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Black Tie — Arts + Entertainment 12.12.19

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ON THE FLIP SIDE: A+E NUTCRACKER: Sarasota Ballet brings back its twist on a classic. ON THE RUNWAY: Neuro Challenge proves a fashionable cause. 8

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THURSDAY, DECEMBER 12, 2019

Photos by Harry Sayer

Co-chairs Elaine Crouse, Ariane Dart and Kat Schuetz

Ringling College of Art and Design President Larry Thompson and Lora Wey with Donna and John Krenicki

SARASOTA ART MUSEUM

Saturday, Dec. 7, at Sarasota Art Museum Benefiting Sarasota Art Museum

GRAND OPENING GALA HARRY SAYER | BLACK TIE REPORTER

A

fter years of anticipation, the Sarasota Art Museum of Ringling College is finally ready to open its doors. Sarasota’s philanthropic

community marked the occasion the best way it knows how — with an extravagant gala held Dec. 7. The Grand

Tomeika Hunter-Koski with Greg and Tatiana Twarowski

Opening function had 500 guests and supporters assembling at the recently completed art museum for an exciting night of cheer and congratulations. The evening started with guests socializing on the first floor and taking in the art galleries on the second floor. Eventually, attendees made their way to the dining tent where they enjoyed a program that included a live auction. The night ended with an after-party at the McGuire Hall and Plaza. The museum, a division of Ringling College of Art and Design, will to open to membership holders Dec. 12 and 13 and to the general public Dec. 14.

Above: Tom and Sherry Koski with Pepi Elona and Wendy Surkis Left: David and Yara Shoemaker


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THURSDAY, DECEMBER 12, 2019

BLACK TIE & TALES

HARRY SAYER Buffalonians unite The Sarasota Orchestra’s second Masterworks Dinner of the season featured a Q&A with guest conductor and music director of the Buffalo Philharmonic Orchestra JoAnn Falletta. But the esteemed conductor wasn’t the only Buffalonian in attendance that night. When moderator Russell Gant asked who else present was from the upstate New York city, about 40% of the attendees raised their hands proudly. Given that the high temp up there that day was 36, it’s no wonder so many found their way to Sarasota.

Susan Romine

Poodle party Photos by Harry Sayer

Elisabeth Waters, Jaclyn Brunckhorst and Umbreen Khalidi-Majeed

Tidbits

Holiday cheer Here’s a particularly inspired coincidence — Elisabeth Waters, Jaclyn Brunckhorst and Umbreen Khalidi-Majeed attended the long-awaited Sarasota Art Museum’s Grand Opening Gala on Dec. 7 with colorful dresses that, when combined, lived up to the Christmas spirit. KhalidiMajeed wore a green dress with sparkles, Waters arrived in a ruffled red piece, and Brunckhorst finished the ensemble with a sleek black and white designer dress. Holiday events should have holiday color, and it was good to see these three friends rocking the Christmas look.

This year’s Wine, Women & Shoes raised a net sum of $710,000 … The Gulf Coast Community Foundation provided a $100,000 leveraged grant to the All Star Children’s Foundation to support development of therapeutic interventions for abused and neglected children.

Poodles are good. I think we all love a good poodle, but some do more than others. Take the fine folks at Florida Poodle Rescue on Dec. 7 at the Embassy Suites. Not only did their Puttin’ on the Poodle event have a number of poodles and rescue dogs, but it also had Susan Romine dressed up as a poodle herself. The board member of the Manatee Performing Arts Center brought one of her costumes to lend some authenticity to the fundraiser, which goes toward care for the rescue dogs.

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THURSDAY, DECEMBER 12, 2019

Once Upon a Time Annual Winter Gala Friday, Dec. 6, at Michael’s On East | Benefiting The Florida Center for Early Childhood

Lizabeth Fast, Stephen Winners and CEO Kathryn Shea

Valerie Parsons and Doug Holder

Paul Reubens donated autographed Pee-wee Herman memorabilia

Photos by Harry Sayer

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THURSDAY, DECEMBER 12, 2019

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Photos by Harry Sayer

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THURSDAY, DECEMBER 12, 2019

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THURSDAY, DECEMBER 12, 2019

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THURSDAY, DECEMBER 12, 2019

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THURSDAY, DECEMBER 12, 2019

Congratulations to the winners of the 24th Annual

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Photos by Harry Sayer

Visit Facebook.com/SarasotaHolidayParade for more!

Kim Wheeler, Maureen Higgins, co-host Meg Ryan and Anne Ireland

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Masterworks 2 Dinner

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DOWNTOWN ASSOCIATION

Wednesday, Dec. 4, at Michael’s On East | Benefiting Sarasota Orchestra

Above: Guest conductor JoAnn Falletta and Ann-Charlotte Ehrling Right: Audrey Robbins and Jocelyn Udell

Roberto Cordaro, Teri Hansen, co-host Jeff Sebeika, violinist Alexi Kenney and cohost Charlie Huisking

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ON THE FLIP SIDE: BLACK

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< GRAND GALA: Sarasota Museum of Art opens its doors. ORCHESTRA: Masterworks sets off to Rome. 10>

ARTS + ENTERTAINMENT THURSDAY, DECEMBER 12, 2019

YOUROBSERVER.COM

DO THIS

A Tale of Two Worlds ‘John Ringling’s Circus Nutcracker’ adds big top spectacle to Tchaikovsky’s ballet dreamscape. KLINT LOWRY A+E EDITOR

T

o some people, “The Nutcracker” is like the fruitcake of holiday entertainment — so ubiquitous as to be blasé. But just like fruitcake, when you get a really good one, you realize why it’s a tradition. In 2012, the Sarasota Ballet reimagined the Pyotr Ilyich Tchaikovsky classic with its “John Ringling’s Circus Nutcracker,” a brilliant blending of the original fantasy-filled tale with local big top lore and art deco elegance. It’s hard to say when something can be considered a tradition, but if this production isn’t there already, it’s well on its way. It will take another step in that direction when The Sarasota Ballet, teaming with the Sarasota Orchestra, presents its fifth edition of “John Ringling’s Circus Nutcracker” on Dec. 20 and 21. For those who might not be familiar with the production, it is essentially the traditional Nutcracker story, only set in 1930s New York, where a young girl and her family meet up with John and Mable Ringling and members of their circus. Later, the girl enters a fantasy world populated by the Ringlings, as well as clowns, exotic animals and circus performers. Choreographer and librettist Matthew Hart’s clever fusion, given form by designer Peter Docherty and brought to life by the performers, is a carefully crafted world. The following series of photos dives into the story of the unique ballet, while sharing some lesser known facts about its production.

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Both acts open with a giant nutcracker head doing what nutcrackers do best. As with every effect in the show, the immense teeth are raised and lowered manually, which requires perfect timing by the stage crew.

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A heartwarming romance and a misunderstood superhero story are this week's selections. YOUROBSERVER.COM

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The Nutcracker/Ringling/1930s motif is established immediately when our young heroine, Clara, and her family meet Ringling Circus trapeze stars Sugar and Prince, as well as circus king John Ringling, at Grand Central Station.

SEE THIS

CONTINUED ON PAGE 2

IF YOU GO ‘JOHN RINGLING’S CIRCUS NUTCRACKER’ When: 7:30 p.m. Dec. 20; 2 and 7:30 p.m. Dec. 21 Where: Van Wezel Performing Arts Hall, 777 N. Tamiami Trail Tickets: $30-$115 Info: Call 359-0099.

‘Hello Dolly!’

3

Photos courtesy of The Sarasota Ballet

Later, at a Christmas Eve party, John Ringling has presents for the children: a ringmaster nutcracker for Clara and a large windup mouse for her brother, Fritz, which he uses to torment his sister with great precision. The mouse is built over a remotecontrolled car, discreetly controlled by one of the clowns in the cast.

The Players Centre for Performing Arts musical is a lot a fun — and deeper than you might remember. PAGE 8


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THURSDAY, DECEMBER 12, 2019

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Once the battle is over, John Ringling’s late wife, Mable, descends on a crescent moon as the Christmas Fairy to revive the Nutcracker. In Act Two, when they fly off together, it takes five to seven stagehands to operate it.

CONTINUED FROM PAGE 1

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The inspiration for creating a Ringlingthemed “Nutcracker” was the resemblance between a nutcracker and a ringmaster. Traditionally, Drosselmeyer’s nephew is turned into the Nutcracker. For this production, making John Ringling’s nephew the Nutcracker and successor John Ringling North seemed a perfect parallel.

4

That night, the nutcracker and the mouse come to life and battle as Clara and John Ringling look on. In each performance, the cast includes 25 children from Sarasota Ballet School and Dance — The Next Generation, many of whom make up the clown and mouse armies.

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THURSDAY, DECEMBER 12, 2019

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Act One closes with Clara running off with John Ringling North to a fantasy world — or in this version, Sarasota, to join the circus. But being in 1930s New York, if you look closely, these snowflakes’ costumes and headdresses take their inspiration from The Chrysler Building and the choreography, in part, by the Radio City Rockettes.

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Nearly all of the choreography is original, the exception being Act Two’s famous pas de deux, virtually unchanged from the traditional “Nutcracker.”

8

Another easy melding of fantasy and reality occurs late in the second act, when “Waltz of the Flowers” becomes “Waltz of the Roses,” the entire scene a reference to Mable Ringling’s famous rose garden.

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In Act One, when John Ringling is handing out toys, a figure of his beloved Mable is placed at the top of the Christmas tree. In a touching finish, after John and Mable fly off on the moon, Clara wakens, wondering if it was all just a dream. Atop the tree, a figure of John has appeared at Mable’s side.

DECK THE HALLS AT CA’ D’ZAN DEC 12, 19, 26 / JAN 2, 5:00 – 8:00 PM $15 Adults / $5 Children 6+ / Includes Art After 5 Admission All decked out for the holidays, Ca’ d’Zan will be open during extended hours for you to enjoy a self-guided walk-through of the first floor. The Ringling will be closed on Christmas Day and New Year’s Day.

ringling.org

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INFORMATION + TICKETS


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THURSDAY, DECEMBER 12, 2019

THIS WEEK

chairs for this presentation on the beach by poet Greg Wrenn, playwright Sharyn Rothstein and novelist Sugi Ganeshananthan. Wrenn, an avid diver, will give a reading from his eco memoir centered around the ocean. Rothstein will read from one of her many works. Ganeshananthan will read from her novel-in-progress, “Movement,” which tracks a medic-turneddoctor during and after the Sri Lankan civil war.

FRIDAY ‘VEIL’ 10 a.m. at Unitarian Universalist Church of Sarasota Lexow Wing Gallery, 3973 Fruitville Road Free Call 371-4974.

‘A CALYP-SOUL CHRISTMAS’ 7:30 p.m. at The Players Centre for Performing Arts 838 N. Tamiami Trail $20-$25 Call 365-2494.

This collection of pieces by Jana Millstone is a thoughtful and moving exhibition of works about women’s rights that uses the veil as a metaphor for alternative vantage points. It focuses on women living under fundamentalist regimes, but the intent is to explore issues of enlightenment, tolerance and free will for all people. The exhibit will also include handmade jewelry by Gail Coppock that incorporates fused glass, alligator vertebrae, fossils and more.

Put away those sleigh bells because John Patti is switching up Christmas hits on steel. The steel pan artist combines the sounds and rhythms of the Caribbean with jazz and soul music to create unforgettable island editions of your holiday favorites.

JAZZ AT TWO: DICK HAMILTON SEXTET 2 p.m. at Unitarian Universalist Church, 3975 Fruitville Road $10-$20 Call 366-1552.

THURSDAY DECK THE HALLS AT CA’ D’ZAN 5 p.m. at The Ringling Museum, 5401 Bay Shore Road $15 Call 359-5700. Surround ourself in old-time elegance in John and Mable Ringling’s home. The mansion’s first floor will be decorated for the holidays, including a 10-foot Christmas tree, to greet visitors on this self-guided tour. LA HARDY 7 p.m., McCurdy’s Comedy Theater, 1923 Ringling Blvd. $18-$21 Call 925-3869.

‘SOUNDS OF THE SEASON’ 7:30 p.m. at Holley Hall, Beatrice Friedman Symphony Center, 709 N. Tamiami Trail From $40 Call 953-3434.

‘UNDER THE STREETLAMP: HIP TO THE HOLIDAYS’ 8 p.m. at Van Wezel Performing Arts Hall, 777 N. Tamiami Trail $22-$72 Call 953-3368.

Guest conductor Michelle Merrill will make sure there are no Scrooges in the house by the time they leave this Sarasota Orchestra concert. This Great Escapes performance features everything from Tchaikovsky’s “The Nutcracker” overture to everyone’s Christmas favorite, “How the Grinch Stole Christmas.” Runs through Sunday.

Rock to timeless songs from the 1950s through the ’70s with those rock ‘n’ roll hits that never grow old. The show ranges from the Four Seasons and Roy Orbison to the Beach Boys and The Beatles to the Eagles and Stevie Wonder. Then groove along with a mix of holiday favorites.

OUR PICK

La Hardy has traveled with and performed for the U.S. military in more than 35 countries and has appeared on “Laughs T.V.,” BET’s “Comic View” and “Guess Who” with Bernie Mac. See him in Sarasota through Sunday.

‘HELLO, DOLLY!’ This iconic romantic comedy following a turn-of-the-century socialite-turned-matchmaker took Broadway by storm. Dolly Levi tries to find love while hiding her own romantic desires.

Jazz Club of Sarasota presents the latest installment of its weekly afternoon concert series with this show featuring arrangements and compositions by composer, arranger, orchestra leader and musician Dick Hamilton, who worked for 45 years as a studio musician in Los Angeles. ‘POEM, PLAY AND NOVEL: THREE READINGS’ 4:30 p.m., Hermitage Artist Retreat, 6660 Manasota Key Road, Englewood Free; RSVP in advance Call 475-2098. It’s time to get lit, everyone. Literary, that is. Bring blankets and

IF YOU GO When: 7:30 p.m. Thursday; runs through Dec. 22. Where: The Players Centre for Performing Arts, 838 N. Tamiami Trail Tickets: $29; premium $34 Info: Call 365-2494.

‘BEAUTIFUL: THE CAROLE KING MUSICAL’ 7:30 p.m. at Van Wezel Performing Arts Hall, 777 N. Tamiami Trail $42-$117 Call 953-3368. Feel the Earth move under your feet — or is that what you call dancing? — in this musical revue that depicts the career of one of the music industry’s most prolific and successful songwriters. Runs through Sunday. ‘A CHRISTMAS CAROL’ 7:30 p.m. at Venice Theatre MainStage, 140 Tampa Ave. W., Venice $15-$25 Call 488-1115. Join Venice Theatre as it celebrates two decades of Christmases past in this 20th anniversary edition of its original musical adaptation of Dickens’ classic. Brad Wages takes the lead as Eb-

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ARTS + ENTERTAINMENT

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enezer Scrooge as he reflects on his past and present, so he might possibly redeem his future. Runs through Dec. 21.

ATOMIC HOLIDAY BAZAAR Noon at Sarasota Municipal Auditorium, 801 N. Tamiami Trail $5; children 12 and under free Call 539-9044.

“Deck the beach with boughs of palm leaves, fa la la la la la la la la” — that’s how it goes, right? Well, either way, grab your Hawaiian shirts and Panama hats because it’s time to celebrate the holidays Florida style. FST’s annual holiday tradition invites families to join the fun in this interactive production. Runs Saturdays and select Sundays through Dec. 28.

MONDAY CLASSICAL GUITARIST EVAN TAUCHER 7:30 p.m. at St. Paul Lutheran Church, 2256 Bahia Vista St. Free Call 260-3306.

DON’T MISS SON LUNA Y JÓVENES ZAPATEADORES: ‘¡VÍVELO!’ Merging different rhythms and dance styles — such as folkloric dance, contemporary, Spanish dance and Africaninspired movements — dance troupe Jóvenes Zapatedores showcases the evolution of

Son Jarocho roots to the music of Mexican ensemble Son Luna. Runs through Saturday. IF YOU GO When: 11 a.m. Thursday Where: Historic Asolo Theater, The Ringling, 5401 Bay Shore Blvd. Tickets: $10-$35 Info: Call 360-7399.

‘HANDLE WITH CARE’ 8 p.m. at Florida Studio Theatre Main Stage, 1241 N. Palm Ave. $29 Call 366-9000.

‘HAPPY HOLIDAYS’ 3 p.m. at Northminster Presbyterian Church, 3131 61st St. $5 Call 907-0935. The Pops Orchestra presents the classic Dickens story like you’ve never heard it before. This

WEDNESDAY

TUESDAY

show includes classical, Broadway, blues and gospel. A second performance will be at 7:30 p.m. Monday at the Neel Performing Arts Center in Bradenton.

SUNDAY ‘A CHRISTMAS CAROL: THE CONCERT’ 3 p.m. at Riverview Performing Arts Center, 1 Ram Way $25-$30 Call 926-7677.

This latest installment of GuitarSarasota’s mini-concert and lecture series features awardwinning classical guitarist Evan Taucher, who took up classical guitar eight years ago and has already won numerous awards and accolades.

In need of something relaxing to do on a Sunday afternoon? (No, naps don’t count.) Check out Suncoast Concert Band, a local

Ayelet, a young Israeli woman, finds herself stranded in a Virginia motel room on Christmas Eve with Terrence, a bumbling but well-intentioned delivery man who doesn’t know any Hebrew at all. Terrance calls on his friend Josh, who remembers a few Hebrew phrases from his bar mitzvah 20 years ago, to serve as interpreter. This bilingual rom-com is hilarious, tragic and heartwarming.

‘A MOTOWN CHRISTMAS’ 7:30 p.m. at Sarasota Opera House, 61 N. Pineapple Ave. $15-$75 Call 366-1505 Created, adapted and directed by Nate Jacobs, Westcoast Black Theatre Troupe’s founder and artistic director, this holiday revue blends Christmas carols and soulful songs made famous by Motown icons including Marvin Gaye, Stevie Wonder and The Jackson 5. Runs through Friday.

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performance group featuring retired professional musicians and band directors alongside engineers, teachers and performers from various other professions and all walks of life united by their love of concert music.

SATURDAY

It’s hard to define “cool,” but you know it when you see it. And with 225 vendors, you’ll see it here at this two-day explosion of “indie craft for the world’s delightful irregulars.” Come dressed to exprese your kooky side, and you’ll fit right in. Runs through Sunday.

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YourObserver.com

THURSDAY, DECEMBER 12, 2019

HOW BAZAAR Atomic Holiday Bazaar indulges our desire for something different. KLINT LOWRY A+E EDITOR

H

oliday shopping can be stressful, or it can be fun. A lot of it is a matter of attitude. When it comes to finding something for that eccentric friend or the artsy one in the family — even if that’s you — shopping’s a blast at the Atomic Holiday Bazaar. The annual bazaar, specializing in “indie craft for the world’s delightful irregulars,” will take place Saturday and Sunday at the Sarasota Municipal Auditorium. “It’s the perfect place for you to come and find affordable, unusual, handmade arts and crafts,” says Adrien Lucas, who started Atomic Holiday Bazaar in 2006, along with her friend Cemantha Crain. Since then, it has evolved from a holiday shopping novelty act into a seasonal tradition for many as Lucas and the bazaar have grown up together. “When the show first began, I had been here six years,” Lucas says. She moved from Los Angeles, where her resume included

designing costumes for rock bands. “So I was kind of an edgy rock ‘n’ roll girl.” There were already plenty of art and craft shows in town, she says, but they mostly leaned toward high-end, fine artwork — expensive stuff. “Really, there was a void for younger people as far as what we wanted to buy or what we were interested in looking at,” Lucas says. When she started Atomic, “it was with the intent of having an affordable holiday craft show for the cool kids. “My first goal was to have it edgy, have it affordable and make it inviting for people of all ages.” After 14 years, Lucas has personally experienced a wider range of “all ages,” and it’s broadened her perspective when she considers what the cool kids might like. Her criteria for vendors are simple: “I generally like things that are either nature-friendly or very witty,” she says. And bonus points if the art is on the edgy side. Most importantly, it has to be cool — admittedly an I-know-it-when-I-see-it quality. Many Sarasotans seem to see cool the same way. The Atomic Holiday Bazaar draws about 4,000visitors over two days. Apparently, Lucas tapped into a vast eccentric streak among local

Klint Lowry

Even Atomic Holiday Bazaar Founder Adrien Lucas isn’t immune to those too-cool-to-resist impulse buys.

IF YOU GO ATOMIC HOLIDAY BAZAAR When: Noon- 5 p.m. Saturday and Sunday Where: Sarasota Municipal Auditorium Tickets: Adults $5, children 12 and under free Info: Visit atomicholidaybazaar.com

gentry. Atomic Holiday Bazaar benefits these days from having been around enough that people know what to expect, and they look forward to it. Proof of that is the long lines that form at the start of each day

to snag a swag bag. Only the first 100 “adultish humans” who come through the entrance get one. Word has gotten out: These swag bags are worth the wait. “My vendors are so generous with what they give to put into those bags,” Lucas says. There are laser-cut brooches by Carey Borden, as well as other jewelry, coupons and more. Returning guests know that when they enter the auditorium, they will be greeted by Lucas’ “Welcome Wagon gals” — the Bradentucky Bombers roller derby team. They know DJ Buckroe Skillz will be playing tunes to help create an atmosphere that is what Lucas describes as being like a 1990s dance party, family edition. Past attendees come back

dressed for the party in their most creatively distinctive ensembles. With 225 vendors, the bazaar extends outside the auditorium onto Plaza De Santo Domingo for a street fair portion, into the Bay Front Room then over to Art Center Sarasota, which in recent years has joined the party by holding its Art in the Garden craft show, featuring another 60 local artists and craftspeople, concurrently with the bazaar. That event takes place from 11 a.m. to 5 p.m. Saturday, with Sunday as a rain date. The whole scene can create sensory overload, shes says, but in a good way. Like the art itself, the bazaar isn’t perfect but it’s made with love, and you don’t see that every day.

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ARTS + ENTERTAINMENT

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Photo courtesy of Marty Fugate

It’s critic Marty Fugate’s (right) turn to be scrutinized. FST’s Will Leura gets him to open up about his life to use as comedic ammunition in “Last Laugh.”

He who laughs last … ‘Last Laugh’ spins long-form improv in a new direction at Florida Studio Theatre.

MARTY FUGATE CONTRIBUTOR

F

lorida Studio Theatre has tons of improv options and is constantly making more. “Last Laugh” is its latest flavor. The format is simple: A guest relates an anecdote, ideally humorous, then the FST improv troupe uses

it as a springboard. They asked me to participate. I showed up at Bowne’s Lab for the first show Nov. 29. The case comprised Sarah Durham, Chris Friday, Will Leura, Elise Rodriguez, Kyle Shoemaker and Anna Weatherwax. My story was about an embarrassing childhood incident.

Under the delusion of launching my career as a rock star, I sang the theme to “Fireball X-L5” to my entire elementary school. I figured this would make me famous. It did, but not in a good way. Leura invited me up on stage. I told my tale and got a few laughs. The improv comedians then quizzed me as to how I became a critic. I informed them that, unlike contractors and nail technicians, there’s no license, and I didn’t have to pass a test. You become a critic by saying, “I’m a critic.” FST’s funny people took that material and ran with it. But not in the direction I thought they’d go. In an improbable audition, various actors then sang the themes to “Full House,” “Duck Tales” and other TV shows. Durham kept asking for “more jazz hands.” Weatherwax played a lousy impressionist with delusions of grandeur; Leura played the husband who humored her. (A friend told her he’d secretly dissed her Obama imitation.) The troupe imagined a hellish final exam at critic academy. Friday portrayed a hard-nosed instructor straight out of “Full Metal Jacket.” One graduate wound up in a makebelieve Sarasota that “smells like positivity,” a happy place where nobody ever complained. Applause. A tough act to follow, eh? But the next act was out of my league. First, the next guest was a pro. Greg Hollimon. I’d seen his face before. I’d seen him on TV — “Strangers with Candy” on Comedy Central in the late 1990s. So, Hollimon got up on stage and shared his anecdote. It blew my little story out of the water. Hollimon had been on a Second City tour with Amy Sedaris, Stephen Colbert and other luminar-

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THURSDAY, DECEMBER 12, 2019

7

ies. They arrived in snowy Aspen. Late at night. A no-room-at-theinn situation. In lieu of a manger, Hollimon and another comic found accommodations in a converted storage shed. It seemed OK. On closer inspection, Hollimon discovered hidden porno. Puppets vs. porno? There’s just no contest. Armed with Hollimon’s material, the FST improv troupe kicked into surreal action. Hollimon joined in. First, a series of scenes where porno pops up on all sides. The comedy quickly veered away from porno. In a scene with Hollimon, Leura played a hit man who was scared of sleeping alone. Weatherwax and Leura reprised the couple. Leura got the last word — and the last laugh. “Honey, your Obama imitation is amazing.” Where does the laughter come from? According to Leura, it’s from the stories. “We draw on three elements from each story: specific details, themes and the storyteller’s mannerisms.” The show moves so quickly that it’s easy to forget the actors are making it up as they go along. As free-form as it is, the show has structure. Characters, motivation, scene construction, tension and resolution. The performers do what writers do. They’re writing the scenes in their heads and performing them simultaneously. FST’s improv troupe isn’t content with rehashing the 1990s improv of “Whose Line is it Anyway?” They’re constantly reinventing the art form. Who gets the last laugh? “The audience,” Leura says. “Who else?”

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THURSDAY, DECEMBER 12, 2019

The Players’ ‘Hello Dolly’ lookin’ swell MARTY FUGATE

IF YOU GO

THEATER CRITIC

“H

ello, Dolly!” is making a comeback at The Players Centre. The musical won 10 Tony Awards when it burst onto Broadway in 1964, based on Thornton Wilder’s “The Matchmaker.” “Hello, Dolly!” has two converging plot lines. The main story belongs to Dolly Gallagher Levi (Alyssa Goudy), naturally. She’s a widow, a matchmaker and a fixer. Horace Vandergelder (Tony Boothby), a wealthy Yonkers businessman, hires Dolly to find him a bride. Dolly finds him one — herself, naturally. In the second story, two frustrated, young clerks (Christos Nicholoudis and Luke Manual McFatrich) are stuck in dead-end lives. (Cornelius and Barnaby both work for the penny-pinching, micromanaging Vandergelder.) Thanks to Dolly, the lads break out of their respective ruts. Director Brian H. Finnerty and Assistant Director Amanda Heisey hit it out of the park. It’s a big, splashy show. Finnerty also choreographs and pushes the potential of The Players’ small stage to the limit. His take on the “Waiters’ Gallop” is a lot of surreal fun but nerve-wracking. Goudy’s Dolly is a doll. Her character brims with joie de vivre and never comes off as manipulative. Boothby is comic without being over-the-top as the curmudgeonly Vandergelder. The musical stacks the deck against him, but he soldiers on with slow-burn comic timing. McFatrich’s Barnaby has a goofy, bubbling intelligence. Nicholoudis’ Cornelius is boiling with repressed desire — like a teenager whose puberty lasted 18 extra years. Cornelius ulti-

Warm Your Heart with Music of the Season

MICHELLE MERRILL guest conductor

GREAT ESCAPES 2

sounds of the season Holley Hall

mately finds true love with hat shop owner Irene (Alana Opie), another widow who has put her life on hold. Her assistant, Minnie (Zoe Smith), is a giggling ball of energy with a big heart and tiny footsteps. Both find love with Barnaby and Cornelius, respectively. Lily Mancini is a hoot as the perpetually weeping Ermengarde, Vandergelder’s niece. She’s in love with an artist named Ambrose (Brett Anglin), but her stern uncle has forbidden the marriage. Michael Newton-Brown’s set design is as versatile as a Swiss Army knife. Georgina Willmott and David Walker’s costumes are eye-popping and colorful. Kudos also to Michael Pasquini’s cinematic sense of lighting. Alan Jay Corey’s musical direction is excellent. Strictly speaking, his vocal direction is excellent. There’s a recording in lieu of a band. Because “Hello, Dolly!” is based on a Thornton Wilder play, it’s no surprise to find serious ideas lurking. The first big idea: Love and money are intimately connected. That’s nothing to be ashamed of — and both should be spread around. The second: No person is an island. If you drop out of life’s parade, the loss is yours.

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Meredith Jones and Blake Price. Photo by John Jones.

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Anat Cogan and Michael Zlabinger. Photo by John Jones.

Don’t miss the holiday warmth and sparkle of Sarasota Orchestra’s Great Escapes concert Sounds of the Season. Enjoy the magic, joy, and inspiration of Christmas and Hanukkah with a heart-warming mix of music, programed by conductor Michelle Merrill in her Sarasota Orchestra debut.

Tickets from $42 Youth Tickets $9 941-953-3434 SarasotaOrchestra.org

‘HELLO DOLLY!’ When: Through Dec. 22 Where: The Players Centre for Performing Arts, 838 N. Tamiami Trail Tickets: $29-$34 Info: Call 365-2494, or visit ThePlayers.org.

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THURSDAY, DECEMBER 12, 2019

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THURSDAY, DECEMBER 12, 2019

The Pops Orchestra

‘Roman Festivals’ takes audience on whirlwind Italian getaway

Rings in the Holidays with...

EDWARD ALLEY MUSIC CRITIC

J

Courtesy photo

Guest conductor JoAnn Falletta leads the Sarasota Orchestra through a vigorous “Roman Festivals” program.

to this world he has created. The same is true — and even stronger — in “Roman Festivals,” where the sound of trumpets from the rear of the theater signal the entrance of gladiators into the great Roman Coliseum, leading to the martyrdom of the Christians, processionals of pilgrims to the Vatican, ending with the great feast of Epiphany in Piazza Navona, transporting us to that great Italian city with an increasing swarm of sound. The entire concert program, a virtual paean to late Romanticism, is a series of complicated writing and orchestration, demanding the absolute best in performance from every player on the stage and presenting the conductor with an even greater task in interpretation and orchestral coordination. Under the expert direction of Falletta, the musicians of the Sarasota Orchestra virtually sailed through the program. Principal soloists in every section were outstanding, particularly principal hornist Joshua Horne, English hornist Nicholas Arbolino, associate concertmaster Christopher Takeda and others. And so it just gets better and better. What a wonderful season for the orchestra and even more so for those of us who are privileged to hear this great ensemble. Now if we only had a proper concert hall to enjoy it even more.

Sunday, Dec 15, 3pm

Monday, Dec 16, 7:30pm

Riverview Performing Arts Center

Neel Performing Arts Center

Get Your Tickets Today!

The

ops

www.thepopsorchestra.org 941-926-POPS (7677) Composed & Arranged by Bob Christianson Lyrics & Book Adaptation by Alisa Hauser

Your Community’s Orchestra

from the novella by Charles Dickens

Music you love –Musicians you know

a mo It on ly takes

m ent...

Hello, Dolly! Book by

Michael Stewart

Music and Lyrics by

Jerry Herman

Based on the play “The Matchmaker” by thornton wilder original production directed and choreographed by Gower Champion

produced for the Broadway Stage by David Merrick and champion Five, Inc.

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ust when we thought things couldn’t get any better, along comes JoAnn Falletta to galvanize the Sarasota Orchestra and its audience to new heights in a masterful, musical journey through Edward Elgar’s and Ottorini Respighi’s Italy that left everyone breathless and cheering. Falletta, the second of this season’s guest conductors, deftly handled the hugely complicated and sometimes convoluted orchestrations of the evening. She has a razor-sharp baton technique, great eye contact and wonderful empathy with her players. She had them playing at the best of their abilities while always under control and within the framework of her interpretation. Elgar’s “In the South (Alassio)” is the most atypical of his works, bursting with Italian warmth and more in the expressive lateromantic style of Richard Strauss than in Elgar’s other and more staid compositions. Contrasting sections of drama and lyric repose gave every orchestral section and principal soloist a chance to shine. Principal violist Rachel Halvorson’s solo was exquisite, as were all the solos throughout the orchestra. Violin soloist Alexi Kenney gave a romantic and elegant interpretation of Max Bruch’s Violin Concerto in G minor. With a solid technique, grand gestures and ample rubato, he provided one of the most sensitive and musical performances of this concerto that I’ve heard. His Sunday encore was a moving rendition of the Largo from Bach’s C Major Violin Sonata. After intermission we were treated to two of the kaleidoscopic works of Respighi, his “Fountains of Rome” and “Roman Festivals.” His writing combines all the best orchestral colors of Nikolai Rimsky-Korsakov (with whom he studied), Claude Debussy, Maurice Ravel, Richard Strauss, Igor Stravinsky and probably others, into what I find are the best possible examples of “paintings in sound.” The play of the waters in the fountains, the approaching of Neptune’s vast entourage and the wonderful setting of twilight and evening evoke such images that we are literally transported

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