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MY TOP PICKS
A Symphony in Pink, Bvlgari’s latest Colour Journey creation celebrates tourmaline in all its brilliance. Seven rubellites cascade from rose gold in a fluid, feminine design that fuses vintage inspiration with bold modernity.
TUDOR Royal balances sporty sophistication with timeless elegance. A new diamond-set blue dial shines within a 28mm satin-brushed and polished stainless steel or yellow gold case. With luminous baton hands, an integrated fivelink bracelet, and automatic movement, it epitomises versatile sport-chic.
Gucci Flora Gorgeous Orchid is a floral, fruity gourmand. Top notes of vanilla meet a heart of orchid, grounded by ozonic accords that bring freshness to its creamy depth.
Fashion is bracing itself for one of its busiest seasons in recent memory.
Never mind the internet streets being abuzz over the return of The Devil Wears Prada or mourning the loss of Giorgio Armani (see our La Dolce Vita section from page 30 for more), 2025 brings a high-stakes game of musical chairs at some of the world’s most prestigious haute couture Maisons. With 15 creative directors making their runway debuts for Spring/Summer 2026, the industry has dubbed this season “The Big Reshu e”.
Topping the watchlist is Demna at Gucci, who is set to unveil his first collection at Milan Fashion Week this month. Known for his boundary-pushing work at Balenciaga (we have him to thank for the rise of the Kardashians as “fashion icons”), Demna is facing both hype and scrutiny. Gucci – still reeling from Sabato De Sarno’s short and underwhelming stint – is hungry for a clear creative direction. But with such high expectations, even small missteps could reverberate.
Similarly, Pier Paolo Piccioli, fresh from Valentino, takes the reins at Balenciaga. His romantic aesthetic could soften a brand often defined by provocation, though I do wonder how the designer is going to perform. While I may not have been a fan of Balenciaga’s more gimmicky pieces, Denma ensured the brand went viral with each collection.
Another landmark debut is Matthieu Blazy at Chanel. After a highly praised tenure at Bottega Veneta, he now faces the delicate task of balancing the House’s iconography –tweed, pearls, quilting – with contemporary sensibilities. How he negotiates that tension will be one of the season’s most closely studied outcomes.
Most exciting for me, though, is Rachel Scott’s move to Proenza Schouler. As the founder of Diotima, she’s built a distinctive identity
The soft cotton terry slippers evoke the iconic prints of the Dolce&Gabbana aesthetic in textile. Colourful and elegant, they are perfect to style your outfit at home.
grounded in craft and crochet. At Proenza, she could bring an artisanal sensibility that not only influences street style, but also sparks a wave of smaller-scale trend adoption. Meanwhile, Jack McCollough and Lazaro Hernandez – the duo behind Proenza Schouler – step over to Loewe, one of the most beloved and coveted brands of the last decade. Their signature tailoring and youthful energy may prove an interesting contrast to Jonathan Anderson’s tenure – whose debut collection at Dior was met with much reverence by fashion editors and celebrities (including Rihanna, whose son wore a custom look straight o the runway).
“Luxury is not just defined by the label – it’s defined by the wearer”
With so many fresh creatives at the helm, the upcoming season promises reinvention, surprises, and perhaps even the birth of a new era in luxury design.
As the fashion world girds its loins for the most interesting year in couture, this issue brings you stars of the runway and the masters of threads. Innocent Ndlovu rounds up the top 10 trends of the season (page 46), while Leigh Herringer explores the most iconic bags of all time (page 42). As a proud Sowetan, I was pleased to read Oupa Nkosi’s profile on the team behind Boys of Soweto (page 40), while Jacquie Myburgh Chemaly brings the ultimate guide to the most sought-after international cult boutiques, from Polène to Toteme (page 52).
Through my conversation with Bubu Ogisi (page 64), I was reminded that fashion is about more than just ru es, red carpets, and runways. The way we dress reveals how we see ourselves – it communicates long before we utter a word. From the structural brilliance of the Basotho hat and the vibrancy of Ghana’s Kente cloth to the coolness of Senegal’s boubous, style and fashion are the fabric of history and speak to our humanity.
ANDREA IYAMAH R25 LOOKBOOK
JOIN US ONLINE
ONLINE THIS MONTH…
WE JOURNEY FROM REMOTE WILDERNESS TO VIBRANT CITIES, EXPLORING THE VERY ESSENCE OF MODERN AFRICAN LUXURY.
First, we venture to Madagascar where the newly opened Namoroka Tsingy Camp has made the once-inaccessible Tsingy de Namoroka National Park a reality for intrepid travellers.
Next, we celebrate a shift in the world of adornment as African jewellers reclaim their narrative. Moving beyond their historical role as suppliers of raw gems, brands like Zimbabwe’s Patrick Mavros are defining luxury through heritage, craftsmanship, and sustainable sourcing.
Finally, from an Accra nightclub, we explore Cognac’s enduring allure across the continent – far beyond its status as a symbol of sophistication. Explore more on YourLuxury.Africa.
MEET OUR CONTRIBUTORS
WHO WAS YOUR FIRST STYLE ICON?
NORMA YOUNG
Growing up, two TV characters represented elegance and style I so admired. I particularly relished seeing Brooke on The Bold and the Beautiful and Karabo Moroka on Generations. Some of their outfits would have me gasping with admiration, dreaming of my own imminent adulthood when I would be able to dress like them.
See: p56
LEIGH HERRINGER
It’s always been my mum. She was once on the best-dressed list in the Sunday Times and I still raid her cupboard (sorry mum!). But walking into Ralph Lauren on Madison Avenue in New York aged 18 was a moment that took my breath away and has inspired me ever since. A classic white shirt and navy blazer worn with jeans, a good belt, and a great bag epitomises his iconic style.
My mother was definitely my first fashion inspiration – she had her own bold style, and I always admired her for that. But it was when I first spotted beautiful French model Inès de la Fressange many years ago, that I discovered the value of timelessness and finding your personal style signature. She remains in a league of her own.
See: p52
OUPA NKOSI
My older brother, Themba Nkosi, was a great influence on me. He used to save his school lunch money to buy himself highquality brand clothes to match his extensive shoe collection. I saw how clothes boosted his confidence, self-expression, and hope for a better tomorrow. Today, his taste for finer things still illuminates.
See: p40
EDITORIAL & BEAUTY EDITOR Ingrid Wood ingrid@yourluxury.africa CREATIVE DIRECTOR Kate Walters COPY EDITOR Tamlyn Cumings CONTRIBUTING EDITOR Leigh Herringer IMAGE EDITOR Coralie Elske DIGITAL EDITOR Jessica Levitt jessica@yourluxury.africa TRAFFIC CO-ORDINATOR Rachel Ndawo
ADVERTISING & MARKETING: ADVERTISING DIRECTOR Yvonne Sha +27 (82) 903 5641 I yvonne@yourluxury.africa
ADVERTISING CO-ORDINATOR Yvette Mehl + 27 (21) 439 4907 I yvette@yourluxury.africa ACCOUNT MANAGER: NATIONAL Gina van de Wall I gina@yourluxury.africa SALES EXECUTIVE: Sumeshni Pillay I sumeshni@yourluxury.africa ADVERTISING SALES MANAGER: LONDON AND THE UK Louella Stocchi I louella@yourluxury.africa MANAGEMENT: MANAGING DIRECTOR Yvonne Sha DIRECTOR Jacquie Myburgh Chemaly
DISTRIBUTION & PRINT: DISTRIBUTION On the Dot, Media Support PRINTED BY CTP Printers, Cape Town for YourLuxury PO Box 1053, Sea Point 8060, Cape Town. All rights reserved. Whereas precautions have been taken to ensure the accuracy of information, neither the editor nor YourLuxury Africa can be held liable for any inaccuracies, injury or damages that may arise. The opinions expressed in the articles may not reflect those of the publisher. All prices correct at time of going to print.
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FRIEZE LONDON
London, England | 15 - 19 October
Every October, Regent’s Park transforms into a vibrant hub for the contemporary art world, and this year Frieze London returns with a fresh floorplan. A new themed section, ‘Echoes in the Present’, brings together artists from Brazil, Africa, and the diaspora. At the same time, Frieze Masters presents works made before the millennium, while Frieze Sculpture turns the park into an open-air museum. A must on the global art calendar. frieze.com
CULTURE
DIARY
ART BASEL PARIS
Paris, France | 24 - 26 October
Beneath the spectacular glass canopy of the Grand Palais, Art Basel Paris is a stage where culture, commerce, and conversation meet. This year, South Africa’s Goodman Gallery continues to present African voices on a global stage, while Chicago’s Mariane Ibrahim Gallery showcases works by Ghana’s Amoako Boafo and Zohra Opoku, reaffirming Africa’s place in the centre of contemporary collecting. artbasel.com
THE LUXURIOUS MARBLE CIRCUS
Johannesburg, South Africa | 4 & 5 October
Setting the bar for the ultimate event, The Luxurious Marble Circus in Muldersdrift offers an unforgettable feast for the senses. This year’s edition is twice the spectacle – set across a threestorey stage where sounds from vibey disco to homegrown Amapiano pulse beneath open skies. Culinary performance takes centre stage too, with renowned chef David Higgs orchestrating a unique dining experience. From the whimsical Uncaged Carousel to the flamekissed indulgence of the Royal Lounge’s wood-fired creations, each bite is an experience in its own luxuriousmarblecircus.com
VICTORIA’S SECRET FASHION SHOW
New York City, USA | 15 October
FORMULA 1 SINGAPORE GRAND PRIX
Singapore | 3 - 5 October
As darkness falls, Singapore’s Marina Bay becomes a neon playground where summer heat meets midnight adrenaline. One of Formula 1’s most physically gruelling night races, engines roar through the streets as guests sip champagne and mingle in climatecontrolled trackside suites and party on superyachts. Elton John, the Foo Fighters, and Crowded House will take the stage between sessions, making this Grand Prix weekend one of the most exciting on the calendar. singaporegp.sg
The angels are set to descend on the Big Apple as the Victoria’s Secret Fashion Show makes its muchanticipated return to New York, where spectacle, star power, and sensuality collide. Models including Adriana Lima, Lily Aldridge, Alex Consani, and Anok Yai will walk the runway, bringing together iconic alumni and a new generation of VS stars. Expect the iconic wings, diamond-crusted bras, custom couture, and surprise musical performances from global icons in front of the fashion world’s elite. victoriassecret.com
PARMIGIANI
The Tonda PF Sport Chronograph Sandstone reveals Parmigiani’s mastery of decorative artistry through its dial. A silver guilloché surface features the Maison’s Triangular Nail pattern, meticulously crafted for the collection to capture and refract light with subtle brilliance. This refined interplay of texture and geometry with the soft sandstone-hued colour elevates the watch beyond function into an object of timeless artistry. POA, parmigiani.com
OWNING A FINE WATCH IS NOT ONLY ABOUT TELLING THE TIME WITH STYLE. IN THE HANDS OF MASTER ARTISANS, MÉTIERS D’ART TURN DIALS AND CASES INTO CANVASES
WORDS DEBBIE HATHWAY
Masters of
VAN CLEEF & ARPELS
In its Perlée Extraordinaire Fruits Enchantés watches, enamel is combined with sculpted and textured gold to achieve remarkable depth. At the heart is the Maison’s patented façonné enamel technique. Developed over 16 months, it allows enamel to be shaped in relief for luminous, 3D berries and fairies. Perlée Extraordinaire Fruits Enchantés Myrtille watch in white gold, rose gold, diamonds, enamel and miniature painting. POA, vancleefarpels.com
LONGINES
MÉTIER S D ’ ART
JAEGER-LECOULTRE
The Mini DolceVita reimagines timeless elegance with a rectangular Roman dial featuring guilloché detail, painted numerals, and blued steel hands. The four diamond-set editions in ivory, mint, blossom pink, or serene blue have matching leather straps. Gilt numerals and hands add depth, while each design honours the watch’s storied heritage and refined attitude. POA, longines.com
The Reverso Tribute Nonantieme ‘Enamel’ model in pink gold transforms its reverse dial into a starry night, with layers of deep blue enamel and lacquer punctuated by 70 hand-applied pink gold stars. The front is guilloché sunrayed grey. Limited to 90 pieces in this Year of the Reverso, this doublesided canvas epitomises JaegerLeCoultre’s decorative mastery. POA, jaeger-lecoultre.com
BREGUET
Inspired by historic Parisian architecture, the Tradition Seconde Rétrograde 7035 showcases the brand’s artistry through a translucent blue grand feu enamelled guilloché dial, which highlights the new “Quai de l’Horloge” motif. The case and dial are crafted in Breguet gold, while blued steel and gold hands punctuate the intricate display. Limited to 250 pieces, this masterpiece celebrates 250 years of the Maison’s heritage. POA, breguet.com
COMPANION A COLLECTOR’S
YOURLUXURY AFRICA HAD AN INSIDE LOOK AT PATEK PHILIPPE’S CUBITUS COLLECTION –ONE THAT FEELS DESTINED TO BECOME PART OF YOUR STORY
With the launch of its Cubitus Collection, Patek Philippe has reimagined what a luxury timepiece can be: bold in design, refined in execution, and crafted with the kind of artistry that turns a watch into an heirloom.
At first glance, the Cubitus is striking. The shape – a square softened with rounded edges – is both contemporary and timeless, echoing Patek Philippe’s long history of geometric designs while bringing them into the modern era. On the dial, horizontal embossing creates a play of light that changes as the watch moves with you. The collection is a reminder that true luxury is as much about emotion as it is about engineering.
A PLATINUM MASTERPIECE
The star of the collection, the Cubitus Instantaneous Grand Date, Day and Moon Phases (Ref. 5822P) (above centre), is the kind of watch collectors dream of. Beneath its sunburst blue dial is the new Caliber 240 PS CI J LU, an ultra-thin movement developed over years of research, with six patents pending. Its genius lies in the way it synchronises the date, day, and moon phases, changing all three at the exact same moment – a feat that happens in just 18 milliseconds. Beyond the marvel of mechanics, it’s all about the detail. The baguette-cut diamond at six o’clock –a secret signature of platinum Patek Philippe models; the contrasting polished and brushed finishes of the case; the elegant navy blue strap with cream stitching… this is a watch that marks the moment.
TWO-TONE SOPHISTICATION
The Cubitus Two-Tone (Ref. 5821) (above right) is about contrast, warmth, and versatility. Rose gold and steel are enhanced by a horizontally embossed sunburst blue dial. The look is effortlessly striking, as fitting for a black-tie dinner as it is for a weekend away. Inside, the Caliber 26-330 S C keeps time with impeccable precision, offering stop-seconds functionality for those who value accuracy down to the last heartbeat.
EASY ELEGANCE
For everyday wear, the Cubitus Steel (Ref. 5821) (above left) offers a fresh expression of sporty refinement. Its sunburst dial in olive green brings unexpected vibrancy, while the integrated steel bracelet – with a patented fold-over clasp and lockable adjustment system – ensures comfort and durability.
Each watch in the Cubitus line is the product of 55 finishing touches, every detail by hand, a reminder that in an age of speed and mass production, real artistry takes time. And for those who believe true style is in the details, the Maison has created matching Cubitus cufflinks, miniature echoes of the watches’ embossed dials in precious metals.
For collectors and dreamers alike, the Cubitus is crafted for those who appreciate not only what a watch does, but how it makes them feel. ■
WORDS BRIGHT KHUMALO
It’s one of the great paradoxes of luxury: a fashion house can be dripping in cashmere, sequinned to the rafters, buoyed by billion-euro budgets, and still lose the plot. Take the flamboyant crown jewel that is Gucci in the Kering empire, which lately has found itself blinking uncertainly in the cultural headlights. Meanwhile, across the luxury street, Prada and its wildly influential little sister, Miu Miu, are gliding forward in kitten heels and ultra-minis without missing a beat.
Let’s be honest: fashion isn’t just about clothes. It’s a referendum on relevance. And Prada has voted early, often, and with impeccable taste. Under the dual stewardship of Miuccia Prada and Raf Simons, the brand has pulled o the rare feat of being both consistent and surprising.
Win
The secret? Miuccia plays the long game. She doesn’t chase trends, she metabolises them. She distils the cultural moment, then serves it back cooler, stranger, and somehow inevitable. This alchemy is most potent in Miu Miu – the so-called “younger” brand that has become a cultural bellwether on its own.
Miu Miu’s ascent has been quietly subversive. In an age where everyone is courting Gen Z with increasingly desperate TikTok tie-ins, Miu Miu simply became the algorithm. Micro miniskirts. Sheer ballet flats. Exposed underwear. On paper, it’s chaotic. On Instagram, it’s canon. And not just to the kids. Editors, stylists, influencers, and luxury consumers from Paris to Seoul are lining up (literally and virtually) for the latest Miu Miu drop. No show at Paris Fashion Week creates more real-time buzz or sells out faster, and the numbers echo the narrative. In the second quarter of 2025, Prada Group posted revenue growth of nine percent, with Miu Miu sales up a staggering 40 percent. Still, the larger lesson remains; cultural capital isn’t something you can buy
A KARL LAGERFELD CLUTCH WORTH OVER R9 000
WE’RE GIVING ONE YOURLUXURY AFRICA
READER A LIMITED-EDITION CLUTCH BAG FROM THE KARL LAGERFELD K/STUDIO COLLECTION
Fashion trends come and go, but a beautiful investment piece never goes out of style. This month, KARL LAGERFELD and YourLuxury Africa are giving one lucky reader an iconic black clutch bag from the KARL LAGERFELD K/Studio Collection – valued at more than R9 000.
The oversized clutch cuts a striking silhouette in glossy crocodile-embossed leather with a magnetic flap closure and a structured top handle. It’s the perfect accessory to elevate your evening look – whether it’s a dinner date for two or a glamorous get-together celebrating the start of a new season.
with a billion-euro marketing budget. It’s earned through instinct, conviction, and a willingness to lead rather than follow. Miuccia Prada has always been her own mood board, whether she’s channelling 90s minimalism or Y2K rebellion. She doesn’t chase virality. She defines it. So next time someone calls fashion frivolous, point them to the market caps. These houses are more than ateliers, they’re sentiment gauges, style oracles, and for investors, serious vehicles of return. Right now, Prada is winning. On the runway, in cultural conversations, and, crucially, in the shopping carts of the most discerning global customers.
As for Gucci? Don’t count it out. The house has been a lightning rod before. With its deep archives and global fanbase, it has the raw materials for another renaissance. Kering’s cautious approach may well be strategic, a slower tempo to set up a stronger second act under Demna Gvasalia (who debuts his first Gucci collection this month in Milan).
And if history tells us anything, it’s that great fashion, like great investing, rewards patience. ■
Bright Khumalo is a Portfolio Manager and Analyst at Vestact Asset Management
SCAN AND ENTER FOR A CHANCE TO WIN THIS ICONIC KARL LAGERFELD CLUTCH BAG
The limited-edition piece embodies Karl’s legacy of reinvention and is a collector’s item that captures the spirit of classic and timeless style. Meticulously crafted from 100 percent leather, this black-nickel clutch is a unique artefact of style – and it could be yours!
Terms and conditions apply. By entering this competition, you agree to your details being shared with the prize sponsors. Competition opens on 8 October and will run until midnight on 31 October.
To be first in line to enter YourLuxury Africa competitions, subscribe to the YLA Lounge. Visit yourluxury.africa to discover the benefits.
geriboutiques geri.co.za
Shop NS19, Mandela Sq, Sandton City Shop 7237, V&A Waterfront
DAMIANI
The Ode to Italy collection captures the nation’s landmarks through masterful goldsmithing. This Essenza Selvaggia brooch reflects Mediterranean elegance with Paraiba tourmalines. POA, damiani.com
DOLCE&GABBANA
Dolce&Gabbana returned to Haute Jewels Geneva 2025 with a limited-edition collection. Each jewel blends tradition, rare gems, and poetic design, and with only 100 pieces made, these jewels are wearable art. POA, dolcegabbana.com
BVLGARI
made in ITALY
From the Colour Journey High Jewellery capsule, this necklace celebrates the radiant beauty of tourmaline. Part of a collection comprising 30 exclusive masterpieces, it’s an expression of Bvlgari’s bold spirit and gemstone mastery. POA, bulgari.com, bhhboutique.co.za
FOPE
THE LEGACY OF FINE ITALIAN CRAFTSMANSHIP COMES ALIVE THROUGH VIBRANT GEMSTONES, IMPECCABLE ARTISTRY, AND TIMELESS DESIGN COMPILED BY DEBBIE HATHWAY
MORAGLIONE
Three bold cocktail rings in red and yellow gold feature cushion-cut gemstones, each accented with pavé diamonds. Two showcase warm smoky quartz, while the third has a vivid amethyst. POA, moraglione.com, shemer.co.za a
The Eka Impero necklace is a modern expression of refined luxury with its reimagined clasp-inspired detail, echoing the iconic FOPE mesh link. POA, charlesgreig.co.za
GUCCI X POMELLATO
The Monili collection unites Gucci’s creativity with Pomellato’s artistry. Leather and gold are transformed into sculptural jewels and minaudières. POA, gucci.com, pomellato.com, bhhboutique.co.za
1. Dolce&Gabbana Everlift Luminizer is an oil-infused powder that gives an instant soft halo glow. The single shade, Universal Light, flatters all skin tones. R1 380, arcstore.co.za
Bellissimo!
CITRUS GROVES, SEA BREEZES, RENAISSANCE FACADES… ITALIAN BEAUTY PRODUCTS EXUDE A RICH SENSE OF PLACE AND SOPHISTICATION
WORDS INGRID WOOD
2. Drift away to Roberto Cavalli’s Italian retreat with Paradiso Rosa Eau de Parfum – a vibrant, zesty fragrance layered with pink grapefruit, pink pepper, Italian bergamot, floral middle notes, and a warm base. R1 499 for 75ml, edgars.co.za
3. A floral woody gourmand, Gucci Flora Gorgeous Gardenia Eau de Parfum features a sparkling touch of mandarin essence and soothing creamy sandalwood. R2 200 for 50ml, woolworths.co.za
4. Simone Andreoli’s Zest Di Sorrento is a tribute to the Amalfi coast with its zesty citrus notes inspired by the Sorrento lemon – loved and celebrated for its beauty and typically Italian flavours. R3 720 for 100ml EDP, skins.co.za
5. Diego dalla Palma Professional Icon Time Intensive Redensifying Neck & Neckline Treatment tones, sculpts, and firms the skin, giving the chin and décolleté definition. R 1 345, orleanscosmetics.co.za
6. Acqua di Parma’s new Blu Mediterraneo La Riserva collection pays homage to Italy’s iconic coasts: Mirto di Panarea honours Panarea’s volcanic fields; Arancia di Capri captures the vibrant atmosphere of Capri; and Fico di Amalfi evokes the citrus freshness of the Amalfi Coast. R4 200 for 100ml, skins.co.za
7. From Darling’s La Dolce Vita summer collection, the Shield-Me SPF50+ clear sunscreen stick is designed for on-the-go protection. It glides smoothly onto the skin, leaves no white cast, and is ideal for daily touch-ups. R790, unboundsa.com
8. RVBLAB Give Me More Mascara defines lashes from root to tip for bold volume, while also strengthening and repairing for thicker, healthier lashes. R595, orleanscosmetics.co.za
9. The new Fornasetti Architettura scented candle is infused with the House’s iconic Immaginazione fragrance and encased in beautiful porcelain, inspired by Renaissance palaces and neoclassical architecture. R5 440, skins.co.za
10. Kirké by Tiziana Terenzi is intended to evoke the rich and ancient paths near Rome. It’s a sensual perfume with a sweet fruit bouquet of passion fruit, peaches, raspberries, and pears, contrasted with a nutty note, musk, and patchouli. R4 299 for 100ml, woolworths.co.za
WINGS
DE LAIRE
ES TA TE
LIVING
THE SPIRIT OF INDULGENCE – PROSECCO IN CRYSTAL FLUTES, STROLLING THROUGH SUNLIT PIAZZAS, TRUFFLES SHAVED OVER PASTA – LA DOLCE VITAIS THE LANGUAGE OF LUXURY
WORDS LERATO TSHABALALA
Italy has given us more than landmarks and landscapes; it has distilled a way of living that cherishes elegance, pleasure, and beauty. From Milan’s La Scala theatre to Carrara marble, Parmigiano Reggiano, and burrata, Italy continues to gift the world with treasures that transform the everyday into the exquisite
The recent passing of Giorgio Armani, one of Italy’s most influential designers, highlights this truth. Armani represented the very best of Italy: precision, elegance, and restraint. His vision of sprezzatura – effortless chic – helped redefine modern fashion and cemented Italy’s place at the heart of global luxury. His death this September, just before his brand’s 50th anniversary, prompted worldwide reflection on how deeply Italian artistry has shaped the way we dress, live, and dream.
La Dolce Vita is not a relic of the ’60s; it’s alive in every glass of prosecco raised in celebration, every Vespa weaving through cobblestone streets, and every aria soaring across an opera house. Italy has given us treasures that elevate the everyday into the exquisite, teaching the world that luxury is not excess, but the art of living beautifully.
FOOD & DRINK PROSECCO
While France has champagne, Italy offers its own sparkling jewel. The name Prosecco comes from a small village near Trieste, where the grape was first cultivated. Bottles with a gold or brown DOCG label indicate top-tier quality from the hilly vineyards of Conegliano and Valdobbiadene, which were designated a UNESCO World Heritage Site in 2019. Prosecco’s floral freshness has charmed the world as an everyday luxury.
APEROL SPRITZ
The orange glow of an Aperol Spritz has become shorthand for summer itself, and it’s widely considered Italy’s most iconic and internationally recognised drink. It is especially beloved in the north – Venice, Padua, and Milan – where the beverage is served as a refreshing aperitivo. A shrine to this ritual is Terrazza Aperol in Venice – a sleek, vibrant space serving one of the most photogenic spritzes in the country. Bitter, bright, enlivened with prosecco and a splash of soda, the Spritz encapsulates the aperitivo tradition.
GELATO
Gelaterie are neighbourhood shrines in Italy, each scoop a ritual of slowing down and savouring. It is indulgence made democratic: affordable yet refined, the ultimate sweet note in the dolce vita score. One beloved institution is Gelateria La Romana in Rome, celebrated for its creamy textures, natural ingredients, and decadent classics like pistachio and stracciatella – often served with warm melted chocolate.
LIMONCELLO
Made from Amalfi lemons – enormous and fragrant – it is served chilled after dinner, a liquid postcard from the coast. While most associate it with the Amalfi Coast, Sorrento, and Capri, its true birthplace is debated. One popular theory credits Maria Antonia Farace of Capri, who served homemade limoncello to guests at her boarding house. Her descendant, Massimo Canale, patented the name “Limoncello” in 1988.
La Dolce Vita is not a relic of the ’60s; it’s alive in every glass of prosecco raised in celebration, every Vespa weaving through cobblestone streets, and every aria soaring across an opera house.
PANETTONE
No Italian Christmas is complete without panettone: the tall, dome-shaped sweet bread studded with candied fruit. One legend credits its invention to a young kitchen assistant named Toni, who improvised a dessert during a banquet disaster. The name “Panettone” is said to come from pan di Toni – Toni’s bread. Served with coffee or dessert wine, it is a ritual of sharing.
ESPRESSO & CAPPUCCINO
Coffee is not simply a drink in Italy – it is a ritual, but drinking cappuccino after 11am is considered a cultural faux pas. Italians believe milk disrupts digestion if consumed after meals, so cappuccinos are reserved for breakfast – often paired with a delicious pastry.
TRUFFLES
Each autumn, the forests of Piedmont yield one of the rarest treasures in gastronomy: the Alba white truffle. The most expensive purchase ever made for the delicacy was a jaw-dropping $330 000 for a single specimen weighing 1.5 kilograms. This record-breaking sale took place at a Sotheby’s auction in 2007 from buyer Stanley Ho – the late billionaire casino magnate from Hong Kong. This extraordinary truffle from Piedmont, often called the “diamond of the kitchen,” symbolised not only indulgence, but the cultural cachet of truffle hunting.
AUTOMOBILES & MOTION VESPA
Immortalised in Roman Holiday, it became the symbol of post-war optimism – affordable mobility with undeniable chic. Federico Fellini’s La Dolce Vita featured Vespas gliding through Rome’s decadent nightlife, perfectly capturing the spirit of Italian glamour. Later, The Talented Mr. Ripley gave us Matt Damon and Jude Law zipping through Italian towns – stylish, sinister, and sun-drenched.
RIVA YACHTS
Born from a storm on Lake Iseo in 1842, Riva began when Pietro Riva’s expert repairs earned him a reputation for unmatched craftsmanship. That legacy launched one of the most iconic shipyards in history. Today, with their gleaming mahogany and chrome detailing, Riva yachts remain floating masterpieces, once favoured by Sophia Loren and Brigitte Bardot.
From the sensual glamour of Versace to the quiet tailoring of Armani, the conceptual daring of Prada to the romance of Valentino and Dolce&Gabbana’s reverence for the feminine, these Houses define luxury on their own terms.
This year, Gucci celebrates 50 years of the interlocking G emblem, honouring founder Guccio Gucci, and 70 years of the Horsebit, one of the brand’s most recognisable motifs. Meanwhile, Armani marks its 50th anniversary, an emotional milestone following the recent death of its founder. His passing at 91 has made this especially poignant, with worldwide tributes pouring in for the man who redefined menswear and global power dressing.
Ferragamo, who once dressed Hollywood’s golden stars, continues to shape cultural conversation: during Beyoncé’s Cowboy Carter tour, the singer was dressed in custom Ferragamo, proving the brand’s enduring relevance on the global stage.
BVLGARI, POMELLATO & BUCCELLATI
Founded in 1884 by Greek silversmith Sotirios Voulgaris, Bvlgari’s name reflects his Italianised surname, with the “V” recalling ancient Roman script. The House became a symbol of cinematic decadence: Elizabeth Taylor famously received a Bvlgari emerald brooch from Richard Burton during the filming of Cleopatra in Rome. Alongside Pomellato’s colourful stones and Buccellati’s lace-like goldsmithing, these Maisons channel Roman grandeur with contemporary refinement.
PERSOL SUNGLASSES
Worn by Marcello Mastroianni, Steve McQueen, and countless others, Persol sunglasses epitomise Italian cool. Hand-crafted with trademark arrow hinges and crystal lenses, they are not just accessories, but symbols of e ortless style. Persol does for eyewear what Ferrari does for cars: merges functionality with irresistible allure.
DESIGN & CRAFT
POLTRONA FRAU & CASSINA
Poltrona Frau interiors grace Apple HQ, Walt Disney Concert Hall, and Ferrari cars, blending luxury with performance. Meanwhile, under the creative direction of Patricia Urquiola, Cassina has embraced gender fluidity, bold collaborations, and sculptural experimentation – from the Gender Chair to iconic pieces by Zaha Hadid. Together, they embody Italian design’s balance of tradition and radical innovation.
MURANO GLASS
In 1291, Venice moved all glassmaking to Murano to prevent fires and to safeguard its secrets. The island remains a byword for fragile brilliance, transforming molten sand into miracles of colour and form. From ancient techniques to avant-garde design, the Museo del Vetro on Murano showcases this legacy.
CULTURE & LIFESTYLE
OPERA – VERDI & PUCCINI
Representing la dolce vita at its most dramatic, opera has crossed borders and continents to become one of the world’s most enduring art forms. South African soprano Pretty Yende exemplifies this legacy – she’s starred at the Metropolitan Opera, Opéra Bastille, and the Royal Opera House, and has been awarded Italy’s Order of the Star for her role in cultural diplomacy.
CINECITTÀ & FELLINI FILMS
Cinecittà Studios in Rome became the “Hollywood on the Tiber,” and Federico Fellini made it immortal. His La Dolce Vita gave the world not just a film, but a vocabulary of glamour and decadence. Italian cinema remains a lens through which we understand beauty, irony, and the sweet excess of life. ■
LA VITA IN MOTION
ITALIAN CARS AREN’T JUST BUILT – THEY’RE COMPOSED.
LAMBORGHINI, MASERATI, AND ALFA ROMEO PROVE THAT ENGINEERING CAN BE EMOTIONAL, ELECTRIC CAN BE ELEGANT, AND DRIVING CAN BE A FORM OF CULTURAL EXPRESSION
WORDS EDWARD MOLEKE MAKWANA
Italians are not only masters of fashion, art, and cuisine. For decades, they’ve also been architects of automotive passion – crafting cars that are as much about emotion as they are about engineering. Italy’s auto giants remind us that cars can be more than machines – they can be manifestos of culture, heritage, and vision.
From Lamborghini’s most powerful V12 ever created, to Alfa Romeo’s bold step into the electric future, and Maserati’s resilience in South Africa’s ever-shifting market, we journey into the heart of Italian motoring excellence.
LAMBORGHINI FENOMENO
When Lamborghini unveils a new creation, the world pays attention. In August this year, Automobili Lamborghini presented the Fenomeno – a masterpiece limited to just 29 units worldwide. More than a car, the Fenomeno is a design manifesto: a rolling sculpture that channels the Sant’Agata Bolognese spirit into its most uncompromising form.
Equipped with the most powerful V12 in Lamborghini’s history and paired with three electric motors, the Fenomeno delivers power on a previously unimaginable scale, while embodying heritage, innovation, and raw theatre. Its lineage traces back to legends like the Reventón, Sesto Elemento, Veneno, Centenario, Sián, and Countach – but the Fenomeno pushes the envelope even further.
Named after a legendary bull in Mexico that was pardoned by a matador for its courage and strength (a rare honour), the Fenomeno is considered the ultimate tribute to the exceptional. In Italian and Spanish, fenomeno translates to “phenomenal” –and that is exactly what it is; the epitome of luxury especially when you’re one of only 29 owners in the world.
ALFA ROMEO JUNIOR ELETTRIKA
Few marques capture Italian romance quite like Alfa Romeo. With every curve and badge, Alfa whispers its history of passion, motorsport, and design flair. Now, the brand writes a new chapter with its first fully electric car: the Alfa Romeo Junior Elettrika.
Compact yet charismatic, sporty yet sustainable, the Junior is a glimpse into the brand’s electric future. I first encountered it at the Stellantis Media Connect event in July, and even standing still, it charmed with its unmistakable Italian flair.
The Junior Elettrika strikes a perfect balance between performance and practicality. Fast charging – from 20-80 percent in under 30 minutes with a 100kW rapid charger – it suits modern lifestyles, while the interior speaks to Italian style and craftsmanship: a leather steering wheel, massage seats, and a suite of driver-assistance technologies that keep the driver both indulged and in command.
Available to order now in South Africa.
MASERATI IN SOUTH AFRICA
Maserati, the House of the Trident, has always embodied a distinct kind of Italian artistry that’s elegant, powerful, and unapologetically individual. Despite the volatility of the South African automotive market, Maserati continues to hold its ground – thanks to its heritage, design, and dedication to innovation.
“Maserati’s strength lies in its rich heritage, bespoke Italian design, and commitment to innovation”
The brand’s line-up speaks to car connoisseurs who appreciate refined yet sporty performance. The Grecale SUV, the iconic GranTurismo grand tourer, and GranCabrio convertible embody everyday Italian excellence, while the MC20 and MC20 Cielo bring Formula 1-derived Nettuno technology from the racetrack to the road. On the horizon lies the GT2 Stradale – a road-legal evolution of Maserati’s racing triumphs – and the eagerly anticipated MCPura, set to begin production in 2026.
Marking a bold entry into the world of electrification, the GranTurismo Folgore and Grecale prove that luxury, heritage, and sustainability can coexist with the irresistable glamour Maserati is renowned for.
“Maserati’s strength lies in its rich heritage, bespoke Italian design, and commitment to innovation,” says Elza Smit, Maserati South Africa’s spokesperson. “By offering an experience that blends performance, luxury and exclusivity, we remain a compelling choice in the premium automotive space, even in dynamic market conditions.”
For South African enthusiasts, this evolution means Maserati will continue to deliver luxury sports cars that are expressions of lifestyle, art, and aspiration. ■
PARIS, with love from
IN
AN EXCLUSIVE INTERVIEW WITH YOURLUXURY AFRICA , KARL LAGERFELD’S CREATIVE DIRECTOR, HUN KIM, TELLS US ABOUT THE MAISON’S LATEST CAMPAIGN FEATURING CULTURAL ICON PARIS HILTON
WORDS LERATO TSHABALALA
Karl Lagerfeld’s Fall/Winter 2025 campaign, From Paris with Love –starring Paris Hilton – reimagines the mogul’s enduring cultural presence, while paying homage to Karl’s irreverent spirit and sharp sophistication.
Shot by acclaimed photographer Chris Colls in his third season working with the brand, the campaign is a cultural dialogue between two icons who have, in their own ways, shaped global pop culture. It also signals the return of the K/Autograph motif – a house code drawn by Karl’s own hand.
In this exclusive interview, Hun shares how legacy and reinvention converge in the season’s most talked-about collaboration.
WHAT DREW YOU TO PARIS HILTON AS THE FACE OF THIS CAMPAIGN? Firstly, Paris loved Karl. When I met her, she spoke passionately about her encounters with him. She is a true icon, and I admire her unapologetic way of standing by what she believes and loves. That spirit aligns perfectly with Karl’s vision. She also has cross-generational appeal: everyone knows Paris. KARL LAGERFELD spans from jeans to main collections that speak to both young and mature customers, and Paris embodies that balance e ortlessly.
THIS CAMPAIGN BLENDS PLAYFULNESS AND POLISH – HOW DID YOU EXPLORE THAT DUALITY? It came naturally because Paris “plays” with her outfits. In a sharply tailored look, she created the right mood, and in something more playful, she
expressed herself with ease. You could see both sides of her.
WHY IS PHOTOGRAPHER CHRIS COLLS SUCH A GREAT FIT FOR KARL LAGERFELD’S AESTHETIC? Working with Chris is a perfect match. We’ve built a strong rhythm over several seasons, and he has an incredible eye. It’s also about the team around him –the makeup, hair, styling – everyone works seamlessly together.
HOW DOES THIS COLLAB CHALLENGE PUBLIC PERCEPTIONS OF PARIS AND THE BRAND? Paris is like a chameleon – she immediately understood Karl’s aesthetic and fitted into it without losing herself. When someone has a strong personality or style, it’s usually di cult to transform, but Paris embraced the brand so naturally that it felt e ortless.
WHAT MADE THIS THE RIGHT MOMENT TO REINTRODUCE THE K/AUTOGRAPH MOTIF? While going through the archives, I found pieces from the ’70s with his KL autograph, as well as his sketches that ended with it. Bringing it back now feels especially meaningful – it’s like saying, “Karl approved.”
HOW DID YOU BALANCE CREATIVE FREEDOM WHILE HONOURING HIS LEGACY?
I’ve always loved Karl’s designs, so they gave me a natural starting point. When I presented sketches to him, he gave invaluable feedback – often with small sketches of his own. He never forced his way; instead, he encouraged me to develop my own ideas. That balance gave me more freedom than restriction.
HOW HAS YOUR UNDERSTANDING OF KARL’S VISION EVOLVED, AND HOW DOES IT SHAPE YOUR APPROACH TODAY? When some people become household names, they reinvent everything. But for me, the archives are inspiring. There’s still so much we haven’t explored. My understanding of Karl’s vision has deepened with time and guides us forward. ■
FIVE MINUTES WITH PARIS...
WHY IS THIS CAMPAIGN THE RIGHT FIT? I’ve always loved Karl’s boldness – the way he created his own world and didn’t follow anyone else’s rules. That energy resonates with me and this campaign felt like the perfect way to celebrate that. WHAT EXCITES YOU MOST ABOUT BEING THE FACE OF THE CAMPAIGN? The chance to show a di erent side of myself. I immersed myself in his world – his vision, his humour, his style. I love that I get to honour the House’s DNA and bring a bit of Paris into the mix.
WOULD YOU SAY YOU ARE MORE KARL’S WHITE SHIRT, HIS FINGERLESS GLOVES, OR HIS SUNGLASSES? Definitely his sunglasses – they’re bold, mysterious, and elevate every look.
IF KARL HAD DESIGNED YOU A SIGNATURE LOOK, WHAT WOULD IT BE? A tailored pink power suit with sharp lines, dramatic shoulders, and some well-placed sparkles.
A NIGHT OUT IN PARIS WITH KARL – WHAT WOULD HAVE BEEN ON THE ITINERARY? Shopping somewhere chic and spontaneous along the Rue SaintHonoré. Then a Sliving Cosmo for me and a Diet Coke for Karl, of course.
DESCRIBE THE CAMPAIGN IN ONE WORD… Iconic.
Raised in Johannesburg’s Soweto by a street-vendor mother and a panel-beater father, Bobo Vusumuzi Ndima – better known in fashion circles as Bob the Stylist –grew up without a home to call his own. The now-celebrated South African fashion stylist and founder of luxury fashion brand Boys of Soweto (B.O.S) spent his early years moving between corners of the township, living as a backyard dweller with his parents.
Despite limited resources, Bob found inspiration in the ordinary. Photographs of his father dressed in tailored suits and the street-smart flair of Sowetans revealed that style was about more than fashion –it was a form of self-expression and pride. Bob’s entrepreneurial spirit was evident from early on, selling sweets in primary school and second-hand premium clothes in high school that he and his friends bought cheaply in Johannesburg’s CBD. He used his earnings to invest in his own look, gaining the confidence to express himself.
“Despite limited resources, Bob found inspiration in the ordinary”
In 2011, he launched the Boys of Soweto blog, hoping to use social media as a means to unite creatives with a shared vision and to spotlight Soweto’s talent. Inspired by designers like Craig Native and Roy of Free Avenue, Bob was drawn to their funk-infused aesthetic that was deeply rooted in African identity, while still being global. Their commitment to craft, originality, and discipline became the blueprint for B.O.S’s own creative DNA.
Today, Bob’s portfolio includes styling global superstar Black Co ee, cover shoots for Destiny magazine, and collaborations with Hennessy and Jägermeister. The brand aims to make people feel good in their clothes through quality garments that are bold, fresh, and reflect a shift in contemporary African masculinity – one that is proudly homegrown, creative, and unapologetically aspirational.
B.O.S’s standout showcase at Moscow Fashion Week in 2024 a rmed the brand’s international relevance and sartorial boldness. Their latest limited collection, Ride Your Own Wave, in collaboration with The Manor at 44 Stanley in Johannesburg, was an innovative pop-up experience where retail met gallery. The event invited guests to view fashion not just as clothing, but as a mindset, where fashion and freedom of expression intersect.
We sat down with Bob to uncover more about the brand's evolution, core philosophy, aesthetic, and what the future holds for one of Africa’s most compelling fashion voices.
FROM STREET HUSTLE TO GLOBAL RUNWAYS, LUXURY FASHION BRAND BOYS OF SOWETO BLENDS TOWNSHIP FLAIR WITH AFRICAN CREATIVITY AND BOLD SELF-EXPRESSION WORDS OUPA NKOSI
A SOWETO STATE OF MIND
HOW HAS THE BRAND EVOLVED SINCE ITS INCEPTION? What has kept us going all these years is purpose. We constantly remind ourselves why we started and who we are building for. That consistency and staying true to who we are is the engine that has carried B.O.S forward.
WHAT WAS YOUR CREATIVE PROCESS BEHIND THE RIDE YOUR OWN WAVE LIMITED EDITION? For me, design starts with the questions: ‘What do I want? What do I want to create?’ Most of the pieces we design are things I personally want but don’t see out there. I design first for myself, for my own space, then I share it with the world. With Ride Your Own Wave, the idea was about individuality.
HOW DO YOU FUSE TOWNSHIP CULTURE AND CLASSIC ISBHUJWA CULTURE [A TOWNSHIP TERM THAT DRAWS FROM THE WORD “BOURGEOIS”] WITH A MODERN TOUCH, WHILE STAYING RELEVANT?
It’s second nature to me because that’s how I grew up. In Soweto, people express themselves through clothes without needing an occasion. I’d see my uncles dressed up, listening to jazz, and that visual shaped me.
Soweto is a cosmopolitan township – rich in history and exposed to di erent styles from across the world. Italian knits, gold chains, Alaska jackets – all these influences came together in one place. That exposure gave me a reference point to merge township authenticity with isBhujwa refinement. When we design, our reference is always the people of Soweto. Our global appeal is almost unintentional; it's simply a reflection of how exposed and stylish our community already is.
WHAT SHAPES YOUR COLLABORATIONS? It depends on what I want to communicate at that moment.
Sometimes it’s about addressing a theme or an issue, and other times it’s mutual respect for another creative’s work. At its core, collaborations are about synergy and authenticity – it must make sense culturally.
YOUR CAREER HIGHLIGHTS? There have been many. Collaborating with brands like Jägermeister and seeing our product embraced by their international team was a huge highlight. But I’m just as proud of the everyday moments. When someone walks into our store, when I see a person at a jazz festival wearing B.O.S, or when customers travel from as far as LA or Texas just to buy a piece – those moments are priceless. I’ll never get used to seeing people include B.O.S in milestones like graduations and weddings. That tells me the brand isn’t just clothing; it’s part of people’s lives.
WHERE DO YOU SEE B.O.S IN 10 YEARS? People can expect us to remain true to who we are. Growth takes time, just like beauty does. What I can promise is that B.O.S will continue to be consistent, intentional, and authentic.
ON TREND:
This year’s B.O.S winter collection was a blend of streetwear chic and urban cool
WHAT DO YOU WANT PEOPLE TO KNOW ABOUT YOU AND THE BRAND? I don’t share much about myself because I believe my work speaks for me. B.O.S is my canvas. Every garment we create is an extension of who I am and what I’ve experienced – the good and the bad. Fashion, like art, is a form of storytelling. When you buy a B.O.S piece, you’re not just buying fabric. You're buying into a story, a moment, an expression. And that’s what I want people to know: B.O.S is living art. ■ boysofsoweto.co.za
EVERY ICONIC HANDBAG CARRIES MORE THAN JUST LIPSTICK AND KEYS –IT CARRIES A STORY. FROM JANE BIRKIN’S PLANE SKETCH TO COCO CHANEL’S MILITARY-INSPIRED REINVENTION, THESE CULT CARRIERS REVEAL THE SERENDIPITY, REBELLION, AND ARTISTRY THAT MAKE THEM UNFORGETTABLE WORDS LEIGH HERRINGER
CandyARM
LUGGAGE TOTE
CELINE
Celine’s Luggage Tote, instantly recognisable by its winged sides, top handles, and front pocket, drew on the Maison’s 1970s suitcase design. Epitomising Phoebe Philo’s minimalist and functional ethos, it quickly became a cult classic favoured by movie stars and models. With the Luggage Tote’s comeback, all eyes turn to creative director Michael Ryder’s SS26 presentation. Reviving the Phoebe Philo era, he presents a more unisex version featuring the signature zipper. Carried by stars like A$AP Rocky and Meryl Streep while filming The Devil Wears Prada 2, the bag embodies classic Celine values. As Michael says, “Celine stands for quality, for timelessness, for style – ideals that are difficult to catch and even harder to hold on to.”
BAGUETTE BAG
FENDI
Fendi’s famous baguette bag, designed by Silvia Venturini Fendi, was to be carried under an arm like a French bread loaf. It hit the big time after appearing in a Sex and the City episode and graced the arm of many fashionistas and film stars. Elizabeth Taylor’s collection sold at Christie’s for $77 000 as part of her estate. To mark the Baguette’s 25th anniversary in 2022, Fendi dedicated a NYFW show to the bag, a world first. With its FF logos and versatile embellishments –from pink sequins to snakeskin – the baguette is still one of the most-loved designer bags today.
There are bags, and then there are bags
The ones destined for cult status; the ones that transcend cultures and generations, mirroring the decades that shaped them, defined by the moments and memories that made them.
Take the Hermès Kelly bag, which shot to stardom in the 1950s after Grace Kelly hid her baby bump with one. Then there’s Jane Birkin’s original bag complete with JB initials and her nail clippers, which still hang on an inside strap. It was sold to a private collector earlier this year for an eyewatering £7.4 million at Sotheby’s in Paris, setting a spectacular new benchmark for luxury bags sold on auction. It has also cemented the Birkin’s reign as the most iconic bag of all time and as the second most expensive fashion item ever sold, after a pair of red slippers from The Wizard of Oz
But what makes a handbag iconic – and a lifetime investment – goes beyond the lipstick it carries. Like rare watches and fine art, lasting value rests on provenance, rarity, and market conditions. The conversation is deeper than the whispers in the front row and the after-party gossip because iconic bags aren’t just accessories; they reflect the people who carry them, create identities, and shape personal style stories.
THE BIRKIN HERMÈS
In 1983, model and actress Jane Birkin happened to be on a plane with Jean-Louis Dumas, then CEO of Hermès. Frustrated that her wicker tote couldn’t hold all her things, she sketched a design on the back of a paper air bag, which she thought was better suited to her on-the-go lifestyle. A year later, that sketch would become the Hermès Birkin, a design that is mostly still unchanged today. But it was only after an episode of Sex in the City in 2001 that the Birkin catapulted to fame and became the ultimate status symbol in high society and Hollywood circles. Today, it’s the apex of handbag cool, almost mythical with its secretive – and selective – waiting lists. Victoria Beckham’s collection is believed to be valued at over $2 million, and North West was pictured with one at the age of six.
LADY DIOR CHRISTIAN DIOR
In 1995, French First Lady Bernadette Chirac gifted Diana, Princess of Wales, with a custom-made black leather handbag. Designed by Gianfranco Ferré for Christian Dior, it was inspired by the cannage pattern on the backs of 18th-century chairs. As Diana appeared with the bag and its dangling D-I-O-R charms –specifically at the Met Gala in 1997 – sales rocketed, and it was named Lady Dior in her honour. While its boxy silhouette has evolved, the quilted panels of the original motif are still hand-stitched on the bags today. The latest version – studded with eyelets and pearls –features in Dior’s 2025 Cruise Line, celebrating 30 years since its debut.
THE SPEEDY LOUIS VUITTON
Louis Vuitton’s Speedy was introduced in the 1930s as a smaller, everyday version of the Keepall du e bag. Originally named the Express bag, it heralded a new era of urban travel and transportation. When Audrey Hepburn requested a smaller version of the bag, the Speedy 25 was born. It was a much more useful size, and its popularity soared. Loved for its cylindrical shape, Monogram canvas, and rolled leather handles, the Speedy is still a timeless – and adaptable –bestseller that has been reimagined many times, the latest of which, the Speedy Bandoulière 25, is pictured below. Who can forget the cherry-printed collaboration with Japanese artist Takashi Murakami, or the arm candy seen at Pharrell Williams’ Louis Vuitton debut, swinging on the arms of models and his muse, Rihanna.
JACKIE 1961 GUCCI
In 1961, the eminently stylish Jackie Onassis wandered into Gucci and emerged with six crescent-shaped handbags. Incessantly photographed, the former First Lady famously hid her face from the paparazzi behind what the media dubbed the Jackie Bag. In 2020, Gucci’s creative director, Alessandro Michele, revived its original silhouette with the piston closure and renamed it the Jackie 1961. Today, it’s o ered in new sizes and styles and comes with an additional leather strap. It remains every bit as covetable six decades later and is a timeless reminder of an iconic design’s lasting power.
“The Jackie bag is still as covetable six decades on”
CHANEL 2.55
A 70-year-old fashion icon, Coco Chanel’s revolutionary handbag marked a historical shift. Named after its creation date in February 1955 and inspired by soldiers’ military bags, it was the first women’s bag with a purposefully designed strap to free the wearer’s hands – a liberating, yet defiant move at the time. Rectangular with a chevron exterior, a pattern inspired by equestrian coats and saddle blankets (because Coco loved horse racing), the inside was lined in a burgundy colour worn by nuns at the orphanage where Coco was raised. Chanel’s longtime creative director Karl Lagerfeld paid tribute to the 2.55 but replaced the original turnkey closure with the now iconic double-C logo.
“You could always be a Balenciaga girl with that bag”
PUZZLE BAG LOEWE
CITY BAG
BALENCIAGA
starry names like Kate Bosworth and
Celebrating a decade since its debut this year, the geometric Puzzle bag was the brainchild of Jonathan Anderson (now leading Dior), unveiled during the SS15 campaign. It blurred masculine and feminine lines with sharp details and a soft, foldable structure. A marvel of craftsmanship, each bag is handcrafted and takes nine hours to assemble. It’s also incredibly versatile as it can be worn –with additional straps – in five di erent ways. Worn by luxe insiders and starry names like Kate Bosworth and Beyoncé, the latest Puzzle tote folds flat and is an ideal travel companion.
RE-NYLON BAG PRADA
When Prada launched its Nylon Bag in the 1980s, it was unlike any other at the time and was made from the waterproof fabric once used for military tents. In 2019, Prada unveiled a new version of the original Nylon, but this time, they used a regenerated nylon sourced from ocean plastic and fishing nets. It appealed to a younger market and was soon spotted on the arms of superstars and supermodels. “Suddenly nylon started to look more intriguing to me than couture fabrics,” Miuccia Prada reflected. “It challenged, even changed, the traditional and conservative idea of luxury.” Some 40 years later, Prada’s durable Re-nylon bag transcends seasonal style, merging heritage with sustainability. In celebration of the 2025 Sea Beyond Re-Nylon campaign, starring actor Benedict Cumberbatch, a percentage of the proceeds benefits the SEA BEYOND global educational programme.
Only 25 of then Creative Director Nicolas Ghesquière’s Motorcycle City bags were sashayed down the runway in 2001 as the bag was deemed more derelict than designer, too slouchy, and without a visible logo. But when it was worn by Kate Moss, the Olsen twins, and Sienna Miller, it exploded onto the scene. Its moto-grunge vibe, fused with boho elegance, embraced the rebellious energy of the time. “It was a new, fresh thing, but it looked like an old, good, friendly thing,” Nicolas noted of the distressed leather bag with its tassels, zips, studs and whipstitch detail. In a nod to Y2K, the brand’s 2025 Le City Campaign features digitally altered paparazzi images of fashion icons like Paris Hilton.
HONOURABLE MENTION
MY SICILY BAG DOLCE&GABBANA
Born from its designers’ deep passion for the island, D&G’s Sicily bags tell a story of Italian heritage and blend old-world craft and modern functionality. Today, the compact bag remains a modern classic exploring new iterations such as sa ano leather, quilted panels, decorative embroidery and print motifs. Amal Clooney, Sofia Vergara, and Scarlett Johansson are devotees. ■
CELEBRATING AFRICAN icons
BY WORKING WITH RENOWNED JEWELLERS, METCON TRANSFORMS AFRICAN WEALTH INTO GLOBAL SYMBOLS OF ARTISTRY, AUTHENTICITY, AND ASPIRATION
In the world of fine jewellery, brilliance is forged through collaboration, vision, and shared purpose. At the forefront of this narrative is MetCon, South Africa’s leading precious-metals refiner and manufacturer, working in synergy with local jewellers to redefine what luxury means on the continent. A standout example of this is MetCon’s work with Nungu Diamonds, a proudly African brand led by power duo Kealeboga and Ursula Pule.
AN ENABLER OF ICONS
From its inception, Nungu Diamonds has stood as a custodian of African heritage and craftsmanship. The name, derived from Swahili and meaning porcupine, is symbolic of resilience, strength, and confidence – themes that weave through the brand’s storytelling. Each Nungu creation reflects a deep reverence for the African soil from which its diamonds originate, and every piece holds meaning beyond its physical beauty. “Our diamonds are born out of love, authenticity, and African provenance,” they say.
MetCon’s role in this journey is vital. While jewellers bring the vision, MetCon brings them to life. Through its refining and manufacturing excellence, it ensures that locally mined gold and other precious metals are processed, designed, and transformed into finished products right here in South Africa. This approach is at the heart of the brand’s ethos – retaining value locally to drive economic empowerment and sustainable luxury.
“Our diamonds are born out of love, authenticity, and African provenance” – Nungu Diamonds
FROM AFRICAN SOIL TO THE GLOBAL STAGE
MetCon’s work with jewellers like Nungu Diamonds illustrates how local talent can shine on the global stage. One such creation is the Ihawu drop earrings, shaped in a shield-like diamond motif to symbolise protection and strength. These earrings reached global audiences when they were worn by actress and humanitarian Nomzamo Mbatha at the Shaka iLembe Season 2 premieres (pictured left) – embodying a moment where African artistry stepped into the spotlight.
MetCon is not simply a manufacturer; it is the backbone behind Africa’s rising icons, and by empowering jewellers to tell their stories through world-class design, the brand ensures that African luxury is led by local talent, innovation, and pride.
Dior Loewe Valentino Balenciaga Gucci, Bottega Veneta, and Chanel are just a few of the major fashion houses with newly appointed creative directors at the helm this year. The global luxury fashion industry is undergoing a transformation marked by rapid-fire shake-ups, where designers and fashion executives move from one fashion house to another, often within a short space of time. The question is: how did we get here?
According to experts, a number of global factors – including the current political and economic climates and evolving consumer values – have influenced this shift. As a result, the designers leading this season’s runways are blending nostalgia with craftsmanship, and finding inspiration in creative disciplines such as art and storytelling.
Despite these recent movements – and perhaps because of the creative swaps – the trends for Spring/Summer25 are an exciting mix of conscious dressing, evocative colours, and innovative styling that captures the zeitgeist.
From a round-up of SS25 trends, these are the ones that are just too good to miss.
SUNSET SHADES
THIS SEASON’S STAND-OUT TRENDS CAPTURE THE SPIRIT OF SPRING AND SHOWCASE THE CHANGES RESHAPING THE LUXURY FASHION WORLD
WORDS INNOCENT NDLOVU
SSpring Style Edits
Ranging from fiery reds and rich maroons to vibrant tangerines and lemon yellows, sunset hues are the perfect transition from chilly days to warmer weather. Gucci and JACQUEMUS were two of the big names that captured the palette evoking the warmth of an African sunset, while lesser-known brands embraced the trend too. Tove channelled it in easygoing outfits, like summer dresses and matching sets, while Andrea Iyamah –the Nigerian brand that’s captured the hearts of Gabrielle Union and Kate Hudson – translated the look into captivating ombre co-ord outfits and vacation maxis that ooze sensual appeal.
2
BOLD PATTERNS
By nature, bold patterns, animated colours, and graphic styles draw attention. South African luxury label MAXHOSA AFRICA has mastered this art form with its symbolic designs, embracing them head to toe on everything from dresses and cardigans to socks. Nicolas Ghesquière, Artistic Director of Women’s Collections at Louis Vuitton, channelled loud patterns with structure and fluidity, and Dries Van Noten’s newly appointed designer Julian Klausner updated them with less intensity, teasing a new era of the brand under his leadership.
“The trends are a mix of conscious dressing, evocative colours, and innovative styling”
SHEER FOCUS
Sheer dressing isn’t about shock value; it’s about crafting a sensual aesthetic that e ortlessly balances elegance with ease. Popular in the ‘90s, “naked dressing” has made an impactful comeback, welcomed by the likes of Zoë Kravitz, Keke Palmer, and Lizzo. Hermès and Khaite reimagined sheer dressing in diverse styles, often combining delicate mesh with strategically placed opaque panels to o er both allure and coverage. And Zimmermann went for dreamy, flowy dresses with intricate bodices that move with the wind.
3 4
ARTISTIC FLORALS
When executed with creativity, florals are anything but a cliché. This spring, designers elevated the motif to an expressive new level that’s intense in colour and rich in texture. Blooms evoked dark romanticism on Issey Miyake’s sophisticated and unique translucent fabrics that were inspired by the lightness of paper. Leaving Loewe on a high floral note, Jonathan Anderson’s finale featured recurring flower motifs on structured dresses and skirts.
6
VIVID STRIPES
Stripes are one of fashion’s most iconic staples, reimagined each season in a range of sizes and unexpected colourways. The pattern made a striking statement in multi-striped, high-octane dresses at Christopher John Rogers’ return to New York Fashion Week. Cynthia Abila brought stripes to life in an A-line top with matching loose-fitting pants handwoven in Nigeria. 2025’s fashion golden child, Schiaparelli, took the monochromatic stance, elongating the body with timeless vertical stripes.
5
FRINGE BENEFIT
The lasting impact of fringe as a versatile fashion embellishment is undisputed. A favourite of stars like Halle Berry and Tracee Ellis Ross, fringe continues to captivate with its whimsical movement. Nigerian designer Abiola Olusola transformed her signature minimalist aesthetic and presented playful dresses with fringe panels. At Milan Fashion Week, Missoni explored its versatility through exaggerated proportions, bringing the power of volume to the forefront. And Kilentar’s flattering maxi dress juxtaposed fringe decorations with hand-stitched shell details, adding a glamorous touch to this artisanal a air.
SPORTSWEAR CHIC
The fusion of sportswear and tailoring has redefined style on and o the runway, and brands like Prada and Burberry are ahead of the game. Burberry’s Creative Director Daniel Lee paired polished maxi skirts with polo T-shirts, while Tod’s introduced lightweight blazers worn with tailored shorts, rea rming active-luxe dressing for the modern woman. O the runway, athleisure reigns supreme, worn by many celebrities including Hailey Bieber and Jennifer Lawrence.
jhb@straussart.co.za | 011 728 8246 for jewellery enquiries contact jewellery@straussart.co.za kim@straussart.co.za or tatiana@straussart.co.za
ct@straussart.co.za | 021 683 6560
DYNAMIC PLEATS
O ering more than aesthetic appeal, mobility, and comfort, pleats instantly elevate otherwise straightforward pieces. This is evident in an asymmetric hemline, a skirt with an elongated side panel, or added to a striped back dress, as seen at Alaïa and Bottega Veneta. On the other hand, Alberta Ferretti showcased her take on versatile pleats through a metallic-finish pair of trousers, designed to transition e ortlessly from o -duty to formal settings, proving that pleats can move freely between occasions.
STATEMENT EMBELLISHMENTS
From hand-embroidered beads, gemstones, and pins to intricate cowrie shell and flower appliqués, statement embellishments are the key to this season’s head-turning looks. Sarah Diouf of the Senegalese brand Tongoro used embellishing details as cultural statements, seen in her debut couture collection where cowrie shells were intricately placed on dresses and jumpsuits. In Paris, fellow Senegalese brand ALGUEYE introduced intricate beadwork that highlights West African craftsmanship on boldly coloured, layered outfits. Leading Ghanaian womenswear brand Christie Brown’s embroidered flowers were strategically stitched onto summer shirts and skirts.
10
SUMMER TAILORING
Summer tailoring is centred on duality – part masculine, part feminine – where traditional codes meet contemporary attitude. From Gabriela Hearst to Max Mara, elegant precision came through in sharp suiting and languid details. Max Mara added an unexpected casual touch by styling a formal jacket with an unbuttoned shirt and flat sandals. Arguably one of this season’s most culturally significant campaigns, Ralph Lauren’s nod to black culture through collegeinspired preppy dressing went viral in a collection that celebrated the African-American history of Oak Blu s, a town in Massachusetts. ■
It’s easy to look great when you’re dressed head-to-toe in designer labels. After all, the best in the business know a thing or two about the latest trends and luxury craftsmanship. But what about that extra something that adds to your personal style signature? How do you elevate your designer look to the next level, adding an interesting layer that will almost always have friends asking you where you’ve been shopping?
In the beginning, it was vintage finds that brought that edge. I was obsessed with finding a vintage treasure that came from an unknown boutique in some corner of the world, allowing me to add a unique something to my look that noone else had.
Today, the rise of cult boutiques has had a similar effect, creating something of a race for perfection in terms of easy luxury. Heading to a cutting-edge Scandi boutique or Japanese denim gallery while travelling has become the perfect way to add instant fashion cred to your look. I remember making a beeline for the Veja boutique inside Paris’ Galeries Lafayette so I could return home with the very latest in eco-chic Brazilian sneakers – already beloved by the international jet set.
“What boutique fashion offers is also a link to a story”
It’s become a case of “If you know you know” (#IYKYK), a stylish game of discovery where the prize is that certain something everyone covets, but only the travelling few can lay their hands on. Following fashion editors is one of the best ways to stay on top of the cult-boutique trend. Those slouchy black crepe suit pants that fall perfectly onto your Loewe sneakers? They’re from Me+Em in London. That covetable summer basket bag that all the editors were sporting over the European summer? It’s from French It-Girl Jeanne Damas’ Rouje boutique. And the Farm Rio boutiques in London have been everyone’s go-to spot for a tropical but luxurious beach frock from Brazil.
In fact, you could go perfectly crazy, poring over social media to spot the very latest boutique item on celebrities and streetstyle stars – and bookmarking them for your next trip overseas or asking friends in those cities to send some treasures south. But there’s more to this than just the fashion. What boutique fashion offers is also a link to a story and often a founder that adds something else to that item we covet. The husband-and-wife team who founded Swedish brand Toteme come across as people I could know. The Frankie Shop, with boutiques in New York and Paris, was founded by Gaëlle Drevet, who wanted stylish, high-quality clothing that was both accessible and chic – so she made it. I’m always intrigued by the stories of these founder-led businesses that turn into fashionable success stories. They’re usually on a mission to create sustainable, independent brands with a style of their own – and they seldom start with cult status as their end goal. I can bond with those values and perhaps, secretly, believe that I could do the same.
So let’s get started with a guide to some of the boutique brands you should know about right now. No need to overhaul your entire wardrobe – just become fine-tuned to the happenings in the world of cult boutiques. That way, your look will always be up to date – and you’ll attract attention for all the right style reasons.
ME+EM
UK | @MEANDEM
This British label has carved itself a niche as the intelligent boutique brand for those in the know. If you only ever shopped at Me+Em (pictured above), you could build the perfect wardrobe of luxury pieces designed to be worn multiple ways, across seasons. The brand is a favourite among the British royals and their set, as well as execs who want a look that works hard without sacrificing style.
IYKYK: The wide-leg tailored trouser in fluid crepe is the perfect modern-girl basic – dressy enough for meetings but oozes relaxed style over the weekend with a T-shirt and sneakers.
TOTEME
SWEDEN | @TOTEME
Fashion girls love Toteme for its brilliant coats and jackets. This is elegance at its most pared down –always in the best fabric.
IYKYK: You know that scarf jacket that has been a winter must-have for two years? Well, Toteme was the first one to make it an all-in-one. How’s that for an understated statement piece?
ROUJE
FRANCE | @ROUJE
STINE GOYA DENMARK | @STINEGOYASTUDIO
Stine Goya rewrote the Scandinavian style rulebook by replacing muted minimalism with bold colour, playful prints, and expressive silhouettes. Loved by artists and creatives worldwide, it has been championed by the likes of Florence Pugh and is much-photographed due to its wearable artistry.
IYKYK: The Jasmine Dress in hand-painted print is a fluid, floral one-item statement that will add that unmistakable art-gallery sensibility to your look.
Rouje was founded by the ultimate Parisian It-Girl, Jeanne Damas. The model/muse/creative director just oozes that French girl style that never grows old. She’s also an active supporter of women’s rights charities.
IYKYK: The cross-over Gabin Dress is released every season in various prints. It’s pretty and sexy all at the same time – and even appeared in the last James Bond movie.
POLÈNE
FRANCE | @POLENE_PARIS
Founded in Paris in 2016, Polène quickly became an insider favourite for its architectural handbags. Structured yet organic, with clean lines and buttery leather, these bags are on the arm of many stars during Paris Fashion Week – they’ve become shorthand for modern Parisian chic.
FARM RIO
BRAZIL | @FARMRIO
IYKYK: The Numéro Un Nano, a perfectly proportioned mini bag with a sculptural fold is instantly recognisable to those in the know.
Born in Rio de Janeiro, Farm Rio is beloved for its explosion of tropical prints and joyful colour and is very much behind a worldwide love a air with clashing colours and prints this summer. The brand is a champion of Brazilian craftsmanship and has collaborated with Anthropologie, Adidas, and even the WWF.
IYKYK: The Toucans Garden Maxi Dress is a sweeping, sun-soaked celebration of print that will bring instant vibrancy to a neutral wardrobe. ■
MIRTO DI PANAREA
BALLITO’S BOOM beachside
ONCE A SLEEPY RETIREMENT TOWN, THE KWAZULUNATAL NORTH COAST GEM HAS EVOLVED INTO A VIBRANT HUB FILLED WITH YOUNG FAMILIES, GOURMET DINING, AND A CLUB MED RESORT ON THE HORIZON
WORDS NORMA YOUNG
Not so long ago, Ballito was more synonymous with retirement living than with young families and working professionals looking to enjoy breezy beachside homes. In fact, there was a time when Umhlanga was the favoured coastal destination in KZN that saw my family and I bypassing many great options in Durban just to enjoy restaurants with sea views. But recently, a new contender has emerged – calmer, cultivated, yet still carefree. It’s this balance of laid-back charm without the over-the-top flashiness that’s made Ballito increasingly popular in recent years.
Many of the historic sugar-cane farms that once swayed and sprawled along the North Coast of KwaZulu-Natal have been replaced by roads, shopping malls, car dealerships, and business parks. Yet these modern amenities haven’t compromised the seaside charm and neighbourly feel of Ballito. Spanning suburbs such as Shaka’s Head, Port Zimbali, Shaka’s Rock, Salt Rock, Umhlali, Sheffield Beach, and Tinley Manor Beach, it serves as the open-hearted gateway to the Dolphin Coast.
Just 20 kilometres from King Shaka International Airport, and following seven years of planning and approvals, construction is well underway on what will be Southern Africa’s first Club Med resort, set to open in 2026 at Tinley Manor Beach. With the only other African outposts in Morocco, Senegal, and Tunisia, the arrival of the French resort chain marks a new era for Ballito – one that builds on a decades-long boom that has seen the town transform into one of South Africa’s most popular beach destinations. That same call attracted twin brothers Ayanda and Andile Ngidi, who have become major players in the area’s hospitality scene.
TWINS PEAKING
In 2024, the duo opened three establishments in Salt Rock: Donna Modern Italian, Butcher & Wine, and St Yves Bar. Raised in Glenwood, Durban, during their high school and university years, they noticed that the social scene was shifting northward. “We had an events business and decided to start trading in Ballito from 2010,” says Ayanda. “Over the years, we watched the slow growth as more and more people expressed a desire to drive out for the weekend, or even for a day.”
ABOVE: Brothers Ayanda (left) and Andile (right) have opened three successful restaurants in Salt Rock
1 ART AT THE GALLERY
Featuring paintings, drawings, prints, mixed media works, ceramics, and sculptures, exhibitions run throughout the year, while occasional classes are offered at the Ballito Lifestyle Centre.
2
BALLITO FARMERS MARKET
More than 200 stalls cover home decor, fashion, jewellery, cosmetics, fresh produce, pantry staples, and even plants. For food lovers, Korean, Thai, boeries, and crêpes are just some of the culinary offerings.
3
SNORKELLING SAFARI
Water that’s warm year-round makes the tidal pools along the North Coast of Durban delightful for marine life and snorkellers. Run by Tidal Tao, these underwater safaris allow visitors to spot varieties of fish, octopus, sea hares, corals and critters.
4
STROLL THE PROMENADE
Seasonal dolphin and whale sightings are common, while fascinating tidal pools, rock formations and sand sculptures are more regular delights. Set at around four kilometres from Salmon Bay to Willard Beach, the walk can be further extended by continuing to Salt Rock.
5
SPA DAYS
Located at five-star luxury boutique hotel, Sala Beach House, Sala Spa offers oceanside rest and rejuvenation. Beyond massages, yoga, reiki, and sound baths can be arranged.
“It’s this balance of laid-back charm without the over-thetop flashiness that’s made Ballito increasingly popular”
COASTAL LIVING: Chic eateries like Butcher & Wine (left) and Saint Yves (below) have contributed to a boom in the once sleepy town of Ballito
Seeing the residential developments and infrastructure improvement of the area was a sign that Ballito was on the cusp of a greater boom. The brothers anticipated that there’d be big opportunities to come, so in 2023, they moved there permanently. Initially, the plan was to open one restaurant, but when they realised a potential neighbouring tenant wouldn’t complement their establishment, they pivoted. “The second store was big, so we subdivided it into two. Now with this vacant space, we had to figure out how to fill it without taking away from the first Italian restaurant,” recalls Andile.
With their hospitality background and the anticipated interests of the local market, the brothers decided on a grill/sushi house and a stylish bar. Their calculated gamble that the area would see a surge was accurate.
In April 2025, their flagship restaurant, Donna Modern Italian, hosted the launch of a new housing development, Salt Rock City. Buyers arrived as early as 4:30am to secure a place in the estate, with more than half of the available units selling out within the first two hours. The development includes 188 freehold and 189 sectional title units.
Alongside gated developments such as Zimbali Estate, Umhlali Golf and Country Estate, and Simbithi Eco Estate, luxury hotels and lodges have increased the residential capacity of the area. When it was first marketed in the mid-1950s to potential investors, the tagline was “Buy, Build & Play at Ballito Bay, The Caribbean of the North Coast.” Decades – and much infrastructure – later, that adage seems to be coming to fruition. ■
FIVE THINGS TO DO IN BALLITO
A BOLD NEW BLEND FOR AFRICA
RÉMY MARTIN UNVEILS AN EXCITING NEW CHAPTER WITH THE LAUNCH OF RÉMY MARTIN VS SUPÉRIEUR –A BOLD COGNAC CREATED EXCLUSIVELY FOR AFRICA
The House of Rémy Martin has long been synonymous with craftsmanship, heritage, and innovation. Now, the revered French cognac producer has introduced Rémy Martin VS Supérieur, a new expression crafted exclusively for Africa. Launched last month, the cognac is available in South Africa and Nigeria and is a contemporary twist on classic tradition.
This new release also marks the renaissance of a historic Rémy Martin label. Cellar Master Baptiste Loiseau revisited the original blend created by his predecessors and reinterpreted it for today’s dynamic, social audience. Extended ageing of three years in French oak casks – one year longer than a traditional VS – gives the liquid extra depth and character.
“Rémy Martin VS Supérieur represents a bold step forward, honouring our rich heritage while embracing the vibrant lifestyles of South Africa and Nigeria,” says Svetlana Naumova, Managing Director, Africa, Middle East, India, and CIS. “We are confident this exceptional cognac will resonate with a new generation of cognac lovers across the region.”
At its heart lies the prized terroir of Petite Champagne. The chalky soils and temperate climate create eaux-de-vie of remarkable quality, aroma, and texture. Distillation on the lees – a hallmark of the House – adds complexity, silkiness, and a lingering finish. “Bringing both immediacy and a long, memorable finish, Rémy Martin VS Supérieur encapsulates the signature freshness of Petite Champagne,” Baptiste explains.
The result is a cognac that balances legacy with modern flair. Visually, it gleams with warm copper tones and ruby reflections, while offering expressive notes of toasted oak, creamy vanilla, spice, and fresh stone fruits on the nose. The palate reveals richness with peachy, toasted flavours, and a hint of liquorice.
COCKTAIL HOUR
APPLE FIZZ
A deliciously crisp, sparkling cocktail to refresh on hot days and balmy nights.
Serves 1
Add ice cubes, 50ml Rémy Martin VS Supérieur and 100ml sparkling apple juice to a highball glass.
Gently stir and garnish with lemon zest.
Presented in a striking clear glass bottle embossed with the Centaur emblem and finished with gold and black metallic details, Rémy Martin VS Supérieur is designed to stand out on shelves and at stylish gatherings.
The cognac is also highly versatile; it can be savoured neat, on ice, or as the base for vibrant cocktails such as the Rémy Apple Fizz, Rémy Pineapple Rock, or the refreshing Rémy & Tonic. Its mixability ensures it can move seamlessly from house parties to nightclubs, reflecting the social energy of its consumers.
Rémy Martin VS Supérieur joins the House's established African portfolio, which already includes Rémy Martin V.S.O.P, 1738 Accord Royal, and XO. For more than three centuries, the House has combined terroir, savoir-faire, and innovation – and this new release underscores its enduring commitment to both tradition and evolution.
RÉMY
NORTHERN LIGHTS
RICHARD HOLMES JOURNEYS TO ONE OF THE WORLD’S NORTHERNMOST POINTS OF THE ARCTIC CIRCLE. THE ADVENTURE
BEGINS IN SVALBARD, WHERE DODGING POLAR BEARS IN LONGYEARBYEN IS JUST THE START…
Two kilometres outside the town of Longyearbyen, there’s a road sign with a simple warning: ‘Gjelder hele Svalbard’ Although my grasp of Norwegian is limited, the message is clear: watch out for the polar bears.
Longyearbyen is the largest settlement in the Svalbard archipelago, and the world’s northernmost town. Locate it on the map, and you’ll be amazed that land exists this far north – well above the Arctic Circle. It was coal and whaling that first drew adventurers here, but today the mines are closing, and tourism drives the island’s economy. I, like so many others, was drawn to Svalbard by the enigmatic landscapes, the novelty of standing so far north, and the chance to sail south through some of Norway’s most beautiful fjords. The privilege of perhaps seeing the ‘King of the Arctic’ striding across the tundra? Well, that was just an added bonus.
And the sign wasn’t kidding – there are famously more polar bears than humans on Svalbard, and it’s the chance to admire these formidable animals that draws most summer travellers here. Snowmobile tours, hiking, kayaking, and sailing make Svalbard a haven for adventure seekers, while in winter, the island is bathed in the ghostly glow of the Aurora Borealis
But in the summertime, when I visit, the island is washed in the ethereal light of the midnight sun. It’s incredibly disconcerting on my first night – even blackout blinds fail to help me sleep –but it soon becomes magical. I spend long days on guided hikes – an armed guard is compulsory beyond the town limits – and fjord excursions. There would definitely be enough to keep me busy on Svalbard for a week, but I’m here, mostly, to leave again.
On my last afternoon, from a snowy peak in the Blomsterdahlen valley, I watch as the MS Trollfjord motors slowly into Isfjord and docks at the quayside. My ride has arrived.
Hurtigruten ferry line has a long history in Norwegian seas. Founded in 1893, their ferries fast became a lifeline for remote villages deep in the nation’s dramatic fjords. And while Hurtigruten’s Coastal Express still operates, ferrying tourists and cargo, the Svalbard Line forms part of their curated, allinclusive Signature Journeys that are less about the cargo and more about unearthing Norway’s natural and cultural riches.
That evening, we sail out of Isfjord on mercurial waters reflecting the snow-capped peaks. A schooner slips under sail across the bay, an echo of the Arctic expeditions that once departed from here. Guillemots dance across the water, and a glacial silence hangs thick in the air.
The following morning, we awaken as far towards the North Pole as we would reach: at almost 79°N, the research station of Ny-Ålesund is the northernmost civilian settlement on Earth. Here, we train our binoculars on the bird sanctuary and mail postcards from the world’s most remote post office. In the fjord, two glaciers slowly feed their ice into the Barents Sea. But as we sail south for one last view of the glaciers, a tannoy crackles: “Polar bear spotted on shore. Make your way to deck six starboard.” I watch, captivated, as the massive bear prowls off into the icy landscape. An unbelievable stroke of luck.
From Ny-Ålesund, we have 36 hours of cruising open ocean before reaching the fjords of northern Norway. And while the MS Trollfjord doesn’t come with the usual trappings of a luxury cruise ship – it hosts just a few hundred guests and you won’t find revue shows or casinos on board –there’s no shortage of diversions. I spend endless hours on the outdoor promenade deck, scanning the seas for white-beaked dolphins and Arctic fulmars. Indoors, guests linger in the library, sip cocktails in the panoramic 1893 Bar, or head to the auditorium for daily lectures from onboard naturalists on everything from Arctic ecology to Norwegian folklore.
There’s also ample time to explore MS Trollfjord’s three restaurants: à la carte and generous buffets in Flora, fine dining in Røst, or brasseriestyle plates in Arran. The common thread is Hurtigruten’s concept of
BEAR EXPRESS:
From the fjords to the food and everything in between, an Arctic Circle trip is a bucket-list must
a Coastal Kitchen, highlighting the farms, fish, and forests along the route. Expect an abundance of heritage recipes and local produce: elk sausage by charcutier Astrid Regine, or snow crab from local fishermen. The menus showcase Norway’s rich culinary tradition, from tender slowcooked reindeer to fresh Ling roasted with forest herbs.
The philosophy extends to the 1893 Bar, perched on deck eight with stunning views ahead. Here, Bar Manager Nicolai Trevland pours great passion into a cocktail menu that highlights Norwegian spirits and flavours. Even Norway’s famous ‘brown cheese’ is transformed into a cocktail that improbably tastes like dessert at your grandmother’s.
POLAR
“There are famously more polar bears than humans on Svalbard”
“We want to showcase our history and highlight the beautiful things we produce here – from spirits and gin to whisky,” says Nicolai. “We’re famous for cloudberries, and we make a Cloudberry Sour on board that is just fantastic. We also use sea buckthorn, which grows close to the shoreline. It’s full of acidity, omega oils, and vitamins. We mix it with thyme-infused akvavit, a local spirit.”
And while you’d be happy enough flitting from restaurant to bar and back again, the highlight of the Svalbard Line arrives after Tromsø, as the MS Trollfjord begins its meandering journey through the fjords, hopping off for a few hours at beautiful towns and villages.
One rainy afternoon, I set off to discover Svolvær’s historic fish-drying racks and artfilled alleys. The sun shines at Brønnøysund for tidal lakes and a fairytale mountain said to have been pierced by a troll’s arrow. Ålesund is an Art Nouveau delight, while our final stop, Sæbø, offers clapboard houses and turf-roofed barns framed by green slopes and the glassy waters of Hjørundfjord.
“The Hurtigruten ships first sailed to connect the coastal villages; we just happened to enjoy the journey,” said naturalist guide Leonhard Haberl one afternoon up on the top deck. “It’s not a cruise, it’s a voyage of discovery.” ■
HOW TO BOOK
• FLIGHTS: Direct flights (daily in summer) link Oslo to Longyearbyen.
• VISA: No visa is required for Svalbard, but you’ll need a Schengen visa to transit through Norway. Apply via visa.vfsglobal.com.
• STAY: Arrive a few days before the cruise to explore Longyearbyen. The Radisson Blu Polar Spitsbergen is the best hotel in town.
• BOOKINGS: To book Hurtigruten’s Svalbard line, contact Everything Cruising at everythingcruising.co.za or your preferred agent.
WHAT TO WEAR
Even in midsummer, the weather in Svalbard is extreme with sub-zero temperatures and snow, making warm and waterproof outdoor gear essential. For this cruise, I equipped myself with trusted outdoor brand The North Face. Their Offtrail Gore-Tex boots stayed 100 percent dry even in soggy tundra, and the Zaneck jacket kept icy ocean breezes at bay. Base layers are a must, so aim to layer up with a down gilet and fleece. My favourite item? Etip gloves that let you use your phone and camera while keeping your fingers warm.
FROM ANCIENT CHANTS TO INCENSE AND AMAPIANO, BUBU OGISI’S INSPIRATIONS DEFY CATEGORISATION. THE LAGOSBASED FOUNDER OF IAMISIGO SPEAKS ABOUT HER NOMADIC NATURE, THE SACREDNESS OF CRAFT, AND WHY FASHION IS A LIVING ARCHIVE OF HUMANITY
WORDS LERATO
TSHABALALA
YOU’VE DESCRIBED YOURSELF AS A NOMAD – HOW DOES THAT SENSE OF MOVEMENT AND FLUIDITY SHAPE YOU PERSONALLY AND CREATIVELY?
Movement is my way of existing. Being a nomad allows me to constantly question, unlearn, and absorb. Fluidity shapes my identity and my work. Each garment becomes a vessel carrying fragments of culture, history, and spirit from every place I’ve touched.
YOU’VE LIVED IN GHANA, NIGERIA, KENYA, LONDON, AND PARIS. HOW HAVE THESE CITIES INFLUENCED YOU?
Each city has given me a different rhythm, a visual language, and a spiritual layer. Accra and Lagos taught me about texture and resilience, Nairobi gave me nature and colour, and London and Paris exposed me to global narratives. Together, they shaped a world where African identity is central, yet boundless. WHERE DO YOU FEEL MOST AT HOME?
To me, home is a state of consciousness, not necessarily a place. I carry it in me – in memories, rituals, and the stories woven into fabrics. Wherever I go, I recreate home through sound, scent, and the threads of culture that transcend all borders.
TRAVEL IS CENTRAL TO YOUR LIFE AND WORK. WHAT SIMILARITIES HAVE YOU OBSERVED BETWEEN CULTURES?
Beneath every tradition is a universal need to document identity – through dress,
THREADSof a NOMAD
fabric, or ornamentation. I see parallels between weaving techniques in West Africa and Europe, or ceremonial dressing similarities in other parts of Africa and Europe. Those echoes remind me that fashion is a living archive of humanity. IAMISIGO’S COLLABORATION WITH SOUTH AFRICAN MILLINER, CRYSTAL BIRCH, BRINGS TWO STRONG CREATIVE VISIONS TOGETHER. WHAT INSPIRED THIS PARTNERSHIP? Crystal’s work embodies the same reverence for craftsmanship and cultural storytelling that drives IAMISIGO. This collaboration felt natural: two African voices pushing boundaries, merging headwear and clothing into sculptural narratives that honour tradition while creating something entirely new.
WHAT DID WINNING ZALANDO’S 2025 VISIONARY AWARD MEAN FOR YOU?
It affirmed the importance of telling African stories on a global stage. It’s not just recognition –it’s a responsibility to continue pushing these narratives forward.
MUSIC FEEDS YOUR CREATIVITY. WHAT ARE YOU CURRENTLY LISTENING TO?
My playlist is a collage of soundscapes: Fela Kuti, Sun Ra, Amapiano rhythms, ancient chants, and experimental music. Music is like fabric. It’s layered, textured, and deeply tied to memory. It shapes the mood of every collection.
WHERE DO YOU SHOP FOR THE ITEMS THAT INSPIRE YOUR WORK? From the markets in Lagos to those in Nairobi –I am constantly inspired by traditional markets across West and East Africa. These spaces are archives of colour, craft, and ancestral knowledge. I’m drawn to artisans who preserve ancient techniques, whether in weaving, dyeing, or sculpture. WHAT DO YOU DO TO SWITCH OFF? New ideas often appear in quiet moments, so I like retreating into silence, with incense and meditation. I also like going for walks. YOUR TOP SPOTS IN LAGOS AND ACCRA?
Lunch: T-T in Lagos, known as ‘the cosiest rooftop in Lagos’. It’s intimate and familiar – if you know, you know.
Dinner: Polo Club Suya in Lagos, and Santoku, a Japanese restaurant in Accra. I like both for the contrast of tradition and fine dining. They’re infused with local flavours and community.
Drinks: Slow, a tropical brasserie in Lagos, and Frontback, an art gallery in Accra that doubles as a restaurant and bar. Here, creativity and culture meet over conversation and music.
WHAT’S NEXT? I want to explore food and the culture around it. I’d like to discover how it relates to the way we behave and organise as humans. I’m also interested in new-age technologies like circuitry and bio-electrical systems. I’m thinking of these for future collections. ■ iamisigo.com
