005

UP C

A

1

2nd Floor 10' - 0"

3 A6.1

27 SF

No.

LOAD-BEARING WALL

1/2

Bathroom

10

004 9

11

42 SF

A3.1

2nd Floor 10' - 0"

Date

No.

TO LIVINGROOM

Description

Date

A

NOTE

3

00° 135.

"

DIMENSIONS ARE FROM OUTSIDE OF FOUNDATION WALL TO OUTSIDE FOUNDATION WALL

3' - 10"

10

5' - 6"

9'

Description

TO LIVINGROOM

1st Floor 0' - 0" 3

A

1st Floor 0' - 0"

Elevation Kitchen - c 1/4" = 1'-0"

4

1st Floor 0' - 0"

Elevation Kitchen - d 1/4" = 1'-0" 12

Elevation Bathroom1 - d 1/4" = 1'-0"

OPEN TO BELOW

3

3

003

Bedroom

283 SF

Kitchen

3

1/2

REF.

6

8 1 A7.1

Storage 007

5

24 SF

DW

1st Floor 0' - 0" 5

1st Floor 0' - 0"

Elevation Livingroom - a 1/4" = 1'-0"

6

5"

5' - 8"

6' - 8"

A3.2

Bathroom 7

7

1st Floor 0' - 0"

Elevation Livingroom - c 1/4" = 1'-0"

8

Elevation Livingroom - d 1/4" = 1'-0"

Date Drawn by Checked by

A3.1 1/4" = 1'-0"

Scale

1 A2.1

B

B

2

B

006 58 SF

No.

Description

A2.1

Date

A

10' - 11"

6' - 3"

5"

3' - 6"

Roof 20' - 0"

A

5"

Yudi Fu 309 S. Union St Bloomington, IN 47401 812-361-4869 fuyudi@indiana.edu

TOP RAIL RECTANGULAR 2" x 2" HANDRAILS ROUND DINAMIC 3/4" WITH 4" OFFSET FROM CENTER

12' - 4" 2

2

3

2nd Floor 10' - 0"

ALUMINUM MULLION 5" THICKNESS

2

A4.2

4" /

" 1'-0

2nd Floor 10' - 0"

BRICK SIZE 3-5/8" x 2-1/4" x 8" 3/8" MORTAR JOINT BETWEEN BRICKS

A4.2

A2.1

RECTANGULAR CONCRETE POST WITH CAP 12" x 12"

C 1

LIME STONE FINISH 8" x 16" BLOCK

1st Floor 1/4" = 1'-0"

2

1st Floor 0' - 0"

1st Floor 0' - 0"

B.O. Foundation -2' - 8"

2nd Floor 1/4" = 1'-0"

RECTANGULAR CONCRETE POST WITH CAP 12" x 12"

1

1

Yudi Fu 309 S. Union St Bloomington, IN 47401 812-361-4869 fuyudi@indiana.edu

A

CERAMIC TILE FINISHING 4" / 1'-0"

17' - 2"

1

1st Floor 0' - 0"

Elevation Livingroom - b 1/4" = 1'-0"

Roof 20' - 0"

7' - 3 1/2"

2

As indicated

1 09/21/2016 YF JR

Project number

8

A

A

A

A2.1

9

S1.1 Scale

TO INTERIOR PORCH

5

6

1 S1.1

9' - 10 1/2"

Checked by

TO BATHROOM 4

7

A3.1

"

Cabinet Below

Drawn by

TO PORCH 1

5"

5

460 SF Cabinet Above

Date

2nd Floor Framing Plan 1/4" = 1'-0"

Summer Palace Interior Elevations

A

TO KITCHEN

1 09/21/2016 YF JR

Project number

3

271 SF

OPEN TO BELOW

6

002

13' - 3"

13 '-

A

008

A

4

A4.1

4"

10 "

1

3' - 0"

A3.1

4

10"

1

A4.1

26' - 10"

7

"

1

6' - 11"

-2

Living room

6' - 0 1/2"

420 SF

UP

1 A2.1

Yudi Fu

Summer Palace Foundation and Framing Plan 11/3/2016 5:58:08 AM

A3.2

2 5'

1 A2.1

Yudi Fu 1

11/3/2016 5:58:02 AM

2x12" @16" O.C.

18' - 7 1/2"

2

11' - 0"

A2.1

26' - 10"

2

1 1 A6.1

001

10 "

A4.1

UP

UP

Patio

"

12' - 0"

-8

26' - 10"

4'

7' - 6"

ST

A2.1

13' - 4"

1

13' - 7"

90.00°

4

13' - 5 1/2"

5"

12

B.O. Foundation -2' - 8"

LIME STONE FINISH 8" x 16" BLOCK

North 1/4" = 1'-0"

East 1/4" = 1'-0" 1 A2.1

B

2 A2.1

No.

Yudi Fu Summer Palace Floor Plans

DIMENSION IS FROM INTERIOR WALL TO INTERIOR WALL OR FROM INTERIOR WALL TO CENTER OF DOORS AND WINDOWS

B

B

Date

No.

A

Checked by

A1.1 1/4" = 1'-0"

Scale

A WALL SWEEP CORNICE BRICK SOLDIER COURSE

2nd Floor 10' - 0"

2nd Floor 10' - 0" GUTTER 5"X5" WHITE ALUMINUM 7 ALUMINUM MULLION 5" THICKNESS

Yudi Fu

1st Floor 0' - 0" 1 09/21/2016 YF JR

Project number Date Drawn by Checked by

A4.1

West 1/4" = 1'-0"

2

Summer Palace Exterior Elevations

B.O. Foundation -2' - 8"

ALUMINUM PIPE RAILING 3' HEIGHT

Yudi Fu

Summer Palace Exterior Elevations

1st Floor 0' - 0"

CONCRETE STAIR 3/4" NOSING 7" HEIGHT 1' TREAD DEPTH 3' TREAD WIDE BASE OFFSET -9"

A

A

1/4" = 1'-0"

Scale

1 09/21/2016 YF JR

Project number

B.O. Foundation -2' - 8" 11/3/2016 5:58:04 AM

Drawn by

11/3/2016 5:57:59 AM

Date

Date

A

A

1 09/21/2016 YF JR

Project number

Description

Roof 20' - 0"

Date Drawn by Checked by

A4.2 2

South 1/4" = 1'-0"

1/4" = 1'-0"

Scale

1"

10 1/2"

11/3/2016 5:58:06 AM

NOTE

Description

Roof 20' - 0"

1"

1"

1/2"

CH-02 CH-02

CH-02 DT-02

www.autodesk.com/revit CH-02

4

CH-01

A7.1

CH-01

WALL CABINET WHITE OAK SATIN VARNISH OVER 3/4" MDF

7' - 10"

2' - 0"

SF-02

REF.

GWB CEILING

Consultant Address Address Address Phone

4" HIGH BACKSPLASH

2

Level 1 - Furniture 1/4" = 1'-0"

1

1"

1 1/2"

CABINET DOORS WHITE OAK SATIN VARNISH OVER 3/4" MDF

3"

1

Kitchen 1/2" = 1'-0"

4

Cabinet section 1" = 1'-0"

Furniture Schedule Level

Count

Manufactur er

2nd Floor 10' - 0"

Model

5/8" GWB ON 3 5/8" MTL STUD

8" ROOF RAFTER ASPHALT SHINGLE INSULATED

TO BATHROOM

TO PORCH

LIVING ROOM

3 1/2" FIBERGLASS INSULATION

Type Image

Bernhardt Interiors

369-H09/F0 http://www.b 9/R09 ernhardt.co m/product/ar agon/beds/m etal-wrapped -bed

Width: 80 ½" Depth: 86" Height: 68"

Hand carved Mango wood headboard and footboard wrapped in German Silver Back of headboard is painted black Nail pattern on side rails Three slat support system with adjustable center supports Note: Headboard cannot be used alone Must be ordered with footboard and side rails

CH-01

Knoll_Studio_Gehry_Cross_Check_Chair: Knoll_Studio_Gehry_Cross_Check_Chair

1st Floor

4

Knoll, Inc.

Cross Check™ Chair

http://www.k noll.com/pro duct/cross-c heck-chair% 3Fsection=D esign

Width: 28 ½" Depth: 24 ⅞" Height: 33 ⅝" Seat Height: 18 ⅛" Arm Height: 28 ¾"

Constructed of hard white maple veneer strips, laminated 6 to 9 thick with high-bonding urea glue Thermo-set assembly glue provides structural rigidity without the need for metal connectors Chair back flexes for added comfort To maximize tension compression, limited assembly glue is used in woven seat: weaves flex in unison for spring-like comfort 1” thick high resiliency foam, fish-shaped seat cushion Available in a range of KnollTextiles and Spinneybeck® leathers Clear plastic glides with matte frost finish included The underside of each piece is embossed with the Knoll logo and Frank Gehry’s signature

CH-02

Knoll_Studio_Richard_Schultz_1966_Dining_Cha 1st Floor ir_with_Arms: Knoll_Studio_Richard_Schultz_1966_Dining_Cha ir_with_Arms

6

Knoll, Inc.

Type Catalog

http://www.k noll.com/pro duct/1966-lo unge-chair

Width: 26" Depth: 28 ¼" Height: 26" Seat Height: 14" Arm Height: 20 ½"

Seat and back are woven vinyl coated polyester mesh Straps are solid pure vinyl with no fillers and sewn onto the mesh seat and back with teflon thread Frame is welded cast and extruded aluminum finished in weather resistant polyester powder coat Stainless steel supports and connectors Glides included GREENGUARD Indoor Air Quality Certified®

CT-01

Knoll_Studio_Lovegrove_Table_Desks_Tri-Oval: 1st Floor Knoll_Studio_Lovegrove_Table_Desks_Tri-Oval

1

Knoll, Inc.

RL11

http://www.k noll.com/pro duct/lovegro ve-tri-oval-ta ble

Width: 54 1/2" Depth: 35" Height: 17"

Base is 1 ¾” diameter steel tube with powder-coat finish and machined aluminum connections. Bases ship flat and must be assembledBase available in four finish optionsAdjustable clear nylon glides includedTabletop available in five glass options Tempered Starphire glass top has low iron content and gives the glass a crystal quality.

Features a 1/8” bevelTempered bronze glass is ½”thick with beveled and polished edgeTempered glass with acid etched top surface and a painted underside Top is clear 3/8" tempered glass with bevel on underside Base constructed of vertical steel rods welded to circular horizontal and edge-framing rods Nickel finish is plated and polished Metallic bronze finish is a paint Clear plastic extrusion ring on bottom of the base for a smooth bottom surface GREENGUARD Indoor Air Quality Certified®

4 1" AIR SPACE

DT-01

Knoll_Studio_Platner_Tables_Dining: Knoll_Studio_Platner_Tables_Dining

1st Floor

1

Knoll, Inc.

Platner Dining Table

http://www.k noll.com/pro duct/platnerdining-table

Width: 53 3/4" Height: 27"

DT-02

Steelcase Coalesse - Enea - Table - Single Base: 1st Floor Conference - 60'' Dia - Wood

1

Steelcase

H35-T6030 http://www.c W oalesse.com /

Diameter: 60" Height: 30"

Knoll_Studio_Pfister_Sofa_System: Knoll_Studio_Pfister_Sofa

1

Pfister Sofa http://www.k noll.com/pro duct/pfister-s ofa

Width: 87" Depth: 33" Height: 26" Seat Height: 16" Arm Height: 24"

4" BRICK VENEER

1st Floor 0' - 0"

NOTE: Specify for contractor to submit a recycling plan to reduce, recycle or reuse waste from shipping and installing of the furniture.

Note furniture materials and upholstery fabrics must be treated for fire-retardant.

Call out for installer or contractor to field verify existing dimesion of the space/structure against those shown on the installation plan and to verify these with the designer before furniture installation.

Note special features, clearances, alignments.

Add notes about issues the installer should be alerted to when placing the furniture and areas that need to be protected during process.

Call for submission of shop drawings.

Note and specify if fabric upholstery selections are per manufacturer or "customer's own material".

Note contractor to be responsible for unpacking and installing furniture at the designated locations.

Note contractor is responsible for schedule and coordination with all building trades and movers.

Note to touch up any scratches or nicks on furniture during installation.

Call for furniture contractor to produce a punch list identifying damaged or missing products and a schedule for punch list completion.

B.O. Foundation -2' - 8"

17' - 2"

Description

1

1/2" OSB SHEATHING ALUMINUM MULLION 5" THICKNESS

Dimensions

2nd Floor

1/2" GYP. BRD.

C

URL

Aragon Metal Wrapped Bed - Bernhardt: Aragon Metal Wrapped Bed

SF-01

SF-02

1st Floor

Knoll_Studio_Pfister_Sofa_System: Knoll_Studio_Pfister_Sofa_Lounge_Chair

1st Floor

1

Knoll, Inc.

Knoll, Inc.

Pfister Lounge Chair

http://www.k noll.com/pro duct/pfister-l ounge-chair

Width: 33 ½" Depth: 33" Height: 26" Seat Height: 16" Arm Height: 24"

No.

Description

Date

3' - 0"

WALL CORNER CABINET WHITE OAK SATIN VARNISH GLASS DOOR PANELS

2' - 0"

Description

Date

WALL CABINET WHITE OAK SATIN VARNISH GLASS DOOR PANELS

A 1 1/2" THICK 24" DEEP POLISHED MARBLE COUNTERTOP W./ 4" HIGH BACKSPLASH

WALL CABINET WHITE OAK SATIN VARNISH GLASS DOOR PANELS STOVE TOP 1 1/2" POLISHED MARBLE COUNTERTOP

FRIDGE

SINK BASE CABINET WHITE OAK, SATIN VARNISH

OVEN

2

1 09/21/2016 YF JR

Drawn By Checked By

A5.1

Grand total: 16

Scale

1st Floor 0' - 0" SINK CABINET WHITE OAK SATIN VARNISH

WALL BASE

Yudi Fu

DRAWER BASE CABINET WHITE OAK, SATIN VARNISH

Furniture Installation Plan Date

DISH WASHER

BASE CORNER CABINET WHITE OAK, SATIN VARNISH

BASE CORNER CABINET WHITE OAK SATIN VARNISH

Seat and back cushions are fully upholstered. Double needled topstitching on leather upholstery and on thin solid textiles. Single needled topstitching on heavily ribbed fabrics and multicolor prints. No sag spring deck covered in black cotton textile Cushions are foam core with polyester fiber wrap for a tight and tailored aesthetic Frame is constructed in sections with a combination plywood/hardwood seat and back Adjustable nylon glides included GREENGUARD Indoor Air Quality Certified®

Project Number

FRIDGE

1st Floor 0' - 0"

Yudi Fu Summer Palace

North Section 1/4" = 1'-0"

3' - 0"

WALL CORNER CABINET WHITE OAK SATIN VARNISH GLASS DOOR PANELS

Solid wood tops on single and dual bases Disc base in in black gloss, white gloss, and silver metallic powder coat 70.5% Recyclable / 26.5% Recycled Content

Seat and back cushions are fully upholstered. Double needled topstitching on leather upholstery and on thin solid textiles. Single needled topstitching on heavily ribbed fabrics and multicolor prints. No sag spring deck covered in black cotton textile Cushions are foam core with polyester fiber wrap for a tight and tailored aesthetic Frame is constructed in sections with a combination plywood/hardwood seat and back Adjustable nylon glides included GREENGUARD Indoor Air Quality Certified®

No. 4 A7.1

1/4" = 1'-0"

A 1/2" = 1'-0"

3

Summer Palace Millwork

B 1/2" = 1'-0"

1 09/21/2016 YF JR

Project number Date Drawn by Checked by

A7.1 As indicated

Scale

11/3/2016 5:58:08 AM

Family and Type

BD-01

11/3/2016 5:58:06 AM

Type Mark

4

2nd Floor 10' - 0" 1 A2.1 B

Door Schedule Mark

26' - 10"

No. 4' - 0"

8"

19' - 5 1/2"

7' - 4"

Description

Date

9 1/2"

Family

Width

Height

1 3 4 5 6 7

Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Double-Glass 2

3' - 0" 3' - 0" 2' - 6" 2' - 6" 2' - 6" 5' - 8"

7' - 0" 7' - 0" 6' - 8" 6' - 8" 6' - 8" 7' - 0"

9

Door-Opening

8' - 0"

10' - 0"

Rough Height

Thickness 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2"

Rough Width

7' - 2 1/2" 7' - 2 1/2" 6' - 10 1/2" 6' - 10 1/2" 6' - 10 1/2" 7' - 2 1/2"

3' - 2" 3' - 2" 2' - 8" 2' - 8" 2' - 8" 5' - 10"

8' - 0"

10' - 0"

Family and Type

Door Material

Single-Flush: 36" x 84" Single-Flush: 36" x 84" Single-Flush: 30" x 80" Single-Flush: 30" x 80" Single-Flush: 30" x 80" Double-Glass 2: 68" x 84" Door-Opening: 120" x 96"

Wood - Andersen - Pine Wood - Andersen - Pine Wood - Andersen - Pine Wood - Andersen - Pine Wood - Andersen - Pine Glass

Roof 20' - 0"

Frame Material Wood - Andersen - Pine Wood - Andersen - Pine Wood - Andersen - Pine Wood - Andersen - Pine Wood - Andersen - Pine Aluminum

Head Height 7' - 0" 7' - 0" 6' - 8" 6' - 8" 6' - 8" 7' - 0"

Manufacturer Andersen Andersen Andersen Andersen Andersen Andersen

Model 502 502 502 502 502 247

Level 1st Floor 2nd Floor 1st Floor 2nd Floor 2nd Floor 1st Floor

10' - 0"

1st Floor Room Schedule

Yudi Fu 309 S. Union St Bloomington, IN 47401 812-361-4869 fuyudi@indiana.edu

1' - 0 1/2"

Number 001 002 003 004 005 006 007 008

1' - 6 1/2"

ALUMINUM

GLASS

10"

SINGLE FLUSH 2nd Floor 10' - 0"

RAILING GLASS PANEL

SINGLE FLUSH

FLOOR SCHEDULE CPT MANUF: INTERFACE NAME: RAFFIA LOOM COLOR: LIGHT BROWN TYPE: SOLUTION DYE CONSTRUCTION: TUFTED SHEARED ITEM ID: 105365

DOUBLE-GLASS 2

Door Legend 1/2" = 1'-0"

CT - 1 MANUF: MSI NAME: ISLA COLOR: BEIDGE TYPE: GLAZED FINISH: MATTE SIZE: 16" x 16" ITEM ID: NHDISLBEI1616 Window Schedule

GLASS

Type Mark

8"

A

Yudi Fu

3/4" PLYWOOD SHEATHING

2' PAD

-1' WALL BASE OFFSET 1 S1.1

1st Floor 0' - 0"

-12" WALL BASE OFFSET

1st Floor 0' - 0"

Summer Palace Sections

2 x 10 BASE PLATE

B.O. Foundation -2' - 8"

1 09/21/2016 YF JR

Project number Date Drawn by

3

West Section - Callout 1 3/4" = 1'-0"

Checked by

A2.1 Scale

As indicated

Height

Thickness

Rough Height

Rough Width

Window-Casement-Marvin-Wood_Ultimate

3' - 0"

4' - 0"

0' - 2"

4' - 0 1/2"

3' - 1"

A

Window-Casement-Marvin-Wood_Ultimate

3' - 0"

4' - 0"

0' - 2"

4' - 0 1/2"

3' - 1"

Window-Casement-Marvin-Wood_Ultimate

3' - 0"

4' - 0"

0' - 2"

4' - 0 1/2"

3' - 1"

A

Window-Casement-Marvin-Wood_Ultimate

3' - 0"

4' - 0"

0' - 2"

4' - 0 1/2"

3' - 1"

A

Window-Casement-Marvin-Wood_Ultimate

3' - 0" 3' - 0"

4' - 0 1/2"

3' - 1"

3' - 10 1/2"

0' - 2"

3' - 10"

2' - 6"

3' - 10 1/2"

0' - 2"

3' - 10"

2' - 6"

Skylight

3' - 11"

0' - 2"

3' - 11 1/2"

3' - 1"

Clad Ultimate Push Out Casement

4' - 0"

0' - 2"

4' - 0 1/2"

3' - 1"

4' - 0"

0' - 2"

4' - 0 1/2"

3' - 1"

A

Window-Casement-Marvin-Wood_Ultimate

3' - 0"

4' - 0"

0' - 2"

4' - 0 1/2"

3' - 1"

Window-Casement-Marvin-Wood_Ultimate

3' - 0"

4' - 0"

B

Window-skylight-VELUX_VS-deck_mounted-man 2' - 6 1/2" ual-venting Window-skylight-VELUX_VS-deck_mounted-man 2' - 6 1/2" ual-venting Window-Casement-Marvin-Push_Out-Clad_Ultim 3' - 0" ate

C

Window-Casement-Marvin-Wood_Ultimate

Window Type Wood Ultimate Casement Wood Ultimate Casement Wood Ultimate Casement Wood Ultimate Casement Wood Ultimate Casement Wood Ultimate Casement Wood Ultimate Casement Wood Ultimate Casement Skylight

A

B

24" PAD

Width

A

A

Frame Wood-Marvin-Pine

Glass Type IG Low E II with Argon

Head Height 7' - 4"

Glazing

Type

Manufacturer

Glass-Marvin-IG Low E II with Argon WUCA3648 Marvin Windows and Doors

Model

Level

IG Low E II with Argon

7' - 4 1/2"

Glass-Marvin-IG Low E II with Argon WUCA3648 Marvin Windows and Doors

WUCA3648 1st Floor

IG Low E II with Argon

6' - 10 1/2"

Glass-Marvin-IG Low E II with Argon WUCA3648 Marvin Windows and Doors

WUCA3648 2nd Floor

Wood-Marvin-Pine

IG Low E II with Argon

7' - 5"

Glass-Marvin-IG Low E II with Argon WUCA3648 Marvin Windows and Doors

WUCA3648 2nd Floor

Wood-Marvin-Pine

IG Low E II with Argon IG Low E II with Argon

7' - 5" 6' - 11"

Glass-Marvin-IG Low E II with Argon WUCA3648 Marvin Windows and Doors

Date

CT - 3 MANUF: MSI NAME: NAPA COLOR: BEIDGE TYPE: GLAZED FINISH: MATTE SIZE: 20" x 20" ITEM ID: NNAPBEI2020

WUCA3648 2nd Floor

Glass-Marvin-IG Low E II with Argon WUCA3648 Marvin Windows and Doors

WUCA3648 2nd Floor

Wood-Marvin-Pine

IG Low E II with Argon

6' - 11"

Glass-Marvin-IG Low E II with Argon WUCA3648 Marvin Windows and Doors

WUCA3648 2nd Floor

Wood-Marvin-Pine

IG Low E II with Argon

8' - 0"

Glass-Marvin-IG Low E II with Argon WUCA3648 Marvin Windows and Doors

WUCA3648 2nd Floor

M06 VELUX Laminated (04), Tempered (05), Impact (06) Laminated (04), Tempered (05), M06 VELUX Impact (06) Glass-Marvin-IG Low E II with Argon CUPCA364 Marvin Windows and Doors 8

VS

Roof

VS

Roof

Wood - Ponderosa Pine - Glass-VELUX-Laminated finished White Wood - Ponderosa Pine - Glass-VELUX-Laminated finished White Aluminum Clad IG Low E II with Argon 6' - 4 1/2"

Description

WUCA3648 1st Floor

Wood-Marvin-Pine Wood-Marvin-Pine

Wood-Marvin-Pine

No.

CT - 2 MANUF: ERGON NAME: METAL.IT COLOR: BLACK NICKEL NAT. TYPE: MOSAICO 5x5 FINISH: HONED SIZE: 12" x 12" ITEM ID: I3007M9R NOTE: ON FIBRE MESH BACKING

ST - 1 MANUF: MSI NAME: SILVER BLUE SLATE COLOR: GRAY TYPE: SLATE FINISH: GAUGED SIZE: 12" x 12" ITEM ID: SSLVBLU1212G VWP MANUF: ARMSTRONG NAME: ISLA COLOR: BLACKENED NATURAL/ DISTRESSED NATURAL TYPE: LAMINATE OAK FLOOR GLOSS: LOW GLOSS EDGE TYPE: MICRO EDGE ITEM ID: L3106

CUPCA364 1st Floor 8

Yudi Fu 11/3/2016 5:58:01 AM

8" CONCRETE CAST

Family

Summer Palace Door and Window Schedules 1 09/21/2016 YF JR

Project number Date Drawn by

SKYLIGHT 1/2" = 1'-0"

CASEMENT WINDOWS 1/2" = 1'-0"

CASEMENT WINDOWS PUSH OUT 1/2" = 1'-0"

Checked by

A8.1 Scale

1/2" = 1'-0"

Floor Finish Base Finish Wall Finish ST - 1 CT - 1 CT - 3 CT - 2 VWP CT - 2 C C

STB CB - 1 RB CB - 2 STB CB - 2 RB RB

ST - 2 PT WC - 1 ST - 3 ST - 2 ST - 3 WC - 2 WC - 2

Ceiling Finish

PT CLT PT PT WT WT

Yudi Fu 309 S. Union St Bloomington, IN 47401 812-361-4869 fuyudi@indiana.edu

Ceiling Height

19' - 0" 9' - 0" 9' - 0" 0' - 0" 9' - 0" 9' - 0" 9' - 0"

CEILING SCHEDULE

WALL FINISH SCHEDULE

BASE FINISH SCHEDULE

CLT

PT

CB - 1MANUF: JOHNSONITE NAME: MASQUERADE CONTOURED WALL BASE COLOR:TAN CERAMIC TYPE: STRAIGHT PIECE HEIGHT: 4" THICKNESS: 1/8" ITEM ID: DC2

MANUF: ARMSTRONG NAME: PINEHURST CEILING TYPE: CEILING TILE COLOR: WHITE MATERIAL: MINERAL FIBER SOLUTION: DRYWALL AND PLASTER REPAIR EDGE: BEVELED TONGUE & GROOVE FINISH: MATTE DIMENSION: 12" x 12" x 1/2" ITEM ID: 250

PT

MANUF: HIRSHFIELD'S PAINT MFR. NAME: COLORMAX PREMIUM INTERIOR GGSHELL TYPE: MATT ACRYLIC LATEX ITEM ID: 299610

WT

MANUF: ARMSTRONG NAME: WOODHAVEN CEILING TYPE: CEILING PLANKS COLOR: BAMBOO MATERIAL: MEDIUM DENSITY FIBERBOARD SOLUTION: DRYWALL AND PLASTER REPAIR EDGE: BEVELED TONGUE & GROOVE FINISH: MATTE DIMENSION: 5" x 84" x 3/8" ITEM ID: 1271

MANUF: HIRSHFIELD'S PAINT MFR. NAME: COLORMAX PREMIUM INTERIOR EGGSHELL TYPE: MATT ACRYLIC LATEX ITEM ID: 299610

ST - 2 MANUF: MSI NAME: CASA BLEND 3D MULTI FINISH COLOR: BEIDGE TYPE: TRAVERTINE FINISH: MULTI FINISH SIZE: 6" x 24" ITEM ID: LPNLTCASBLE624-3DHS ST - 3 MANUF: MSI NAME: COAL CANYON COLOR: BLACK TYPE: QUARTZITE FINISH: SPLIT FACE SIZE: 6" x 24" ITEM ID: LPNLQCOACAN624 WC - 1 MANUF: BREWSTER HOME FASHIONS NAME: WEATHERED GREY NAILHEAD PLANK CEILING TYPE: CEILING TILE MATERIAL: NON WOVEN PASTE: UNPASTED ITEM ID: FD23276 WC - 2 MANUF: A-STREET PRINTS NAME: NEPTUNE GREY FOREST WALLPAPER CEILING TYPE: CEILING TILE MATERIAL: NON WOVEN PASTE: UNPASTED ITEM ID: 2716-23861

CB - 2MANUF: JOHNSONITE NAME: WALL BASE COLOR: Z PEARL TRAVERTINE TYPE: STRAIGHT HEIGHT: 4" THICKNESS: 1/8" ITEM ID: DB2 RB

MANUF: ARMSTRONG NAME: WALL BASE COLOR: BISQUEWARE TYPE: STRAIGHT ROLL HEIGHT: 4" THICKNESS: 1/8" ITEM ID: R4703

No.

Description

Date

STB MANUF: MSI NAME: CASA BLEND 3D MULTI FINISH COLOR: BEIDGE TYPE: TRAVERTINE FINISH: MULTI FINISH SIZE: 6" x 24" ITEM ID: LPNLTCASBLE624-3DHS WC - 1 MANUF: BREWSTER HOME FASHIONS NAME: WEATHERED GREY NAILHEAD PLANK CEILING TYPE: CEILING TILE MATERIAL: NON WOVEN PASTE: UNPASTED ITEM ID: FD23276 WC - 2 MANUF: A-STREET PRINTS NAME: NEPTUNE GREY FOREST WALLPAPER CEILING TYPE: CEILING TILE MATERIAL: NON WOVEN PASTE: UNPASTED ITEM ID: 2716-23861

Yudi Fu Summer Palace Room Finish Schedule 1 09/21/2016 YF JR

Project number Date Drawn by 11/3/2016 5:58:08 AM

3/4" OAK FLOORING

4" GRANITE ROUGH

West Section 1/4" = 1'-0"

Area 420 SF 460 SF 283 SF 42 SF 27 SF 58 SF 24 SF 271 SF

NOTE 3 A2.1

38" TALL STONE WALL

2

Level 1st Floor 1st Floor 1st Floor 1st Floor 2nd Floor 2nd Floor 2nd Floor 2nd Floor

Checked by

A8.2 Scale

11/3/2016 5:58:08 AM

10' - 0"

STORAGE

3' - 0"

BEDROOM

KITCHEN 12 x 12 RECTANGULAR CONCRETE POST W/ CAP

Name Patio Kitchen Living room Bathroom Patio2 Bathroom Storage Bedroom

A

5' - 8"

1

HANDLE ALUMINUM SATIN 1"

3 1/2" SOLID BASE WHITE OAK SATIN VARNISH

Consultant Address Address Address Phone

12

1

1"

9 1/2"

3

KITCHEN

3' - 0"

Consultant Address Address Address Phone

Level 2 - Furniture 1/4" = 1'-0"

Yudi Fu 309 S. Union St Bloomington, IN 47401 812-361-4869 fuyudi@indiana.edu

1X12 WHITE ALUMINUM FLAT FASCIA

PORCH

1"

3 1/2"

1X6 WHITE ALUMINUM FLAT FASCIA

TO PORCH

2' - 9"

10"

?

GUTTER 5"X5" WHITE ALUMINUM

1 1/2" WHITE POLISHED MARBLE COUNTERTOP

2' - 0 1/2"

1' - 10 1/2"

3/4" OFFSET FROM CABINET BACK

DW

2 x 10 TOP PLATE

BEDROOM A

Consultant Address Address Address Phone

SF-01

DW

3 1/2"

Roof 20' - 0"

CT-01

Roof 20' - 0"

HANDLE ALUMINUM SATIN

1"

24" DEEP COUNTERTOP

1/2" GYP BRD CEILING

Yudi Fu 309 S. Union St Bloomington, IN 47401 812-361-4869 fuyudi@indiana.edu

CABINET DOORS DOUBLE GLASS PANEL CLEAR GLAZED OVER 1/4" MDF

2

3

1' - 2"

Consultant Address Address Address Phone

CH-01

6' - 0 1/2"

DT-01

CABINET DOORS TRIMWHITE OAK SATIN VARNISH OVER 1 1/4" MDF

A7.1

BD-01

CH-01

1"

CH-02

2' - 7"

CH-02

2' - 4 1/2"

REF.

2 A2.1

Construction Documentation 2/2

Year: 2015 - 2017 Location: Bloomington, Indiana Scope: Individual Skill Set: Digital Design,

Hand Rendering

It showcases some of my skills from outside fields: 1. Digital design poster and logo for IU All Campus Guitar Ensemble.

2. Hand renders for interior spaces.

3. Pencil drawing for lighting study.

Related S kills

Related Skills - Graphic Design

Yudi Fu Portfolio 2018

Related Skills - Hand Renderings

TEL: 812-361-4869 FUYUDI@INDIANA.EDU