Diversions 9.25.14

Diversions

THURSDAY, SEPTEMBER 25, 2014

A&E

Mark your calendar to see these fall film picks.

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A&E

Art Center Sarasota kicks off its season.

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HOME&GARDEN | HOME OF THE MONTH

BLACK TIE Women’s Council of Realtors Luncheon PAGE 8

by Robert Plunket | Contributing Writer

Courtesy of Keller Williams Realty of Manatee

A charming home in Whitfield opens a door to Sarasota’s past.

HOME&GARDEN COVER STORY CONTINUED ON PAGE 2

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YourObserver.com

THURSDAY, SEPTEMBER 25, 2014

// HOME&GARDEN : HOME OF THE MONTH

A charming home in Whitfield opens a door to Sarasota’s past.

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Antique furniture and the original 1920s chandelier fit right into the home’s dining room, currently used as a den.

by Robert Plunket | Contributing Writer he prettiest corner in town? It may well be where Holly runs into Broughton, up in the Whitfield neighborhood. There, five old Spanish houses cluster together, shaded by enormous old trees, standing pretty much as they have for the past 88 years.

And if the houses seem related, they are.

Ralph Twitchell, the founder of the Sarasota School of Architecture, designed each of them. But they are anything but the modernist style for which Twitchell later became famous. These are in the classic 1920s Spanish Revival tradition, as interpreted by a master architect.

The house at 7316 Broughton St. is the smallest and simplest, but it may be the prettiest of all. It has an unornamented, almost rustic look, rather like a farmhouse in Andalusia — or Provence, for that matter. The sunlight filtering through the tree branches lends the soft, colorful atmosphere of an impressionist painting.

The home has had only three owners in its almost 90 years. The first was a re-

markable woman named Mabel Hodge, who traded real estate, did people’s taxes, wrote plays and entertained the town’s other Mable, Mrs. John Ringling, to tea and discussions about their mutual obsession, gardening. Then came the Woodhull family, who owned the house from 1968 until 1985, when Victoria and Timothy Creighton purchased it.

The Creightons, particularly Victoria, see the home as more than a place to live. Preserving its spirit has become a hobby, an obsession, almost a way of life.

“I should have lived in the 1920s,” Victoria Creighton says, looking around at the nostalgic world she has created. *** What’s remarkable about the old Hodge house is the way the interior lives up to the promise of its vintage exterior. It has never been remodeled in the usual sense of the word, just very carefully maintained.

“I don’t want granite counter tops,” Creighton says. “I don’t want an open plan.”

When she recently hosted a Kentucky Derby party, she had to borrow a TV. Her tiny little set wasn’t big enough.

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// HOME&GARDEN

The living room fireplace retains its original Craftsman tile work and wooden mantel.

The fact that so many of the original features were there, intact and functioning gave Creighton an unprecedented opportunity to step back in time. The lighting fixtures, including classic 1920s sconces (Creighton searches for period-appropriate light bulbs) are, for the most part, what was originally installed. The ground level retains the original tile floors, a scaleddown version of Saltillo tile that has weathered and aged beautifully. The second floor has the original hardwood floors, which complement the oak paneling in the front hall and stairwell. Both bathrooms have their original tile, and the living room fireplace, with its Craftsman-style surround and wooden mantel, has survived intact.

There’s even a little shelf for a telephone on the stairway landing.

There have been some changes, of course. The green shag carpeting of the Woodhull era has been removed, along with some 1970s paneling. The windows have been replaced by new soundproof versions, courtesy of the nearby airport authority, which tore down scores of homes in the area back in the 1990s as part of an ill-advised attempt at noise control. (The noise today, by the way, is not as bad as you might think. Residents say that after a week or so you don’t really notice it.) And at

Tile in the master bath is original to the home, as are the medicine chest and wall sconces.

some time in the past a low wall was built in front of the house, making an enclosed garden that completes the picture. The butler’s pantry has been converted into a tiny family room, and a back porch is now a much-needed laundry room.

Though it is not a large house — just more than 2,000 square feet — it was originally meant to be run by servants. There are chauffer’s quarters in the detached garage. And in an ironic twist of fate, the surprisingly large maid’s room on the ground floor, complete with beautifully tiled bath and walk-in closet, could easily function today as the master bedroom.

The home would be notable on its own, but coupled with its spectacular garden it becomes a showstopper. The plot is well more than half an acre and is anchored by a grouping of giant Cuban laurels. Wandering Jew is used extensively as a groundcover, and masses of over-scaled snake plants, along with ginger and night-blooming cirrus, add drama and an authentic 1920s feeling. As you wander the grounds, enjoying the breeze from the bay just a block away, you can’t help but wonder if Mable Ringling had a hand in planning this garden. After all, according to old documents, she originally owned the land on which the house was built.

An upstairs guest room features hardwood floors and French doors leading to a balcony.

*** Creighton is putting the house on the market with a somewhat heavy heart, because it has been such an important part of her life. She has combed local secondhand stores and flea markets for furniture and art that complement it and has not been above snatching some of her best finds from the curb, left out for the trash collectors.

The guiding force in all this has been Mabel Hodge, the home’s original owner.

Over the years Creighton has collected things that belonged to Mabel, including a candlestick and a monogramed silver spoon she found out in the yard. She even has a copy of one of Mabel’s plays, entitled “The King’s Temper,” published in 1935. This memorabilia she displays in the front hall.

But the display is informal and handson. “I don’t want people to feel like this is a museum,” she says. “I want it to be what it is — a warm, friendly home.”

7316 Broughton St. is priced at $389,000.

For more information, call Bill Mallon of Keller Williams at 932-7124.

Photo by Heather Merriman

Several giant Cuban laurels provide shade for the property, one of the largest in the Whitfield neighborhood.

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YourObserver.com

THURSDAY, SEPTEMBER 25, 2014

// ARTS&ENTERTAINMENT: FILM PICKS

FALL FILM PREVIEW

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Target audiences change with the seasons. Thankfully, summer is behind us and more mature films are on the horizon. Paving the way for the Oscar nominations, the following films look as though they may be headed in the right direction.

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Rosamund Pike stars as the wife and comments, “The dread is overpowering.”

Ben Affleck portrays the husband whose identity becomes defined by massive media attention. Oct. 3

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A dark comedy starring Michael Keaton as a washed-up actor once celebrated for playing the superhero, Birdman. In an effort to resuscitate his career he embarks upon an overly zealous project to write, direct and star in a Broadway play. Go-for-the-jugular Alejandro Inarritu directs this “showbiz satire” that sports an all-star cast including Edward Norton, Emma Stone and Naomi Watts. Could it be art imitating life for former “Batman” Keaton? Hmm. Oct. 17

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A fictional World War II story directed by David Ayer, who’s obsessed with historical accuracy. Set in 1945, the commander of a Sherman tank (“Fury”) and his crew take on a deadly mission behind enemy lines.

Rumored to be an “unfiltered look at what it’s like to be a soldier.” Brad Pitt stars as the sergeant-in-charge (“Wardaddy”) while Michael Pena, Shia LaBeouf, Logan Lerman and Jon Bernthal bring up the rear (all of whom went through a week of rigorous boot camp). Oct. 17

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DIVERSIONS

THURSDAY, SEPTEMBER 25, 2014

YourObserver.com

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‘FORCE MAJEURE’ In this “unsettling psychological thriller” a married couple’s vision of one another is altered by a reaction to a perceived catastrophe. When an approaching avalanche threatens a vacationing Swedish family, the father abandons them to take cover. His act of self preservation changes the entire landscape of his familial relationships. Director Ruben Ostlund captures stunning footage of a real-life avalanche in British Colombia.

Not your traditional disaster movie. Oct. 24

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‘INTERSTELLAR’ Sometimes sci-fi action flicks can unexpectedly excel (think: “Gravity”). When director Christopher Nolan and Matthew McConaughey team up for a cinematic space odyssey, things could get incredibly spectacular. The story is set in the near future when Earth is running out of food, which requires space travel in search of solutions. A “stellar” cast that includes Jessica Chastain, Ann Hathaway, Michael Caine and Casey Affleck should guarantee huge box office appeal. Nov. 7

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‘BEFORE I GO TO SLEEP’ Nicole Kidman and Colin Firth also have some unusual marital problems in this all-isnot-what-it-seems thriller. Kidman’s character wakes up every day with no memory of her life after having been in an accident years ago. Her supposedly supportive husband and her neurologist (Mark Strong) are becoming suspect. Or is she truly unraveling?

Rowan Joffe directs and scripts this “unsettling and tension-filled film.” Oct. 31

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‘FOXCATCHER’ Steve Carell gets uncharacteristically dark as the eccentric millionaire John DuPont in this true crime story. In 1988, DuPont decides to bankroll the training of wrestling brothers Mark and Dave Shultz (Channing Tatum and Mark Ruffalo) who are destined to compete in the Seoul Olympic Games. Things get horribly out of hand in this psychological thriller based on a “sick, twisted story” of victimization.

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Comedian Jon Stewart gets dead serious in his directorial debut. In 2009, Iranian journalist Mazir Bahari made an appearance on “The Daily Show.” A satirical sketch with Jason Jones was used as evidence of treason by the Iranian government and, subsequently, Bahari was arrested, imprisoned and tortured for 118 days. Stewart documents his ordeal (after his release) and exposes the risks faced by journalists “for the crimes of bearing witness.” The excellent Gael Garcia Bernal stars. Filmed in Jordan. Nov. 7

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DIVERSIONS

THURSDAY, SEPTEMBER 25, 2014

// ARTS&ENTERTAINMENT: REVIEWS

THEATER

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Busby Berkeley musicals served as a weird fascination for the peace-andlove generation. Why? All those surreal sequences of long-legged showgirls doing exactly the same thing, maybe, or their weird mix of salacious surrealism and geewhiz innocence. They were long strange trips, and the baby boomers liked that.

Back in 1968, a sketch-comedy spoof of Berkeley musicals grew into a full-length musical. George Haimsohn and Robin Miller wrote the script and lyrics; Jim Wise composed the music. Part parody, part love letter, “Dames at Sea” opened off Broadway, and it’s sailing now in a Manatee Players production.

The plot? Do I have to tell you?

In a nod to Ruby Keeler, Ruby (Sarah Baeder) leaves Utah and arrives on Broadway with tap shoes in her suitcase and a prayer in her heart. Five minutes later, she lands a role in a major production and swoons in a sailor’s arms. Dick (Bill Shideler), the sailor in question, happens to be a composer/lyricist. These instant romantic leads get instant pals: Joan (Rachel Knowles), the brassy seenit-all chorus girl, and Lucky, the wiseguy sailor (Nick Drivas). Romance aside, the director (Jeff Sargent) is having a nervous breakdown.

The show opens tonight — and the show’s in trouble! To make more trouble, Mona Kent, the diva in charge (Kris Sethi), throws out the existing numbers and substitutes Dick’s stuff. Then the WPA decides to turn the theater into a roller rink, and bulldozers arrive. Hang on. We can stage the musical on a battleship — it’s “Dames at Sea,” right? Mona sweettalks the Captain (Sargent again) and he says yes. But Mona gets seasick, and Ruby gets to do the big number. A star is born. After the show, everybody gets married.

The material is a goof; Steve Dawson directs it without elbowing you in the ribs.

It’s a voyage on the seas of parody — and it’s all smooth sailing. He has a perfect ear for the original and gets the sounds, rhythms and mood exactly right.

Shideler plays Dick-the-songwriting sailor with impossibly boyish innocence (shades of Henry Aldritch, if you can dig the ancient radio reference). Baeder is

Courtesy

“Dames at Sea” runs through Sept. 28, at Manatee Performing Arts Center, 502 Third Ave. W., Bradenton. For more information, call 748-5875 or visit manateeplayers.com. wide-eyed, optimistic and bubblehead in the Ruby role that launched Bernadette Peters. Drivas (endlessly pretending to blow his horn) and Knowles (who seems to be chewing gum, even when she isn’t) are appropriately cocky and brassy as Dick and Ruby’s archetypal pals. Sargent is a hoot in his dual roles as put-upon director and creampuff Captain. Sethi’s hilarious bits as the diva character include a funny, flirtatious bump and grind and an unsuccessful attempt to seductively leap on a piano. (The audience howled.)

It’s a fast, fun show, with suitably zippy choreography from Pat Ross. Berkeley’s musicals were big cast productions.

“Dames at Sea” spoofs them with a tiny cast — a big part of the original gag, of course.

(There’s an inventive bit where they haul out reflective Mylar panels, which makes the six people tap dancing on stage seem like a crowd.) Scenic designer Michael Newton-Brown did a similar trick with his sets: minimal, dual-purpose stuff standing in for the films’ overblown, surreal originals.

Costume designer Becky Evans also captured the look and feel of the Berkeley’s flicks. Period garb but not spot-on realistic.

Everybody looks like they’re wearing a costume — or just walked out of a movie.

This satiric voyage is well worth taking.

You don’t have to know Berkeley’s films to enjoy it — and won’t shed a tear if you’re a big Berkeley fan. It’s gentle caricature, not a slap. The musical mockery is easy to miss. Something tells me many of the passengers in the audience did. They’re just enjoying the trip.

Somewhere, in a heaven full of elaborate cloud architecture and beautiful angels with long legs, I get the feeling Busby Berkeley is smiling.

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THURSDAY, SEPTEMBER 25, 2014

// BLACK TIE: CAMERA READY

WOMEN’S COUNCIL OF REALTORS FASHION SHOW AND LUNCHEON

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